Known in Scandinavia mainly for her intense poetry, the Swedish author Karin Boye wrote this novel in 1940, recently published in a new English translation. It is a dystopian novel written in the shadow of Stalinism and Nazism, depicting an authoritarian society where the individual is seen as a threat to the common good.
The protagonist, Kall, invents a drug which has an enormous impact. This novel defends its place between Huxley and Orwell, chronologically and thematically.
In some ways, it is superior to them, by incorporating gender relations and family life, neglected by the more famous authors.
This classic Swedish novel envisioned a future of drab terror. Seen through the eyes of idealistic scientist Leo Kall, Kallocain's depiction of a totalitarian world state is a montage of what novelist Karin Boye had seen or sensed in 1930s Russia and Germany. Its central idea grew from the rumors of truth drugs that ensured the subservience of every citizen to the state.
In my 25 years of writing short stories, novels, and plays, I have explored my Mexican and Chicano roots in a variety of genres, from literary fiction to horror to magical realism to science fiction and everything in between. In the end, I do not discriminate when it comes to genre because a well-told story is key for me, regardless of the mode chosen by the author. My most recent novel, Chicano Frankenstein, is a case in point. In it, I blend genres: horror, science fiction, political satire, and a bit of romance. So, too, I love reading fiction that bravely challenges conventional storytelling.
I had already sold my novel when my publisher highly recommended that I read this book, which—like my own novel—is a modern retelling of Mary Shelley’s Frankenstein. I devoured it in two sittings.
Tsai’s story is a biracial, queer, gender-fluid retelling that modernizes and expands Shelley’s themes of alienation and the dangers of unchecked scientific experimentation.
While Tsai explores such weighty themes as gender identity, racism, and medical ethics, there is no skimping on the horror that will haunt your dreams.
Unwieldy Creatures, a biracial, queer, nonbinary retelling of Mary Shelley's classic novel Frankenstein, follows the story of three beings who all navigate life from the margins: Plum, a queer biracial Chinese intern at one of the world's top embryology labs, who runs away from home to openly be with her girlfriend only to be left on her own; Dr. Frank, a queer biracial Indonesian scientist, who compromises everything she claims to love in the name of science and ambition when she sets out to procreate without sperm or egg; and Dr. Frank's nonbinary…
Apart from my professional expertise as a philosopher, I have directly observed science by working as a professional researcher in Physics and Astronomy. In any field, either arts, science, humanities, literature,... I observe the same thing: decline, ugliness, lack of spirit, lack of great intellectual achievements, and stupidity. Of course, we have technology, medicine, engineering, the Internet, and material things… and they are better than ever, but our culture and spirit are dying. Science is part of this culture, which is also in decadence, and working as a scientist and reading Spengler is a good combination to realize it.
In my opinion, Horgan’s book is of great value, and I find it an important reference in considering the subject of “the end of science.”
This book is brave and lucid, with plenty of good ideas on topics related to the limits of knowledge in science. The intuition that the scientific age is declining is prophetic, I guess, but not so the causes Horgan gives. It is possible the limits of knowledge is one of the causes, but there is much more behind the twilight of science, and I think it is more related to being sated with knowledge rather than to the limits of knowledge.
It is more a sociological/anthropological question than a pure debate about whether there remain scientific problems to be solved.
In The End of Science, John Horgan makes the case that the era of truly profound scientific revelations about the universe and our place in it is over. Interviewing scientific luminaries such as Stephen Hawking, Francis Crick, and Richard Dawkins, he demonstrates that all the big questions that can be answered have been answered, as science bumps up against fundamental limits. The world cannot give us a "theory of everything," and modern endeavors such as string theory are "ironic" and "theological" in nature, not scientific, because they are impossible to confirm. Horgan's argument was controversial in 1996, and it remains…
As a child I read and experienced history books as adventures. Adventure drew me to Alaska after a hitch in the Navy. I wanted to write an accurate historical novel about Juneau and the Treadwell Mine and began my research. I knew the Alaska Historical Library was the perfect place to begin. When I discovered the extensive photo collections, I flashed back to my admiration of the historical novels that impressed me. I borrowed technique and structure from all and incorporated imagery in my manuscript. My main goal was to successfully immerse the reader in a good novel about 1915 in Alaska Territory.
Quicksilver, Volume One of the Baroque Cycle is an amazing novel and not for those who like quick reads. At nearly 1,000 erudite pages it depicts the lives and confusions of natural philosophers between the years 1660 and 1713 at the dawn of the scientific revolution. Robert Hooke, Isaac Newton, King Charles II, and many others fill the pages with wit, history, avarice, sex, political duplicity, religious prejudice, and wars that seem to pop up by whim.
