Here are 82 books that Bayou Magic fans have personally recommended if you like
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My name is Lynn Brunelle, and for as long as I can remember, I have been at least two things—a bookhound and an outdoorsy girl. Ever since I was little, I have explored trees, insects, tadpoles, snowflakes, tidepools—whatever I discovered in my home in the woods by the beach. I had so many questions, which led to books. So it seems only natural that I LOVE books—lots of different genres of books, but mostly books for kids and mostly books that make me wonder about science and nature. Bringing this curiosity to others and making the amazing things in nature accessible to kids is what I do.
I know, I know, this is fiction, but what a glorious story it is! It resonates with me because it is all about a girl being dazzled by nature, working with it, and surviving.
I first read this book in 3rd grade and loved it. I love the character’s resilience, respect, and perspective. Although the world she lived in was so different from my own, there were so many similarities in approach and so many things to learn. It’s the first book that made me think about what it might be like to live in and with nature.
Twelve-year-old Karana escapes death at the hands of treacherous hunters, only to find herself totally alone on a harsh desolate island. How she survives in the face of all sorts of dangers makes gripping and inspiring reading.
As a writer and a mom, and a former teacher, and someone who constantly has to pay attention to the world we live in today, I feel especially compelled to find a good balance for parents to help their kids love reading without compromising their childhood innocence. As adults, we know we live in a broken world. But telling kids about these things without giving them a reason to hope for a better future or without giving them a good role model is more detrimental than helpful. It dooms them to nihilism and cynicism, and only a mature mind is able to successfully break free from that mind trap.
The Boxcar Children is the next on this list because it’s actually a good mix of the first two series I’ve mentioned—it has four children, with two boys (Henry and Benny) and two girls (Jessie and Violet), and it’s set in America.
There’s no fantasy, but there’s still plenty of strife as the Alden siblings lose their parents, and they try to make it on their own. They settle down in an old abandoned box car as Henry finds work in a nearby neighborhood, Jessie and Violet teach Benny to read as their grandfather, who they’ve been trying to avoid for fear of him not wanting them, is searching for them.
Overall, it’s a wonderful story about family love and neighborly friendships. The books continue the series, where the children go on vacations, solve more mysteries, and make new friends.
Note***This series is one of the first “longer” series (we…
Henry, Jessie, Violet, and Benny are brothers and sisters. They're orphans too, and the only way they can stay together is to make it on their own. When the children find an abandoned boxcar in the woods, they decide to call it home―and become the Boxcar Children!
Father-daughter relationships have always fascinated me. I wrote my first book to explore what it might be like for a girl to have a father with whom communication is, if not easy, possible. Although my own father was around when I was growing up, he was a distant figure. A mechanical engineer, he lost himself in ruminations on machines and mathematics and was made still more distant by his alcoholism. As a kid, I tried to glean from books what having a “regular” father might be like. I still haven’t figured it out, but I love seeing other authors capture the formative effects of this particular parental relationship.
This historical novel has been heralded as a fresh look at the era of the Little House books, and it does a wonderful job of looking at frontier life in Dakota Territory in 1880 from the perspective of Chinese-American Hanna. It’s also an examination of a daughter trying to navigate an often prickly relationship with her white father, made even more difficult after the death of Hanna’s Chinese-Korean mother. I love Hanna’s careful study of everyone around her—observances that are borne from a need to protect herself from racism, but which are also windows to empathy and understanding. Despite her father’s resistance to Hanna following her dream to become a dressmaker, Hanna prevails, using her knowledge of her father’s own nature to win him over.
Prairie Lotus is a powerful, touching, multilayered novel about a girl determined to fit in and realize her dreams: getting an education, becoming a dressmaker in her father’s shop, and making at least one friend.
Acclaimed, award-winning author Linda Sue Park has placed a young half-Asian girl, Hanna, in a small town in America’s heartland, in 1880. Hanna’s adjustment to her new surroundings, which primarily means negotiating the townspeople’s almost unanimous prejudice against Asians, is at the heart of the story.
Narrated by Hanna, the novel has poignant moments yet sparkles with humor, introducing a captivating heroine whose wry, observant…
I’ve been in the children’s book publishing industry for more than twenty-five years, as an editor, bookseller, author, library volunteer, school visit coordinator for authors, and more! I love connecting readers with great books, especially if the readers are middle schoolers, which is my favorite reading level. I see book searches as scavenger hunts—give me a small clue and I’ll find you the book!—and I find it especially gratifying to pair a reader with a book they’ve never heard of before. I’m also good at pairing books with ice cream flavors (Anne of Green Gables + Cinnamon Apple, Little House In the Big Woods with Maple Sugar, Charlie and the Chocolate Factory with Darkest Fudge, and so on!), but that’s a story for another time.
