Currently a full professor at Loyola University, he entered college at 16, studying chemistry, economics, and literature. He did graduate work in German, Russian, and Philosophy, held a double fellowship in music and literature, and wrote his dissertation on the relationship between historiography and epic poetry. In 2001, his 10th book, The Myth of the Great War was nominated for a Pulitzer Prize in history.
Even though Italy was one of the “victors,” its participation on the allied side was the cause of the government’s collapse, and the rise Mussolini and the fascisti, with all the calamities that followed. This book provides a truly horrifying explanation of why that was so.
In May 1915, Italy declared war on the Habsburg Empire. Nearly 750,000 Italian troops were killed in savage, hopeless fighting on the stony hills north of Trieste and in the snows of the Dolomites. To maintain discipline, General Luigi Cadorna restored the Roman practice of decimation, executing random members of units that retreated or rebelled. With elegance and pathos, historian Mark Thompson relates the saga of the Italian front, the nationalist frenzy and political intrigues that preceded the conflict, and the towering personalities of the statesmen, generals, and writers drawn into the heart of the chaos. A work of epic…
Currently a full professor at Loyola University, he entered college at 16, studying chemistry, economics, and literature. He did graduate work in German, Russian, and Philosophy, held a double fellowship in music and literature, and wrote his dissertation on the relationship between historiography and epic poetry. In 2001, his 10th book, The Myth of the Great War was nominated for a Pulitzer Prize in history.
A scathing and detailed analysis of the Ango-French invasion of Greece and the military, political, and strategic debacle that ensured as they attempted to open a third front against the Central Powers. If you’ve ever wondered why this isn’t much talked about, or even mentioned, Abbott explains it.
From the preface: "The late convulsions in Greece and Turkey, and the consequent revival of all the mis-statements which, during the War, flowed from ignorance or malice, render the publication of this book particularly opportune. Mr. Abbott deals with his subject in all its aspects, and presents for the first time to the British public a complete and coherent view of the complicated circumstances that made Greece, during the War, the battle-ground of rival interests and intrigues, from which have grown the present troubles. In this book we get a clear account of the little-understood relations between the Greek and…
Currently a full professor at Loyola University, he entered college at 16, studying chemistry, economics, and literature. He did graduate work in German, Russian, and Philosophy, held a double fellowship in music and literature, and wrote his dissertation on the relationship between historiography and epic poetry. In 2001, his 10th book, The Myth of the Great War was nominated for a Pulitzer Prize in history.
Although much of the book is concerned with earlier wars, it is a necessary preface to understanding not only why the Habsburg armies were forced to fight all over Central Europe, and as the final sections of the book makes clear, why they they fought on to the bitter end.
The army was perhaps the most important single institution in the multinational empire of the Hapsburgs. The Austro-Hungarian dynasty survived through the military power it could command, and the rise and fall of the fortress of the Hapsburgs were mirrored accurately in the state of its military establishment. It was in the army alone, with its common language, ideals, and loyalty, that the concept of a great empire headed by an emperor was even partially translated into reality. But in an age of nationalism, the army alone could not save the multinational state. Tradition and circumstance cast it into the…
Currently a full professor at Loyola University, he entered college at 16, studying chemistry, economics, and literature. He did graduate work in German, Russian, and Philosophy, held a double fellowship in music and literature, and wrote his dissertation on the relationship between historiography and epic poetry. In 2001, his 10th book, The Myth of the Great War was nominated for a Pulitzer Prize in history.
Not only does Stone demolish the many false ideas held about this part of the war, but he provides us with insights that allow us to understand the important connections among the three fronts of the war that impacted decisions in Paris and London—and vice versa.
Adam Zamoyski is a British historian of Polish origin. He is the author of over a dozen award winning books. His family originates in Poland. His parents left the country when it was invaded by Germany and Russia in 1939, and were stranded in exile when the Soviets took it over at the end of World War II. Drawn to it as much by the historical processes at work there as by family ties, Zamoyski began to visit Poland in the late 1960s. His interest in the subject is combined with a feel for its connections to the history and culture of other nations, and a deep understanding of the pan-European context.
