Fans pick 68 books like Amethyst

I love all of the different Batgirls DC has introduced over the years, and this book brings them together in one delightful adventure. Barbara Gordon is the original Batgirl mentoring her two protégés, the snarky Stephanie Brown and the martial arts master Cassandra Cain. The trio is a mix of different personalities and strengths, but teamwork and sisterhood come first. Cloonan and Conrad craft a rollicking story in this first volume, and Corona’s bombastic artwork is a perfect vehicle for all three of these enjoyable characters.

Superhero comics are known for hyper-sexualizing female characters and limiting them to one uniform, impossibly curvaceous figure. Valiant’s Faith Herbert is a direct reaction to this, the first plus-sized heroine to star in her own comic as she patrols Los Angeles as the high-flying Zephyr. Beyond this meaningful step for the genre, Houser has written a compelling story and Portela and Sauvage deliver great artwork that brings Faith to life. The character is a game changer for superhero comics, and this first collection of her adventures is such a fun read.

In recent years, DC has branched out into standalone YA graphic novels that reimagine their characters, and Nubia: Real One is my favorite one yet. In the mainline comics, Nubia was Wonder Woman’s long-lost twin sister, but here McKinney and Smith reimagine her as a teenager in the southern United States, dealing with her Amazon powers as she reckons with injustice and police brutality. The book was inspired by the Black Lives Matter movement and McKinney and Smith’s desire to create a heroine that resonates with the issues faced by young, Black readers, and they deliver a fantastic story.

Marvel’s wide array of movies and TV shows have brought many of their heroes to life, but unfortunately, Squirrel Girl has yet to make the jump. This is a shame, since she’s defeated some of Marvel’s most dastardly foes in incredibly creative ways. She eats nuts, she kicks butts, and she uses her squirrel-based abilities to tackle villains with her own optimistic, STEM-infused perspective. North’s writing is charming and hilarious, and Henderson’s art is a perfect pairing that sets the book’s fun, energetic tone. It’s such a good time, basically joy distilled into comic book form.

The Bad Guys series which chronicles the adventures of some stereotypically dangerous animals trying to do good and save the world pulled me in from page one.

You have humor (especially around bodily functions which always gets a giggle) and well-developed characters that are oftentimes naughty but incredibly likable. In the first episode, the book has been broken down into manageable chapters, the dialogue is not too lengthy and the high-paced illustrations communicate action and humor perfectly.

Young readers will certainly feel accomplished after completing this 144-page graphic novel.

Okay, okay, I realize that using webbing isn’t an actual way to get around, but neither is my digger. And I wouldn’t be a reader, writer, or artist today if it hadn’t been for Spider-Man. Young Kevin spent every day imagining the freedom of spinning a web and flying through the air. Even though I grew up in a small town with two steeples and a three-story inn, it was a captivating idea.

And wow does this version of the story kick things up a notch. I mean, I already love the Miles Morales version of Spidey, but Reynolds kicks it all up a notch or five. He has such a deft hand as a storyteller with a message. Never preachy, but deeply felt and funny (sort of like a super-hero version of Jerry Kraft’s New Kid) this was a ride. 

And a cover pic by Khadir Nelson? Sign… show more.

No list of funny, easy chapter books would be complete without Captain Underpants! This first book in the series introduces us to best buddy mischief makers George and Harold who hypnotize their principal, turning him into Captain Underpants. George and Harold are good kids. Really. I mean it. They just happen to have a mile-long "silly streak".  While not every adult approves of these books because the kids are cheeky, this is humor that gets kids reading. It's an honorable goal with exemplary execution. (Note: Author-illustrator Dav Pilkey was diagnosed as a kid with ADHD and dyslexia. At school, he was sent to sit out in the hallway daily. His success story, shared at the end of the book, is inspiring.)   

I really connected with evil genius Doctor Impossible and his whacky world of superheroes. In grade and high school, I felt like I was the one who was overlooked, which was often the good days; getting noticed generally meant I was being made fun of and bullied. But to take revenge, to show my plebeian classmates the (imagined) might that lay within me, how glorious that would be! Hahaha! Evil laugh aside, as Doctor Impossible does just that, I also enjoyed his vulnerable needs, longings, and regrets. And the lives of the heroes are not all they are cracked up to be. While not as stark (or violent) as The Boys, Grossman also exposes the toll superhero biology can take on the mind and body. A fun and poignant read.

Deadpool is superhero comics', and perhaps literature in general’s, most consistently challenging fictional engagement with cancer. Deadpool’s healing factor prevents his cancer from ever being cured, which traps him in a never-ending cycle of remission and relapse.

Unlike a superhero who responds to a bodily transformation by self-sacrificingly upholding the status quo, Deadpool is a mercenary and anti-hero. In this collection, writer Joe Kelly creates much of the narrative infrastructure that eventually made the character one of Marvel’s most popular.

Kelly also crafts a story where Deadpool is offered a heroic transformation that—through personal weakness, history, bad luck, and supervillainous interference—tragically fails. This book establishes the template for Deadpool stories and digs into Deadpool’s cancer for the first time.

I’m recommending this book for how delightfully it considers the ill human body as a site of new possibilities. The Doom Patrol have never been well-known superheroes, perhaps because of the willingness of writers to confront the bodily trauma at the heart of their stories.

Morrison’s contribution to the series was to consider the Doom Patrol truly as freaks: people who could not fit into a society that demands gender, mental, and physical homogeneity. Mixing allegorical forms of illness—Cliff “Robotman” Steele’s fallible technological body—with more direct conditions like Kaye “Crazy Jane” Callis’ dissociative identity disorder.

Morrison, along with artistic collaborators, built a celebration of difference into a genre where most heroic bodies never break the mold.