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The question I have for Christian authors is this: are we Christian authors or authors who are Christian? The realm of horror is the perfect genre to explore the human condition in all of its depravity. Why do Christians avoid this genre when at the end of the day? I grew up watching horror movies with my grandmother and I enjoy the thrills and chills, the questions the genre asks, and the various ways horror can be depicted. Christians understand the dark forces that underlie our natural world. And we understand the darkness within ourselves. But unlike Hollywood horror, we know what the solution – Christ. So that’s why this is a passion of mine.
I call him HIM is an apocalyptic horror story about a man who is a fighting machine.
Hell has come to earth and wreaked havoc. Demonic beings lurk everywhere, feasting off of humanity. Our main character is simply called Him. He has no name, but only rage as he kills demonic hordes with his sword and his strength.
Where is God in a world filled with demonic influences? Where is God when the cry of humanity reaches out for answers? This thought consumes Him, but there may be a light. A young girl who may be the key.
Scott Kimak blends this horror, apocalyptic story with gritty violence, intense action scenes, coarse language, but also themes of redemption and sacrifice.
In a post-apocalyptic world, a warrior and his family are driven underground, fighting for their very survival. When they do emerge, the futuristic planet they discover is very different from the one they left behind. Ruled by an evil presence which dominates and controls what is left of mankind, Earth has been reduced to a violent place of darkness, grief and destruction.I call him HIM follows the journey of this unnamed warrior as he loses both his family and his mind. As he hits rock bottom, all he can think of is his insatiable yearning for revenge until he meets…
The question I have for Christian authors is this: are we Christian authors or authors who are Christian? The realm of horror is the perfect genre to explore the human condition in all of its depravity. Why do Christians avoid this genre when at the end of the day? I grew up watching horror movies with my grandmother and I enjoy the thrills and chills, the questions the genre asks, and the various ways horror can be depicted. Christians understand the dark forces that underlie our natural world. And we understand the darkness within ourselves. But unlike Hollywood horror, we know what the solution – Christ. So that’s why this is a passion of mine.
The Road to Hell explores the worse day in the main character’s life.
He loses his job, gets into a car accident, and then dies and goes to hell. From there, the story explores our main character forays into hell and how it changes his life when he comes back.
From someone who really didn’t know about God to a person who now acknowledges that He exists, it’s startling journey. I read this book in a few short hours. It was gripping and that good.
Lucas Stone suffers a horrific accident, experiences the terrors of Hell, and returns from the dead paralyzed and alone until an unexpected new friend finds him. Arrogant, self-absorbed speaker and author Drake Crawford has written a new book that challenges the traditional Christian theology of Hell. Luke and Drake are drawn together by supernatural forces beyond their realm of understanding to face the spiritual battle that lies ahead on... The Road to Hell.
The question I have for Christian authors is this: are we Christian authors or authors who are Christian? The realm of horror is the perfect genre to explore the human condition in all of its depravity. Why do Christians avoid this genre when at the end of the day? I grew up watching horror movies with my grandmother and I enjoy the thrills and chills, the questions the genre asks, and the various ways horror can be depicted. Christians understand the dark forces that underlie our natural world. And we understand the darkness within ourselves. But unlike Hollywood horror, we know what the solution – Christ. So that’s why this is a passion of mine.
I first heard the audio dramatization of this book on a podcast call The Untold Podcast, showcasing speculative fiction from Christian authors.
The story is short, telling of our unnamed narrator who is struggling with sin in his life. He reads the Bible verse, if thy hand offend then, cut if off. From there begins his meltdown into wanting to take off his hand because he has done sinful things with it.
What made this one so chilling is the rational outlook of the narrator. Then comes the grisly bits that make you squirm in your chair as you listen. Now, it’s in book form and I guarantee you, it’s a very good book. Thank God for grace!
The question I have for Christian authors is this: are we Christian authors or authors who are Christian? The realm of horror is the perfect genre to explore the human condition in all of its depravity. Why do Christians avoid this genre when at the end of the day? I grew up watching horror movies with my grandmother and I enjoy the thrills and chills, the questions the genre asks, and the various ways horror can be depicted. Christians understand the dark forces that underlie our natural world. And we understand the darkness within ourselves. But unlike Hollywood horror, we know what the solution – Christ. So that’s why this is a passion of mine.
Hades Proper is a sci-fi horror book that deals with questions of God, hell, goodness, and faith.
When I read this book, I was blown away at how relatable the characters were. The book reads pretty fast as we are taken from a massive earthquake that opens a fissure deep to the center of the earth.
