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Adam Zamoyski is a British historian of Polish origin. He is the author of over a dozen award winning books. His family originates in Poland. His parents left the country when it was invaded by Germany and Russia in 1939, and were stranded in exile when the Soviets took it over at the end of World War II. Drawn to it as much by the historical processes at work there as by family ties, Zamoyski began to visit Poland in the late 1960s. His interest in the subject is combined with a feel for its connections to the history and culture of other nations, and a deep understanding of the pan-European context.
This book provides a radically alternative perspective on what this event meant for ordinary people. Using a wide range of letters, diaries, and memoirs, Neiberg reveals that most people had no idea what the war was about and saw no good reason for it, while the soldiers were often confused as to whom they were fighting and which part of the world they were in. It is a short book but an enlightening read.
The common explanation for the outbreak of World War I depicts Europe as a minefield of nationalism, needing only the slightest pressure to set off an explosion of passion that would rip the continent apart. But in a crucial reexamination of the outbreak of violence, Michael Neiberg shows that ordinary Europeans, unlike their political and military leaders, neither wanted nor expected war during the fateful summer of 1914. By training his eye on the ways that people outside the halls of power reacted to the rapid onset and escalation of the fighting, Neiberg dispels the notion that Europeans were rabid…
Adam Zamoyski is a British historian of Polish origin. He is the author of over a dozen award winning books. His family originates in Poland. His parents left the country when it was invaded by Germany and Russia in 1939, and were stranded in exile when the Soviets took it over at the end of World War II. Drawn to it as much by the historical processes at work there as by family ties, Zamoyski began to visit Poland in the late 1960s. His interest in the subject is combined with a feel for its connections to the history and culture of other nations, and a deep understanding of the pan-European context.
This is undoubtedly the best overview of the war. It really is short and takes the reader on a brisk, witty, and thoroughly enjoyable canter through the events. Yet it is by no means superficial. Thoughtful and insightful, it is the work of a master.
The First World War was the overwhelming disaster from which everything else in the twentieth century stemmed. Fourteen million combatants died, four empires were destroyed, and even the victors' empires were fatally damaged. World War I took humanity from the nineteenth century forcibly into the twentieth,and then, at Versailles, cast Europe on the path to World War II as well. In World War One , Norman Stone, one of the world's greatest historians, has achieved the almost impossible task of writing a terse and witty short history of the war. A captivating, brisk narrative, World War One is Stone's masterful…
Adam Zamoyski is a British historian of Polish origin. He is the author of over a dozen award winning books. His family originates in Poland. His parents left the country when it was invaded by Germany and Russia in 1939, and were stranded in exile when the Soviets took it over at the end of World War II. Drawn to it as much by the historical processes at work there as by family ties, Zamoyski began to visit Poland in the late 1960s. His interest in the subject is combined with a feel for its connections to the history and culture of other nations, and a deep understanding of the pan-European context.
The outbreak of war was hastened, if not actually caused by, the fact that the whole of Central and Eastern Europe was governed by failed states. The Russian, German and Austrian empires had outlived their respective raisons d’être and, either unwilling or incapable of forging new ones through radical reform, hoped to justify their survival through the pursuit of success in the international arena, and ultimately through war. This is a brilliant account of the doomed attempts to reform the greatest yet most fragile of these states, and of the slow car-crash that ensued.
The Russian decision to mobilize in July 1914 may have been the single most catastrophic choice of the modern era. Some articulate, thoughtful figures around the Tsar understood Russia's fragility, and yet they were shouted down by those who were convinced that, despite Germany's patent military superiority, Russian greatness required decisive action. Russia's rulers thought they were acting to secure their future, but in fact - after millions of deaths and two revolutions - they were consigning their entire class to death or exile and their country to a uniquely terrible generations-long experiment…
I am a New York Times bestselling author of six books, including The Mosquito: A Human History of Our Deadliest Predator. My works have been published globally in more than fifteen languages. I hold a PhD from the University of Oxford, served as an officer in the Canadian and British Armies, and have appeared in numerous documentaries, television programs, and podcasts. I am an associate professor of history (and, as a true Canadian, head coach of the hockey team) at Colorado Mesa University.
I could not put this book down. It proves that war and peace have lasting and momentous ramifications. Deeply researched and elegantly detailed, it establishes the undeniable truth that we still live among the war-torn shadows of the First World War and its fraudulent peace—the current implications of the Paris Peace Conference and the ensuing Treaty of Versailles are simply staggering.
