I romantically believe that the sea runs in my blood. On the Norwegian side of my family, my grandfather was a boat builder, and my uncle a whaler. I’m a surfer, and I’ve worked in whale and dolphins conservation for many years. So I’m drawn to the ocean and – as work and family duties keep me inland more than I’d like – when unable to get in or on the water, I get my fix with salty tales; some of which I read and some of which I write. The books on this list are all classics, in my view; they all speak to the enigma of the ocean; an ever-changing scape, full of alien life. I hope you enjoy them, and also Girl. Boy. Sea.
This is a beautiful story, simple yet profound. It’s about young, innocent, and a wee bit naïve Jamie, led to adventure by troubled but brave Mara.
The adventure takes us to St. Kilda’s, the remotest inhabited Scottish island. The island, the sea, and the quest to explore are used as metaphors for mystery and the pull of the unknown.
A beautifully written tale of courage, friendship, and survival. Imagine a tiny island far out in the Atlantic Ocean off the west coast of Scotland. On some days, you can hardly see where the sea ends and the land begins, everything merged in a blue-grey mist of sea spray and wind-blown sand. There is nothing between here and America. I say nothing, but what I mean, of course, is nothing but ocean. And about sixty-five kilometres out to sea, one last remote outcrop of islands and sea stacks, with the highest sea cliffs anywhere in the UK-St Kilda. Distant, desolate,…
I’m a public health research scientist who writes humorous historical mysteries set in 1900s Los Angeles among the police matrons of the LAPD. Like you, I read. I love smart, well-researched historical fiction with strong female protagonists and a good romantic subplot. Extra points if the book is funny because studies show laughter is good for you.
Have you ever picked up a historical romance novel, attracted by the era, then read the book and said to yourself, “Wouldn’t it be great to explore other genres in this setting?” Then you need Anna Lee Huber’s Lady Darby mystery series. I picked up The Anatomist’s Wife at random from the library and was instantly confused. It seemed like the setting for a romance novel—1830s Scotland—but it’s first and foremost a mystery. Her characters are interesting and complex, the mystery is solid, and her beautiful prose elevates the genre.
“A riveting debut…an original premise, an enigmatic heroine, and a compelling Highland setting…a book you won’t want to put down.”—New York Times bestselling author Deanna Raybourn
Scotland, 1830. Following the death of her husband, Lady Darby has taken refuge at her sister’s estate, finding solace in her passion for painting. But when her hosts throw a house party for the cream of London society, Kiera is unable to hide from the ire of those who believe her to be as unnatural as her husband, an anatomist who used her artistic talents to suit his own…
Growing up in the Honest Toun of Musselburgh near Edinburgh, I was surrounded by bloody battlefields, haunted castles, ruined abbeys and palaces. In particular, Scotland during the turbulent 16th century Reformation and the tragic reign of Mary, Queen of Scots fired my imagination. I was curious to know more about the lives, loves, and destinies of these fascinating historical characters. I wanted to delve deeper, go beyond dates and events–what happened when–to explore why and how people acted. I’m passionate about writing historical fiction as it involves researching the tiniest details about everyday life–clothes, food, methods of travel, language, beliefs–to bring people from the past to life for the reader.
The murder of Henry Stewart, Lord Darnley, has baffled historians and authors for centuries, yet the queen’s consort is often a minor figure in the greater tragedy/romance of Mary. While writing my own book, Iwas eager to know more about the ill-fated lang lad other than the results of his self-centred scheming conspiracies–David Rizzio’s assassination, his own murder at Kirk o Field, and ultimately Mary’s downfall. And so it was refreshing to read this excellent biography which gives Darnley centre stage. By recreating his childhood and family background, particularly around his ambitious mother, Margaret Douglas, Countess of Lennox, Caroline Bingham offers a fascinating portrait of this flawed character who stole the queen’s heart and then broke it.
At times her account made me feel sorry for this gullible pawn in the Game of Queens.