After the scientist sends instruments to read what the interior of the earth is, we discover that this fissure leads to what can only be described as Hades Proper. For those familiar with Sheol, in the Old Testament, Hell was divided into two sides, the Paradise side, and the Hell side.
When our cast of characters go down this fissure, they find the Paradise side abandoned but filled with all kinds of wonders. But then, the plot thickens as they cross over into the Hell side. It’s a great book sending all sorts of…
After an onslaught of simultaneous, worldwide earthquakes ravages the Earth, a team is sent to explore a crevice that may go down farther than man has ever been able to go.Dr. William Roth is a brilliant scientist. A successful geophysicist. A prominent atheist. An alcoholic with a scarred past. When he is tasked with leading a team of 7 people on a mission that will take them deep into the Earth, he jumps at the opportunity. Millions have died around the world, the planet is in mourning. This could be the light, the hope that the world needs, and he…
During college, I attended an inner-city black church during the years of the civil rights movement—and it changed the course of my life. My husband and I have lived in diverse neighborhoods and attended multicultural churches for most of our 56 years of marriage, realizing we have much to learn from our brothers and sisters of color. But the biggest influence that caused me to write theYada Yada Prayer Group novels was/is the prayer group of sisters of color that I’ve been part of for over 25 years. As we spent time together every week for years (!), these sisters helped turn my life and my faith upside down—or maybe “right side up.”
As a white college student, Chris Rice volunteered at Voice of Calvary Ministries in Jackson, MS, where he met Spencer Perkins, son of African American civil rights activist and elder statesman, John Perkins. Chris and Spencer began a lifelong friendship and partnership. My husband and I got to know both Chris and Spencer as our paths crossed in developing Christian community and relationships across racial boundaries. As Chris so poignantly writes in this book, cross-racial relationships are not always easy and take a lot of grace—but are 100% worth it. This book became one of my important books about grace in relationships as I worked on my series—so grateful!
"Here is a real story of real people and real faith. The story of friendship between Chris Rice and my son Spencer and their work of racial reconciliation and healing represents the heart of the Christian witness. My prayer is that the 'seeds' of this story of struggle and hope they planted will spread and bloom and grow in the lives of many people." - John Perkins, chairman, Christian Community Development Association and author, "Let Justice Roll Down". "Grace is the most potent counter force at work in our violent species, and our only hope. Chris Rice gives a very…
I love romances because the stories always end happily, and also because of the heroes! They are my ideal men—handsome, of course, but always strong and honorable. They always do the right thing, even if it requires hardship and sacrifice, and at the end of the story, when they pledge their love to the heroine, we know that love will be forever. I sold my first book back in 1982, and in every one of my stories I feature this kind of hero.
As the story begins, Jackson Rule is being released from prison after serving fifteen years for a crime he confessed to. Since he’s our hero, I knew right then he had to be innocent, and I was hooked. Who was he protecting? He gets hired by a preacher’s daughter, Rebecca, who has misgivings about hiring him. He proves himself to be a hard worker, and Rebecca also discovers that there’s something exciting about him that she can’t resist.
For powerful emotion and unforgettable romance Sharon Sala can't be beat. This beautifully repackaged classic is sure to delight her long-time fans and attract new ones!
Jackson Rule had spent nearly half his life behind bars for murder. Now he was starting over--or trying to. Once he laid hungry eyes on his new employer, though, his resolve to lead a simple solitary life deserted him, replaced by yearnings for fierce, forbidden passion.
Preacher's daughter Rebecca Hill was raised to give folks the benefit of the doubt--though maybe this time she'd taken charity a bit too far. True Jackson Rule had…
Like the widows in The Widows’ Wine Club, I’m getting on. Unlike them, I’ve been a writer for forty years, often hunched over a keyboard, ignoring people. Amazingly, though, I managed to have a happy marriage and make some great friends. Phew! Because I’ve needed friends, especially since my husband died. Looking back, I’m interested to see that I didn’t instantly take to some of my closest buddies. Circumstances threw us together, and we got to know and like and love each other. I explore this in my book.
I LOVE books about women who won’t be told what to do.
In 1960s Mississippi, black women were "the help." Other jobs weren’t open to them. They cooked and cleaned for white people, and they raised their children, but they weren’t allowed to use the same bathroom. And they couldn’t be friends with the children they’d raised when they were adults.
Enter white would-be journalist Miss Skeeter aka Eugenia Phelan, who wants change, not least so she can find Constantine, who raised her, then disappeared. Enter Aibileen and Minny, black "helps" also wanting change, especially for their children. They recruit other "helps" who find the courage to act when it is dangerous to do so.
