Here are 100 books that The Hour of Our Death fans have personally recommended if you like
The Hour of Our Death.
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I’ve been researching treatment harms for 3 decades and founded RxISK.org in 2012, now an important site for people to report these harms. They’ve been reporting in their thousands often in personal accounts that feature health service gaslighting. During these years, our treatments have become a leading cause of mortality and morbidity, the time it takes to recognize harms has been getting longer, and our medication burdens heavier. We have a health crisis that parallels the climate crisis. Both Green parties and Greta Thunberg’s generation are turning a blind eye to the health chemicals central to this. We need to understand what is going wrong and turn it around.
Every book by Annemarie Mol is good but The Logic of Care is simply the best book on what medicine should be. It is short, deceptively simple but leaves no hiding places. Everyone will be able to understand it in the same way from a teenager up through a Professor of Medicine to a Minister for Health but don’t expect any Ministers to admit to reading it any time soon. Mol outlines a relationship-based rather than technology-based medicine. How do we ensure medical techniques help us to live the lives we want to live rather than force us to live lives that suit the companies that make the technologies want us to live? How do we care for people rather than service them?
**Shortlisted for the BSA Sociology of Health and Illness Book Prize 2010**
What is good care? In this innovative and compelling book, Annemarie Mol argues that good care has little to do with 'patient choice' and, therefore, creating more opportunities for patient choice will not improve health care.
Although it is possible to treat people who seek professional help as customers or citizens, Mol argues that this undermines ways of thinking and acting crucial to health care. Illustrating the discussion with examples from diabetes clinics and diabetes self care, the book presents the 'logic of care' in a step by…
I’ve been researching treatment harms for 3 decades and founded RxISK.org in 2012, now an important site for people to report these harms. They’ve been reporting in their thousands often in personal accounts that feature health service gaslighting. During these years, our treatments have become a leading cause of mortality and morbidity, the time it takes to recognize harms has been getting longer, and our medication burdens heavier. We have a health crisis that parallels the climate crisis. Both Green parties and Greta Thunberg’s generation are turning a blind eye to the health chemicals central to this. We need to understand what is going wrong and turn it around.
Medicine loves stories about heroic men who made breakthroughs that have saved lives and given us the life expectancies we have today. It has never celebrated women and yet it was a woman, Josephine Baker, who in two decades starting in 1908, by focusing on antenatal and postnatal care, laid a basis for saving lives that has given us the life expectancies we have today. She did so against fierce opposition from doctors who argued that creating conditions that make infants and children healthy would be bad for medical business. Now that life expectancies are falling, and were falling before Covid, we desperately need to recover Baker and her insights. Her book written in 1939 gives clear hints of how unimpressed she would likely be with today’s medical business.
An “engaging and . . . thought-provoking” memoir of battling public health crises in early 20th-century New York City—from the pioneering female physician and children’s health advocate who ‘caught’ Typhoid Mary (The New York Times)
New York’s Lower East Side was said to be the most densely populated square mile on earth in the 1890s. Health inspectors called the neighborhood “the suicide ward.” Diarrhea epidemics raged each summer, killing thousands of children. Sweatshop babies with smallpox and typhus dozed in garment heaps destined for fashionable shops. Desperate mothers paced the streets to soothe their feverish children and white mourning cloths…
I’ve been researching treatment harms for 3 decades and founded RxISK.org in 2012, now an important site for people to report these harms. They’ve been reporting in their thousands often in personal accounts that feature health service gaslighting. During these years, our treatments have become a leading cause of mortality and morbidity, the time it takes to recognize harms has been getting longer, and our medication burdens heavier. We have a health crisis that parallels the climate crisis. Both Green parties and Greta Thunberg’s generation are turning a blind eye to the health chemicals central to this. We need to understand what is going wrong and turn it around.
Most of us figure doing evil, even if good results, is not ethical but without this, there would be no medicine. Martin Pernick covers the discovery of anesthesia and the ethical dilemmas this new ability to save lives by poisoning people posed. Anesthesia is a technique and techniques are amoral. How do we ensure they enhance rather than diminish us? How do we avoid seduction into a sleep during which we can be cosmetically enhanced? Is there a limit to how many drugs we give children to manage their behaviour – just because we can? Treating and stopping are not the same as not treating. Pernick doesn’t tell us how to manage this calculus, but he makes us aware modern life involves more of a calculus than we might have thought.
Analyzes the impact of anesthesia on nineteenth-century medicine, discusses the advantages and disadvantages of anesthesia, and explains how rules for its use were developed
I’ve been researching treatment harms for 3 decades and founded RxISK.org in 2012, now an important site for people to report these harms. They’ve been reporting in their thousands often in personal accounts that feature health service gaslighting. During these years, our treatments have become a leading cause of mortality and morbidity, the time it takes to recognize harms has been getting longer, and our medication burdens heavier. We have a health crisis that parallels the climate crisis. Both Green parties and Greta Thunberg’s generation are turning a blind eye to the health chemicals central to this. We need to understand what is going wrong and turn it around.
