Here are 100 books that Batman fans have personally recommended if you like
Batman.
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One of my favorite childhood pictures, circa 1967, shows me in the Batman costume I got for Christmas. And one of my sharpest memories from that time was seeing the Batmobile at a local auto show. Yes, I was a Batman fanatic, thanks to both the TV show and the comics. That passion faded somewhat as I grew older—I can’t rattle off the names of all the villains or discourse on the styles of the different artists and writers who have told his story. But having the chance to write What Is the Story of Batmantaught me a lot—and helped me feel like a kid again.
Time to put aside the history and cultural analysis. How could I understand the modern Batman phenomenon without delving into Miller’s classic reimagining of Batman? By his own account, Miller wanted to take Batman and the whole superhero genre out of the realm of kid stuff. Boy, did he ever! This Batman has been called dark and gritty, though Miller supposedly didn’t care for that description. But there’s no question Miller’s work influenced the movies that followed. The book includes the four issues that were originally published separately.
It's the thirtieth anniversary of THE DARK KNIGHT RETURNS, and now DC
Comics presents this classic title in a newly redesigned edition! Ten years
after an aging Batman retired, Gotham City has sunk deeper into decadence and
lawlessness. Now, when his city needs him most, the Dark Knight returns in a
blaze of glory. Joined by Carrie Kelly, a teenaged Robin, Batman takes to the
streets to end the threat of the mutant gangs that have overrun the city. And
after facing off against his two greatest enemies, the Joker and Two-Face, for
the final time, Batman finds himself in…
One of my favorite childhood pictures, circa 1967, shows me in the Batman costume I got for Christmas. And one of my sharpest memories from that time was seeing the Batmobile at a local auto show. Yes, I was a Batman fanatic, thanks to both the TV show and the comics. That passion faded somewhat as I grew older—I can’t rattle off the names of all the villains or discourse on the styles of the different artists and writers who have told his story. But having the chance to write What Is the Story of Batmantaught me a lot—and helped me feel like a kid again.
Essential is right—any fan of the Caped Crusader needs this book! Greenberger is a former DC Comics editor, and his extensive research helped me rediscover characters I had forgotten about and learn about ones I had never encountered before. Along with being packed with great info, the book is filled with illustrations, including 32 full-page color covers.
The ultimate guide to the man behind the mask . . . and the mythology behind the man.
“Criminals are a superstitious, cowardly lot. So my disguise must be able to strike terror into their hearts. I must be a creature of the night, black, terrible. . . . I shall become a bat!” So declared millionaire industrialist Bruce Wayne, orphaned as a boy by a murderous thug and driven as a man to battle the scourge of crime by becoming Batman. Batman swooped into popular culture in 1939–and for nearly seventy years has thrilled audiences in countless comics, live-action…
One of my favorite childhood pictures, circa 1967, shows me in the Batman costume I got for Christmas. And one of my sharpest memories from that time was seeing the Batmobile at a local auto show. Yes, I was a Batman fanatic, thanks to both the TV show and the comics. That passion faded somewhat as I grew older—I can’t rattle off the names of all the villains or discourse on the styles of the different artists and writers who have told his story. But having the chance to write What Is the Story of Batmantaught me a lot—and helped me feel like a kid again.
While I wanted to know the history of Batman and all the facts and figures, I needed to know Batman’s larger cultural impact, and Brooker’s book helps provide it. He explores the different incarnations of Batman, from the comic-book page to the big screen. Brooker looks at the 1950s hysteria against comic books that targeted Batman, among others; the “camp” Batman of the 1960s TV show; and the Batman of films, from the 1989 Tim Burton version through the 1990s. Now all Brooker needs to do is update the book to include Christopher Nolan’s take on The Dark Knight!
An academic monograph that traces the various ways in which Batman has been interpreted over the years - by wartime film producers, gay teenagers, pop artists, Internet fan communities, and so on. Written from both an academic and a fan's perspective, is examines how a character can be a brand and a myth at the same time. The book draws on substantial research from the DC Comics archives, as well as interviews with DC editors and writers. Also included is a comprehensive Batman iconography, listing examples of how Batman has been used as a reference in other TV shows, movies,…
One of my favorite childhood pictures, circa 1967, shows me in the Batman costume I got for Christmas. And one of my sharpest memories from that time was seeing the Batmobile at a local auto show. Yes, I was a Batman fanatic, thanks to both the TV show and the comics. That passion faded somewhat as I grew older—I can’t rattle off the names of all the villains or discourse on the styles of the different artists and writers who have told his story. But having the chance to write What Is the Story of Batmantaught me a lot—and helped me feel like a kid again.
