Who is Vera Kelly isn’t your typical 1960s Cold War spy novel.
Although Vera’s sexuality is unresolved and she’s had a rocky road to adulthood, the CIA recruits her. She goes to work as an undercover agent in Buenos Aires. Her day job is to infiltrate a campus Marxist group with ties to the KGB. At night, she transcribes wiretaps taken from the presidential palace. When her handler goes dark, Vera is caught in the middle of a coup.
Who is Vera Kelly takes us into the mindset of lovely Vera. She’s fresh, funny, quirky, and comes off as a (relatively) regular gal, albeit one who is scrambling to stay alive in South America.
New York City, 1962. Vera Kelly is struggling to make rent and blend into the underground gay scene in Greenwich Village. She's working night shifts at a radio station when her quick wits, sharp tongue, and technical skills get her noticed by a recruiter for the CIA.
Next thing she knows she's in Argentina, tasked with wiretapping a congressman and infiltrating a group of student activists in Buenos Aires. As Vera becomes more and more enmeshed with the young radicals, the fragile local government begins to split at the seams. When a betrayal leaves her stranded in the wake of…
My first memoir, Overlay, has been called “the very best teenage suicide prevention tool ever created” for which I am eternally grateful. I've been told that it's a miracle I survived my childhood at all, but I don't take credit or satisfaction in that statement. Instead, I've aspired to understand what it is that gives some of us the grit that allows us to power through the unfathomable. Voraciously reading similar stories from my fellow authors continues to inform me that we all have the power to push through the pain of a disadvantaged childhood. Whether it's an inner light, luck, fate, a higher power or some combination of some or all of the above, I don't know. I do know that the children like me who grew up to tell their story with the hope of helping others deserve a read. And sometimes, a good cry.
No one wants to know a troubled, addicted family member isn't going to beat their demons. But knowing the ending at the beginning makes reading this difficult story possible. Bailey tells a relatable story that breaks down his brother's struggles and their effect upon the family in a way that those of us who share similar stories can relate to. The reader can see how and where things went wrong with Blake's brother Scott, while recognizing that there wasn't anything anyone could have done to prevent the ending.
Meet the Baileys: Burck, a prosperous lawyer once voted the American Legion's "Citizen of the Year" in his tiny hometown of Vinita, Oklahoma; his wife Marlies, who longs to recapture her festive life in Greenwich Village as a pretty young German immigrant, fresh off the boat; their addled son Scott, who repeatedly crashes the family Porsche; and Blake, the younger son, trying to find a way through the storm. "You're gonna be just like me," a drunken Scott taunts him. "You're gonna be worse."
Winner of the National Book Critics Circle Award and finalist for the Pulitzer Prize, Blake Bailey…
This is embarrassing. Joseph Mitchell, the journalist and legendary longtime contributor to the New Yorker, is, in my opinion, the finest chronicler of 1950-80s Manhattan life who ever lived.
Here’s what’s embarrassing. I have previously devoured all of his story collections and any reprints in the New Yorker, but never read his greatest work, about the Village bohemian eccentric Joe Gould. Not anymore. As deft a piece of journalism as ever was.
'It's a masterpiece, of course, but more than that it shows that there is some such thing as being a simple observer' Nicci French, Independent
It was 1932 when Joseph Mitchell first came across Joe Gould, a Harvard-educated vagrant of Greenwich Village. Penniless, filthy, scurrilous, charming, thieving, Joe Gould was widely considered a genius. He was working on a book he called an Oral History - the longest book ever written he claimed, formed of recorded conversations set down in exercise books. Of course, when Gould died the great epic was nowhere to be found.
When I was a young girl, I was lucky to have friends from all over the world, so learning about a new country or a new city always fascinated me, and it still does. I’m always trying to learn new things, meet new people and whenever I can I like to travel the world. As a writer and illustrator, it’s always nice to experience new things, it helps to expand my imagination. I hope this list inspires you not only to read but to learn a few things here and there.
Anyone who is curious about other cities and cultures will love the complete series of the This Is… books by Miroslav Sasek. They are filled with exciting facts and the colorful illustrations are truly delightful. From New York, to London, to Hong Kong, and many more, these books will inspire you to travel the world!