I’m a writer of historical novels and primary literacy books, and a poet. I was born in Trinidad and live in London. So why am I writing about the magic of castles? I’ve loved visiting them since I was a child, when I’d run round them and imagine what had happened there. Back home, I’d immerse myself in reading legends and fairy stories—at bedtime, lying in my top bunk, I'd make up stories to entertain my sister in her bottom bunk. So it was natural to move on to writing fiction—the novel I’ve just completed is about King Canute. I’ve written primary literacy books for Collins, Oxford, and Ransom.
I’ve spent some time in the north of Scotland and became intrigued by the remains of Pictish forts on hilltops and by the sea. This book doesn’t provide many answers—written records before 900 AD are few and the archaeology is confused—Konstam’s conclusion is "the main benefit of any visit to one of these sites is to be able to stand on the same hilltop or promontory, and to imagine what it might have looked like in the days of the Picts." Which explains why legends and stories have grown up about castles—imagining has been key to making sense of such imposing features in the landscape, when often their real history has been forgotten over time.
Konstam’s book is one of a series, and if your curiosity is about a different sort of castle it’s worth checking it out.
This concise guide actually covers not just Pictish fortifications, but all those in use in early medieval Scotland, including those of Strathclyde and Rheged and of the Dal Riata. Konstam introduces the reader to the principal types of fort, including the re-use of earlier defences, before offering more in-depth surveys of Dundurn and Dunadd. As well as architecture and construction he looks at the use of the forts in war and peace, to control the landscape and act as royal strong points.
Primarily I’m a wife and mother, who loves holidays and writing about our experiences: from the many family holidays in a static caravan 90 minutes’ drive from our hometown in Scotland to the wonderful opportunities we’ve had to travel the world since, including through my work as a lecturer (when the family came too for a holiday while I worked!) or with friends. I like reading other authors’ personal experiences especially when I’m drawn into feeling I’m with the author during the travels, experiencing what’s not always included in travel guidebooks: the not-so-good as well as the good, the challenging as well as the amazing.
The Isle of Barra, a small island off the west coast of Scotland was a holiday destination I yearned to visit. Uniquely, planes land on a tidal beach. ‘Isle’, meaning island, is pronounced I’ll, so the title also reads I’ll walk clockwise.
The author walked the A888, a 13-mile-long road round the island once a month for a year—partly during the 2020 Covid pandemic restrictions.
The book recounts the walks while giving an insight into remote island life with its varied scenery and wildlife through the changeable weather conditions.
The book fired my enthusiasm. Soon I experienced the island myself; the plane landing on the beach, walking Kath’s route—once (!) and seeing the fantastic, virtually deserted, golden sand beaches and clear water, while enjoying numerous other walks.
Things happen when you go for a walk. What started as Kath Kelly’s only circuit of the beautiful Isle of Barra somehow became twelve half-marathons. She marched right around the calendar amidst everything the weather, the world and the wildlife went through in the turbulent times before autumn 2020. This is the true story of her year-long journey and the surprising discoveries she made along the way. Come along for a fascinating glimpse of lockdown life in the Outer Hebrides over one most extraordinary year!
I dropped out of law school to pursue a PhD in music at the University of Glasgow and to write the history of the flute in Scotland. Essentially, I wanted to know that if Scotland was a leader in Enlightenment thought, and if there were hundreds of publications with flute on the title page, and since the flute was the most popular amateur instrument in the eighteenth century, why was nothing written about the flute. I obsessively read Scottish mythology as a child, and was always drawn to the stereotypical wild misty landscapes of Scotland without knowing much about it.
Published in 1779, this book shows far more about Enlightenment Edinburgh than it does Edinburgh history, and should be read for that reason. Full of myth, legend, bloody Scottish history, and contemporary events, it is written with the perspective of the historical enquiry of the Enlightenment as described by Broadie. Plus, it’s just fun to see how historic people saw and expressed themselves.
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. Rich in titles on English life and social history, this collection spans the world as…
Every country suffers from stereotypes, few more than Scotland. Since the nineteenth century, if not earlier, we—and the rest of the world—have built a fantasy history of romantic kilted highlanders, misty glens, and Celtic romance which bears very little relationship to the much richer, much more complex reality of Scotland's past. As a writer and scholar one of my goals has been to explore that past and to dispel—or at least explain—the myths which still obscure it. I live in a small fishing village on the east coast of the country. There are very few kilts and no misty glens.