OK, I have to say this upfront: a lot of comic-book aficionados don’t care much for Bob Kane, Batman’s co-creator. He took too much of the credit for coming up with the Caped Crusader, at the expense of writer Bill Finger. And there are details in the autobiography that seem to stretch the truth. But I wanted to get Kane’s perspective on Batman and his development over the years. As a bonus, the book has complete color reproductions of several early Batman adventures.
When I was starting out as an illustrator, I stumbled into two art director jobs, first at the innovative New York Herald Tribuneand then at The New York Times. Working with great journalists gave me the startling idea that a comic strip could have no better subject matter than real life. This led me to create my popular comic strip “Stan Mack’s Real Life Funnies,” which ran in The Village Voice and reported on the rowdy New York city of the '70s and ‘80s. Back then, I was alone in combining real-life stories with comics; today many artist-writers use the comic strip format to tell complex and multilayered true stories of the human experience.
My wife, a teacher to the deaf and hard of hearing, brought home a graphic children’s book, El Deafo, which she and her kids loved. Based on Bell's own life, it’s about a young girl coming to grips with her sudden deafness. As a graphic artist who specializes in adult works, I was not initially drawn to this young girl’s story, nor to Bell’s colorful cartoony panels. But one day, I picked up my wife’s copy and discovered a charming story that swept me along, the art surprisingly sophisticated and effective. As different as my graphic memoir is from Bell’s, my memoir is also about coping with adversity, and I hope it’s as compelling asEl Deafo.
El Deafo is a funny, deeply honest graphic novel memoir for middle graders. It chronicles the author's hearing loss at a young age and her subsequent experiences with a powerful and very awkward hearing aid called the Phonic Ear. It gives her the ability to hear--sometimes things she shouldn't--but also isolates her from her classmates. She really just wants to fit in and find a true friend, someone who appreciates her, Phonic Ear and all. Finally, she is able to harness the power of the Phonic Ear and become "El Deafo, Listener for All." And more importantly, declare a place…
I’m a public health professional, author, and reader. During part of my childhood and my subsequent career in international public health, I lived in Côte d’Ivoire and the Central African Republic; I’ve also worked throughout West and Central Africa, primarily in Francophone African countries. My experiences in these parts of the continent have not only influenced my fiction writing, but also what I read. While there are plenty of books by Anglophone African authors, few of their Francophone counterparts see their work translated into English. As a result, stories from French-speaking Africa are underrepresented in the literature available to English-speaking audiences. This list is an attempt to make a dent in this disparity.
I’ve added this graphic novel to my list in part for nostalgic reasons. Although the book and its two sequels were published in the 2000s, they are all set in 1970s Abidjan, Côte d’Ivoire, when I had the good fortune to live there. Aya is an adolescent girl living in the vibrant neighborhood of Yopougon, where everyone knows each other’s business. While she just wants to focus on her studies, she keeps getting distracted by the drama of those around her—from the boy-chasing machinations of her girlfriends to the foolish missteps of her parent's generation.
"Aya is an irresistible comedy, a couple of love stories and a tale for becoming African. It's essential reading." -Joann Sfar, cartoonist of The Rabbi's Cat
Ivory Coast, 1978. It's a golden time, and the nation, too-an oasis of affluence and stability in West Africa-seems fueled by something wondrous. Aya is loosely based upon Marguerite Abouet's youth in Yop City. It is the story of the studious and clear-sighted nineteen-year-old Aya, her easygoing friends Adjoua and Bintou, and their meddling relatives and neighbors. It's a wryly funny, breezy account of the simple pleasures and private troubles of everyday life in…
Brett Dakin is the author of American Daredevil: Comics, Communism, and the Battles of Lev Gleason and Another Quiet American: Stories of Life in Laos. Brett's writing has appeared in Foreign Affairs, the International Herald Tribune, The Washington Post, and The Guardian. A graduate of Princeton University and Harvard Law School, Brett grew up in London and now lives in New York City with his husband—and their dog, Carl.
