I’m an American who was taken by his parents to live in England for a year when he was a kid of eleven. The accents? The traditions? The school uniforms? All the traffic tangled up for a day because the Queen was riding to the State Opening of Parliament? It frightened me. It repelled me. I ended up loving it. I wrote my PhD thesis on the Victorian monarchy. A substantial part of all three of my first nonfiction books are about it. My novel on the current Queen of England has been a bestseller. It’s all about setting out to master what first strikes you as incomprehensible.
In the guise of a biography of the current queen, this is one of the best books on the modern British monarchy as an institution. Sarah Bradford talked to all the palace insiders, an amazing feat given how touchy and protective everyone around the queen is. Bradford has the best sense of the strengths of the current queen and her weaknesses. Because Elizabeth II is now the longest-reigning monarch in British history, she epitomizes most of the advantages and disadvantages of the institution in her own single lifetime. You will find out which of the episodes from Netflix’s The Crown are all made up, and which are close to the truth.
A court insider's portrait of Elizabeth II and her eventful and turbulent reign journeys beyond the facade of Buckingham Palace to answer questions about the scandal-ridden royals, relationships among members of her family, her personal beliefs, and future prospects for the House of Windsor. Tour.
I am an Associate Professor of medieval history at Robinson College in the University of Cambridge. One exciting aspect of research about early medieval Britain is that there is always more to discover and understand, whether from artefacts being uncovered in archaeological excavations (like the Staffordshire Hoard), or from manuscripts that languish in archives and libraries across Britain without a modern translation and commentary. The books on this list—which offer insights into different aspects of early British life—are some of those that have captivated me most over my years of reading.
Queen Emma, wife to both Æthelred the ‘Unready’ (d. 1016) and then to Cnut (d. 1035), and Queen Edith, wife to Edward the Confessor (d. 1066), lived through some of the most turbulent and interesting politics of the early medieval period.
We are permitted unusual access to their lives through eleventh-century texts either directly about them (the Encomium Emmae) or commissioned by them (the Vita Edwardi). Stafford wonderfully brings to the fore their pivotal roles in English politics across the eleventh century, and, in doing so, shines the spotlight on the position of women in medieval society more generally.
Through detailed study of these women the author demonstrates the integral place of royal queens in the rule of the English kingdom and in the process of unification by which England was made.
I’m a clinical psychologist who has specialized in women’s issues and disordered eating for over thirty years. Born on the island of Guam, I was raised in a matriarchal and multicultural household where storytelling was a means of transmitting important concepts, traditions, and values, and was a way to experience meaningful and joyful connections with others. Because I was raised by strong women and my indigenous ancestors were Chamorro, a matrilineal culture that honored the motherline, I have always been interested in the archetypal feminine rooted in these stories, although I didn’t discover the term until I began to study psychology.
Marian Woodman has been my shero ever since I attended a workshop of hers. I recall sitting in the audience listening to her speak and blinking my eyes. How could it be that she could shape-shift from a coy flirtatious maiden, into a warm nurturing mother, and then moments later appear as a regal, confident, and sovereign queen and then a deeply wise crone? She clearly understood and embodied the full range of the conscious feminine in its various aspects.
Of her many books, this is the one I love the most because, in this collection of interviews with her, the passion of her speaking voice comes through the written word loud and clear. Her phrasing is so delicious, my tattered copy is underlined throughout.
I’m not a trained historian (I received my B.S. in geology and spent my career in commercial banking). However, I grew up in Europe during the 1960s and developed a passion for history. I learned to write as a banker back in the “good old” days. I enjoyed it so much that I told myself, “One day, I'm going to write a book.” Well, that day came in Nashville when I was running a small company. Then I found Leonard Pitt’s book called Walks Through Lost Paris. As we walked through the streets of Paris, I turned to my wife and said, “I can write a book like this.” And so I did.
This is a must read for visitors to Versailles Palace.
I enjoyed this book because Ms. Fraser has a wonderful writing style and she weaves the story of Marie Antoinette from start to finish and even though we know the outcome, it is hard to put down this book. The author’s research is quite detailed and written with little-known facts including Count Axel von Fersen’s role with the queen and her family, attempts to save the royal family, and the king’s failure to consummate the marriage.
You start out feeling sorry for the fourteen-year-old girl who is a pawn in a European power chess game. Soon you are appalled at the way the young queen conducts herself. By the time she reaches middle age, you begin to see her attributes as a wife and mother.
