As an artist, I have always had an active imagination which is fueled by great imagery found in fantasy and sci-fi books and movies. When this is coupled with spiritual themes, the experience becomes transcendent for me. Given my passion for spirituality and my desire to know God more deeply, I write books with characters that ask hard spiritual questions and who ponder their place in the universe. I also write inspirational articles that challenge people to rethink their suppositions about God. Currently, I am a game programmer who is working on my second novel, a mystery thriller, in my free time.
This book is an allegory of the Gospel story. I devoured the entire trilogy in college as I was hungry to learn anything about God during that time. The writing is poetic and rich, and the symbolism of a troubadour who sings the ancient Star-Song is well-crafted. It’s a fresh retelling of the Gospel story that has spiritual depth in its pages.
Over 400,000 Copies in Print
"In the beginning was the song of love."
In this timeless classic, Calvin Miller retells the story of Jesus through an allegorical poem about a Singer whose song could not be silenced. Since it was first published in 1975, The Singer has left an indelible impression on Christian literature and offered believers and seekers the world over a deeply personal encounter with the gospel.
With a new foreword by IVP Publisher Jeffrey Crosby and an updated interior design, The Singer is now available as part of the IVP Signature Collection, which features special editions of…
I’m a programming book author, software developer, podcaster, and computer science professor at a teaching college. But I’ve also always been a devoted fan of Apple Inc. and deeply interested in its history. I’ve read more than two dozen books about Apple so you can just read the best ones. If five books are not enough for you, and you want to dig deeper into books about Apple and Steve Jobs, you can check out my blog post on my website.
I feel like it would be crazy to not read a book by a cofounder when you want to learn about the history of a company. Steve Wozniak’s autobiography chiefly focuses on his early life and his years at Apple. The writing style is very basic—with a quite simple sentence structure throughout. Perhaps that’s because this book was positioned to be attractive to both children and adults. But this is the only book written by one of Apple’s cofounders and iWoz has a very positive, inspirational message.
Before slim laptops that fit into briefcases, computers looked like strange vending machines, with cryptic switches and pages of encoded output. But in 1977 Steve Wozniak revolutionized the computer industry with his invention of the first personal computer. As the sole inventor of the Apple I and II computers, Wozniak has enjoyed wealth, fame, and the most coveted awards an engineer can receive, and he tells his story here for the first time.
I have always been suspicious of government and corporate power, but it was only when my officemate in graduate school started teaching me about digital technologies that I really focused on the power relations involved in institutionalized surveillance. Eventually, I discovered the cypherpunk movement, which opposes surveillance. I wanted to know what they knew, so I started to read everything I could about surveillance. I found that few journalists and almost no academics attended to the powerful message of the cypherpunks, so I decided that I would write the first academic book about the movement, hoping that I could do my part to raise awareness about this crucial issue.
I read this book because I studied the cypherpunks, and I found Burnham’s work cited in one of the cypherpunk’s essays. It was published in 1983, but I felt like it could have been published today. I was met with surprises on every page. I had to rethink the nature of surveillance itself.
Written in the wake of the personal computer revolution of the 1970s, Burnham taught me that the computerization of society—with its increasingly networked systems and exponentially growing databases—is fundamentally incompatible with democracy and individual rights.
Even everyday things we now take for granted, like direct deposit and paying with debit cards, feed the surveillance machine. When governments and corporations coordinate to watch us all, we cease to be free citizens and become more like consumers on probation.
The Rise of the Computer State is a comprehensive examination of the ways that computers and massive databases are enabling the nation’s corporations and law enforcement agencies to steadily erode our privacy and manipulate and control the American people. This book was written in 1983 as a warning. Today it is a history. Most of its grim scenarios are now part of everyday life. The remedy proposed here, greater public oversight of industry and government, has not occurred, but a better one has not yet been found. While many individuals have willingly surrendered much of their privacy and all of…
We have written 27 “how-to” books on building outdoor projects, including cabins, sheds, and treehouses. David does the illustrations and I do the descriptive writing. Our goal is to make the instructions clear to both right and left brain readers – and to make the two elements complement each other. Our readers often tell us that a computer drawing does not have the same appeal and clarity as hand drawing. We are able to ‘talk’ a reader through the process of building something with our drawings. People often send us photographs of their completed projects – it’s a big part of the satisfaction we get from writing our books.
The Whole Earth Catalog has been inspiring people (including us) to build their own small dwellings since the 60s. Among other things, it’s a how-to manual of construction techniques and a life guide with readers’ recommendations and opinions. Brand coined the term ‘personal computer’ and signed off the final edition of The Whole Earth Catalog in 1974 with “Stay hungry, stay foolish” (famously quoted by Steve Jobs in a commencement speech at Stanford over 30 years later).
Joanne McNeil has written about internet culture for over fifteen years. Her book considers the development of the internet from a user's perspective since the launch of the World Wide Web. Her interest in digital technology spans from the culture that enabled the founding of major companies in Silicon Valley to their reception in broader culture.
A thorough look at the origins of personal computing and connections between computer users beginning in the 1960s that highlights the BASIC programming language and The Oregon Trail game. Shines a light on the role that universities and the education system played in fostering networks between users.
Silicon Valley gets all the credit for digital creativity, but this account of the pre-PC world, when computing meant more than using mature consumer technology, challenges that triumphalism.
