Here are 100 books that 100 Poems to Break Your Heart fans have personally recommended if you like
100 Poems to Break Your Heart.
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I started writing poetry when I was eight or nine, inspired by the way song lyrics stirred my soul. The poetry of songs like Bowie’s Space Oddity or Dylan’s Johanna made me want to write. I read Allen Ginsburg’s Howl as a young man and found a new language, rhythm, and way of seeing the beauty and sadness of the world. Over the years, I’ve written many songs and more than many poems. My first collection, OWL, is out now. Poetry feeds my heart and soul and entices my senses. I love the books on this list and hope you enjoy them as much as I do!
My experience of reading this book is wooly, smokey, visceral, and consuming. His poetry takes a microscope to the guts, the excrement, the feel underfoot of the natural world. Just as he takes me into the detailed realm of the beech tree or lizard, he swoops me into the emotional feel-scape of loss, grief, belonging, and isolation.
Gander’s use of language is relatable and also stark, new, and encyclopedic. This book is perhaps his most famous work, having earned him a Pulitzer. It is condensed and distilled as rare bitters; open the bottle and let its pungent spirit subsume you.
Drawing from his experience as a translator, Forrest Gander includes in the first, powerfully elegiac section a version of a poem by the Spanish mystical poet St. John of the Cross. He continues with a long multilingual poem examining the syncretic geological and cultural history of the U.S. border with Mexico. The poems of the third section-a moving transcription of Gander's efforts to address his mother dying of Alzheimer's-rise from the page like hymns, transforming slowly from reverence to revelation. Gander has been called one of our most formally restless poets, and these new poems express a characteristically tensile energy…
I was not intentionally set out to write books for children, but I was inspired to do so after struggling to face the challenges brought on by my illness—multiple brain tumors and surgeries. Creating messages through stories for children facing such hardship as a life-threatening illness, at times even brought me the reason I needed to keep fighting for my health and for my life.
The book entails a powerful message by describing all the stages of grief that we go through after losing someone. A book reminds us that love does not end after death, but it lives in us as we carry on despite our sadness and loss. The story will allow the reader to experience sets of emotions as an integral part of healing.
Everett Anderson's Goodbye is a touching portrait of a little boy who is trying to come to grips with his father's death. Lucille Clifton captures Everett's conflicting emotions as he confronts this painful reality. We see him struggle through many stages, from denial and anger to depression and, finally, acceptance. In this spare and moving poem, the last in this acclaimed series, Lucille Clifton brings Everett Anderson's life full circle.
As a romance and rom-com writer, summer love stories are my favorite to read. We change during the summer months—our schedules are less rigorous, we get out and see the world, we can be a little reckless with our decisions because everything feels temporary, and we show the world a more relaxed side of ourselves. In cuffing season, we attach ourselves to another person to get through the cold months with a warm body by our side. Meanwhile, in summertime, we don’t feel burdened to get through it with another person. But the night swimming and salt air romance allows surprising love stories to ignite.
This book drenched me in the romance of a woman escaping her real life, and for most of the book, it made me want to fly to Positano and never return.
I loved how Serle uses magical realism to help Katy grieve the loss of her mother and explore how she feels about her own marriage. I was heartbroken and in awe throughout the book, and I’ve never seen a mother-daughter relationship explored so tenderly as Katy and Carol.
“Rebecca Serle is a maestro of love in all its forms.” —Gabrielle Zevin, New York Times bestselling author
The New York Times bestselling author of In Five Years returns with a powerful novel about the transformational love between mothers and daughters set on the breathtaking Amalfi Coast.
When Katy’s mother dies, she is left reeling. Carol wasn’t just Katy’s mom, but her best friend and first phone call. She had all the answers and now, when Katy needs her the most, she is gone. To make matters worse,…
When I write a book, I try to write it differently from what I’ve seen. I love high concept ideas and always want to give something different. Readers are shifting in their tastes and want to see something fresh, and so I hope I can always give them something new and exciting.
Not only does this have a ton of timelines and things to keep track of, but it’s a beautiful love story that you can’t help but turn the pages quickly. It’s the perfect match for someone who likes all things Jane Austen and are wanting something with a little bit more of a modern feel to that.
1821: Elias Roch has ghastly luck with women. He met Josephine De Clare once and penned dozens of letters hoping to find her again.
2021: Josie De Clare has questionable taste in boyfriends. The last one nearly ruined her friendship with her best friend.
