Here are 81 books that Bayou Farewell fans have personally recommended if you like
Bayou Farewell.
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Life is taking a bite of the comedy/tragedy sandwich, savoring the mix of flavors, deciding how you feel about the taste, and taking another bite. I love writing that can gather experiences from across the emotional spectrum and incorporate them into a narrative that is absurd and all the more true because of it. These five books do it better than the rest.
I love a book that makes me laugh out loud and feel something deep about the characters and the world it presents. Ignatius J. Reilly, this novel’s main character, is basically a blueprint for the modern incel: he’s rude, selfish, hypocritical, infantile, and inconsistently idealistic, and while he’d be a horror to interact with in real life, he’s absolutely one of the funniest characters in all of literature.
One of the many magic tricks of this book is making the reader realize they’re halfway rooting for Ignatius by the end of his inane New Orleans adventures.
'This is probably my favourite book of all time' Billy Connolly
A pithy, laugh-out-loud story following John Kennedy Toole's larger-than-life Ignatius J. Reilly, floundering his way through 1960s New Orleans, beautifully resigned with cover art by Gary Taxali _____________
'This city is famous for its gamblers, prostitutes, exhibitionists, anti-Christs, alcoholics, sodomites, drug addicts, fetishists, onanists, pornographers, frauds, jades, litterbugs, and lesbians . . . don't make the mistake of bothering me.'
Ignatius J. Reilly: fat, flatulent, eloquent and almost unemployable. By the standards of ordinary folk he is pretty much…
Growing up in Scott, Louisiana, I didn’t know that everyone else in the United States did not get Mardi Gras off from school and work. I thought everyone knew some French. Crawfish boils were a natural, expectable part of every spring. South Louisiana is a world unto itself. Over the years, I’ve come to appreciate my heritage, my Cajun lineage, and the sometimes-befuddling ways we Louisianians look at that world. Between conversations with elders, reading historical documents, and even looking at land transfer maps, I’ve become even more grounded in what being from this little wet corner of the world means.
This is another book to tackle the uncommon quirks of this region. Lejeune finds the backroads through this part of the world to tie legends, myths, and history together and then bind them to epochs in his own life.
I felt like I was right next to him the whole time, feeling confusion, appreciation, and awe as every dogleg on the bayou or rise over a chenier brought me on a journey inward as well. This is a book I’d like to read again while traveling.
In Finding Myself Lost in Louisiana, author Keagan LeJeune brilliantly weaves the unusual folklore, landscape, and history of Louisiana along with his own family lineage that begins in 1760 to trace the trajectory of people's lives in the Bayou State. His account confronts the challenging environmental record evident in Louisiana's landscapes. LeJeune also celebrates and memorializes traditions of some underrepresented communities in Louisiana, communities that are vanishing or have vanished-communities including the author's own.
Each section in the memoir is a journey to a fascinating place, but it's also a search for LeJeune's own sense of belonging. The book is…
From a young age, I read and watched everything about the Jack the Rippers, Black Dahlias, and Ted Bundys of the world. I think humans are fascinated by these killers, the worst of the worst, in the same way we are drawn to the best of the best. We want to know what makes them tick. One of the reasons I became a lawyer is at a young age I wanted to be a part of making sure justice is done—for everyone, regardless of their societal status. An empathetic person, I wanted to help others, even those who made horrific life choices. The law, true crime, and fighting for fairness are my passions!
I love the heart-breaking power of this story about a falsely accused Black man on death row in the racist 1940s South. A college-educated teacher visits him in prison and gives him some dignity before his execution happens, and in so doing, gives meaning to himself and his community.
The unfairness of what went on in this country on a daily basis with our criminal justice system is shameful. But this book compels us to rise above it and create meaning and hope.
The conversations are real and raw, and I cried real tears at the end. This book made me think, feel, and care about justice being done.
NATIONAL BOOK CRITICS CIRCLE AWARD WINNER • A deep and compassionate novel about a young man who returns to 1940s Cajun country to visit a Black youth on death row for a crime he didn't commit. Together they come to understand the heroism of resisting.
"An instant classic." —Chicago Tribune
A “majestic, moving novel...an instant classic, a book that will be read, discussed and taught beyond the rest of our lives" (Chicago Tribune), from the critically acclaimed author of A Gathering of Old Men and The Autobiography of Miss Jane Pittman.
"A Lesson Before Dying reconfirms Ernest J. Gaines's position…
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
Growing up in Scott, Louisiana, I didn’t know that everyone else in the United States did not get Mardi Gras off from school and work. I thought everyone knew some French. Crawfish boils were a natural, expectable part of every spring. South Louisiana is a world unto itself. Over the years, I’ve come to appreciate my heritage, my Cajun lineage, and the sometimes-befuddling ways we Louisianians look at that world. Between conversations with elders, reading historical documents, and even looking at land transfer maps, I’ve become even more grounded in what being from this little wet corner of the world means.
When I grow up, I want to write like Tim Gautreaux.
I read this book about five years ago, and it was like I’d just started reading all over again. I felt seen. Gautreaux found the soul of South Louisiana, distilled it, and somehow made it make all the sense in the world. His characters breathe.