This book not only tells the fascinating story of the great siege in 1914-15 of the supposedly impregnable fortress of Przemyśl. It is a highly readable and often darkly humorous account, based on an extraordinary array of sources in several languages, paints a vivid picture of the political and military shambles into which the Austro-Hungarian Empire had fallen. With chilling precision, it also identifies the presence of many of the germs which would flourish into the horrors which visited the same area in the following decades.
A prizewinning historian tells the dramatic story of the siege that changed the course of the First World War
In September 1914, just a month into World War I, the Russian army laid siege to the fortress city of Przemysl, the Hapsburg Empire's most important bulwark against invasion. For six months, against storm and starvation, the ragtag garrison bitterly resisted, denying the Russians a quick victory. Only in March 1915 did the city fall, bringing occupation, persecution, and brutal ethnic cleansing.
In The Fortress, historian Alexander Watson tells the story of the battle for Przemysl, showing how it marked the…
I was raised a Quaker in England in the years after the Second World War. Quakers don’t have creeds, but they have strong beliefs about such things as the immorality of war. In the 1950s there was also huge prejudice, particularly against homosexuality which was then illegal. Issues like these gnawed at me throughout my 55-year career as a philosophy professor. Now 82 and finally retired, I'm turning against the problems of war and prejudice, applying much that I've learnt in my career as a philosopher interested in evolutionary theory, most particularly Charles Darwin. For this reason, intentionally, Why We Hate:Understanding the Roots of Human Conflictis aimed at the general reader.
If we are not killer apes, if war is not inevitable, how does it happen? Obviously because people were not up to the challenges of maintaining peace. Margaret MacMillan’s riveting account of the events leading up to the Great War, the First World War, shows in all-too-clear detail how not to go about avoiding war. The German Kaiser, Wilhelm, was petty and boastful and altogether too proud and confident of his totally inadequate abilities. The Tsar of Russia, Nicholas, was cut from the same cloth. But whereas Wilhelm made up his mind quickly and then was unmovable, Nicholas could never make up his mind. Between them, helped by other inadequates in places of high status and power, millions of young men lay dead on the fields of Flanders, in Northern France.
WINNER of the International Affairs Book of the Year at the Political Book Awards 2014Longlisted for the Samuel Johnson Prize 2013 The First World War followed a period of sustained peace in Europe during which people talked with confidence of prosperity, progress and hope. But in 1914, Europe walked into a catastrophic conflict which killed millions of its men, bled its economies dry, shook empires and societies to pieces, and fatally undermined Europe's dominance of the world. It was a war which could have been avoided up to the last moment-so why did it happen? Beginning in the early nineteenth…
I’m a professor of history at Lafayette College in Pennsylvania, and I’ve been studying Russia ever since visiting the Soviet Union as a college student in 1990. I’ve been particularly interested in seeking connections between violence and other dimensions of historical experience. My first book (Drafting the Russian Nation) explored connections between political ideologies and violence, Imperial Apocalypse is in part a social history of violence, and my current project is examining the connection between literary cultures, professional communities, and the violence of the Cold War.
One of the most pernicious myths surrounding the Russian population in the years of the war is that the subjects of the tsar were too provincial and ignorant to really have a sense of what was going on or why. This myth was perpetuated above all by political and military elites after the war as a way of explaining the reasons they had lost the war. Stockdale’s work makes this myth almost impossible to maintain. In chapters on the effectiveness of mass media, on the role of the church, on the heartfelt hatred of the enemy, and more, she shows how regular Russians were mobilized for the war. If some were unpatriotic, this was not the result of ignorance but of knowing too well how the regime was failing the people it was supposed to protect.
The First World War had a devastating impact on the Russian state, yet relatively little is known about the ways in which ordinary Russians experienced and viewed this conflict. Melissa Kirschke Stockdale presents the first comprehensive study of the Great War's influence on Russian notions of national identity and citizenship. Drawing on a vast array of sources, the book examines the patriotic and nationalist organizations which emerged during the war, the role of the Russian Orthodox Church, the press and the intelligentsia in mobilizing Russian society, the war's impact on the rights of citizens, and the new, democratized ideas of…
Adam Hochschild is the author of ten books. The era of the First World War figures in his latest, Rebel Cinderella: From Rags to Riches to Radical, the Epic Journey of Rose Pastor Stokes, and is the major subject of his To End All Wars: A Story of Loyalty and Rebellion, 1914-1918. To End All Wars has been translated into seven languages, won the Dayton Literary Peace Prize, and was a finalist for the National Book Critics Circle Award. He is at work now on a book about the First World War era and its aftermath in the United States.