AIDS was the pandemic before Covid. Unlike Covid, it mobilized people to take the science and efforts to find a cure into their own hands – especially people on the fringes of society. Nothing like this had ever happened before. It appeared to mark a watershed where medicine would become a servant of the people rather than people being enslaved to its commercial priorities. Sadly this is not how things worked out. The discovery of Triple Therapy was a high point of modern medicine but we have gone downhill since then with few if any drugs saving lives the way Triple Therapy did. Impure Science shows you vividly what we are up against.
In the short, turbulent history of AIDS research and treatment, the boundaries between scientist insiders and lay outsiders have been crisscrossed to a degree never before seen in medical history. Steven Epstein's astute and readable investigation focuses on the critical question of "how certainty is constructed or deconstructed," leading us through the views of medical researchers, activists, policy makers, and others to discover how knowledge about AIDS emerges out of what he calls "credibility struggles." Epstein shows the extent to which AIDS research has been a social and political phenomenon and how the AIDS movement has transformed biomedical research practices…
When my mother enrolled in hospice after years of living with cancer, the nurse asked her: Do you want to know what will happen to your body as it starts shutting down? That was the first time anyone talked with us about the dying process. The question came as an immense relief, eventually inspiring this book. After witnessing the difficulties and surprising joys of my mother’s dying experience, I began hospice volunteering. Later, I spent three intensive stints volunteering at San Francisco’s Zen Hospice Project. And as a former journalist and associate professor of English, I began researching and interviewing experts. Their deep caring and knowledge inform this book.
Until I began researching death and dying, I hadn’t realized my quest was so literal-minded. Despite the satisfyingly large number of relevant books, most circle around the subject, focusing on areas such as grief, the importance of creating a living will, or funeral planning—all important topics, but I wanted to learn about dying itself.
Then I discovered Nuland’s book. Chapter by chapter, he describes what we know about the physical experience of dying, depending on the type of death: Heart attacks, murders, falls, Alzheimer’s, cancer. Nuland’s background is in surgery, and his descriptions are neither graphic nor gory, but he doesn’t flinch from providing details. Although his book was first published in 1993, no one has yet matched its straightforward, informative approach.
NATIONAL BOOK AWARD WINNER • NATIONAL BESTSELLER • The definitive resource on perhaps the single most universal human concern: death.
Even more relevant than when it was first published, this edition addresses contemporary issues in end-of-life care and includes an all-embracing and incisive afterword that examines the state of health care and our relationship with life as it approaches its terminus. How We Die also discusses how we can take control of our own final days and those of our loved ones.
"Nuland's work acknowledges, with unmatched clarity, the harsh realities of how life departs… There is compassion, and often…
I’m an Emeritus Fellow of Clare College, Cambridge, and I’ve written several popular books as well as featuring in TV/radio programmes such as In Our Time and Start the Week (BBC). I love the challenge of explaining to general audiences why the history of science is such an exciting and important subject – far more difficult than writing an academic paper. I believe that studying the past is crucial for understanding how we’ve reached the present – and the whole point of doing that is to improve the future. My underlying preoccupations involve exploring how and why western science has developed over the last few centuries to become the dominant (and male-dominated) culture throughout the world.
After I decided to include this old favourite of mine, I discovered to my great delight that Bodies Politic is about to be reissued in paperback. Roy Porter was the most prolific, fluent and insightful academic I have ever been privileged to know, and decades ago, his lectures inspired me to recognise how much fun historical research can be. In my own work, I have focused strongly on images – not only in textbooks, but also in journals, art galleries and albums. As Porter expertly discusses, studying caricatures is immensely enjoyable but also invaluable for uncovering concealed controversies, which provide crucial indicators of what people really thought.
In a historical tour de force, Roy Porter takes a critical look at representations of the body in death, disease and health, and at images of the healing arts in Britain from the mid-seventeenth to the twentieth century. Porter's key assumptions are that the human body is the chief signifier and communicator of all manner of meanings religious, moral, political and medical and that pre-scientific medicine was an art which depended heavily on ritual, rhetoric and theatre. Porter argues that great symbolic weight was attached to contrasting conceptions of the healthy and diseased body, and that such ideas were mapped…
I am passionate about the Vietnam War because my male relatives served and came back changed by the experience. I spent ten years as the editor of The Patton Saber, writing articles about the experience of World War II soldiers, but when I came across an idea for a novel about past life memories, I decided to focus on memories of the Vietnam War. What I love about this list is that it reflects many facets of the war, including soldiers, nurses, veterans, and the family members touched by those affected by war.
I was blown away by how Mason integrated the coming-of-age story of Sam, who lost her dad in Vietnam, and the healing of her uncle Emmett, who served and has PTSD. In Country is vivid and moving. It takes on the effects of the Vietnam War on both veterans and families at home with power and elegant prose.
I loved the spot-on depiction of Sam’s coming of age. I loved Mason’s deep understanding of Southern culture and norms. I loved the thoughtful evolution of Uncle Emmet’s healing. I adored the artful use of backstory and the larger look at the broader implications of the war that echo long after it was over.