Silver Medalist for the Arthur Ross Book Award of the Council on Foreign Relations
Finalist for the Robert F. Kennedy Book Award
For six months in 1919, after the end of “the war to end all wars,” the Big Three—President Woodrow Wilson, British prime minister David Lloyd George, and French premier Georges Clemenceau—met in Paris to shape a lasting peace. In this landmark work of narrative history, Margaret MacMillan gives a dramatic and intimate view of those fateful days, which…
Adam Hochschild is the author of ten books. The era of the First World War figures in his latest, Rebel Cinderella: From Rags to Riches to Radical, the Epic Journey of Rose Pastor Stokes, and is the major subject of his To End All Wars: A Story of Loyalty and Rebellion, 1914-1918. To End All Wars has been translated into seven languages, won the Dayton Literary Peace Prize, and was a finalist for the National Book Critics Circle Award. He is at work now on a book about the First World War era and its aftermath in the United States.
This book brings to life a part of the war Western readers know far too little about: the vast battles that ranged back and forth across Eastern Europe and Russia. Two of the three armies involved, those of Tsarist Russia and Austria-Hungary, were spectacularly incompetent, and saw their soldiers needlessly slaughtered by the millions before these two empires dissolved under the war’s impact.
On the outbreak of war in 1914, the armies of the western front soon became bogged down in the mud at Flanders. But on the wide plains and forests of Eastern Europe the three great Empires - Russia, Germany and Austria-Hungary - grappled in a series of battles involving millions of men and hundreds of miles of front. Shortly after the outbreak of war the Russian "steamroller" had lurched into Prussia only to be hurled back amind the marshes of Tannenberg. For the next three years the fighting swung indeterminately back and forth. This work describes the campaigns which provoked…
I am a historian of diplomacy, war, and empire. A founding editor ofThe International History Review, I have written books on ‘Imperial Diplomacy’, on the origins of the First World War, and on the July Crisis.I have edited: the 5-volume Encyclopedia of War andthe 4-volumeEncyclopedia of Diplomacy; the journals of A.L. Kennedy for the Royal Historical Society; numerous collections of essays, and the multi-volume Seminar Studies in History series. I am currently working on a two-volume study of Political Intelligence in Great Britain, 1900-1950, which is a group biography of the men who made up the Department of Political Intelligence in Britain, 1917-1919
John Keiger followed his study of French foreign policy with a ground-breaking biography of the most important Frenchman of the day, Raymond Poincaré. Readers have a multitude of biographies to turn to in their quest for an explanation of the war’s origins: the rulers of Russia, Germany, and Austria-Hungary; the leading politicians, foreign ministers, strategists, and diplomats of most of the states involved. But no biographical study has surpassed Keiger’s.
Poincaré was a pivotal figure in the diplomacy and politics of Europe before the war, serving in numerous positions, including those of foreign minister, prime minister, and president. His devotion to the alliance with Russia and his distrust of Germany led his critics to denounce him for his role in the outbreak of war. Keiger’s magnificent biography provides us with an elegantly written, thoroughly researched, and nuanced account of Poincaré’s role and policies.
This study is a scholarly biography of one of France's foremost political leaders. In a career which ran from the 1880s to the 1930s, one of the most formative periods of modern French history, Poincare held the principal offices of state. He played crucial roles in France's entry into the Great War, the organisation of the war effort, the peace settlement, the reparations question, the occupation of the Ruhr and the reorganisation of French finances in the 1920s. His life and work is surrounded by controversy and myth, from 'Poincare-la-guerre' to 'Poincare-le-franc', which this book dissects. Using a host of…
Currently a full professor at Loyola University, he entered college at 16, studying chemistry, economics, and literature. He did graduate work in German, Russian, and Philosophy, held a double fellowship in music and literature, and wrote his dissertation on the relationship between historiography and epic poetry. In 2001, his 10th book, The Myth of the Great War was nominated for a Pulitzer Prize in history.
The best account of the futile Allied attempts to keep Russia in the war. Largely ignored, mainly because it was politically embarrassing and. Still worse, through no fauly of the army, it was militarily unsucessful. But the intervention left lasting scars, and consequences were fatal for the remainder of the century.
In the aftermath of the First World War, the United States sent 13,000 troops into the Soviet Union in support of the Tsarist White Russian Army, in an attempt to crush the Bolshevik government that had assumed power in the Russian Revolution. Written by three American doughboys who fought in Russia, this is a firsthand account of the only time in history that American troops directly fought Red Army troops.
