74 books like The Doom Patrol Omnibus

I’m recommending this book because it grapples with death from illness in a way most superhero comics will not.

This collection features a key story in the long-running X-Men subplot about the Legacy Virus, a science fiction analog to HIV/AIDS (a time-traveling supervillain’s evil scheme, not a storyline one would want to attempt with a real-world virus).

Superhero stories tend to rely on a type of moral causality, but viruses do not discriminate between heroes and villains. Junior X-Men member Jubilee must confront the unfairness of a fatal condition in a world where death is usually a plot contrivance to be overcome. It’s a moving and thoughtful pause in the action, setting stakes that feel paradoxically far more significant than globe-trotting adventures.

This book contains a rare examination of HIV/AIDS in superhero comics. It’s much more likely a superhero story will deal with HIV/AIDS allegorically (see the recommendation above!) than directly.

Given the Hulk’s own fears about his blood contaminating his loved ones (his cousin Jennifer Walters became the She-Hulk after a transfusion of his blood), he is uniquely sympathetic to the illness of a friend who contracts HIV. As longtime Hulk writer David advances subplots (at this point, Bruce Banner and the Hulk have merged into a more-or-less well-adjusted form of the famous giant green rage monster), he builds space to linger on character details.

David himself has struggled with health issues in recent years, and this comic is also a reminder of one of the genre’s great writers.

Deadpool is superhero comics', and perhaps literature in general’s, most consistently challenging fictional engagement with cancer. Deadpool’s healing factor prevents his cancer from ever being cured, which traps him in a never-ending cycle of remission and relapse.

Unlike a superhero who responds to a bodily transformation by self-sacrificingly upholding the status quo, Deadpool is a mercenary and anti-hero. In this collection, writer Joe Kelly creates much of the narrative infrastructure that eventually made the character one of Marvel’s most popular.

Kelly also crafts a story where Deadpool is offered a heroic transformation that—through personal weakness, history, bad luck, and supervillainous interference—tragically fails. This book establishes the template for Deadpool stories and digs into Deadpool’s cancer for the first time.

This book has one of the most fun depictions of heart disease you’ll read. Wait! Don’t leave! That came out wrong!

Superhero comics rarely consider the toll of an intensely physical role. In this continuation of the landmark superhero series, Blue Beetle struggles with his sense of self-worth when he puts on weight and discovers that he has heart disease. The character’s role in the long-running series had mostly been comic relief, and this storyline gave the character some greater nuance and shading.

As a less-popular character, Blue Beetle can consider retirement without the guarantee that writers will have him miraculously discover the cure to a lifelong condition. While cracking jokes about himself in spandex to cover up his own insecurity, this comic takes time to consider aging, chronic conditions, and the way friends react to a life-changing diagnosis.

This book is a classic 1960s/1970s style gekiga book, which means more sophisticated literary manga. These are wonderful moving and funny stories from the street, about everyday people dealing with the pain and disappointment that we all must face throughout life. If you have never read any comic books beyond superhero ones this book will open your eyes to how subtle and intelligent comic books can be. I was lucky enough to meet and work with Tatsumi before he died.

Superpowers are a classic allegory for coming of age, and Gifts uses them as such in an especially timeless and effective way. When the children of the Uplands reach adolescence, they develop powerful gifts that can be equal parts useful and dangerous. Most of them start off applying these gifts exactly according to their parents’ instructions. But ultimately, their gifts are their own, and part of accepting them is accepting the responsibility of choosing how to use them. It’s a wonderfully moody, atmospheric exploration of uses and abuses of power.

I was all in on this one from the first chapter. I just love books about characters with secret double lives! I also enjoy stories that fly against gender stereotypes, and that’s what Princess Magnolia’s alter-ego, The Princess in Black, definitely does.

And the monsters that this atypical superhero fights are hilarious, partly because of how they are illustrated and partly because of their naivete and caveman-style way of talking. Because they are hilarious, and also, perhaps, because their most sinister desire is just to eat goats, they are successful villains without being remotely scary, which is nice.

This is also the beginning of a series with many installments, so once my daughter was hooked, she had a great pile of reading material to entertain her for hours and hours.

In the world of Lafferty’s Playing For Keeps, super-powered types fall into one of three categories. The heroes are powerful, but arrogant jerks. The villains have all the charm and charisma, but are still villains. Then there are people like Keepsie Branson, whose “useless” powers don’t let them fall into either category. After all, what good is the power to prevent something from being stolen from your own possession when it comes to fighting crime – or committing it? Lafferty’s style is slick, funny, and very original. This book isn’t like any other superhero story I know.

Lena Martin is given the job of tracking down Shattergirl, a black lesbian superhero who has dropped out of sight. I love this book because it’s not your usual superhero story. 

It takes a dive into how public perception affects who we are willing to accept as heroes, how other people’s preconceptions care wear down marginalized people, and how having to hide parts of yourself can distance you from those around you.

Kit is a scavenger in a city ruined by an alien spaceship that crashed decades ago, giving rise to superheroes. When a chance meeting leads to her starting a relationship with Valene Blackwood, one of the most powerful superheroes on the planet. A little too powerful. 

Valene’s powers are slowly driving her mad. Kit sets out to find a way to help Valene, but ends up getting superpowers of her own, and in a duel to the death with Valene’s father, who wants to take over the city. 

I love this book because it’s a unique take on the question of what makes someone a hero, while also looking at how people with privilege respond to marginalized people gaining power, and why some relationships are doomed to fail.