Here are 100 books that An Encyclopedia of Fairies fans have personally recommended if you like
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The only thing I love reading more than books about myth and legend are books you’re not supposed to read. George Bataille once wrote that if you ever caught him producing a book that he risked nothing to write, you should throw it away, and I take that to heart. Every book should be dangerous, because only danger makes you think. I hope every book I’ve written is, in some sense, dangerous, although of course I also hope my readers do not get ripped to pieces by the devil. That’s a little too dangerous.
Not necessarily the world’s first novel (the world’s first novel is probably lost) nor even the world’s first great novel (that would be Petronius’ Satyricon, which you should also not get caught reading), The Golden Ass is definitely the world’s first great novel that has survived through the centuries intact.
It’s the story of a man who tries just one time to dabble in magic and accidentally turns himself into a donkey. The poor guy has a bunch of adventures as he tries to figure out how to, you know, stop being a donkey.
That doesn’t sound so bad, but no one’s ever going to let you read a book with the title The Golden Ass. It just means the golden donkey! There’s nothing filthy about it! But no one will believe you!
Written towards the end of the second century AD, The Golden Ass tells the story of the many adventures of a young man whose fascination with witchcraft leads him to be transformed into a donkey. The bewitched Lucius passes from owner to owner - encountering a desperate gang of robbers and being forced to perform lewd 'human' tricks on stage - until the Goddess Isis finally breaks the spell and Lucius is initiated into her cult. Apuleius' enchanting story has inspired generations of writers such as Boccaccio, Shakespeare, Cervantes and Keats with its dazzling combination of allegory, satire, bawdiness and…
The only thing I love reading more than books about myth and legend are books you’re not supposed to read. George Bataille once wrote that if you ever caught him producing a book that he risked nothing to write, you should throw it away, and I take that to heart. Every book should be dangerous, because only danger makes you think. I hope every book I’ve written is, in some sense, dangerous, although of course I also hope my readers do not get ripped to pieces by the devil. That’s a little too dangerous.
John Faustus is the original bad influence. He makes a deal with the devil for absolute power, uses his new power to play childish pranks on people, and has a pretty good but stupid time until the devil shows up one day and literally rips him to pieces. Didn’t think that one through, did you, John?
If you get caught reading this book, try saying something like, “Well, now I know not to do that!” But, still, those pranks of his sound fun…
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
The only thing I love reading more than books about myth and legend are books you’re not supposed to read. George Bataille once wrote that if you ever caught him producing a book that he risked nothing to write, you should throw it away, and I take that to heart. Every book should be dangerous, because only danger makes you think. I hope every book I’ve written is, in some sense, dangerous, although of course I also hope my readers do not get ripped to pieces by the devil. That’s a little too dangerous.
Some guy in Egypt realized long ago that you can create illusions, fly through the air, change your body into whatever you want, or “demolish buildings and castles,” all by writing out little crossword puzzles.
Like a fool, he recorded his method and handed it to some German dude, who passed the information along, and now it’s just in a book anyone can buy? All those secret crossword puzzles of power? Oh, man, if they catch you with this one, watch out, because people are really fond of their buildings and castles, and they do not have a sense of humor about their unscheduled demolition.
Around the turn of the century, when Aleister Crowley was working out his system of Magick, the source that he turned to for basics was the system of Abramelin of Egypt. From Abramelin he took his concepts of protections, purifications, evocations, vestments, and dromena down to specific details. This system of Abramelin the Mage is known from a unique fifteenth century manuscript preserved in the Bibliothèque de L'Arsenal in Paris. In it, Abraham of Würzburg, a cabalist and connoisseur of magics, describes a tour that he made of the then civilized world, visiting sorcerers, magicians, and cabalists, estimating their powers…
The only thing I love reading more than books about myth and legend are books you’re not supposed to read. George Bataille once wrote that if you ever caught him producing a book that he risked nothing to write, you should throw it away, and I take that to heart. Every book should be dangerous, because only danger makes you think. I hope every book I’ve written is, in some sense, dangerous, although of course I also hope my readers do not get ripped to pieces by the devil. That’s a little too dangerous.
Seven hundred years ago, someone (no one knows who) wrote a book full of mysterious letters and even more mysterious drawings of unknown plants described in unreadable paragraphs.
For centuries, people have struggled to eke some meaning from the book’s pages. Cryptologist William F. Friedman (the man who broke the Japanese code in WWII) spent his life trying to decipher the book. And all in vain.
