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I can’t explain the fascination with Rasputin, but one hears the name so frequently via the Boney M pop song, so I took that as the inspiration - and the title - of my book. I saw a book about him in Waterstones one day and had to pick it up, even though it was so big it might’ve doubled as a doorstop. But from then I was hooked; I read everything I could, watched more, and researched until I actually went to Russia. And then I research some more!
An undoubted classic and one of the first books - if not the first - to treat the subject of Nicholas and Alexandra and their son Alexei’s hemophilia with a little sympathy.
Massie had a hemophiliac son but his regard for Rasputin as Alexei’s healer still leaves something to be desired.
A superbly crafted and humane portrait of the last days - and last rulers - of the Russian Empire.
Complementing his Pulitzer prize-winning Peter the Great, in this commanding book Robert K. Massie sweeps readers back to the extraordinary world of imperial Russia to tell the story of the decline and fall of the ruling Romanov family: Tsar Nicholas II's political naivete; his wife Alexandra's obsession with the corrupt mystic Rasputin; and their son Alexis's battle with haemophilia.
Against a lavish backdrop of luxury and intrigue, Massie unfolds a family tragedy played out on the brutal stage of early twentieth-century…
The Romanov saga has intrigued me since I was an undergraduate student in history many moons ago. Three hundred years of Romanov rule were filled with exotic beauty, violence, and tragedy. I went on to teach Russian history at university and was able to share some of the stories of the tsars and tsarinas with my students. Having authored books and articles in my academic field, my teaching career has ended. Now it is historical fiction that has captured my imagination and spurred me to pen my own novels set in 19th-century Africa and Afghanistan, as well as Russia during the reign of Ivan the Terrible.
Gortner's story of Tsarina Maria Feodorovna, the wife of Tsar Alexander III, features incredible historical detail on the tumultuous events sweeping through Russia from the tragic death of her husband to the awful murder of her son, Nicholas II, and his family. Told in first person, we see through the tsarina's eyes the slow and inevitable collapse of the Romanov dynasty in the face of gargantuan political and social upheavals. The descriptions of jewels and dresses and festivals underscores Romanov privilege when only a few had so much more than most.
What I found particularly interesting was Gortner's description of the conflict between Maria and Alexandra, the wife of Nicholas II, that spiraled to mistrust, grief, and anger.
A Novel of Tsarina Maria Feodorovna From the opulent palaces of St. Petersburg to the World War I battlefields and the bloodied countryside occupied by the Bolsheviks, C. W. Gortner sweeps us into the fall of an empire and the bold heart of the woman who tried to save it.
A proud native of Stockton, CA, Jennifer Laam resides in California with a temperamental tabby cat named Jonesy. Her other works of historical fiction are The Secret Daughter of the Tsar, The Tsarina’s Legacy, and The Lost Season of Love and Snow. When not reading or writing, she enjoys planning cosplay for the next San Diego Comic-Con, experimenting with vegetarian recipes (to mixed results), cooing at Baby Yoda, or obsessing over House Targaryen.
Olga, Tatiana, Maria, Anastasia: the four daughters of Nicholas II are sometimes known as OTMA and often seen as a collective. With their carefully curated public images, Rappaport refers to them as the “Princess Dianas of their day.” At the same time, their individual personalities come to life via diary entries, correspondence, and fascinating reconstructions of their experiences as young women coming to age in the last days of imperial Russia, nurses during WWI, and prisoners after the Revolution.
On 17 July 1918, four young women walked down twenty-three steps into the cellar of a house in Ekaterinburg. The eldest was twenty-two, the youngest only seventeen. Together with their parents and their thirteen-year-old brother, they were all brutally murdered. Their crime: to be the daughters of the last Tsar and Tsaritsa of All the Russias.
Much has been written about Nicholas II, his wife Alexandra and their tragic fate, as it has about the Russian Revolutions of 1917, but little attention has been paid to the Romanov princesses, who - perhaps inevitably - have been seen as minor players…
A proud native of Stockton, CA, Jennifer Laam resides in California with a temperamental tabby cat named Jonesy. Her other works of historical fiction are The Secret Daughter of the Tsar, The Tsarina’s Legacy, and The Lost Season of Love and Snow. When not reading or writing, she enjoys planning cosplay for the next San Diego Comic-Con, experimenting with vegetarian recipes (to mixed results), cooing at Baby Yoda, or obsessing over House Targaryen.