The invention of the personal computer liberated users from corporate mainframes and brought computing into homes. But throughout the 1960s and 1970s a diverse group of teachers and students working together on academic computing systems conducted many of the activities we now recognize as personal and social computing. Their networks were centered in New Hampshire, Minnesota, and Illinois, but they connected far-flung users. Joy Rankin draws on detailed records to explore how…
I’m a researcher, writer, and designer who has spent most of the past twenty-five years working in the technology industry, following an earlier career as a journalist and academic librarian. I've developed an abiding interest in the history of knowledge networks. I've written two books on the history of the information age, as well as a number of newspaper and magazine articles on new and emerging technologies. While the technology industry often seems to have little use for its own history, I have found the history of networked systems to be a rich source of inspiration, full of sources of inspiration that can help us start to envision a wide range of possible futures.
Longtime technology journalist John Markoff explores the origins of the Silicon Valley mythos in this engaging and insightful history of the early personal computer industry.
The book explores how the modern personal computer took shape amid the counterculture of the San Francisco Bay Area in the late 1960s and 1970s, where an eccentric cast of technology visionaries, hackers, and misfits began pushing the boundaries of human consciousness: embracing utopian ideals, experimenting with mind-expanding drugs, and exploring the still-uncharted possibilities of personal computing.
Markoff does a masterful job of connecting the dots between the Sixties counterculture and the revolutionary ethos that undergirded the early personal computing industry, making a convincing case that our present-day technology culture is deeply rooted in this transformative period in American culture. An entertaining and inspiring read.
"This makes entertaining reading. Many accounts of the birth of personal computing have been written, but this is the first close look at the drug habits of the earliest pioneers." -New York Times
Most histories of the personal computer industry focus on technology or business. John Markoff's landmark book is about the culture and consciousness behind the first PCs-the culture being counter- and the consciousness expanded, sometimes chemically. It's a brilliant evocation of Stanford, California, in the 1960s and '70s, where a group of visionaries set out to turn computers into a means for freeing minds and information. In these…
I am a writer, author of the science fiction novel The Site, and a contributor to the website Internet Looks. During my work as an aerospace engineer and manager I participated in NASA and Department of Defense projects such as the International Space Station, the Space Shuttle, the Strategic Defense Initiative, and the USAF C-5A aircraft. I authored various aerospace system functional requirements documents and technical papers, and developed and taught courses in dynamic simulations, aerodynamics, and space vehicle guidance, navigation, and control. When writing fiction, I use my technical background, understanding of physical principles, and documentation to provide clear and concise descriptions and dialog for the reader.
I have the 1971 paperback printing of More Than Human, with the Robert Pepper cover art. The book has a special significance for me; although unrelated in plot, it has similarities to my book: it is science fiction, has an unusual structure, a complex timeline, deals with psychology, and features investigation and discovery. The fact that it was written in 1953, before the Internet, Earth satellites, personal computers, and cell phones, facilitates the reader’s attention to the rather complex story. Seven individuals, Lone, Janie, twins Bonnie and Beanie, Baby, Gerry, and Hip, are exemplars of inequality, with peculiar capabilities and shortcomings. The German word gestalt, meaning the forming of a pattern, describes how, together, they embody the next step in human evolution.
In this genre-bending novel—among the first to have launched sci-fi into the arena of literature—one of the great imaginers of the twentieth century tells a story as mind-blowing as any controlled substance and as affecting as a glimpse into a stranger's soul.
There's Lone, the simpleton who can hear other people's thoughts and make a man blow his brains out just by looking at him. There's Janie, who moves things without touching them, and there are the teleporting twins, who can travel ten feet or ten miles. There's Baby, who invented an antigravity engine while still in the cradle, and…
The author was the chief Silicon Valley writer for The Wall Street Journal during the first of the 1990s. He went on to become an acclaimed scholar in the history of science, engineering, and innovation. At the peak of his journalism career, the Boston Globe described Zachary as the most talented reporter on the Journal's staff. Zachary went on to write technology and innovation columns for The New York Times, Technology Review, and Spectrum magazine. Zachary has also taught courses on science and technology studies at Stanford University, UC Berkeley, and Arizona State University, where he was a professor from 2010-2020. He lives in northern California.
The software interface for Apple’s innovative Macintosh was largely (and legally) modeled on system software designed at the Palo Alto < California research center of Xerox, an East Coast photocopy company whose stodgy executives failed to realize the value of the coding breakthroughs they had funded and nurtured in the heart of northern California’s computer cauldron. Before anyone at the top of Xerox realized the enormity of their errors, the company had licensed to Steve Jobs and Apple key software technologies that animated the Macintosh revolution in the 1980s. Hiltzik’s richly detailed and readable history, based on scores of interviews, is the best account of the epic failure of an American corporate icon. Apple and Jobs went on to achieve glory while Xerox ultimately became a zombie company, having missed the greatest industrial wave of the past 75 years.
During the 1970s and 1980s, a number of brilliant computer eccentrics were thrown together by Xerox at the Xerox PARC centre in Palo Alto, California. These people created inventions such as the first personal computer, the graphic user interface, the mouse and one of the precursors of the Internet. However, the bosses at Xerox never really appreciated these men or their innovations, and accused them of just fooling around. Then along came the outsiders, such as Steve Jobs of Apple Computing, who left the PARC with ideas that they would later exploit and make vast fortunes on, propelling them to…