A larder full of dry goods, a dense thicket of gorse protecting a carefully hidden homestead, heather and pine needles for bedding, dry caves for winter shelter, natural tinctures and salves for injuries and illnesses, small brooks for bathing and cold creeks that preserved fresh milk and sweet butter…Four brave, skilled and industrious children run away from abusive situations in this vintage British book, and manage to care for and support themselves with farming and homesteading skills that were exotic to me as an over-supervised hothouse flower growing up in New York City in the 1970s. Outdoor living and childhood independence were completely foreign to me, and the resourcefulness and nerve of the protagonists created my lasting love for Enid Blyton’s The Secret Island that remains to this day.
When Mike, Peggy and Nora are sent to live with a cruel uncle and aunt, they long to run away. Then they meet Jack, who tells them of a mysterious Secret Island, and they soon begin to make plans to escape to it - but do they realise the challenges and dangers of the great adventure that lies ahead?
From my work as a playwright and breakbeat poet, Artistic Director of Seattle Children’s Theatre, and full-time co-parent, I've dedicated my career to crafting engaging narratives that resonate across generations. With over sixty original plays to my name, I've honed a unique approach that intertwines hip-hop rhythms with rich storytelling. My debut picture book is a testament to this approach—inviting children and parents to discover the boundless creativity that can be found in everyday spaces. It’s my hope that this book inspires families to explore their homes with fresh eyes and open hearts, turning reading into an adventure of imagination.
This is not just a book; it's a portal to a pivotal piece of history.
As an artist deeply intertwined with music and performance, I am drawn to how this book celebrates the cultural significance of Congo Square as a place of solace and communal joy for enslaved people. The lyrical storytelling and vibrant illustrations resonate with the power of music and dance, echoing the importance of cultural expression in our lives.
This book is a vital read for its historical significance and its ability to inspire through resilience.
Winner of a Caldecott Honor and a Coretta Scott King Illustrator Honor A Kirkus Reviews Best Book of 2016 A School Library Journal Best Book of 2016: Nonfiction Starred reviews from School Library Journal, Booklist, Kirkus Reviews, and The Horn Book Magazine A Junior Library Guild Selection
This poetic, nonfiction story about a little-known piece of African American history captures a human's capacity to find hope and joy in difficult circumstances and demonstrates how New Orleans' Congo Square was truly freedom's heart.
I was passionate about anthropology in the 1970s when I was in my twenties and am still passionate about anthropology in the 2020s in my seventies. Throughout the years I have expressed my passion for anthropology in university classrooms, in public lectures, and in the 16 books I have published. As my mind has matured, I understand more and more fully just how important it is to write powerfully, cogently, and accessibly about the wisdom of others. In all my books I have attempted to convey to the public this fundamental wisdom, none more so than in my latest book, Wisdom from the Edge: Writing Ethnography in Turbulent Times.
Hurston’s Mules and Men is a classic work in which the author returns to her hometown, Eatonville, Florida, in the late 1920s to conduct anthropological research.
In the work Hurston captures the complex texture of social life in a fully incorporated African American community. The result is a rich mix of character descriptions, masterfully crafted dialogues, and a collection of stories that reflect powerfully the deep knowledge and profound wisdom of Eatonville’s cast of characters.
I'm a contemporary African American writer born and raised in the South. It was this sense of place that has shaped my artistic sensibilities. I was in my mid-twenties, searching, seeking for answers and direction on my own, when other Black southern writers were instrumental in pointing me in the right direction: Richard Wright, Zora Neale Hurston, Margaret Walker, Ernest J Gaines, Alice Walker, Arna Bontemps, Albert Murray, just to name a handful. Their writings were revelatory. The same issues that they were dealing with a generation earlier were the same ones I was struggling with every day. It opened my eyes, mind, heart and creativity to put into perspective what I was feeling.
This is where prose and poetry blossom into memoir. James’ account of growing up impoverished with an absentee father and how a small rural Louisiana community became her surrogate family is both moving and insightful. She engages in an exercise of self-examination of the things that made her a writer and the person she has come to be. There is much grace and beauty in these pages as she seeks a path of truth and understanding and mending a broken relationship with her estranged father. This story is both personal and universal and provides understanding of the human condition. There is much poverty, pain, humor, blues, disappointment, and love in this book. Always love.