Radvinsky is a celebrated Russian playwright and historian. Raised in the Soviet Union, when information about the last Romanovs was repressed, his unique take on the tsar’s life makes this both a fascinating history and thoughtful meditation on what Nicholas II represents to Russians.
Edvard Radzinki, the leading Russian playwright, offers a portrait of Nicholas and Alexandra's marriage and an account of the final days of the Russian royal family's arrest, imprisonment and regicide. The opening of long-closed archives has allowed the author to make discoveries and reach new and revealing conclusions. His hitherto uptapped sources include three participants in the shooting, Radzinki reveals Lenin's role in the execution and has seen the actual telegram in which the order for the murder was given and there is the outstanding question: were the Tsarina and the daughters allowed to escape?
I’m a longtime Moscow correspondent, having worked there for The Baltimore Sun in the 1990s and for The Washington Post in the 2010s. It was an exciting time to be in Russia, and I couldn’t help noticing parallels between the Russian revolutions of 1917 and the collapse of the Soviet Union in 1991. I think American policymakers, in particular, profoundly misunderstood both events. In my newspaper career, I am a winner of the Pulitzer Prize, the George Polk Award, an Oversea Press Club award, and other honors. In the fall of 2018, I taught for a semester at Princeton University.
Gorky, the author of The Lower Depths, was appalled by czarism and by Russia’s conduct in the First World War, yet this series of essays communicates a profound disillusionment with revolution. Russia, he wrote, was “splitting all along its seams and falling apart like an old barge in a flood.” He lamented “our stupidity, our cruelty, and all that chaos of dark, anarchistic feelings, that chaos which has been cultivated in our souls by the monarchy’s shameless oppression, by its cynical cruelty.” The old regime, he wrote, had successfully suppressed the human spirit in its subjects, and now that it was gone Russia would have to live with the consequences.
One of the most renowned Soviet writers of the twentieth century, Maxim Gorky was an early supporter of the Bolsheviks who became disillusioned with the turn of events after the 1917 revolution. This brilliant and controversial book is a collection of the critical articles Gorky wrote that describe the Russian national character, condemn the Bolshevik methods of government, and provide a vision of the future.
At the age of 16, I briefly joined the International Socialists, a small British Trotskyist party. Though I soon became disillusioned, it was a formative experience that left me with a lifelong fascination with communism and the Soviet Union. Over the following decades, I read everything I could about the subject, both fiction and non-fiction. In the years after the fall of communism, the ideas that eventually culminated in the writing of this book began to form in my head.
This book goes back to the chaos of the years after the Bolshevik revolution. It is set in Kyiv, which changed hands more than a dozen times during the brutal civil war that followed. The story is very autobiographical and focuses on a middle-class family that supports a pro-German faction in its struggle against Bolsheviks, Russian Whites, and Ukrainian nationalists. This isn’t a panoramic novel in the style of War and Peace but a worm’s-eye view of the chaos that has been unleashed. Brilliant.
Set in the Ukrainian capital of Kiev during the chaotic winter of 1918-19, The White Guard, Bulgakov's first full-length novel, tells the story of a Russian-speaking family trapped in circumstances that threaten to destroy them. As in Tolstoy's War and Peace, the narrative centres on the stark contrast between the cosy domesticity of family life on the one hand, and wide-ranging and destructive historical events on the other.
The result is a disturbing, often shocking story, illuminated, however, by shafts of light that testify to people's resilience, humanity and ability to love in even the most adverse circumstances.
I have studied revolutions for over forty years, trying to understand how people fought for liberty and democracy--but also to understand how things so often went wrong! I have worked at universities in the US, the UK, Japan, Germany, Russia, and Hong Kong, gaining a global view of how societies change. I have learned that everywhere people have to struggle for their rights. Whether in ancient Greece or in modern Cambodia, the resulting revolutionary drama unfolds sometimes with wonderful results, but sometimes with tragedy. No events better display the very best and worst that we can accomplish. I’ve chosen the books on this list to convey the power of revolutions, their grand successes and tragic failures.
Of the hundreds of books on revolutions I have read in a decades-long career, this remains the most powerful and enthralling of them all. Unfolding like a grand Russian epic in the manner of War and Peace, Trotsky tells the story of the Russian Revolution and the triumph of the Bolshevik Marxists over every challenge and tribulation. No other book gives you the feeling of being a revolutionary like this one, as Trotsky takes you from the meetings of workers in the factories of St. Petersburg to the halls of the Winter Palace, all the while debating whether the events he is witnessing, indeed the history he knows he is making, conform to the Marxist vision of history that inspires him. No other account of revolutions offers such a combination of theoretical brilliance and detailed, almost cinema-like descriptions of feelings and events.