I closed the book and stayed in his fictional town of Crapaud. Anytime I am lonesome for my home state I just need to read any one of these stories.
ONE OF THE WALL STREET JOURNAL AND NPR'S BEST BOOKS OF 2017
Containing twelve new stories and nine classics from previous collections, Signals is Tim Gautreaux at his best. Effortlessly conjuring the heat and humidity of the author’s beloved South, these stories of men and women grappling with faith, small town life, and blue-collar work are alternately ridiculous and sublime. For both longtime fans and readers lucky enough to encounter him for the very first time, Signals cements Gautreaux’s place as an American master.
By chance, I was entrusted with rare historical documents about the immigrant generations in our family, which inspired this novel and grounded it in reality. Who wouldn’t wonder why they came? Besides, I have always been fascinated by pre-modern times and how steam power changed everything and dragged us along, kicking and screaming. And, even though they arrived in America in 1836, I grew up on the farm where they lived, so I heard tales of their amazing journey. It may be 186 years on, but it’s time to tell their story, which, it turns out, is a story for us all.
As a teenager, Abraham Lincoln built a flatboat and floated down the Mississippi to New Orleans to sell the produce his family and neighbors had grown. This and a similar trip three years later were his only exposure to the Deep South. They immersed him in a culture of riverboat men that was archetypical of the era and included events that became part of the mythology surrounding him, an attack by runaway slaves that could have killed him, and his rescue of fellow boatman from drowning. Campanella is a university professor, tireless researcher, and excellent writer.
In 1828, a teenaged Abraham Lincoln guided a flatboat down the Mississippi River to New Orleans. The adventure marked his first visit to a major city and exposed him to the nation's largest slave marketplace. It also nearly cost him his life, in a nighttime attack in the Louisiana plantation country. That trip, and a second one in 1831, would form the two longest journeys of Lincoln's life, his only visits to the Deep South, and his foremost experience in a racially, culturally, and linguistically diverse urban environment.
Lincoln in New Orleans: The 1828-1831 Flatboat Voyages and Their Place in…
I have no French or Acadian ancestors—as far as I know—yet the majority of my 21 books (history and fiction) explore different aspects of French colonial or Acadian history. Childhood visits to historic sites like the Port-Royal Habitation, Grand-Pré, Louisbourg and Fort Anne must have planted the seeds for the historian and writer I would become. Then again, working for years as an historian at the Fortress of Louisbourg definitely helped. France made me a chevalier of its Ordre des Palmes académiques for my body of work.
It comes as a surprise to many, but no Acadians were deported to Louisiana. It was a French colony in 1755, and those making the decisions about where the deportees were to go did not want to strengthen any French colony. They chose the Anglo-American colonies so there could be assimilation. The reason so many Acadians—renamed Cajuns—ended up in Louisiana was because of later migrations; voluntary migrations, not forced deportations. This book examines the growth, evolution, and political involvement of Louisiana's large Acadian community between the time of the Louisiana Purchase in 1803 and 1877, the end of Reconstruction in Louisiana. It’s a study that offers a good introduction to the Acadians (Cajuns) of that state.
This book is the first to examine comprehensively the demographic growth, cultural evolution, and political involvement of Louisiana's large Acadian community between the time of the Louisiana Purchase (1803), when the transplanted culture began to take on a decidedly Louisiana character, and 1877, the end of Reconstruction in Louisiana, when traditional distinctions between Acadians and neighboring groups had ceased to be valid.
Serving as a model for ethnohistories of other nonliterate peoples, Acadian to Cajun reveals how authentic cultural history can be derived from alternative historical resources when primary materials such as newspapers, correspondence, and diaries are not available. Here,…
When two brothers discover a 300-year-old sausage-curing cabin on the side of a Slovenian mountain, it's love at first sight. But 300-year-old cabins come with 300 problems.
Dormice & Moonshine is the true story of an Englishman seduced by Slovenia. In the wake of a breakup, he seeks temporary refuge…
I’ve been in the children’s book publishing industry for more than twenty-five years, as an editor, bookseller, author, library volunteer, school visit coordinator for authors, and more! I love connecting readers with great books, especially if the readers are middle schoolers, which is my favorite reading level. I see book searches as scavenger hunts—give me a small clue and I’ll find you the book!—and I find it especially gratifying to pair a reader with a book they’ve never heard of before. I’m also good at pairing books with ice cream flavors (Anne of Green Gables + Cinnamon Apple, Little House In the Big Woods with Maple Sugar, Charlie and the Chocolate Factory with Darkest Fudge, and so on!), but that’s a story for another time.
Maddy is a city kid spending her first summer alone at her Grandmère’s house on the bayou in Louisiana. Her grandmother is a little bit strange, but she and Maddy get along perfectly and can even read each other’s minds. At Grandmère’s side, Maddy learns to cook, to care for her chickens, to make healing potions, study the weather and tides, but she also learns not to stare, not to mumble, not to be quick to judge. And when an environmental and emotional disaster occurs, Maddy is called on to lead and to heal all on her own. Her triumph is thanks to what she learned from Grandmère. This multigenerational story, gorgeously written by Coretta Scott King award-winner Rhodes, is heartwarming and exciting and Maddy’s survival skills are impressive.