Table Scraps and Other Essays is for all intents and purposes memoir writing. At the heart of the twenty-two true stories is an African American female who, as a child, along with her siblings, must learn the value of hard work as hired hands. James's young spirit is often at odds with her growing family, especially with a father figure who ignores his duties as husband and provider. She has a strong, loving mother who insists on keeping the family together. James learns to trust and depend on the "guardians" of her small Louisiana community--teachers who are eventually forced to…
We grew up in predominantly white communities and came of age during the Civil Rights and Black Power movements. As academics, we focused on issues of race in our research and teaching. Yet, despite our reading and writing about race, we still hadn’t made a connection to our own lives and how our white privilege shielded us and made us complicit in perpetuating racial inequities. We didn’t fully see our role in white supremacy until we adopted our sons. Becoming an interracial family and parenting Black sons taught us about white privilege and the myriad ways that Blacks confront racism in education, criminal justice, health care, and simply living day-to-day.
A memoir that haunted both of us about Broom’s love for the New Orleans house she grew up in, her family, and a neighborhood torn apart by the institutional racism embedded in banking practices, zoning laws, highway development, and other corporate and government policies and practices.
Broom’s mother purchased the house in 1961 in a then “promising” neighborhood. Over the years, the neighborhood was cut off from the city by the growth of the interstate highway, which left this largely Black area in decline from years of indifference by New Orleans elected officials. The house was eventually destroyed by Hurricane Katrina.
The book provides a harrowing description of the destructive effects of institutional racism.
A NEW YORK TIMES BESTSELLER WINNER OF THE NATIONAL BOOK AWARD FOR NONFICTION
'A major book that I suspect will come to be considered among the essential memoirs of this vexing decade' New York Times Book Review
In 1961, Sarah M. Broom's mother Ivory Mae bought a shotgun house in the then-promising neighborhood of New Orleans East and built her world inside of it. It was the height of the Space Race and the neighborhood was home to a major NASA plant - the postwar optimism seemed assured. Widowed, Ivory Mae remarried Sarah's father Simon Broom; their combined family would…
Being from Upstate New York I went to college at Cornell University but headed off to New Orleans as soon as I could. By and by I became an instructor at Delgado Community College. Always a big fan of the city’s amazing historic cemeteries, when teaching a world architectural history class, I took the class to the Metairie Cemetery where I could show the students real examples of every style from Ancient Egyptian to Modern American. After coming to Texas State University, San Marcos (30 miles from Austin), I went back to New Orleans on sabbatical in 2013 and wrote The Cemeteries of New Orleans.
Written by accomplished historian Carolyn Morrow Long, A New Orleans Voudou Priestess tells the true story of Voodoo queen Marie Laveau based on extensive archival research.
In telling her readers about this Creole woman of color who was deeply embedded in the culture of New Orleans in the 1800s, we learn the real story of a woman who was often glorified and denigrated by the press and by local authors who wrote many fantastical tales about her life misleading many about her character and her religion.
Legendary for an unusual combination of spiritual power, beauty, charisma, showmanship, intimidation, and shrewd business sense, Marie Leveau also was known for her kindness and charity, nursing yellow fever victims and ministering to condemned prisoners, and her devotion to the Roman Catholic Church. In separating verifiable fact from semi-truths and complete fabrication, Carolyn Morrow Long explores the unique social, political, and legal setting in which the lives of Laveau's African and European ancestors became intertwined in nineteenth-century New Orleans.
The inspiration to write about Alzheimer’s came from my own life. My grandfather had the disease. He and I were very close and it broke my heart when I realized I’d been forgotten. He only remembered my voice, that it sounded like a little girl he used to know. I wanted to capture the truth of that in a story. Sadly, dementia is so common, but for some reason, we don’t talk about Alzheimer’s as openly as we do other diseases. Kids need to be able to have everyday conversations about what they might be experiencing in regards to whomever they know with the disease. My hope is that books like Flowers can help.
Forever This Summer is a lovely tale about the power of a family coming together in a tough time. Georgia, her Mama, and the happenings in and around the Sweetings Family Diner are relatable. As Georgia and her Mama look to help Aunt Vie, who is suffering from Alzheimer’s, she learns her own family history. It’s a different take on the notion of memories. Aunt Vie’s memories are disappearing and being replaced by those of Georgia’s as she visits the people and places that made the women in her life who they are.
Georgie has no idea what to expect when she, Mama, and Peaches are plopped down in the middle of small town USA--aka Bogalusa, Louisiana--where Mama grew up and Great Aunt Vie needs constant care.
Georgie wants to help out at the once famous family diner that served celebrities like the Jackson 5 and the Supremes, but everyone is too busy to show her the ropes and Mama is treating her like a baby, not letting her leave her sight. When she finally gets permission to leave on her own, Georgie makes friends with Markie--a foster kid who'd been under Aunt…