100 books like B is for Bison

This book is a little different than a typical children’s board book or picture book. It’s a hardcover book that plays 11 different snippets of classical music that coordinate with the story as it progresses.

This book was the first time my son was exposed to classical music, and it’s how we found out how much he loves it. He has had this book for about two years, and it’s still an absolute favorite!

I absolutely love reading this book to my son. No matter how many times we read it, he keeps asking for us to read it again! He went through a phase (pun intended!) where he was obsessed with the moon and wanted to learn all about it.

This book is educational and teaches kids about the moon, but it is still a fun and engaging read with adorable illustrations. 

My husband has a PhD in chemistry, and this book is a fabulous way for him to begin introducing some chemistry and STEM terms to our son. It’s written in a simple way that is easy for a young child to follow.

Even if you’re not a chemist, it’s still a great book to share with your kids. And you might learn something, too! (I did!)

My son and I love reading this book together.

It’s a rare children’s book where I absolutely learned from it as I don’t have a background in computer engineering. The buttons and lights keep the book super interactive, which is important for engaging children. Each page is written in a simple manner that makes sense for kids (and non-computer engineer parents!).    

To be perfectly honest, the title is the best part of this book. None of the text is quite as funny as the concept, but the concept is worth the price of admission.

You can keep your A is for Apple and B is for Ball. I’ll take K is for Knight and D is for Djibouti.

It’s not likely that a toddler is going to need to spell “phlegm” any time soon, but it’s a fun read for the adult — and the grown-ups also need to be entertained by a book that’s going to be aloud 100 times. 

What terrible tome would Morticia and Gomez have read to little Wednesday in order to ensure that she would have the most noxious nightmares? I believe they would’ve cracked open this gothic children’s classic, written and illustrated by the enigmatic Edward Gorey.

This book recites the alphabet, with each letter representing how a child died. Take, for instance, the representation of our second letter: “B is for Basil assaulted by bears.” What better way for a wicked whelp to learn her letters?

I both chuckled and winced while reading this book, especially with the paired black-and-white illustrations. It’s funny and deeply dark, which is, of course, the perfect mix for an Addams Family fan.

I live on the West Coast of B.C., just like Deborah Hodge, so this book resonates with me.

The cover describes it as a Nature Alphabet book. It's that and much more. Each letter is followed by a description of different life forms found on the shore or in the sea. And that's what makes it special for me, there's a balance of recognition and discovery.

Reading the poetic writing and looking at the painterly illustration brings me back to my childhood turning over rocks, discovering starfish and clams in the endless tidal pools. Again what makes this book work is the perfect balance of art and words. 

This clever and funny book explains that there are specific techniques that make good writing sound good, or a pithy phrase stick in the mind, and tells you the long and difficult Greek (or slightly easier Latin) names for all these rules you kind of knew without actually knowing.

I can hardly retain any of the Greek labels, but I do remember the fun little examples, like why Oscar Wilde’s epigrams are so striking (antithesis) and how Shakespeare totally lifted part of Julius Caesar from a historian, but polished it up (alliteration). And whenever you hear a memorable three-part phrase, it was probably longer but everyone forgot the other bits (tricolon). 

This is not one for fans of utilitarian writing, but as Forsyth says, “To write for mere utility is as foolish as to dress for mere utility.”

This book is old, like early 1900s. It was first drafted by William Strunk, Jr., who distributed a version to his students at Columbia University in 1919. E.B. White (author of Charlotte’s Web) modernized it in the ’50s. It went on to sell millions of copies and become one of the most influential guides to English. Why the history lesson? Because it’s remarkable how relevant it remains in 2022. It can feel dusty and literary, but it offers nuggets of wisdom like “omit needless words” that influence writers like me today. I shamelessly ripped off the concept of “elements” for my book. The “little book” is short—the fourth edition is 42 pages—but mighty. It deserves a spot on your physical or virtual bookshelf.    

This book takes the reader back to another speech world, that of 16th and 17th century English, albeit one on which we have some purchase through the plays of William Shakespeare. Where someone today may hedge their words with I suppose or probably, people in this time peppered their speech with expressions conveying certainty like verily and forsooth. This contrast represents the ethos of truth and faith that reigned at this time before it was replaced by a modern spirit of epistemic detachment ushered in by the British enlightenment. Yet a by my troth was not interchangeable with a by my faith, and each chapter of the book opens the door on the specifics of an epistemic expression in 16th and 17th century English through colourful examples, cultural evidence and a statement of its meaning. I love this book.