Fans pick 100 books like A Time of Gifts

Technically this is not historical fiction, but if you know anything about Venice and Constantinople, you will recognise our world in the past. Guy Gavriel Kay’s magical writing weaves history into fantasy, where incredible occurrences become perfectly credible. This story is about various individuals caught up in a conflict between those who worship the stars and those who pray to the sun. Each character is very real in their flaws and ambitions and desires. Battles are fought across the fantasy Balkan states and the Adriatic Sea, involving Seressa (Venice) and the Asharites (the ‘infidel’). Kay’s books are quite simply splendid; I love the way they take me on exciting journeys with fascinating characters. Un-put-downable.

This is the first book in the breathtaking House of Niccolò series that takes readers across Europe from Flanders to Tuscany, then to Scotland, Cyprus, and Constantinople, among other places, in the mid-fifteenth century. It is the story of a humble but gifted Bruges dye-works apprentice named Claes who turns himself into the wealthy, well-respected, often feared Niccolò, who wreaks havoc on his enemies. Dunnett’s hist-fic is for serious fans of the genre: kings, duchesses, and courtiers, financial machinations with the Medici, international intrigue, and the very best sort of timeless narrative. Not an easy read, but unforgettable, and so worthwhile. Dunnett inspired me to write action-packed but quality historical fiction based on serious research. 

The Shadow War is a historical fiction story that takes place in the majestic, horrific era of World War II. The word choices and story pace interested me with this story. For the chapter heads, the author used character names to jump from one to the next, and while I believe that’s used a lot in books, I formatted mine quite uniquely from others, transforming the pages into what feels like a cinematic marvel, all thanks to studying the formats of other books.

As the title of this book indicates, Lily Sergueiew was a double agent during World War II. She volunteered to become a spy for the Germans although she never intended to fulfill that role. She was determined to fight the Germans in her own way – as a double agent in the employ of the British. Sergueiew kept a diary of her activities from when she first approached the Germans until she quit working for the British in late June 1944. After the war, Sergueiew used her diaries to write a memoir in French. Before her death in 1950, she translated her memoir into English, and most of it was published posthumously in France in 1966 and in England in 1968. I recommend this book because it provides insight into why a young woman would choose to fight against the Germans who occupied her beloved France, the training that she… show more.

Being a management consultant and thought leader can be a heavy lift, as client issues often stay with me in my mind, even when I am supposed to be focused on personal issues. 1632 is one of those stories that mixes factual history with fiction and creates an alternate reality that entertains, teaches, and allows oneself to escape the daily issues one may face in my area of influence.  

Set in a rural West Virginia town in the year 2000, the narrative takes a captivating turn as the town inexplicably finds itself transported back to 1632 Europe, specifically upper Germany. Navigating the bewildering circumstances of their temporal displacement, the townsfolk grapple with the dual challenge of comprehending the inexplicable event and forging a path forward in a world both alien and strangely familiar.

Their struggles mirror our own reflections on influence, resonating deeply with the complexities of decision-making amidst uncertainty.… show more.

In these two volumes, Massie shows how the naval arms race Kaiser Wilhelm undertook with his grandmother Queen Victoria led inexorably to the Great War and a century of conflict. The rise of a young power, contesting control of the seas with the established global empire: sound familiar? The stakes could not have been higher - as Churchill said of Admiral Jellicoe, commander of the British fleet: "He is the only man who could lose this war in a single afternoon." Jellicoe prevailed when that fateful afternoon came at Jutland, but Massie shows us the long drift to war that started decades before on a different afternoon: a yacht race at Cowes.

This is not a full biography – the biography Steinert wrote later in her career is not available in English – but many of the ideas in Steinert’s biography can also be found in this earlier work, which has faded into posterity slightly but can be read with great profit. Here, Steinert is concerned to give texture to a hitherto often two-dimensional image of German society and its attitudes to Hitler’s War. The result is an interesting, differentiated account of public opinion in Nazi Germany. In many respects, it was pioneering and opened up questions surrounding the relationship between state and society that other historians went on to explore further in the 1980s. Steinert’s Francophone background, and perhaps the fact that she was a female writer working in a profession that was then very male-dominated, probably account for the fact that her work is less well-known in the English-speaking world… show more.

Not only is this a great story but I think it’s beautifully written, even more exceptional because this is Stevens’ debut. Quite often, psychological thrillers are such page-turners, the reader doesn’t properly appreciate the words. I think that Elliot Stevens achieves both literary finesse and fast-paced action in this book. Set in London and the south of England, it’s tightly woven with an original premise, and as a bonus, has a fabulous twist at the end. Mark and Cecilia seem to have the perfect life, until he meets Alice. But he can’t leave Cecilia because she knows too much…

The daddy of all London books, an encomium to a city of myth. Its buildings hold and hide legends. Its rivers are lost underground. Its backstreets vanish into fable. Its characters are blurred between fact and fiction. Truths have been twisted by fantasy. Tourists are rendered blind, stepping around beggars to photograph the past, and sit in parks reading of a city that only springs to life in the mind, for in reality only the faintest outline traces now remain. A truly remarkable tour de force.

Jonathan Raban’s nonfiction books take travel writing to another level. He has a special mastery of the intersection of self, journey, place, and narrative. This collection – of essays, short memoirs, travel pieces, and more – isn’t necessarily his best book (that would probably be Passage to Juneau); but it’s full of brilliant reflections on the writing life, and on the challenges facing the writer as a craftsperson. There’s a particularly memorable section on the difficulties of transferring real-world dialogue onto the page. “You isolate the speaker’s tics and tricks of speech, his keywords,” Raban says, “and make him say them slightly more often than he did in fact; you give him small bits of stage business to mark his silences; you invent lines of dialogue for yourself to break up a paragraph of solid talk that looks too long to be believable. You are trespassing, perhaps, into writing… show more.