If only Maddy can see the mermaid, can it be real?
It's Maddy's turn to have a bayou summer. At first she misses life back home in the city, but soon she grows to love everything about her new surroundings -- the glimmering fireflies, the glorious landscape, and something else, deep within the water, that only Maddy sees. Could it be a mermaid? As her grandmother shares wisdom about sayings and signs, Maddy realizes she may be the only sibling to carry on her family's magical legacy. And when a disastrous oil leak threatens the bayou, she knows she may…
I retired from a district attorney’s office as a victim witness specialist and a paralegal, where I saw a disturbing side of humanity with too many female victims. There were rarely any winners on either side. Reading mysteries with strong female leads gave me hope. A dash of humor didn’t hurt, either. After a long day of vicarious trauma, it was a treat to hide behind my computer in the evenings and write cozy mysteries, where I tied up the end of the story with a pretty pink bow and where there was a winner. I’m hooked!
This book had me laughing out loud in the first chapter and several times thereafter. The female lead is a CIA assassin in hiding in Sinful, Louisiana, where she meets two older woman, Gertie and Ida Bell, who the town has dubbed the “Geritol Mafia” and who were in Viet Nam together.
The author creates characters—and relationships between those characters—that stayed in my mind long after reading the book. Again, I eagerly wait for each new release in the series so I can be part of Fortune, Gertie, and Ida Bell’s adventures.
CIA assassin Fortune Redding is about to undertake her most difficult mission ever-in Sinful, Louisiana. With a leak at the CIA and a price placed on her head by one of the world's largest arms dealers, Fortune has to go off-grid, but she never expected to be this far out of her element. Posing as a former beauty queen turned librarian in a small bayou town seems worse than death to Fortune, but she's determined to fly below the radar until her boss finds the leak and puts the arms dealer out…
I’ve always been inspired by the setting as character. Place is powerful, especially when that place is touched by the natural world. Between growing up in the rural American South and doing fieldwork with biologists, nature has wormed its way into the majority of my work. And as a queer horror writer, I deeply value horror stories that have us in the protagonist’s role. I’ve curated this list to reflect all of that at once: queer protagonists trying to survive in environments that would love to eat them alive. I hope you enjoy them as much as I did.
Set in 1930’s Louisiana, the environment is a character in and of itself—lush, suffocating, dreamlike. In fact, the entire book feels like an unsettling dream. The narrative of trauma and death swirls around Eugene, a reporter, and Johnny Walker, an enigmatic fugitive. Heed the content warnings before you dive into this book, it’s heavy, and Powell leaves very little off the page.
Small-town Louisiana, 1935.When Eugene was twelve, a girl from town disappeared. Everyone said the gators must have got her when she strayed too near the bayou. No foul play, just a terrible accident. But Eugene can't shake the conviction that Mary Beth's death had something to do with the man who used to haunt her—the man no one else could see.Now, nearly two decades later, there are more dangerous things than gators in Chanlarivyè. People are disappearing again, and this time, no one can find the bodies. As the town's unease grows, charismatic fugitive Johnny Walker arrives on the scene,…
Marianne Bohr and her husband, about to turn sixty, are restless for adventure. They decide on an extended, desolate trek across the French island of Corsica — the GR20, Europe’s toughest long-distance footpath — to challenge what it means to grow old. Part travelogue, part buddy story, part memoir, The…
I adore all things ghostly, from TV shows to books to movies. I immerse myself. For me, I think it began as a young girl with poems from my grandmother’s favorite book and films or programs we’d watch together. The what-if factor and the vast unknown is addicting. It chronically makes us think or sit at the edge of our seats. I’ve even visited haunted locations before and had a couple of experiences. Romance ties into that for me. We all strive for it and hope to find it. It can be as elusive as fog. By combining the two genres, readers like me get the best of all worlds.
This book didn’t necessarily have a grinding spooky element so much as mysterious unknown indicators, but it’s haunting just the same. And romantic. I believe in second sight or psychic ability, that there are those out there with the true gift. Frankly, I’ve had a few “premonition” dreams myself that led me to an avid interest in the subject. The topic was well-written, relatable, and gave me many story ideas. The setting is an old ancestral home in the Louisiana Bayou, so it hit all the history and boo feels, plus it has a suspense angle. Sharon is an amazing soul with an open mind, who I met at a couple events, and I loved chatting with her.
A woman’s second sight leads her to a missing girl, and the mystery man of her dreams in this romantic thriller from the New York Times–bestselling author.
Like her mother and grandmother, Laurel Scanlon has the gift of second sight. Though by day she is unfulfilled in life and romance, she welcomes the nightly dreams that show her the image of her true love . . .
When her grandmother dies, Laurel is drawn back to Mimosa Grove—her ancestral home in the heart of Louisiana bayou country. When the community asks Laurel to help in the search for a missing…
