I’ve been fascinated by the First World War ever since I read Vera Brittain’s Testament of Youth at the age of 19. When I lived in France in my twenties I started to read French nurses’ memoirs and diaries, and for the last fifteen years or so have continued to read and write about women’s experiences during and after the war as a university academic researcher, often from a comparative perspective. Men’s stories and memories of the First World War still dominate our understanding of it, but I believe that women’s perspectives give us a vital and often overlooked insight into the war and its consequences.
Although they are largely forgotten now, the five to six thousand Russian women who enlisted as soldiers were amongst the most photographed and written about women in the First World War, especially the charismatic but tyrannical leader of the 1st Russian Women’s Battalion of Death, Maria Bochkareva. Stoff’s book gives a highly readable and fascinating account of their formation, their military action, their ill-fated involvement in the defence of the Winter Palace when it was stormed by the Bolsheviks in November 1917, and their reception by the rest of the world as the only battalions of women to carry out officially sanctioned combat roles in the war.
Stoff uses their own memoirs alongside other first-hand accounts by American, British, and French diplomats stationed in Russian in the tumultuous year of 1917, and her book provides a balanced and nuanced analysis.
Women have participated in war throughout history, but their experience in Russia during the First World War was truly exceptional. Between the war's beginning and the October Revolution of 1917, approximately 6,000 women answered their country's call. These courageous women became media stars throughout Europe and America, but were brushed aside by Soviet chroniclers and until now have been largely neglected by history. Laurie Stoff draws on deep archival research into previously unplumbed material, including many first-person accounts, to examine the roots, motivations, and legacy of these women. She reveals that Russia was the only nation in World War I…
I’ve always loved historical romance, ever since my mother gave me my first Georgette Heyer when I was eight, and my grandmother gave me my first Barbara Cartland shortly after. The fascination has never waned, which is a good thing because I grew up to become a historical romance author myself. Since publishing my first romance in 2006, I’ve written nearly 50 books, mainly set during the Regency period (first quarter of the 19th century). I’ve always adored how a good historical romance whisks me away to a larger-than-life world replete with dashing rakes, smart-mouthed ladies, and glittering high society, not to mention witty banter, glamour, and heart-stopping romance.
This is my favorite comfort read, the perfect book for days when life has too many sharp corners. I must have read this one at least twenty times. It has all the virtues of a classic fairytale: a pure-hearted, brave heroine; an honorable, steadfast hero; and a happy ending earned through suffering and effort and against all the odds. It tells the story of Countess Anna Grazinsky, a young refugee from the Russian Revolution, who finds work as a maid at a stately home in the English countryside, where she falls in love with the gallant war hero who owns the house. But the Earl of Westholme is promised to another woman. Heartwarming, triumphantly romantic, wise, and funny, A Countess Below Stairs is one of those rare books that makes the world seem a better place.
Eva Ibbotson's charming and warm-hearted tale, A Secret Countess was originally published as A Countess Below Stairs.
Anna, a young countess, has lived in the glittering city of St Petersburg all her life in an ice-blue palace overlooking the River Neva. But when revolution tears Russia apart, her now-penniless family is forced to flee to England. Armed with an out-of-date book on housekeeping, Anna determines to become a housemaid and she finds work at the Earl of Westerholme's crumbling but magnificent mansion. The staff and the family are sure there is something not quite right about their new maid -…
I’ve always loved satire. In college, I wrote and performed comedy sketches as part of a two-man team, and most of my work features at least some comic elements. For example, my novel The Whale: A Love Story is a serious historical novel about the relationship between Herman Melville and Nathaniel Hawthorne that also offers moments of comedy to honor Melville's comic spirit (Moby-Dick, while ultimately tragic, is a very funny book). The most serious subjects usually contain elements of the absurd, and the books I love find humor in even the gravest situations.
Set in Moscow on the eve of the Russian Revolution, this novel’s plot does not scream “funny,” but it’s one of the most deeply funny books I’ve ever read.
An English printer living in Russia wakes up one day to find that his wife has left him and taken their children away, and revolutionaries have broken into his shop to print manifestoes.
From this unlikely setup, Fitzgerald spins a hilarious tale of loss, love, and redemption.
From the Booker Prize-winning author of ‘Offshore’, ‘The Blue Flower’ and ‘Innocence’ comes this Booker Prize-shortlisted tale of a troubled Moscow printworks .
Frank Reid had been born and brought up in Moscow. His father had emigrated there in the 1870s and started a print-works which, by 1913, had shrunk from what it was when Frank inherited it. In that same year, to add to his troubles, Frank’s wife Nellie caught the train back home to England, without explanation.