The national bestseller from the acclaimed author of The Wives of Henry VIII. France’s beleaguered queen, Marie Antoinette, wrongly accused of uttering the infamous “Let them eat cake,” was the subject of ridicule and curiosity even before her death; she has since been the object of debate and speculation and the fascination so often accorded tragic figures in history. Married in mere girlhood, this essentially lighthearted, privileged, but otherwise unremarkable child was thrust into an unparalleled time and place, and was commanded by circumstance to play a significant role in history. Antonia Fraser’s lavish and engaging portrait of Marie Antoinette,…
I wrote my first romance with >40 characters in my mid-forties. It wasn’t like I never saw people of my age in the genre, but I have to say they were (and are) still rare, especially in traditionally published books. I love to see how people navigate what partnership looks like when people are established and their conflicts and experiences have changed. Elder care, relationships with adult children, fighting age-related stereotypes and discrimination: these are just a few of the nuances that set these types of books apart. But you still get that delicious well of emotion and the satisfaction of a happy ending.
This is less a romance novel and more a high fantasy novel with romantic elements, but the romance subplot is exceedingly strong.
(I can highly recommend a mental fan-casting of either Arhys or Ilvin as Pedro Pascal, because he’d absolutely knock one of those roles out of the park if this was ever made into a miniseries).
Ista is over 40, a queen, a new grandmother, a recovered madwoman, and…wait for it…a living saint. Seeking to get away from the suffocating (yet loving) arms of her family, she goes on a pilgrimage (Road Trip!) with a group of younger people and ends up getting into multiple adventures and a more than near miss with outright war. It’s an absolute romp and one of my all-time favorites.
Lois McMaster Bujold has won the Hugo award four times, and the Nebula award twice. This is her second epic fantasy and the sequel to Curse of Chalion.
The Golden General's curse has been lifted from the royal family and Cazaril can now rest easy and enjoy his new life with his bride Betriz.
However, life for Ista, the Dowager Royina has not improved. With the death of her mother, the Provincara, and with her surviving child Iselle now ruling Chalion from the Capital Cardegross, she is left without purpose. Her brother's family still think she's mad and aim to…
English medieval history has always fascinated me, and I can trace my own ancestry back to King Edward III and his ancestors so I loved this book, which focuses on the queens of Kings Edward I, II, and III, most of whom were my ancestors.
This is the third book in Weir’s series about medieval English queens, and I found it the most interesting of them all. I was particularly fascinated by information about Philippa of Hainault that I did not know, but I also loved how she depicted Queen Isabella, wife of Edward II, showing what a strong woman she was and justifying many of her actions in her rebellion against her husband who let his love for other men interfere with his ability to rule.
Packed with dramatic true stories from one of European history’s most romantic and turbulent eras, this epic narrative chronicles the five vividly rendered queens of the Plantagenet kings who ruled England between 1299 and 1409.
“A thorough and illuminating survey of the Plantagenet dynasty.”—Publishers Weekly
The Age of Chivalry describes a period of medieval history dominated by the social, religious, and moral code of knighthood that prized noble deeds, military greatness, and the game of courtly love between aristocratic men and women. It was also a period of high drama in English history, which included the toppling of two kings,…
I’m an author, researcher, and historian writing about Tudor women. As a woman myself, I’m naturally interested in what life was like for those who came before me, and I’m very passionate about writing the lesser-known, forgotten women back into the historical narrative of the period. We all know about Henry VIII’s six wives, his sisters, and daughters, but there were other women at the Tudor court whose stories are no less fascinating.
I love everything by Elizabeth Norton, but this book is one of my all-time favourites.
It tells the story of Elizabeth I’s life before she became queen; the spotlight is on her short stay in the household of Katherine Parr and Thomas Seymour. Fast-paced and evocative, it reads like a thriller.
It’s a narrative based on primary source material, printed and archival, describing the events between Henry VIII’s death in January 1547 and Thomas Seymour’s execution in March 1549.
This book is a lesson in how to create an immersive historical narrative while staying true to the primary sources. An inspiration.
England, late 1547. King Henry VIII Is dead. His fourteen-year-old daughter Elizabeth is living with the king's widow, Catherine Parr, and her new husband, Thomas Seymour. Seymour is the brother of Henry VIII's third wife, the late Jane Seymour, who was the mother to the now-ailing boy King. Ambitious and dangerous, Seymour begins and overt flirtation with Elizabeth that ends with Catherine sending her away. When Catherine dies a year later and Seymour is arrested for treason soon after, a scandal explodes. Alone and in dreadful danger, Elizabeth is threatened by supporters of her half-sister, Mary, who wishes to see…
My day job is as a sustainability academic, so it’s hard to escape
concern for our future and what we’re doing to our wonderful planet. I
seek refuge in writing fiction. For me, if I can write the solutions,
then maybe people will adopt them. But first and foremost, I love
fiction as an escape, so I write and seek out books that make me happy
and are filled with love and hope and exciting ideas to keep you turning
the page. I also run the Green Stories project which hosts free writing
competitions to help us imagine positive visions of a sustainable
society.