A forgotten gem of a book. Katherine Parker hasn't (yet) enjoyed the same revival of interest as Violet Jacob, but this volume alone should make us reconsider. Sitting somewhere between biography and novel, it teases us and makes us a little uncomfortable as it veers between fragments of dialogue—clearly invented, albeit very much in keeping with period language—and more obviously historical passages, telling the eventful life of Jean Cochrane, Viscountess Dundee (1662-1695) from her birth in the west of Scotland, through her marriage with the famous Jacobite general Viscount Dundee—"Bloody Clavers" or "Bonnie Dundee" depending on your political preferences—to her strange death, killed by a collapsing inn roof in Utrecht, and her stranger exhumation a hundred years later.
A psychic once told me I was born in the wrong century, and I can believe it. I have always been drawn to tales of the past, feeling a kinship for the men and women of whom I read―whether they are real or born of someone's imagination―and longing for a life not digitalized or controlled and one in which self-reliance and community are not at odds. Am I a romantic? You bet, and happy to be.
I could feel the affection Nigel Tranter has for Scotland and its history as I followed Rob Roy's adventures in The Clansman, seeing the hero from a perspective depicted with humor, as a roguish fellow of somewhat less than stellar character with a lot of savvy and a lot of luck, rather than the stock Hollywood version of a purely innocent victim. I laughed and cheered for the man and his kinsmen. And for all Roy's imperfections, I would have loved to have known him.
This is the second book in the trilogy of the MacGregor clan. It follows the dramatic days of the 1715 uprising when the MacGregors support a king without a crown. Rob Roy is declared an outlaw and leaves home to avoid disaster - but his family are attacked in his absence and he vows revenge.
Both words in the title drew me to this book! What an incredible weaving of the immigrant journeys of a young couple, from Scotland and Italy, who meet in Utah after he survives WWI and the influenza pandemic.
By then, she is a young widow who has lost a young brother, her father, her husband in the war, and another brother to the pandemic.
But they have much more to face, from the deception and destruction of a rampant secretive religion. Remarkably, they escape and find redemption. This is the almost unbelievable story of the author's grandparents, written as a novel.
One family's struggle for freedom and faith in a world gone mad.
The call of freedom has propelled millions of immigrants to journey thousands of miles from all corners of the globe to come to America over the last four hundred years.
This story details the incredible cost that some are willing to pay to drink from freedom's fountain.
My grandfather crossed the Atlantic Ocean seven times to come to America. He fought in a global war, and nearly died in combat in the French countryside, wearing the uniform of an American.
When I stepped off the ferry onto Mainland Orkney, a piece of myself I never knew was missing suddenly slotted into place. Orkney became my geographic soulmate and I knew that The Darkest Court trilogy’s final book—and final battle—would have to take place there. Whenever I find myself longing to return, I pick up one of these books and throw myself back into the stories and histories that caught hold of my imagination all those years ago. I hope they stir your sense of magic and wonder the same way.
The best way to learn a new place is to read its folk tales. Muir’s curated collection not only gives a sense of the community values found throughout the wide spread of Orkney islands, but also of magic and wonder that pervades the place. You can easily take a tour to the specific locations mentioned in the stories, and I can assure you that rereading the stories in those places, with Muir’s charming, poetic prose, makes them come to life in fascinating new ways.
The Orkney Islands are a place of mystery and magic, where the past and the present meet, ancient standing stones walk and burial mounds are the home of the trows. Orkney Folk Tales walks the reader across invisible islands that are home to fin folk and mermaids, and seals that are often far more than they appear to be. Here Orkney witches raise storms and predict the outcome of battles, ghosts seek revenge and the Devil sits in the rafters of St Magnus Cathedral, taking notes! Using ancient tales told by the firesides of the Picts and Vikings, storyteller Tom…