Regarded by many as among the most powerful works of history ever written, this book offers an unparalleled account of one of the most pivotal and hotly debated events in world history. This book, released to coincide with the hundredth anniversary of the Russian Revolution, reveals, from the perspective of one of its central actors, the revolution's profoundly democratic, emancipatory character. Originally published in three parts, Trotsky's masterpiece is collected here in a single volume. It serves as the most vital and inspiring record of the Russian Revolution to date. "During the first two months of 1917 Russia was still…
I am a retired lecturer at Southampton University, but used to live in China for many years. I experienced the horrible Chinese Cultural Revolution between the 1960s and 1970s, which was similar to Stalin’s Great Purges. I was put in jail and suffered cruel torture. So personally, I can more understand how, in all revolutionary movement, people were struggling with the threat of death and hopelessness; how they were torn between the new value of the revolution and the damage to the existing moral system; and how the strength of humanity could shine in the bloody darkness of terror.
It is a compelling epic of the bloody Russian Revolution to show how Don Cossack suffered and fought during World War I, the Russian Revolution, and the following civic war. The love story is beautiful and moving. The main character Grigori was moving between the White and Red army, with pain and daze. Like other Cossack people, he was torn between royalty and betrayal, right and wrong, justice and barbarism.
This is the first of four books of the novel, And Quiet Flows the Don. The second and third books are due to be put into ebook format in late 2016, with book four coming available in 2017.
And Quiet Flows the Don is an epic novel in four volumes by Russian writer Mikhail Aleksandrovich Sholokhov. The first three volumes were written from 1925 to 1932 and published in the Soviet magazine October in 1928–1932, and the fourth volume was finished in 1940. The English translation of the first three volumes appeared under this title in 1934.
At the age of 16, I briefly joined the International Socialists, a small British Trotskyist party. Though I soon became disillusioned, it was a formative experience that left me with a lifelong fascination with communism and the Soviet Union. Over the following decades, I read everything I could about the subject, both fiction and non-fiction. In the years after the fall of communism, the ideas that eventually culminated in the writing of this book began to form in my head.
Serge was a supporter of the Bolshevik revolution, though he never lost sight of its flaws.
This extraordinary novel centres on Petrograd at the height of the civil war, as economic collapse, hunger, the threat from the Whites, and the depredations of the Red Terror crush the city’s spirit and ultimately destroy the revolution, even if the Bolshevik regime it spawned survives.
1919–1920: St. Petersburg, city of the czars, has fallen to the Revolution. Camped out in the splendid palaces of the former regime, the city’s new masters seek to cement their control, even as the counterrevolutionary White Army regroups. Conquered City, Victor Serge’s most unrelenting narrative, is structured like a detective story, one in which the new political regime tracks down and eliminates its enemies—the spies, speculators, and traitors hidden among the mass of common people.
Conquered City is about terror: the Red Terror and the White Terror. But mainly about the Red, the Communists who have dared to pick up…
I’m a longtime Moscow correspondent, having worked there for The Baltimore Sun in the 1990s and for The Washington Post in the 2010s. It was an exciting time to be in Russia, and I couldn’t help noticing parallels between the Russian revolutions of 1917 and the collapse of the Soviet Union in 1991. I think American policymakers, in particular, profoundly misunderstood both events. In my newspaper career, I am a winner of the Pulitzer Prize, the George Polk Award, an Oversea Press Club award, and other honors. In the fall of 2018, I taught for a semester at Princeton University.
Amazingly, in the spring of 1917 an Interview Commission was formed in Russia to obtain oral histories of the revolution that led to the abdication of Czar Nicholas II. Thirteen key players were interviewed about their role in the sweeping and often violent events that had occurred just two months earlier. You can sense the ambivalence that they were struggling with. Of special note is Alexander Kerensky, who would become the leader of the Provisional Government, describing how he called Nicholas’ brother Michael in the middle of the night, waking him up, and persuading him to renounce the throne.
The Fall of Tsarism contains a series of gripping, plain-spoken testimonies from some of the leading participants of the Russian Revolution of February 1917, including the future revolutionary premier Alexander Kerenskii.
Recorded in the spring of 1917, months before the Bolsheviks seized power, these interviews represent the earliest first-hand testimonies on the overthrow of the Tsarist regime known to historians. Hidden away and presumed lost for the better part of a century, they are now revealed to the world for the first time.
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