Amy’s book takes on the same topic, but from the perspective of an academic—and with a more balanced, objective approach. In particular, she examines the role of anti-comics crusader Dr. Fredric Wertham, arguing that his “role in the crusade against comics has been largely misinterpreted by fans and scholars alike, who dismiss his findings as naïve social science, failing to understand how his work on comic books fits into the larger context of his beliefs about violence, psychiatry, and social reform."
For the past forty years the content of comic books has been governed by an industry self-regulatory code adopted by publishers in 1954 in response to public and governmental pressure.
This book examines why comic books were the subject of controversy, beginning with objections that surfaced shortly after the introduction of modern comic books in the mid-1930s, when parents and teachers accused comic books of contaminating children's culture and luring children away from more appropriate reading material.
It traces how, in the years following World War II, the criticism of comic books shifted to their content, and the reading of…
Brett Dakin is the author of American Daredevil: Comics, Communism, and the Battles of Lev Gleason and Another Quiet American: Stories of Life in Laos. Brett's writing has appeared in Foreign Affairs, the International Herald Tribune, The Washington Post, and The Guardian. A graduate of Princeton University and Harvard Law School, Brett grew up in London and now lives in New York City with his husband—and their dog, Carl.
Another readable academic work, Bradford’s book helped me situate the history of comics within the broader narrative of post-war America’s emerging youth, pop, and consumer cultures.
As American as jazz or rock and roll, comic books have been central in the nation's popular culture since Superman's 1938 debut in Action Comics #1. Selling in the millions each year for the past six decades, comic books have figured prominently in the childhoods of most Americans alive today. In Comic Book Nation, Bradford W. Wright offers an engaging, illuminating, and often provocative history of the comic book industry within the context of twentieth-century American society. From Batman's Depression-era battles against corrupt local politicians and Captain America's one-man war against Nazi Germany to Iron Man's Cold War exploits in…
I’m a queer writer who is passionate about getting good awareness of gender, sexuality, relationships and mental health out there into the world. I create comics, zines, blog posts, and self-help style books to try to reach as wide an audience as possible, bringing together the work of activists, scholars, therapists, and creators - and drawing on a diverse range of knowledge and experiences - in the hope of helping us all understand ourselves and our world better.
Most of the people I’ve spoken to received terrible sex and relationship education. This is the comic book to rectify that. Buy it for young people so that they have a better experience than you did, and buy it for yourself to make up for what you went through back then.
Let’s Talk About It is an awesome inclusive, accessible graphic book, and beautifully illustrated throughout. Erika and Matthew do a great job of covering the questions young people really want answered, through dialogues between a beautifully drawn cast of characters who are navigating their own way through this complex, confusing territory.
The guidance given is warm, friendly, realistic, and clear, likely to alleviate much of the fear and shame we all have around these topics.
Is what I'm feeling normal? Is what my body is doing normal? Am I normal? How do I know what are the right choices to make? How do I know how to behave? How do I fix it when I make a mistake?
Let's talk about it.
Growing up is complicated.
How do you find the answers to all the questions you have about yourself, about your identity, and about your body? Let's Talk About It provides a comprehensive, thoughtful, well-researched graphic novel guide to everything you need to know.
Covering relationships, friendships, gender, sexuality, anatomy, body image, safe sex,…
I’m a queer writer who is passionate about getting good awareness of gender, sexuality, relationships and mental health out there into the world. I create comics, zines, blog posts, and self-help style books to try to reach as wide an audience as possible, bringing together the work of activists, scholars, therapists, and creators - and drawing on a diverse range of knowledge and experiences - in the hope of helping us all understand ourselves and our world better.
There are very few books - let alone graphic books - out there covering asexuality. This comic strikes a great balance between informing the reader about asexuality, and challenging many of the myths that still persist around it, as well as telling Rebecca’s own story of coming to understand her ace experience.
How to be ace is a great, accessible, engaging read for anyone on the ace or aro spectrum themselves. It’s also a very helpful book for everyone to get a better sense of the diversity of a/sexual experience.
PRISM AWARDS FINALIST 2021 GREAT GRAPHIC NOVELS FOR TEENS - YOUNG ADULT LIBRARY SERVICES ASSOCIATION (YALSA) 2022
"When I was in school, everyone got to a certain age where they became interested in talking about only one thing: boys, girls and sex. Me though? I was only interested in comics."
Growing up, Rebecca assumes sex is just a scary new thing they will 'grow into' as they get older, but when they leave school, start working and do grow up, they start to wonder why they don't want to have sex with other people.