With the same wit and perception that distinguished his stylish books on Paris, London, and Rome, M. Sasek pictures fabulous, big-hearted New York City in This Is New York, first published in 1960 and now updated for the 21st century. The Dutchman who bought the island of Manhattan from the Native Americnas in 1626 for twenty-four dollars' worth of handy housewares little knew that his was the biggest bargain in American history. For everything about New York is big -- the buildings, the traffic jams, the cars, the stories, the Sunday papers. Here is the Staten Island Ferry, the Statute…
I’m originally from New York but have lived in Portugal for the last 31 years. I write my novels in English and my children’s books in Portuguese. When I discovered the Lisbon Massacre of 1506, in which 2,000 forcibly converted Jews were murdered and burnt in the city’s main square, I asked my Portuguese friends what they could tell me about it. They all replied, “What Massacre?” I found out then that this crime against humanity wasn’t taught in Portuguese schools. It had been nearly completely forgotten. That made me furious, so I decided to write a novel about it (The Last Kabbalist of Lisbon). When I’m not working on a book, I like to garden and travel.
Are you prepared to read a novel that might challenge your perspective on sexual practices generally considered perverse and perilous? The narrator of this touching fictional autobiography is Terry Andrews, a compassionate, witty, and wildly promiscuous children’s book author and resident of pre-AIDS Greenwich Village. Unfortunately for him, he discovers that he is most drawn to what he cannot have – a family and kids. His attraction to down-and-out misfits and sadomasochism seems to rule that out until he falls in love with a married father of six. When that relationship comes undone, however, Terry slides into suicidal depression. Even so, his narration remains charged with magical exuberance and black humor. Is it a scandalous work? Definitely! Dangerous? Probably. Worth reading? You decide…
All my life, books have been a safe space for me to explore emotions, recognize that what I’m experiencing is universal, and see that we can cope with difficult situations. As I pursued my MFA in Writing, I studied and wrote books that address heavy topics in hopeful ways. As Matt de la Pena says, “I can’t think of a safer place to explore complex emotions … than inside the pages of a book.” The picture books I have chosen address the heavy topic of loss in sensitive, hopeful, and empowering ways. I hope these books will touch your life as much as they’ve touched mine.
“In the far north, in a small snug house, four children lived with their beloved grandmother,” begins this gentle tale. I’ve never made it through this book without crying. I bet you’ll cry, too.
Translated from Danish, Glenn hits the chord of loss with universal truths shared by a visit from Death himself. He’s a respectful visitor who leaves his scythe outside to not scare the children when he comes for their grandmother.
Death has a “heart as red as a beautiful sunset and beats with the great love of life.” He tells them of opposites, of dark and light, of sorrow and delight, of grief and joy. “What would life be worth if there was no death?”
Aware their grandmother is gravely ill, four siblings make a pact to keep death from taking her away. But Death does arrive all the same, as it must. He comes gently, naturally. And he comes with enough time to share a story with the children that helps them to realize the value of loss to life and the importance of being able to say goodbye. Glenn Ringtved is a best-selling and award-winning Danish children's author, whose books have been widely translated. Charlotte Pardi is a well-beloved Danish illustrator, who has created numerous books since her first picture book in 2000.…
Children were seen and not heard when I was growing up in Flushing, Queens, where I had one tree in front of my house. I moved to Connecticut as an adult and now I look out on woods and bears sneaking into my garage. The result of my silent childhood is I’m an excellent listener and an even better eavesdropper—superb traits for a writer. I owned a Connecticut advertising agency for most of my adult life then realized I could make less money if I became an author. My first book was published when I turned 63—which is amazing because I'm only 40.
Let me start by saying I adore every book by bestselling author Jennifer Belle, from her debut, Going Down, to her latest, The Seven-Year Bitch. Belle is witty, wonderful, and truly New York, New York. Here I will discuss High Maintenance, her top-of-the-charts, five-star love story between a woman—and an apartment. Protagonist Liv Kellerman is engrossing. Upon leaving her husband and a fabulous penthouse, Liv relocates to a hovel in Greenwich Village that is certainly from the “beat” generation. In her efforts to be top floor again, she becomes a realtor in the cutthroat Manhattan market. You won’t want to put this one down.