No one knows what information the book contains. It could be anything! Simple steps for building a hydrogen bomb? Your parents’ deepest, darkest bathroom secrets? Maps of Atlantis? Maybe! This is the most dangerous book in the world!
The first authorized copy of this mysterious, much-speculated-upon, one-of-a-kind, centuries-old puzzle
"For the first time, a complete reproduction [of] The Voynich Manuscript, has been published, featuring essays exploring what is known about the book and extra-wide margins so readers can record their responses to its beguiling, beautiful strangeness."-Nina Maclaughlin, Boston Globe
"For people who like a good historical mystery, this . . . fifteenth- or sixteenth-century Voynich Manuscript will fascinate."-Rebecca Onion, Slate
Many call the fifteenth-century codex, commonly known as the "Voynich Manuscript," the world's most mysterious book. Written in an unknown script by an unknown author, the manuscript has…
In December 2000, my much-loved Grandma died. Her funeral was a standard 20-minute slot at the local crematorium, led by someone who didn’t know her. How I didn’t walk out, I’ll never know–but the experience certainly lit a fire under my work as an academic historian, which has burned ever since. As a historian, I’m passionate about what the past can teach us about how to die well: what makes for a good funeral, and for whom? How have our answers to these questions changed–or maybe not–over the decades and centuries?
Such an elegantly written exploration of landscapes of the afterlife, where people in the past believed that souls went to after death, and how those beliefs then shaped funeral customs.
The author evinces an excellent grasp of human nature, especially when discussing the Reformation and how people often clung tenaciously to old beliefs and customs, which helped them make sense of human mortality and loss.
Roaming across the country and over several centuries, this book is packed with quirky, charming examples of how people maintain relationships with their dead.
'This is a wonderful book: curious and insightful' Ian Mortimer, author of The Time Traveller's Guide to Medieval England
We know what happens to the body when we die, but what happens to the soul? The answer may remain a great unknown, but the question has shaped centuries of tradition, folklore and religious belief.
In this vivid history of the macabre, Carl Watkins goes in search of the ancient customs, local characters and compelling tales that illuminate how people over the years have come to terms with our ultimate fate. The result is an enthralling journey into Britain's past, from…
Described as a “literary raconteur” and a “virtuoso,” Tim Rayborn admits to nothing, but it’s true that he’s a versatile writer, award-winning editor, and an acclaimed musician. He’s written dozens of books, appeared on more than forty recordings, plays scores of unusual instruments, and visited five continents. Tim lived in England for nearly seven years and has a Ph.D. in medieval studies from the University of Leeds, which he likes to pretend means that he knows what he’s talking about. He has written a large number of books and magazine articles about history, music, and the arts. He will undoubtedly write more, whether anyone wants him to or not.
Bill Bryson is an international treasure, a keen observer of the modern quirks and foibles of his fellow humans all over the world. His wit and ability to good-naturedly skewer just about anything and anyone are a marvel to read. This book is perhaps a sequel to his earlier work, Notes from a Small Island, but both provide valuable insights into British culture and its many charms and annoyances. Hilarious!
WINNER: NATIONAL GEOGRAPHIC TRAVELLER READER AWARD FOR BEST TRAVEL BOOK OF THE YEAR 2016 WINNER: BOOKS ARE MY BAG READER AWARD FOR BEST AUTOBIOGRAPHY OR BIOGRAPHY 2016
Twenty years ago, Bill Bryson went on a trip around Britain to celebrate the green and kindly island that had become his adopted country. The hilarious book that resulted, Notes from a Small Island, was taken to the nation's heart and became the bestselling travel book ever, and was also voted in a BBC poll the book that best represents Britain.Now, to mark the twentieth anniversary of that modern classic, Bryson makes a…
I came to the Arthurian legends through the medium of medieval Welsh literature, a subject that had intrigued and challenged me since I was an undergraduate. I found the language impenetrable and yet beautiful, while the literature it encoded was fascinatingly unlike the literary traditions of England and France. I wanted to connect with a version of Arthur that preceded the romance traditions of France and England and bears witness to a much older culture and social organisation. Though I've learned to love other versions of Arthur, and indeed I teach the Arthurian legends as part of my academic work, the stark drama of the Welsh poems and tales continues to intrigue me.
This was one of the first Arthurian reference books and remains one of the best.
Its comprehensive scope, covering Arthurian legends and characters across many European literatures, provides answers to all possible questions about the world of Arthur. The format of short alphabetical entries is perfect for browsing – you will find all you need to know about the Bleeding Lance or the ‘Gargantuan Chronicles’ among many other lesser-known Arthurian curiosities.