I was raised a Quaker in England in the years after the Second World War. Quakers don’t have creeds, but they have strong beliefs about such things as the immorality of war. In the 1950s there was also huge prejudice, particularly against homosexuality which was then illegal. Issues like these gnawed at me throughout my 55-year career as a philosophy professor. Now 82 and finally retired, I'm turning against the problems of war and prejudice, applying much that I've learnt in my career as a philosopher interested in evolutionary theory, most particularly Charles Darwin. For this reason, intentionally, Why We Hate:Understanding the Roots of Human Conflictis aimed at the general reader.
If we are not killer apes, if war is not inevitable, how does it happen? Obviously because people were not up to the challenges of maintaining peace. Margaret MacMillan’s riveting account of the events leading up to the Great War, the First World War, shows in all-too-clear detail how not to go about avoiding war. The German Kaiser, Wilhelm, was petty and boastful and altogether too proud and confident of his totally inadequate abilities. The Tsar of Russia, Nicholas, was cut from the same cloth. But whereas Wilhelm made up his mind quickly and then was unmovable, Nicholas could never make up his mind. Between them, helped by other inadequates in places of high status and power, millions of young men lay dead on the fields of Flanders, in Northern France.
WINNER of the International Affairs Book of the Year at the Political Book Awards 2014Longlisted for the Samuel Johnson Prize 2013 The First World War followed a period of sustained peace in Europe during which people talked with confidence of prosperity, progress and hope. But in 1914, Europe walked into a catastrophic conflict which killed millions of its men, bled its economies dry, shook empires and societies to pieces, and fatally undermined Europe's dominance of the world. It was a war which could have been avoided up to the last moment-so why did it happen? Beginning in the early nineteenth…
Steven G. Marks is a historian who has written extensively on Russian economic and cultural history, the global impact of Russian ideas, and the history of capitalism. He received his PhD from Harvard University and has spent more than 30 years teaching Russian and world history at Clemson University in South Carolina.
Fully abstract art was a Russian invention, but until this remarkable book by Aaron Cohen came out, there was no treatment of the subject that explained the historical context in which it emerged in the work of Kandinsky, Malevich, Tatlin, and others. Other art historians have traced the aesthetic process that led, seemingly ineluctably, toward abstraction, but Cohen shows us how closely linked it was to the despair felt during the First World War. In this short but accessible work that makes extensive use of previously untouched Russian sources, he brings to life the debates over the issue among Russian artists and critics and details the response of the art market to the turmoil of the period and the birth of avant-garde movements that revolutionized art worldwide.
As World War I shaped and molded European culture to an unprecedented degree, it also had a profound influence on the politics and aesthetics of early-twentieth-century Russian culture. In this provocative and fascinating work, Aaron J. Cohen shows how World War I changed Russian culture and especially Russian art. A wartime public culture destabilized conventional patterns in cultural politics and aesthetics and fostered a new artistic world by integrating the iconoclastic avant-garde into the art establishment and mass culture. This new wartime culture helped give birth to nonobjective abstraction (including Kazimir Malevich's famous Black Square), which revolutionized modern aesthetics. Of…
I have always been interested in military history and wanted to become a professional soldier. I benefitted especially from three years as the American liaison officer on the staff of the German 12th Panzer Division. German Army organization, planning and decision-making, troop leadership, and training are outstanding and made a deep impression on me. I received a superb education as a historian at the University of Wuerzburg, Germany, which required history to be written from original source documents, not secondary sources uncritically accepted. My standards emphasize attention to detail in military planning and operations, and archival work in English, German, and French. As do the authors that I have selected.
Conventional histories blame Germany for starting the First World War by “turning a Balkan Quarrel into a European war.” McMeekin shows both Germany and Austria-Hungary wanted a quick, isolated Austrian-Serbian war. It was Russia that wanted a general European war in order to seize Constantinople and the Bosporus Straits and give Russia access to the Mediterranean. Therefore, the Russians wanted France and Great Britain to tie down Germany, while Russia crushed the Austrians and seized the Balkans and the Bosphorous. And the Russians knew about the Serb plot to assassinate Archduke Franz Ferdinand in advance. McMeeken’s archival research in proving his case is impressive.
The catastrophe of the First World War, and the destruction, revolution, and enduring hostilities it wrought, make the issue of its origins a perennial puzzle. Since World War II, Germany has been viewed as the primary culprit. Now, in a major reinterpretation of the conflict, Sean McMeekin rejects the standard notions of the war's beginning as either a Germano-Austrian preemptive strike or a "tragedy of miscalculation." Instead, he proposes that the key to the outbreak of violence lies in St. Petersburg.
It was Russian statesmen who unleashed the war through conscious policy decisions based on imperial ambitions in the Near…