Now, in the wake of her father's death, Josie finds Elias's letters. Suddenly she's falling in love with a guy who lived two hundred years ago. And star-crossed doesn't even begin to cover it . . .
"Dearest Josephine is the type of story that becomes…
As an early childhood educator, I have firsthand experience with the effectiveness of picture books to stimulate the mind, open conversation, offer emotional support, and provide us all with the fundamentals of understanding ourselves and others. I have supported children and families suffering a loved one’s death by sharing picture books with them. My book, The Rag Doll Gift is based on the true story of my mother who died before giving my youngest her doll. This story was born when my daughter received her doll and said, in all her six-year-old wisdom, “Grammie is still saying” I love you” even when we can’t hear her anymore”
When I read this book with children, we are all drawn into the secure loving relationship between the granddaughter and her grandfather. Because the text is action-based, we feel like we are on each of their adventures with them.
Through the beautifully illustrated pages we walk alongside them discovering life as we witness each of them changing and growing older – until the day the granddaughter walks alone. She is sad, but Grandpa has walked with her in life. He has taught her in a very naturally occurring, organic way so that now she knows what to do. This book evokes a wide range of feelings – including empowerment from within.
This glowing picture book, by turns playful and poignant, portrays the tender relationship between a grandfather and granddaughter as they appreciate nature together over the years. They take their first walk in the woods when the little girl is barely old enough to toddle; their last when Grandfather can only shuffle along. Each walk brings a new discovery-a sneaky snake, flashing fireflies, teardrops on a spiderweb-and sometimes a lesson about saying good-bye. One day the girl walks alone, stronger because she learned from her grandfather how to be grateful for life's fleeting gifts.
I am an author and illustrator of children's picturebooks, having completed my MA at the Cambridge School of Art. I am endlessly fascinated with the picture book as a rich medium for children to safely and slowly approach topics that might be challenging for them. Picture books can be such a versatile, interesting place for curiosity and confidence to thrive, while also creating a lovely time for closeness between parent/carer and child. As we grapple with the long-term effects of the pandemic, I feel that children will need stories more than ever, to help them make sense of their experiences.
This subtle and tender book is a moving look at life continuing in small moments after a bereavement. I love the marriage of words and images, where each part tells a different piece of the story and the relationship between the boy and his father. The boy asks questions, about the birds, the trees, the fox, and his mother, looking for reassurance. When the father repeats "everything is going to be alright," we are all reassured and comforted, and held safe in arms like a boat.
It's quieter than it's ever been. Unable to sleep, a young boy climbs into his father's arms. Feeling the warmth and closeness of his father, he begins to ask questions about the birds, the foxes, and whether his mom will ever wake up. They go outside under the starry sky. Loss and love are as present as the white spruces, while the father's clear answers and assurances calm his worried son. Here we feel the cycles of life and life's continuity, even in the face of absence and loss, so strongly and clearly that we know at the end that…
I’ve been researching treatment harms for 3 decades and founded RxISK.org in 2012, now an important site for people to report these harms. They’ve been reporting in their thousands often in personal accounts that feature health service gaslighting. During these years, our treatments have become a leading cause of mortality and morbidity, the time it takes to recognize harms has been getting longer, and our medication burdens heavier. We have a health crisis that parallels the climate crisis. Both Green parties and Greta Thunberg’s generation are turning a blind eye to the health chemicals central to this. We need to understand what is going wrong and turn it around.
Modern medicine has dramatically extended life expectancies. But as our life spans extend, our fear of death grows. As our hope of living a long life and seeing our children survive grew, we became more rather than less anxious about losing out. We might have expected the opposite. Aries vividly illustrates how people viewed death as a part of life before the nineteenth century and how they reconciled themselves to it. He picks out 1886 as the point where Tolstoy in The Death of Ivan Illych recognized that medical advances were creating anxiety rather than hope. This book may make you less fearful of death. It will ask you whether you can now achieve serenity half as well as those before us did and whether medicine is bad for our sanity?
An “absolutely magnificent” book (The New Republic)—the fruit of almost two decades of study—that traces the changes in Western attitudes toward death and dying from the earliest Christian times to the present day.
A truly landmark study, The Hour of Our Death reveals a pattern of gradually developing evolutionary stages in our perceptions of life in relation to death, each stage representing a virtual redefinition of human nature.