How is a reasonable man like Frank to cope? How should he keep his house running? Should he consult the Anglican…
I’m a longtime Moscow correspondent, having worked there for The Baltimore Sun in the 1990s and for The Washington Post in the 2010s. It was an exciting time to be in Russia, and I couldn’t help noticing parallels between the Russian revolutions of 1917 and the collapse of the Soviet Union in 1991. I think American policymakers, in particular, profoundly misunderstood both events. In my newspaper career, I am a winner of the Pulitzer Prize, the George Polk Award, an Oversea Press Club award, and other honors. In the fall of 2018, I taught for a semester at Princeton University.
Rosen, who turned 70 just weeks before the revolution, was a veteran diplomat who for many years had been Russian ambassador to the United States. Deeply conservative and deeply insightful, he had been thrust aside by Nicholas’ court. He thought that Russia’s declaration of war in 1914 was lunacy and that its conduct and diplomacy during the war was staggeringly self-defeating. The memoir covers decades, but the section on February 1917 is by far the most trenchant. His self-effacing account of dealing with a group of revolutionary soldiers who came to his club one dark night gives a vivid look at the passions and confusion that were sweeping revolutionary Russia. Rosen fled after the Bolshevik takeover in November, 1917, and spent the rest of his life in New York.
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I lived in the former Soviet Union for ten years, primarily in Moscow, the home of many a brutal tyrant. My obsession with dictator literature began after I discovered that Saddam Hussein had written a romance novel, following which I spent many years reading the literary output of all of the 20th century’s most terrible tyrants, from Mussolini to Stalin to the Ayatollah Khomeini. This monumental act of self-torture resulted in my critically acclaimed book The Infernal Library: On Dictators, the Books They Wrote, And Other Catastrophes of Literacy.
If How to be a Dictator gives you an overview of the great tyrants of the 20th century, then Service’s biography of Joseph Stalin provides a close analysis of one of the great monsters of the 20th century. Everybody knows about Hitler’s terrible crimes, but Stalin’s are less familiar, due to a mystifying reluctance on the part of several generations of educators to teach “the youth” about the USSR. What I especially admire about Service’s book is that he really engaged with Stalin’s own writings (which are awful) and so he provides a lot of insight into the ideas that drove this ex-seminarian as he transformed himself into the supreme leader of the largest country in the world. The Stalin that ultimately emerges from this portrait is no raving lunatic but rather a highly intelligent and profoundly evil man who is completely in control of himself. Chilling.
Overthrowing the conventional image of Stalin as an uneducated political administrator inexplicably transformed into a pathological killer, Robert Service reveals a more complex and fascinating story behind this notorious twentieth-century figure. Drawing on unexplored archives and personal testimonies gathered from across Russia and Georgia, this is the first full-scale biography of the Soviet dictator in twenty years.
Service describes in unprecedented detail the first half of Stalin's life--his childhood in Georgia as the son of a violent, drunkard father and a devoted mother; his education and religious training; and his political activity as a young revolutionary. No mere messenger for…
I am a retired lecturer at Southampton University, but used to live in China for many years. I experienced the horrible Chinese Cultural Revolution between the 1960s and 1970s, which was similar to Stalin’s Great Purges. I was put in jail and suffered cruel torture. So personally, I can more understand how, in all revolutionary movement, people were struggling with the threat of death and hopelessness; how they were torn between the new value of the revolution and the damage to the existing moral system; and how the strength of humanity could shine in the bloody darkness of terror.
It is a compelling epic of the bloody Russian Revolution to show how Don Cossack suffered and fought during World War I, the Russian Revolution, and the following civic war. The love story is beautiful and moving. The main character Grigori was moving between the White and Red army, with pain and daze. Like other Cossack people, he was torn between royalty and betrayal, right and wrong, justice and barbarism.
This is the first of four books of the novel, And Quiet Flows the Don. The second and third books are due to be put into ebook format in late 2016, with book four coming available in 2017.
And Quiet Flows the Don is an epic novel in four volumes by Russian writer Mikhail Aleksandrovich Sholokhov. The first three volumes were written from 1925 to 1932 and published in the Soviet magazine October in 1928–1932, and the fourth volume was finished in 1940. The English translation of the first three volumes appeared under this title in 1934.
When I had to choose another elective subject at school, my grandmother advised me: "Take Russian. We will have to deal with the Russians – for better or for worse.” So I chose Russian as my third foreign language and my grandmother was right – first it came good: perestroika and glasnost, then it came bad: Putinism. So I studied Russian and history, did my doctorate and habilitation in Russian-Soviet history, and today I am a professor of contemporary history and culture of Eastern Europe and head of the Research Centre for East European Studies at the University of Bremen.
This book is incredible, because it tells the story of Stalinist terror through a single house. Moreover, Slezkine creates a world history around this house of victims and perpetrators, which literally begins in the primordial mud and ends on the Day of Judgment. Slezkine takes no prisoners: either you follow him and the apocalyptic horsemen, or you don't, he doesn't care. Like a man possessed, he tells the story of one of the greatest crimes of the 20th century and I found it almost impossible to escape his spell.
