Fans pick 100 books like A Kids Book About Racism

I love the message of this fun, 3-dimensional book: that what may seem like a mistake can actually become the best part of our art. It’s something my high school art teacher called “serendipity.” Perhaps a drip of paint can actually become a part of the painting you hadn’t even considered before.

The concept of going with the flow and solving problems instead of just reaching for a new piece of paper is such a good reminder for artists of all ages. 

I honestly think I enjoyed this book even more than my son, ha ha!

The richness of the illustrations are stunning, and Celia’s narrative is groundbreaking. Ultimately, it’s a wonderful story told in both Spanish and English, which has worked to connect us to two languages that are dear to our family.

My son and I were blown away by the power of the words and illustrations contained in this book. I learned just as much as he did!

I love when we can both discover histories of women from diverse backgrounds that may otherwise go under the radar in mainstream media.

This is an empowering narrative that reveals what gentrification is, and how a community can approach how to deal with it positively.

The illustrations by Robert Liu-Trujillo give depth and lightness to another heavy topic, particularly for Latinos in certain areas. I also love that both Spanish and English words appear in the text, just as they would in real day-to-day life. 

As a professor, I know that sometimes just getting through four years of college can be its own epic struggle, especially when you’re queer and half-Nigerian, like Sahara.

“The unfortunates” is the name Sahara and her friends use to describe the deaths of too many of their fellow Black students. As if that isn’t enough, Sahara sometimes feels like her only companion is her “Life Partner,” the name she gives to the ugly voice of her depression.

I loved the way The Unfortunates is told as an in-your-face “thesis” to Sahara’s university committee that mixes humor with high-stakes struggles. Follow along as Sahara figures out how to survive in the face of a campus and culture that is not just indifferent, but outright hostile.

I discovered a tattered book in my mom’s basement that had the sweetest illustrations—little did I know there were 3 books by the same author/illustrator pair. Since finding the book in the basement, I have found all three books: What Mary Jo Wanted is all about Mary Jo’s obsession with dogs and her campaign to convince her parents she should get a dog. The illustrations of this sweet child with the baby-doll dresses are wonderful; What Mary Jo Shared is about a girl determined to find just the right thing to show at show-and-tell. It was reprinted with new artwork some time ago, but we prefer the original. Mary Jo and her Grandmother has a different tone—about Mary Jo’s first overnight at her grandmother’s house and what happens when her grandmother falls and hurts her ankle.

Based on which one we read most often, it’s clear that What Mary Jo… show more.

I flew through The Lesiana’s Guide to Catholic School book.

It was set, as the title suggests at a Catholic School. There were a lot of themes that I really related to, such as growing up in a religious family and being scared to reveal yourself true identity to your family and friends. I thought the family dynamics were very realistic, as were the characters.

This book was a very enjoyable read!

Not only does Finance for the People offer a blend of practical personal finance tips while addressing the emotional side of money, but Paco adds over 50 illustrations to help drive her point home.

Any time a book can explain something in diverse ways–from metaphors or stories to graphics–I find them more approachable. Paco's book helps people think critically and compassionately about how their beliefs about money shape their financial choices.

This book mirrors so many of my beliefs about money, making it a frequent go-to recommendation anytime someone asks me for a personal finance resource. 

H.G. Wells’s The Island of Doctor Moreau, published in 1896, is one of his most intriguing—and frightening. Moreau has created human hybrid beings via surgical experimentation on live animals.

In Silvia Moreno-Garcia’s retelling of the Wells classic, she goes further than the original’s philosophical themes by exploring the political, sociological, and cultural conflicts that arise from colorism, colonialism, and sexism.

In a fascinating twist on Wells’s narrative, she sets her novel in 19th-century Mexico during the Caste War of Yucatán, when the indigenous Maya people rebelled against the Mexicans and Europeans who subjugated them to work their ranches and farms. 

She also centers much of her tale on Moreau’s hybrid beings. It is, quite simply, a thrilling novel that is as horrifying as it is thought-provoking.

This compelling and beautifully written story begins in 1968 during the Biafran civil war in Nigeria, creating a unique setting of hardship, hunger, and death afflicting the people living in the area. Ijeoma, the 11-year-old protagonist, is sent away after a life-changing event and lives in a squalid hut when a young girl from another tribe comes to stay. Despite the difficulties surrounding them, the girls fall in love and the intensity of their desire continues as they grow. I enjoyed how Okparanta writes of the naturalness of this first love and how they cared for each other. Though the girls are separated, they reunite, but face religious repression from their community, which uses the Bible against them. The girls move on with their lives and Ijeoma finds another love, but this too, suffers from cultural and religious constraints. According to Okparanta (who lives in NY), Nigeria is a very… show more.