I found this book invaluable when I was preparing my own book and I still dip into it when teaching students.
I have been fascinated by ancient sacred sites since I first visited the ancient Rollright Stones on the Oxfordshire/Warwickshire border decades ago. I am interested in how the study of folklore and local traditions can be used in conjunction with archaeology to trace the origins and purposes of ancient monuments. I am an author and researcher who has had seven books published on the subjects of ancient civilizations, prehistoric monuments, and supernatural folklore. Born in Birmingham, England, I am a qualified archaeologist with a BA in European Archaeology from the University of Nottingham, and an MPhil in Greek Archaeology from Birmingham University.
I was attracted to this book as it uses the most up-to-date archaeological evidence together with new work on DNA and other scientific techniques to tell the story of the origins of the British and the Irish peoples, from around 10,000BC to the eve of the Norman Conquest. Whilst there are new archaeological discoveries made every week, one or two of which could potentially challenge some of the ideas in this work, at the moment it is the most up-to-date book on the subject which we have, and as such should be treasured.
The last Ice Age, which came to an end about 12,000 years ago, swept the bands of hunter gatherers from the face of the land that was to become Britain and Ireland, but as the ice sheets retreated and the climate improved so human groups spread slowly northwards, re-colonizing the land that had been laid waste. From that time onwards Britain and Ireland have been continuously inhabited and the resident population has increased from a few hundreds to more than 60 million.
Britain Begins is nothing less than the story of the origins of the British and the Irish peoples,…
I have loved Halloween since I ran through the suburban streets of southern Connecticut with ears and a tail. For more than thirty years I’ve been researching and writing about the holiday, and each year I find something new. Most of all, I’m a Halloween advocate: At Halloween we can wrap our arms around the reality of the other 364 days and satirize, exorcize, and celebrate it. The joy of Halloween is not that it’s dark and we revel in that; it’s that Halloween can bring a bit of light and laughter into the darkness. And, of course, it’s big, creative, candy-fueled fun.
This is my go-to book whenever I start a new Halloween writing project. It grounds me in details about the origins of Halloween (and holidays throughout the year) and illustrates brilliantly why the turning of the seasons has always been critical, and how holidays mark important cultural moments in so many ways. The origin of Halloween is here, but so is the origin of celebration itself.
Comprehensive and engaging, this colourful study covers the whole sweep of ritual history from the earliest written records to the present day. From May Day revels and Midsummer fires, to Harvest Home and Hallowe'en, to the twelve days of Christmas, Ronald Hutton takes us on a fascinating journey through the ritual year in Britain. He challenges many common assumptions about the customs of the past, and debunks many myths surrounding festivals of the present, to illuminate the history of the calendar year we live by today.
I grew up an avid reader of children’s and YA fantasy, which is how I discovered the subgenre of Regency fantasy. When I stumbled across Wrede and Stevermer’s work in libraries and used bookstores, I absolutely loved it. As an adult, I enjoyed exploring the Regency romances of older authors like Georgette Heyer and Marion Chesney as well as more recent Regency writers. But when I began writing romance myself, I went back to the fantasies that were my first introduction to the Regency era. My Regency novels are primarily romance, with just a pinch of magic, but I hope both romantasy fans and historical romance readers can enjoy them.
Atwater’s Regency fairy tales include not just human magicians but also the fae.
In Half a Soul, an elvin lord tries to steal Theadora Etting’s soul, but her quick-thinking cousin helps her preserve half of it. With only half a soul, though, Dora both thinks differently and feels emotions differently than other people. (Author Olivia Atwater has said that Dora’s magical condition parallels real-life neurodivergence, and autistic readers may see themselves in Dora.)
Because of those differences, Dora believes herself to be unlovable, but she is proven gloriously wrong when she encounters Elias Wilder, one of the most powerful sorcerers in Europe. She and Elias work together to stop a magical plague threatening vulnerable children in workhouses.
“Whimsical, witty, and brimming over with charm” (India Holton), Olivia Atwater’s delightful debut will transport you to a magical version of Regency England, where the only thing more meddlesome than a fairy is a marriage-minded mother!
It’s difficult to find a husband in Regency England when you’re a young lady with only half a soul.
Ever since she was cursed by a faerie, Theodora Ettings has had no sense of fear or embarrassment—an unfortunate condition that leaves her prone to accidental scandal. Dora hopes to be a quiet, sensible wallflower during the London Season—but when Elias Wilder, the strange, handsome,…
