100 books like Forty Years of Diplomacy; Volume 2

Amazingly, in the spring of 1917 an Interview Commission was formed in Russia to obtain oral histories of the revolution that led to the abdication of Czar Nicholas II. Thirteen key players were interviewed about their role in the sweeping and often violent events that had occurred just two months earlier. You can sense the ambivalence that they were struggling with. Of special note is Alexander Kerensky, who would become the leader of the Provisional Government, describing how he called Nicholas’ brother Michael in the middle of the night, waking him up, and persuading him to renounce the throne.

Gorky, the author of The Lower Depths, was appalled by czarism and by Russia’s conduct in the First World War, yet this series of essays communicates a profound disillusionment with revolution. Russia, he wrote, was “splitting all along its seams and falling apart like an old barge in a flood.” He lamented “our stupidity, our cruelty, and all that chaos of dark, anarchistic feelings, that chaos which has been cultivated in our souls by the monarchy’s shameless oppression, by its cynical cruelty.” The old regime, he wrote, had successfully suppressed the human spirit in its subjects, and now that it was gone Russia would have to live with the consequences.

Houghteling was a young Commerce Department official who was assigned to the U.S. Embassy in Petrograd. He arrived in January 1917, by sleigh across the border into Russian Finland, seemingly full of American self-confidence. Traveling back and forth from Petrograd to Moscow, he was surprised at how openly Russians were talking about impending revolution, and maybe a little surprised at himself for being so taken by the country and its people. Over just weeks, from the run-up to the revolution to the collapse of the regime, his writing became less arch and more penetrating, his jokes less inane, and his perspective more complex even as he retained his optimism about Russia. Houghteling’s account features prominently in Helen Rappaport’s wonderful book from 2016, Caught in the Revolution.

Thompson was a photographer from Kansas who went to Europe to cover the First World War and found himself in Russia as 1917 dawned. His book is drawn from letters he wrote home to his wife Dot, and his eyewitness reporting is better than his analysis. His account of the day police opened fire on protesters in Petrograd with machine guns is chilling. Thompson believed that the Germans were behind the revolution, which wasn’t the case, but his photos of soldiers and barricades and protesters amount to a great visual document of the moment. Read this in conjunction with Runaway Russia, by Florence MacLeod Harper, a magazine reporter with whom he teamed up to cover the revolution.

Of the hundreds of books on revolutions I have read in a decades-long career, this remains the most powerful and enthralling of them all.  Unfolding like a grand Russian epic in the manner of War and Peace, Trotsky tells the story of the Russian Revolution and the triumph of the Bolshevik Marxists over every challenge and tribulation.  No other book gives you the feeling of being a revolutionary like this one, as Trotsky takes you from the meetings of workers in the factories of St. Petersburg to the halls of the Winter Palace, all the while debating whether the events he is witnessing, indeed the history he knows he is making, conform to the Marxist vision of history that inspires him. No other account of revolutions offers such a combination of theoretical brilliance and detailed, almost cinema-like descriptions of feelings and events. 

The best account of the futile Allied attempts to keep Russia in the war.   Largely ignored, mainly because it was politically embarrassing and.  Still worse, through no fauly of the army, it was militarily unsucessful.  But the intervention left lasting scars, and consequences were fatal for the remainder of the century. 

Beautifully written, the book follows the lives of Russia’s two great aristocratic families in the aftermath of the Bolshevik Revolution. Their fate was typical of the entire Russian aristocracy. It is a story of the Bolsheviks' cruelty and a painful survival of their many victims.

The fascination of this book is its portrayal of the human cost involved in the fall of a civilisation. After the Bolshevik Revolution the cream of Russian society, including most of the aristocrats, the professional classes, the officer class, the middle class, fled Russia with little but the clothes on their backs. Being Francophone, most of them sought refuge in Paris only to find there destitution. Grand Dukes who formerly had palaces, country estates and scores of servants, now drove taxis, waited at table, washed dishes; Grand Duchesses embroidered for fashion houses (the lucky ones), all yearning for their homeland and being, as time passed, regarded with less and less tolerance by the French.  

The book is a reminder that catastrophe waits only for opportunity.

This is my favorite comfort read, the perfect book for days when life has too many sharp corners. I must have read this one at least twenty times. It has all the virtues of a classic fairytale: a pure-hearted, brave heroine; an honorable, steadfast hero; and a happy ending earned through suffering and effort and against all the odds. It tells the story of Countess Anna Grazinsky, a young refugee from the Russian Revolution, who finds work as a maid at a stately home in the English countryside, where she falls in love with the gallant war hero who owns the house. But the Earl of Westholme is promised to another woman. Heartwarming, triumphantly romantic, wise, and funny, A Countess Below Stairs is one of those rare books that makes the world seem a better place.  

Set in Moscow on the eve of the Russian Revolution, this novel’s plot does not scream “funny,” but it’s one of the most deeply funny books I’ve ever read.

An English printer living in Russia wakes up one day to find that his wife has left him and taken their children away, and revolutionaries have broken into his shop to print manifestoes.

From this unlikely setup, Fitzgerald spins a hilarious tale of loss, love, and redemption.