Boundaries are crossed, and unlikely friendships are formed. Brill book!
The #1 New York Times bestselling novel and basis for the Academy Award-winning film-a timeless and universal story about the lines we abide by, and the ones we don't-nominated as one of America's best-loved novels by PBS's The Great American Read.
Aibileen is a black maid in 1962 Jackson, Mississippi, who's always taken orders quietly, but lately she's unable to hold her bitterness back. Her friend Minny has never held her tongue but now must somehow keep secrets about her employer that leave her speechless. White socialite Skeeter just graduated college. She's full of ambition, but without a husband, she's…
I became interested in Andrew Jackson as an undergraduate student who worked at his Nashville plantation, The Hermitage. Nearly thirty years later, I am still fascinated by Old Hickory. We wouldn’t be friends, and I wouldn’t vote for him, but I consider him essential to understanding the United States’ development between his ascension as a national hero during the War of 1812 and his death in 1845. That we still argue about Jackson’s role as a symbol both of patriotism and of genocide speaks to his enduring significance to the national conversation about what the United States has represented and continues to represent.
There is no question that Remini had a gift for writing, even if he frequently sacrificed analysis for narrative and was often too laudatory of Old Hickory. His multi-volume biography is still considered the standard against which other Jackson biographies are measured, and his influence can even be seen in works by non-historians, such as Jon Meacham’s Pulitzer Prize-winning American Lion: Andrew Jackson in the White House.
While a graduate student and then an army interpreter in Germany, I listened to reminiscences from both Third Reich military veterans and former French resistance fighters. Their tales picked up where my father's stories of pre-war European life always ended, and my fascination with this history knew no bounds. On occasion I would conceal my American identity and mentally play the spy as I traversed Europe solo.A dozen years later upon the death of my father, I learned from my mother his great secret: he had concealed his wartime life as an American spy inside the Reich. His private journals telling of bravery and intrigue inspire each of my novels.
As the first in his series of novels on the 1930sin Europe, Alan Furst's Night Soldiertends to earn the most critical praise, but Dark Starremains my personal favorite. Furst masters the noir ambiance and moral ambiguity of Europe as war approaches, where everyday people are drawn into the world of espionage and intrigue. His settings often lie outside the main urban centers of Paris and Berlin in the remote reaches of Eastern Europe. Furst's novels are impeccably researched for accurate detail-one of my must-haves in historical fiction-and each book will draw you to read the next in his series.
Andre Szara, survivor of the Polish pogroms and the Russian civil wars, is a journalist working for Pravda in 1937. War in Europe is already underway and Szara is co-opted to join the NKVD, the Soviet secret intelligence agency. He does his best to survive the tango of pre-war politics by calmly obeying orders and keeping his nose clean. But when he is sent to retrieve a battered briefcase the plot thickens and is drawn into even more complex intrigues.
Szara becomes a full-time spymaster and as deputy director of a Paris network, he finds his own star rising when…
In my novels, I aim to present a different vision of early Post-Roman Britain than the one usually imagined in fiction – especially in the future Kingdom of Kent, where my books are set. To show these connections, and to present the greater background for the events in the novels, I first needed to gain knowledge of what Europe itself looked like in this period: a Gaul divided between Gothic, Frankish, and Roman administration, a complex interplay of Romans and Barbarians, a world in transition from Antiquity to the Middle Ages. The story gleaned from the pages of these books proved as fascinating and intriguing as any I’ve ever read.
Peter Heather’s work is one of the broadest in scope on the topic of the European ‘Barbarians’, while still retaining enough detail to keep the reader’s attention pinned. A great starter for this period of history, encompassing the entire first millennium AD, the time when the heart of European civilization gradually moved from the Mediterranean South to the cold Barbarian North. It reads like a novel – but is supported by years of painstaking research. If you can only read one book on Barbarian Europe, this is the book.
At the start of the first millennium AD, southern and western Europe formed part of the Mediterranean-based Roman Empire, the largest state western Eurasia has ever known, and was set firmly on a trajectory towards towns, writing, mosaics, and central heating. Central, northern and eastern Europe was home to subsistence farmers, living in wooden houses with mud floors, whose largest political units weighed in at no more than a few thousand people. By the year 1000, Mediterranean domination of the European landscape had been destroyed. Instead of one huge Empire facing loosely organised subsistence farmers, Europe - from the Atlantic…
Interested in
Europe,
presidential biography,
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World War 1?
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