Bobbie Ann Mason’s debut novel—"a brilliant and moving book... a moral tale that entwines public history with private anguish." —Los Angeles Times Book Review
“How Ms. Mason conjures a vivid image of the futility of war and its searing legacy of confusion out of the searching questions or a naïve later generation is nothing short of masterful.” —Kansas City Star
Samantha “Sam” Hughes is in her senior year of high school in rural Kentucky. Her father, whom she never knew, was killed in Vietnam before she was born. Sam lives with her uncle Emmett, a veteran who appears to be…
I’ve been in the funeral profession my entire professional career, and my family has deep roots in the profession too. My great-great-great grandfather was a cabinet maker, or “tradesman undertaker” in rural Milford, Delaware prior to the Civil War. In addition to being a funeral director and embalmer, I’m a certified post-mortem reconstructionist and cremationist, and the president of the Delaware State Funeral Directors Association. I’ve written five books on the subject of the funeral profession and am an associate editor for Southern Calls, “The Journal of the Funeral Profession.”
Thomas Lynch does a masterful job in The Undertaking offering a behind-the-scenes look at the funeral profession. Using beautiful, lyrical prose to present a topic (i.e., death) that is often ugly and hard to stomach, and rears its head at the most inopportune times, Lynch offers an unflinching look at what he calls the dismal trade. His deep connection with death and dying translates to the reader not only feeling connected with the subject matter, but empowering the reader to connect with the next death event in their life. Take it from me, someone in the profession, this book is as authentic as they come. A must-read.
"Every year I bury a couple hundred of my townspeople." So opens this singular and wise testimony. Like all poets, inspired by death, Thomas Lynch is, unlike others, also hired to bury the dead or to cremate them and to tend to their families in a small Michigan town where he serves as the funeral director.
In the conduct of these duties he has kept his eyes open, his ear tuned to the indispensable vernaculars of love and grief. In these twelve pieces his is the voice of both witness and functionary. Here, Lynch, poet to the dying, names the…
I love zombie movies. I am also an Egyptologist. The dead affect us in profound ways every day, even without being semi-animated corpses searching for brains. I have always been keenly interested in the relationships we have with our dead, be it Halloween, Día de los Muertos, or an urn on a mantle. The dead are with us and inform our lives. The same was true in ancient Egypt. And to me, this made the ancient Egyptians feel very familiar and accessible. They, too, were anxious about death. They, too, grieved when loved ones were gone and developed practices and beliefs that kept the dead ‘alive’.
Few books have been as influential on my understanding of ancient Egyptian mortuary culture as Jan Assmann’sTod und Jenseits im alten Ägypten, known in English as Death and Salvation in Ancient Egypt. Assmann brings religious theory and ancient history together to argue that “death is the origin and center of culture.”
"Human beings," the acclaimed Egyptologist Jan Assmann writes, "are the animals that have to live with the knowledge of their death, and culture is the world they create so they can live with that knowledge." In his new book, Assmann explores images of death and of death rites in ancient Egypt to provide startling new insights into the particular character of the civilization as a whole.Drawing on the unfamiliar genre of the death liturgy, he arrives at a remarkably comprehensive view of the religion of death in ancient Egypt. Assmann describes in detail nine different images of death: death as…
I'm a huge bookworm and have enjoyed writing stories of my own since my elementary school days. During junior high, high school, and college, along with a lot of literature courses, I enrolled in every creative writing class I could find. I loved the stories, poems, and novels dealing with hard subjects the most, which (of course) resulted in me writing my own piles of gritty short stories. Those short stories continue to inspire my writing today. No surprise that the novel I’m currently working on is also based on a dark, gritty story I wrote my freshman year of college. Wish me luck on getting this one published, too!
In A Ring of Endless Light, sixteen-year-old Vicky Austin has to come to terms with death from all directions, starting with the funeral service of Commander Rodney presided over by her grandfather, who is dying of cancer. Watching her grandfather deteriorate over the summer on Seven Bay Island is hard as it is, but it’s complicated even more when Vicky has to juggle the romantic interest of three very different guys: Leo, an old friend and Commander Rodney’s son; Zachary, whose attempted suicide caused Commander Rodney’s death; and Adam, her older brother’s friend, who offers her an amazing chance to work with dolphins, something that gives her a break from the constant hard in her life.
I love this emotionally heavy novel, largely due to Madeleine L’Engle’s beautiful, descriptive writing. A Ring of Endless Light finds beauty in struggle and sorrow, and even in death. Ms. L’Engle’s novels always…
In book four of the award-winning Austin Family Chronicles young adult series from Madeleine L’Engle, author of A Wrinkle in Time, Vicky Austin experiences the difficulties and joys of growing up.
"This wasn't the first time that I'd come close to death, but it was the first time I'd been involved in this part of it, this strange, terrible saying goodbye to someone you've loved."
These are Vicky Austin's thoughts as she stands near Commander Rodney's grave while her grandfather, who himself is dying of cancer, recites the funeral service. Watching his condition deteriorate over that long summer is almost…
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