This book brings to life a part of the war Western readers know far too little about: the vast battles that ranged back and forth across Eastern Europe and Russia. Two of the three armies involved, those of Tsarist Russia and Austria-Hungary, were spectacularly incompetent, and saw their soldiers needlessly slaughtered by the millions before these two empires dissolved under the war’s impact.
On the outbreak of war in 1914, the armies of the western front soon became bogged down in the mud at Flanders. But on the wide plains and forests of Eastern Europe the three great Empires - Russia, Germany and Austria-Hungary - grappled in a series of battles involving millions of men and hundreds of miles of front. Shortly after the outbreak of war the Russian "steamroller" had lurched into Prussia only to be hurled back amind the marshes of Tannenberg. For the next three years the fighting swung indeterminately back and forth. This work describes the campaigns which provoked…
I have always been interested in military history and wanted to become a professional soldier. I benefitted especially from three years as the American liaison officer on the staff of the German 12th Panzer Division. German Army organization, planning and decision-making, troop leadership, and training are outstanding and made a deep impression on me. I received a superb education as a historian at the University of Wuerzburg, Germany, which required history to be written from original source documents, not secondary sources uncritically accepted. My standards emphasize attention to detail in military planning and operations, and archival work in English, German, and French. As do the authors that I have selected.
Conventional histories blame Germany for starting the First World War by “turning a Balkan Quarrel into a European war.” McMeekin shows both Germany and Austria-Hungary wanted a quick, isolated Austrian-Serbian war. It was Russia that wanted a general European war in order to seize Constantinople and the Bosporus Straits and give Russia access to the Mediterranean. Therefore, the Russians wanted France and Great Britain to tie down Germany, while Russia crushed the Austrians and seized the Balkans and the Bosphorous. And the Russians knew about the Serb plot to assassinate Archduke Franz Ferdinand in advance. McMeeken’s archival research in proving his case is impressive.
The catastrophe of the First World War, and the destruction, revolution, and enduring hostilities it wrought, make the issue of its origins a perennial puzzle. Since World War II, Germany has been viewed as the primary culprit. Now, in a major reinterpretation of the conflict, Sean McMeekin rejects the standard notions of the war's beginning as either a Germano-Austrian preemptive strike or a "tragedy of miscalculation." Instead, he proposes that the key to the outbreak of violence lies in St. Petersburg.
It was Russian statesmen who unleashed the war through conscious policy decisions based on imperial ambitions in the Near…
Steven G. Marks is a historian who has written extensively on Russian economic and cultural history, the global impact of Russian ideas, and the history of capitalism. He received his PhD from Harvard University and has spent more than 30 years teaching Russian and world history at Clemson University in South Carolina.
Fully abstract art was a Russian invention, but until this remarkable book by Aaron Cohen came out, there was no treatment of the subject that explained the historical context in which it emerged in the work of Kandinsky, Malevich, Tatlin, and others. Other art historians have traced the aesthetic process that led, seemingly ineluctably, toward abstraction, but Cohen shows us how closely linked it was to the despair felt during the First World War. In this short but accessible work that makes extensive use of previously untouched Russian sources, he brings to life the debates over the issue among Russian artists and critics and details the response of the art market to the turmoil of the period and the birth of avant-garde movements that revolutionized art worldwide.
As World War I shaped and molded European culture to an unprecedented degree, it also had a profound influence on the politics and aesthetics of early-twentieth-century Russian culture. In this provocative and fascinating work, Aaron J. Cohen shows how World War I changed Russian culture and especially Russian art. A wartime public culture destabilized conventional patterns in cultural politics and aesthetics and fostered a new artistic world by integrating the iconoclastic avant-garde into the art establishment and mass culture. This new wartime culture helped give birth to nonobjective abstraction (including Kazimir Malevich's famous Black Square), which revolutionized modern aesthetics. Of…
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