Liv Kellerman is 26, newly divorced, and has just lost the love of her life. Her husband? You've got to be kidding. It's her apartment she's in mourning for - her lovely penthouse apartment with its Empire State Building view. On her own for the first time in her life, Liv is forced to relocate to a crumbling Greenwich Village hovel, but things are about to get a lot worse. She's about to become an estate agent. Belle's gift for creating eccentric and winning characters, and her acute observations of both the absurd and the poignant in everyday life, are…
I’ve been fascinated by the way people respond to physical beauty since childhood—my teachers heaped praise on the pretty kids, reserving hard words for the less genetically blessed. This experience drove me to explore the pervasive ways in which unconscious beauty bias perpetuates injustice, and how it intersects with racism and privilege. Prison plastic surgery might sound like a punchline but for many, it was a lifeline. UK-born, I now live in San Francisco and have a master’s degree in journalism from Columbia University, New York. My work has been published by The Atlantic, The New York Times, The Washington Post, Wired, and Fast Company, among others.
This book spares no punches, diving straight into the chaos that was the Women’s House of Detention in NYC’s Greenwich Village, aka The Hellhole in the 60s and 70s. First-person narratives and choice juicy details make the lives of the women come alive, from their annual fashion show to their cellblock politics and pink-painted bars. All too often, dispatches like this lack color and clarity, but this unfiltered take is far more gripping, and avoids stereotypes. We meet a wide range of people, scarred sex workers who refuse plastic surgery as “it’s too late for them,” pregnant teens who dreamt of hair salon careers, and substance abusers who cycled in and out, multiple times.
Despite being forced to live in rat-infested slum-like conditions, with shoddy medical care, many of the women remained spirited, even upbeat. But their continued struggle to maintain their sense of identity and femininity, despite minimal resources,…
I've been obsessed with the material aspects of places - and the infrastructures that make them work - since I was a really young boy! (I remember, aged around 7, sitting on a bridge over the M6 motorway near Preston watching the traffic). This obsession was channeled into studying Geography, becoming a qualified urban planner, and completing a Ph.D. on how digital technologies effect urban life. A preoccupation with the subterranean realms of cities is also long-standing; it drove the 'Below' parts of my 2016 book Vertical: The City From Satellites to Bunkers. (I must admit I suffer from both claustropobia and vertigo! So, sadly, a lot of my work is necessarily desk-based!)
The subterranean worlds of cities have long been represented as a literal ‘underworld’ – a hidden and shadowy realm inhabited by all sorts of marginalised and spectral figures and communities.
Very often, such communities – real, imagined, and mythical – have been deemed by elites to be morally, socially, and biologically threatening the above-surface city. As someone who does not generally read a huge amount of fiction, Heise’s wonderful book was a huge inspiration for me.
It explores and reveals like no other book how American urban underworlds have been represented across a range of American literature.
From New York through Chicago and Los Angeles, what emerges is a rich a vibrant history through which the lived and imagined world below cities have been pivotal in key novels.
Urban Underworlds is an exploration of city spaces, pathologized identities, lurid fears, and American literature. Surveying the 1890s to the 1990s, Thomas Heise chronicles how and why marginalized populations immigrant Americans in the Lower East Side, gays and lesbians in Greenwich Village and downtown Los Angeles, the black underclass in Harlem and Chicago, and the new urban poor dispersed across American cities have been selectively targeted as ""urban underworlds"" and their neighborhoods characterized as miasmas of disease and moral ruin.
The quarantining of minority cultures helped to promote white, middle-class privilege. Following a diverse array of literary figures who differ…
I’m a second-generation Jewish New Yorker. I love my city passionately, and I know that it loves me back. Some two million Jews left Russia for New York at the turn of the 20th century. They landed at Ellis Island, headed for the Lower East Side, and made the city theirs. My immigrant grandparents were among them. It’s impossible to conceive of New York without Jews. Lenny Bruce once said: In New York, even if you’re Catholic, you’re Jewish.
Hettie Cohen defied the stifling conventions of her middle-class Jewish Queens upbringing to live the life with her husband, the poet LeRoi Jones in a Bowery loft. When the Black Power movement beckoned, he changed his name to Amiri Baraka and left her. Hettie Jones’ memoir brings to life the Village of the late 1950s and 60s, complete with the beats, their women, jazz spots, and the rich literary scene. A little-known gem about a very specific cultural moment in New York, told in a clear, honest voice.
Greenwich Village in the 1950s was a haven to which young poets, painters, and jazz musicians flocked. Among them was Hettie Cohen, who'd been born into a middle-class Jewish family in Queens and who'd chosen to cross racial barriers to marry the controversial black poet LeRoi Jones. Theirs was a bohemian life in the awakening East Village of underground publishing and jazz lofts, through which drifted such icons of the generation as Allen Ginsberg, Thelonious Monk, Jack Kerouac, Frank O'Hara, Billie Holiday, James Baldwin, and Franz Kline.