The sheer volume of historical research evident in Quicksilvereclipses all other works of the genre. The number of “throw away” lines that reveal deeper research and add but a thought or two to the current narrative is awesome.This is rapture for a bibliophile.Mr. Stephenson is a genius.
Quicksilver is the story of Daniel Waterhouse, fearless thinker and conflicted Puritan, pursuing knowledge in the company of the greatest minds of Baroque-era Europe, in a chaotic world where reason wars with the bloody ambitions of the mighty, and where catastrophe, natural or otherwise, can alter the political landscape overnight.
It is a chronicle of the breathtaking exploits of "Half-Cocked Jack" Shaftoe -- London street urchin turned swashbuckling adventurer and legendary King of the Vagabonds -- risking life and limb for fortune and love while slowly maddening from the pox.
Christopher Rankin is an author, the host of the Vanadium podcast on YouTube, and a scientist in the field of renewable materials. He was awarded a PhD in materials science from the University of Pennsylvania and holds several patents. A lifelong lover of science, Rankin hopes to encourage greater public interest and a broader understanding of technical subjects.
John Lilly, a Caltech and University of Pennsylvania trained doctor who also probed the murkiest waters of the psychedelic experience, was the inspiration for Dade Harkenrider in my book, Ann Marie’s Asylum. Lilly was a genius, who crossed over the edge more than once.
Tells the story of John Lilly's discoveries from his early experiments; mapping the brains of monkeys and communication with dolphins, to his experience with consciousness expanding drugs. The book includes an update on Lilly's work on human/dolphin communication and returning animals to the wild.
Three of my five novels have largely tragic historical settings—the siege of Leningrad, the Great Flood of 1927, and Hurricane Katrina—and I’ve always been fascinated and awed by how people survive the things they do. The origin of “May you live in interesting times” is disputed, but undoubtedly it's more curse than blessing. I’m also just fascinated by the way writers bring real people and events to life in new ways. As the daughter of scientists, I’m often drawn to works of fiction that feature scientists, real or invented.
I’m the daughter of two scientists, and this book was deeply important to me when I first read it. It helped me understand my parents’ passion for and pursuit of botanical knowledge. Many of the characters in this collection (a novella and stories) are fictional botanists, but historical figures appear in several stories. For instance, “The English Pupil” features an elderly Carl Linnaeus and explores themes of botany and regret.
The elegant short fictions gathered hereabout the love of science and the science of love are often set against the backdrop of the nineteenth century. Interweaving historical and fictional characters, they encompass both past and present as they negotiate the complex territory of ambition, failure, achievement, and shattered dreams. In "Ship Fever," the title novella, a young Canadian doctor finds himself at the center of one of history's most tragic epidemics. In "The English Pupil," Linnaeus, in old age, watches as the world he organized within his head slowly drifts beyond his reach. And in "The Littoral Zone," two marine…
The truth? I’m scared of bears! But learning about them has helped me become a less fearful hiker. Turns out, bears spread seeds and salmon nutrients in their droppings. They also help maintain populations of prey species like deer. I don’t want those jobs. So, thank you, bears! The more kids learn about wildlife, the more comfortable they’ll be outdoors. And the better planet citizens they’ll become! Beyond bears, I’ve authored 200+ children’s books, writing everything from Greek Mythology take-offs (Goddess Girls middle grade series of 30 books) to math (Zero the Hero picture book) to a fractured fairy tale about how to write a story (Little Red Writing)!
Carney’s book is part of the National Geographic Kids series, and is meant for independent, fluent readers.
So it’s for kids who are older than those who might read my bear book and the other books on my list. Still, Carney’s book is well-organized, interesting, and definitely worth a read.
If your cubs enjoy this one, consider trying another one in this National Geographic series—Ink!—by Stephanie Drimmer. After watching (aka sobbing my way through) the film My Octopus Teacher, I read Ink! to learn more about Octopuses.
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author picked
Bears
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This book is for kids age
6,
7, and
8.
What is this book about?
Get ready for a walk on the wild side in this image-packed book all about bears! Kids will learn about different kinds of bears, where they live, and what they do. This level 3 reader is written in an easy-to-grasp style to encourage the animal lovers of today and scientists of tomorrow!
I am a Geography professor at DePaul University with a long-standing obsession with the world, comparing puddle shapes to countries as a small child and subsequently initiating map and flag collections that I cultivate to this day. Having lived in different parts of the UK and the USA, as well as being fortunate enough to travel further afield, I’ve relished the opportunity to explore widely and chat with the people who know their places best. I love books that alter how I look at the planet, and I am particularly intrigued by the subtle ways in which people have shaped our world—and our perceptions of it—both intentionally and inadvertently.
Even prior to reading this book, I casually considered Alexander von Humboldt to be one of my geographical heroes, a workaholic as addicted to adventure as he was obsessed with advancing our understanding of the planet.