Starting at the very foundations of Western culture, the eminent historian Phillipe Ariès shows how, from Graeco-Roman times through the first ten centuries of the Common Era, death was too common to…
When my mother enrolled in hospice after years of living with cancer, the nurse asked her: Do you want to know what will happen to your body as it starts shutting down? That was the first time anyone talked with us about the dying process. The question came as an immense relief, eventually inspiring this book. After witnessing the difficulties and surprising joys of my mother’s dying experience, I began hospice volunteering. Later, I spent three intensive stints volunteering at San Francisco’s Zen Hospice Project. And as a former journalist and associate professor of English, I began researching and interviewing experts. Their deep caring and knowledge inform this book.
There are many books about what dying has to teach the living. This is the one I keep on my bedside shelf. When I talk to people about my own experiences with hospice and dying, they sometimes wax ecstatic about the subject. I believe they’re right to see the possibilities for joy and spiritual growth, but I also think it’s crucial to look at death with clear eyes. As a former Buddhist monk and hospice director who has worked with dying people, Smith does just that. Again, and again, he emphasizes that death does involve suffering. But he also writes movingly—and honestly—about the experiences he’s witnessed, helping readers to face our own mortality and learn how to live better and more joyfully.
Rediscover the mystery and wonder of life through gentle reflections on death and dying.
What can death teach the living? Former monk and hospice worker Rodney Smith teaches us that through intimately considering our own inevitable end we can reawaken to the sublime miracle of life we so often take for granted. A well of stories, personal anecdotes, and direct advice gleaned from years of working with the dying in their final moments, Lessons from the Dying helps us redefine our conception of what it means to truly live. Each chapter contains guided reflections and exercises that allow the reader…
I am a literary and cultural historian who has been studying death for three decades. But I am, first and foremost, a human who has suffered the loss of loved ones and grief and found my immediate culture an inhospitable place to experience, transform, and share those emotions. We have an urgent need to “re-imagine” the way we prepare for our own deaths, as well as experience the deaths of others. I hope my work, both as a scholar and a public citizen, will inspire people to form communities of conversation and action that will reshape the way we think about death, dying, and grief.
Like a lot of people, I am fascinated by “inner vision”: what do people think, feel, and experience in extreme states that they struggle to describe to others?
This book is based on such an approach to the question: a palliative care doctor and team gather the stories of people experiencing visions while undergoing the massive transformation of dying. By re-thinking these deathbed visions not as feverish delusions but as insights into human experience, I was deeply moved on multiple levels. You can sense the dying person’s powerful drive to connect with the past and sometimes with the present, which makes the “hallucinations” quite real emotionally. You can also sense how important sharing the stories is to the loved ones in their grieving process.
Christopher Kerr is a hospice doctor. All of his patients die. Yet he has tended thousands of patients who, in the face of death, speak of love, meaning and grace. They reveal that there is hope beyond cure as they transition to focus on personal meaning. In this extraordinary and beautiful book, Dr. Kerr shares his patients' stories and his own research pointing to death as not purely the end of life, but as a final passage of humanity and transcendence.
Drawing on interviews with over 1,200 patients and more than a decade of quantified data , Dr. Kerr reveals…
I am passionate about the Vietnam War because my male relatives served and came back changed by the experience. I spent ten years as the editor of The Patton Saber, writing articles about the experience of World War II soldiers, but when I came across an idea for a novel about past life memories, I decided to focus on memories of the Vietnam War. What I love about this list is that it reflects many facets of the war, including soldiers, nurses, veterans, and the family members touched by those affected by war.
I was blown away by how Mason integrated the coming-of-age story of Sam, who lost her dad in Vietnam, and the healing of her uncle Emmett, who served and has PTSD. In Country is vivid and moving. It takes on the effects of the Vietnam War on both veterans and families at home with power and elegant prose.
I loved the spot-on depiction of Sam’s coming of age. I loved Mason’s deep understanding of Southern culture and norms. I loved the thoughtful evolution of Uncle Emmet’s healing. I adored the artful use of backstory and the larger look at the broader implications of the war that echo long after it was over.
Bobbie Ann Mason’s debut novel—"a brilliant and moving book... a moral tale that entwines public history with private anguish." —Los Angeles Times Book Review
“How Ms. Mason conjures a vivid image of the futility of war and its searing legacy of confusion out of the searching questions or a naïve later generation is nothing short of masterful.” —Kansas City Star
Samantha “Sam” Hughes is in her senior year of high school in rural Kentucky. Her father, whom she never knew, was killed in Vietnam before she was born. Sam lives with her uncle Emmett, a veteran who appears to be…
