Fans pick 76 books like Urban Underworlds

This book was pivotal in sparking my fascination for the secretive and mysterious worlds beneath cities. 

It is the definitive guide to the vast assemblage of underground spaces, infrastructures, and nooks and crannies beneath the streets of London.

The coverage of the book is remarkable and will really help readers that are new to the theme to appreciate the huge range of spaces and infrastructures that lurk hidden far beneath London’s streets.

The book opened my eyes to culverted and hidden rivers; to sewers, water, and hydraulic pipes and tunnels under the Thames; and to underground transport systems, hidden power and communications grids, and labyrinths of bunkers.

Most important for me were the book’s amazing array of maps, lithographs, and photographs. 

Because the ground itself obscures virtually all of the subterranean worlds of cities, the best way to actually represent and visualise them is through drawings and diagrams.

This book opened my eyes – as it has done for many – to the complexity, density, and depth of the foundations, pipes, tunnels, conduits, and infrastructures below cities.

In it, David Macaulay uses his unequalled drawing skills to illustrate everything from sewer valves; skyscraper foundations; the worlds beneath manholes to an amazing cross-section of New York showing shipping lanes, deep transport tunnels, and huge skyscrapers whose hidden, deep pile foundations can be almost as deep as their above-surface structures. 

Another fantastic evocation of the vast and complex subterranean world of cities, this time, the focus is on New York.

When I first read this I was immediately transfixed by its cover: A giant hand, holding the Empire State Building and pulling up a huge, dusty, and steaming clump of Manhattan’s underground world – replete with all manner of tunnels, subway trains, wires, pipes, and water mains – in the manner of someone pulling up a tree to expose the roots below.

Whilst obviously dated, the book’s superb prose and fabulous maps and images really take the reader into the vast worlds burrowed over centuries with enormous dedication beneath New York’s bedrock which, in contrast to London’s clay and alluvium, is made mostly of incredibly hard igneous schist.

Anyone who has ventured down into Paris’s many catacombs, tunnels, and quarries will quickly realise that no city has a more storied, evocative, and influential subterranean culture.

With stunning colour photography, amazing maps, and an unrivalled discussion of the remarkable histories, cultures, and physical realms beneath Paris, this book was a revelation to me. 

What I found particularly fascinating is the way the book shows that, in sharp contrast to above-surface Paris, which is constantly ‘regenerated’, repaired, and cleared of the detritus of the past – beyond immaculately repaired historic buildings – the ‘stuff’ of Paris subterranean world  largely just continues to accumulate!

The photos in this remarkable book take readers on tours of underground signs from the days of Victor Hugo; sketches of the guillotine from the time of the Revolution; Nazi military signs, and a vast array of art, graffiti, and remnants from Paris’ remarkable present-day ‘catophile’ culture.

Curious about the century that produced works as varied as Pride and Prejudice, Jane Eyre, and Bleak House? This is the book for you! Because it is organized by topics—money and social precedence to begin and the workhouse and death to end—it is easy to dip in and out of. It has added greatly to my understanding of 19th-century fiction. The invaluable glossary at the end lists terms that are strange to us in the 21st century and gives clear brief definitions. Now I know that loo was not an English euphemism for a toilet and that a ha-ha was not a joke! 

Read this book if you want to get inside the heads of the two fathers of Fantasy, JRR Tolkien and CS Lewis. This book brilliantly ventures into what created the ‘Inklings’, and how they inspired each other to write fantastic stories of hobbits, dragons and magical worlds. This book particularly gripped me, because these two authors are my hero’s and have inspired my imagination above all others. This book even showed me how I could personally become an inkling, and join forces with other creative, and inspired writers to create a new world all our own. 

As a voracious reader, I’ve often wondered about why exactly reading is so pleasurable—so essential—and whether others feel the same way about books as I do. Leah Price writes about books and reading clearly and entertainingly, busting myths about a “golden age” of books as well as the much-feared “death of the book.” I learned a lot from this book and enjoyed every minute.

There is something magical about this book. It’s a brilliant piece of research and a touching evocation of a particular summer when, among other things, the poets Robert Browning and Elizabeth Barrett were secretly planning their elopement, Tennyson was planning a walking tour in Switzerland that included a visit to Charles Dickens, P. T. Barnum was touring with “General Tom Thumb,” and the artist Benjamin Haydon was approaching suicide. I was bowled over by the richness of lives lived packed into just two hundred pages.

I love this book because it combines history and literature, doing justice to both. By setting Lear and Macbeth in their cultural and political contexts, Professor Shapiro has given me new insights into both plays. Before seeing them again, I’ll go back to this book.

Shapiro is a model for me of an academic historian who successfully addresses a wider audience by avoiding academic jargon, explaining the unfamiliar, and telling a good story. He wears his great scholarship lightly, but he has done a huge amount of research and has a mastery of his subject.

This book was amazing in helping me think about Shakespeare and the history of divisions in our own history. Like all of James Shapiro’s work, Shakespeare in a Divided America is filled with fascinating information delivered in lively and engaging prose. This book provides a cultural and historical exploration of how readings and performances of Shakespeare’s plays in the past two centuries have exposed fault lines in our country’s political and social fabric. In the nineteenth century, the assassination of President Lincoln and the deadly Astor Place Riots; in the twentieth-century debates over free speech, gender, immigration, and race; and in our own time controversies over political division and Trump-era extremism: Shapiro shows how all of these have issues played out through the vehicle of Shakespeare’s plays, particularly Julius Caesar, Macbeth, and Othello.