However, Wulf’s book opened my eyes not only to the sheer extent of his contributions to how we view the world, from human-induced climate change to the development of increasingly accurate and informative maps and diagrams but also to his cultural and political significance, influencing politicians and inspiring poets to continue fashioning and representing the planet as they see fit.
In placing the founder of ecology and modern environmentalism centre-stage, this engaging biography extols Humboldt’s revolutionary understanding of how the natural and human worlds are interconnected and helps us appreciate how our relationship with the planet can be scientific and emotional simultaneously.
WINNER OF THE ROYAL SOCIETY SCIENCE BOOK PRIZE 2016
'A thrilling adventure story' Bill Bryson
'Dazzling' Literary Review
'Brilliant' Sunday Express
'Extraordinary and gripping' New Scientist
'A superb biography' The Economist
'An exhilarating armchair voyage' GILES MILTON, Mail on Sunday
Alexander von Humboldt (1769-1859) is the great lost scientist - more things are named after him than anyone else. There are towns, rivers, mountain ranges, the ocean current that runs along the South American coast, there's a penguin, a giant squid - even the Mare Humboldtianum on the moon.
I’ve always been attracted to the overlooked, the obscure, the forbidden. Maybe it’s as simple as the fact I grew up in a time when it seemed natural to rebel against norms. Or maybe it’s that I inherited an oddball gene from some ancient ancestor. Anyway, it led me to interesting adventures—hanging out with a crew of gun runners in eastern Turkey—and interesting career choices—strike organizer, private detective, etc. It also shaped my reading and my writing. I read everything, but I’m particularly drawn to the quirky—Grendel, the fiction of Christine Rivera Garza for instance. And in my writing too: Lynerkim, the protagonist of my novella, is undoubtedly an odd duck.
If you need inspiration to write strange stories, then read the Brazilian Machado de Assis. In his photos he looks like a prim and proper gentleman, giving no hint he wrote some of the whackiest fiction you’ll ever encounter—for example, one story is told from the perspective of a needle. The Alienist is a favorite. Bacamarte, a man devoted to science, opens an insane asylum in the town of Itaguaí, taking in the mentally ill. But his scientific mind leads him to the inevitable conclusion that he must also include healthy people who, according to his diagnosis, are about to go crazy. Soon, his asylum, Casa Verdi, accommodates the entire town. Then, in the ending of the story… Well, you’ll have to read it yourself to find out.
A classic work of literature by “the greatest author ever produced in Latin America.” (Susan Sontag)
Brilliant physician Simão Bacamarte sacrifices a prestigious career to return home and dedicate himself to the budding field of psychology. Bacamarte opens the first asylum in Brazil hoping to crown himself and his hometown with “imperishable laurels.” But the doctor begins to see signs of insanity in more and more of his neighbors. . . .
With dark humor and sparse prose, The Alienist lets the reader ponder who is really crazy.
My interest in the American Revolution began with a college course on the French Revolution. I was enthralled by the drama of it all. Being the impressionable late adolescent that I was, I naturally explained to my professor, a famous French historian of the French Revolution, that I wanted to dedicate my life to the study of this fascinating historical period. My professor urged me to reconsider. He suggested I look at a less well-known Revolution, the one British colonists undertook a decade earlier. I started reading books about the American Revolution. Now, forty years on, I’m still enthralled by the astonishing creative energy of this period in American history.
Few figures better embody the intersection of innovation and revolutionary radicalism than the brilliant theologian, political theorist, and natural philosopher, Joseph Priestley, the subject of Johnson’s delightful and informative book. An ordained minister, Priestley abandoned the teachings of the Church of England for Unitarianism, a move that banished him to the theological sidelines. Priestley’s brilliance was not limited to the theological and, as he moved to the outer fringes of British religious life, he moved to the red-hot center of the nation’s scientific life, gaining election to the esteemed Royal Society. Among Priestley’s many contributions to the chemical sciences was to identify components parts of air, including the elemental oxygen. As he pursued far-reaching truths in the natural sciences, Priestley’s religious views remained controversial and by the time revolution erupted in France, they had elicited a reaction from British government officials, terrified by the contagion of revolution. Facing criminal prosecution…
From the bestselling author of How We Got To Now, The Ghost Map and Farsighted, a new national bestseller: the “exhilarating”( Los Angeles Times) story of Joseph Priestley, “a founding father long forgotten”(Newsweek) and a brilliant man who embodied the relationship between science, religion, and politics for America's Founding Fathers.
In The Invention of Air, national bestselling author Steven Johnson tells the fascinating story of Joseph Priestley—scientist and theologian, protégé of Benjamin Franklin, friend of Thomas Jefferson—an eighteenth-century radical thinker who played pivotal roles in the invention of ecosystem science, the discovery of oxygen, the uses of oxygen, scientific experimentation,…