Absolutely loved it. I love books that help you to appreciate the world in a whole new way.
This is the best example of this because the story is told from the perspective of a bee. It’s a real page tuner and so imaginative. I also love her next book The Ice which is more of a thriller and also a tale of redemption. Definitely an author to watch.
Shortlisted for the Baileys Women's Prize for Fiction 2015
Longlisted for the Desmond Elliott Prize for New Fiction 2015
Enter a whole new world, in this thrilling debut novel set entirely within a beehive.
Born into the lowest class of her society, Flora 717 is a sanitation bee, only fit to clean her orchard hive. Living to accept, obey and serve, she is prepared to sacrifice everything for her beloved holy mother, the Queen.
But Flora is not like other bees. Despite her ugliness she has talents that are not typical of her kin. While mutant bees are usually instantly…
"History can become a dull and uninteresting subject, but the stories of the past are far more interesting and inspiring than the very best fiction. These stories tell us about how our world came to be, and the paths that our predecessors travelled; and they show us that, despite the decades and centuries that separate us, they were driven and inspired by the same factors that drive and inspire us today." Prit Buttar was a doctor, first in the British Army and then a GP, until retiring in 2019. Less than a year later, he volunteered to go back to work during the current pandemic.
History rarely gives a prominent place to women, and this is perhaps particularly true of medieval history. To have left such a huge mark, Eleanor must have been a truly extraordinary woman. It is the combination of her formidable nature with the equally formidable Henry II that makes her marriage to the great Plantagenet ruler such a remarkable story. Alison Weir’s book is a treasure, full of interesting anecdotes that bring the star-studded cast of Eleanor, Henry, and their sons Henry, Richard, Geoffrey, and John to life.
This book is an outstanding introduction to a fascinating period of English history, as an impatient, innovative king – sometimes aided by, and often hindered by, his wife – attempted to impose his will upon a stubborn and obstructive church and his rebellious sons.
In this beautifully written biography, Alison Weir paints a vibrant portrait of a truly exceptional woman and provides new insights into her intimate world.
Renowned in her time for being the most beautiful woman in Europe, the wife of two kings and mother of three, Eleanor of Aquitaine was one of the great heroines of the Middle Ages. At a time when women were regarded as little more than chattel, Eleanor managed to defy convention as she exercised power in the political sphere and crucial influence over her husbands and sons.
Ever since childhood I’ve been fascinated by the history of England, and fifteen years ago I made the decision to write a series of novels set before the Norman Conquest. Since then I’ve immersed myself in the history of that period and made numerous visits to the locations where I set my novels. I’ve been frustrated though by the enormous gaps in the historical records of that time, in particular the lack of information about the women. Because of that I am drawn to the work of authors who, like me, are attempting to resurrect and retell the lost stories of those remarkable women.
So many brilliant authors have explored the Arthurian legends that I had trouble believing that there could be more to say. Signe Pike, though, researched the earliest appearance of the legend of Merlin and traced it, surprisingly, to 6th-century Scotland where she set this tale. Merlin and his sister are given their early Celtic names, Lailoken and Languoreth and there is a Scottish/Celtic feel to the book that evokes that historical time and place. I was particularly moved by Pike’s exploration of the dilemma of the peace-weaving queen, forced to choose between loyalty to her birth family and loyalty to the family into which she married. Sadly, that was the bitter fate of many peace-weaving brides as rival tribes vied against each other for power and ultimate control.
“Outlander meets Camelot” (Kirsty Logan, author of The Gracekeepers) in the first book of an exciting historical trilogy that reveals the untold story of Languoreth—a powerful and, until now, tragically forgotten queen of sixth-century Scotland—twin sister of the man who inspired the legendary character of Merlin.
Intelligent, passionate, rebellious, and brave, Languoreth is the unforgettable heroine of The Lost Queen, a tale of conflicted loves and survival set against the cinematic backdrop of ancient Scotland, a magical land of myths and superstition inspired by the beauty of the natural world. One of the most powerful early medieval queens in British…
