Fans pick 91 books like Elizabeth

This is another biography of the current queen that shows how the monarchy works. It differs from Sarah Bradford’s biography. Pimlott was a historical expert on the labour party during the twentieth century. He brought to his book all the skepticism about the crown that people on the political left traditionally have in Britain. Perhaps surprisingly, then, he comes out admiring Elizabeth II. He sticks much more narrowly than Bradford does to political crises in which the queen had some noted or decisive influence.

This is a third book which appears to be a biographical account of Diana Spencer’s life in the royal family. It really focuses on the interaction between the monarchy and the press. The two are in a relationship that is sometimes acrimonious and sometimes symbiotic. It’s impossible to understand how the media establishment and the monarchy function without reading Brown’s book. She was herself the editor of major magazines on both continents. For a while, she ran Vanity Fair and later The Daily Beast. She was married to a prominent newspaperman who held prominent roles in London and New York. She knows what she’s talking about.

This is the first history that details how the late nineteenth-century monarchy became an engine of philanthropy. As kings and queens were sidelined, or reduced to insignificance, in political transactions, they increased their role in assisting non-profit institutions that contributed to the public good. They gave their patronage, for example, to hospitals, veterans’ associations, and civic charities. This gave the royal family an outsized influence in the do-good world, and this itself increased the respect in which the monarchy was held by people of all parties. Frank Prochaska is an American historian of Great Britain, so he brings a healthy objectivity to literature about royalty that is sometimes too credulous and deferential.

This is the hilarious account of an official biographer tracking down European royalty. They were the extended family of Queen Mary, the current queen’s grandmother. Pope-Hennessey had been commissioned to write the official biography of Mary, the wife of King George V.  He talked to a full range of eccentrics who were either relations of Queen Mary, or knew her well.  The behind-the-scenes gossip he was given, as well as the insight into the absurdities of having a royal family in a democratic country, are both priceless.

From the Windsors’ Nazi leanings in the 1930s to the perceived chilliness of the royal family following the death of Diana in 1997, Clive Irving chronicles every detail in this analysis of the modern monarchy – while never losing respect for its most adroit exponent, Queen Elizabeth II. As founder of the renowned Insight team of the London Sunday Times that exposed Profumo and Philby, Irving directs his sharpest focus on the Crown’s relations with the tabloid media. But his book went to publication prior to the horse-loving Queen’s humorous reaction to Harry and Meghan’s notorious 2021 encounter with Oprah Winfrey – Her Majesty named her fastest new racing foal “Interview”. 

It’s wonderful to have the opportunity to recommend this particular work of Alison Weir. A brilliant historian, she – by means of both traditional, meticulously-researched biographies, as well as in her historical fiction offerings –  chronicles many aspects, and a number of personages of Tudor England in all of its – and their – colourfully untidy turbulence. 

Her account of Elizabeth I’s life is amongst her best. I especially appreciate the skillful way in which Weir continuously “introduces” the reader to Elizabeth, as the compelling figure she is – fascinatingly intricate, brilliant, and annoyingly contradictory. Just when one seems to understand her – Weir drops yet another paradox – as the reader learns that this supposedly staunchly Protestant daughter of Henry VIII maintained most aspects of orthodox Roman Catholic practices – including a crucifix – in her private chapel royal.

I really did not like history when I was at school because other than 1066 (the Norman invasion of Britain) and 1492 (Columbus sailed the ocean blue) I could not remember the dates. I was not interested in the succession of kings or what countries made alliances through marriages. And then I read this book about Edward IV’s reign and the subsequent chaos which resulted in the Wars of the Roses between the houses of Lancaster and York. I was hooked. What made it more realistic for me was walking Bosworth Field, the site of the last great battle of that era. Stirring stuff.

Bennett offers a cheeky take on the power of reading with this whimsical but keenly observed novel in which Queen Elizabeth, while searching for a wayward corgi, stumbles upon a bookmobile parked outside Buckingham Palace. To be royally polite she checks out a novel, begins reading it later, and soon finds herself craving another. This quickly leads to a reading habit bordering on obsession, as the world inside her mind begins to broaden more than she could have imagined.

Back to pure history! At one point, I was the founder and publisher—the Head Goose—of Goosebottom Books. Of all the books we published, this title is my favorite. Gretchen Maurer, the author, did a great job of presenting a very complex and nuanced story in a way that makes it human and understandable to young readers, without side-stepping the facts. The book design and illustration are remarkable and evoke the rich Tudor aesthetic. But what I love most about this book is that it presents the antihero to my childhood hero, Elizabeth I of England, and raises the question: just how fair was history? One of these two sisters became known as Bloody Mary, the other as Good Queen Bess. Did they fully deserve those reputations?

I love everything by Elizabeth Norton, but this book is one of my all-time favourites.

It tells the story of Elizabeth I’s life before she became queen; the spotlight is on her short stay in the household of Katherine Parr and Thomas Seymour. Fast-paced and evocative, it reads like a thriller.

It’s a narrative based on primary source material, printed and archival, describing the events between Henry VIII’s death in January 1547 and Thomas Seymour’s execution in March 1549.

This book is a lesson in how to create an immersive historical narrative while staying true to the primary sources. An inspiration.