On the 100th anniversary of the Russian Revolution, the epic story of an enormous apartment building where Communist true believers lived before their destruction The House of Government is unlike any other book about the Russian Revolution and the Soviet experiment. Written in the tradition of Tolstoy's War and Peace, Grossman's Life and Fate, and Solzhenitsyn's The Gulag Archipelago, Yuri Slezkine's gripping narrative tells the true story of the residents of an enormous Moscow apartment building where top Communist officials and their families lived before they were destroyed in Stalin's purges. A vivid account of the personal and public lives…
Steven G. Marks is a historian who has written extensively on Russian economic and cultural history, the global impact of Russian ideas, and the history of capitalism. He received his PhD from Harvard University and has spent more than 30 years teaching Russian and world history at Clemson University in South Carolina.
There are many excellent histories of the Russian Revolution that chronicle the main events, but none convey the complexity of experiences in Tsarist Russia during its final years and the Soviet regime in its initial phase as Mark Steinberg’s short but powerful and original work. This book gives us the bird’s-eye view of developments as they unfold, but also places them under the microscope to give us personal stories and experiences from different wakes of life. Using contemporary journalism and diaries, Steinberg recovers the voices of a range of ethnic groups in various regions of the empire—Jews, Ukrainians, and Central Asians--as well as workers, peasants, women, and members of the intelligentsia. As we witness their lives being thrown into upheaval by rapid political and economic transformation in the first years of the 20th century, followed by World War I, the two revolutions of 1917, and civil war, we gain…
The Russian Revolution, 1905-1921 is a new history of Russia's revolutionary era as a story of experience-of people making sense of history as it unfolded in their own lives and as they took part in making history themselves. The major events, trends, and explanations, reaching from Bloody Sunday in 1905 to the final shots of the civil war in 1921, are viewed through the doubled perspective of the professional historian looking backward and the contemporary journalist reporting and interpreting history as it happened. The volume then turns toward particular places and people: city streets, peasant villages, the margins of empire…
A proud native of Stockton, CA, Jennifer Laam resides in California with a temperamental tabby cat named Jonesy. Her other works of historical fiction are The Secret Daughter of the Tsar, The Tsarina’s Legacy, and The Lost Season of Love and Snow. When not reading or writing, she enjoys planning cosplay for the next San Diego Comic-Con, experimenting with vegetarian recipes (to mixed results), cooing at Baby Yoda, or obsessing over House Targaryen.
A harrowing and beautifully told novel of the last days of the Romanovs in imprisonment. The point of view character is a surviving servant, Leonka, a child released from the “House of Special Purpose” shortly before the execution of the royal family.
Soon to be a major motion picture starring Kristin Scott Thomas (The English Patient), directed by Stefan Ruzowitzky (The Counterfeiters)
Drawing from decades of work, travel, and research in Russia, Robert Alexander re-creates the tragic, perennially fascinating story of the final days of Nicholas and Alexandra Romanov as seen through the eyes of their young kitchen boy, Leonka. Now an ancient Russian immigrant, Leonka claims to be the last living witness to the Romanovs' brutal murders and sets down the dark secrets of his past with the imperial family. Does he hold the key to the many questions surrounding the…
I'm a professor of modern U.S. history and have spent my career researching this list's fascinating era. This moment began our modern political history. The first Red Scare in the United States, erupting in the wake of World War I and the Russian Revolution, was a conflict over the definition and limits of radicalism in a modern democracy and the limits of its repression. It was also tied to other seismic questions of the era that remain relevant, including how far the fights of women and Blacks for opportunities and rights that other Americans took for granted could succeed, whether to end mass immigration, the meaning of ‘Americanism,’ the extent of civil liberties, the limits of capitalism, and the role of social movements in the republic.
The Seattle General Strike was the local event that escalated a national Red Scare at the beginning of 1919 and caused a wave of panic that the Russian Revolution was coming home. Friedheim is great at explaining how this extraordinary event occurred, sketching the key factions in the city, and narrating the drama of the big moments. This classic account of strikers running a city until the troops were called in, first published in 1964, is back in print in a great new edition with photos.
"We are undertaking the most tremendous move ever made by LABOR in this country, a move which will lead-NO ONE KNOWS WHERE!" With these words echoing throughout the city, on February 6, 1919, 65,000 Seattle workers began one of the most important general strikes in US history. For six tense yet nonviolent days, the Central Labor Council negotiated with federal and local authorities on behalf of the shipyard workers whose grievances initiated the citywide walkout. Meanwhile, strikers organized to provide essential services such as delivering supplies to hospitals and markets, as well as feeding thousands at union-run dining facilities.
