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I met Kevin Sacco when he was an advertising storyboard artist. Kevin knew how to sell the story of an ad simply and dramatically in a series of graphic panels with an economy of words. In Sevenoaks, I see the same brain at work. His book is based on his life: a ‘60s-era New York City high school kid sent to an elite private school outside London. Sacco’s distinctive elongated and restrained figures, beautifully drawn geometric and airy cityscapes, and genial pace can lull one into a sense of calm, so that his moments of high and even magical drama slice more deeply into the emotions. One might be surprised to discover an unexpected tear.

Millions of people love and tune in to public radio every day. But how many people understand how public radio works, or how it got to where it is today? When it was first chartered in 1970, it wasn't clear NPR would work-or exactly how. For years, it struggled to find an audience—in part because of the technological limitations of the network and the emerging FM medium. McCauley interviewed early luminaries in public radio to construct this terrific look at its early years.

Robert Goolrick does not pretend in this memoir to have overcome or prevailed or found redemption from his horrendous childhood. Instead, he tells us the number of psychotropic prescriptions he must take every day just to be able to function. Something unthinkably awful happens in his seemingly genteel family at the hands of the father who is supposed to protect him, and as a result, he will never be the same. When he tries to tell what happened and seek comfort, let alone redress, his whole family turns on him. Yet Goolrick tells this story with an amazing lyricism and compassion. He unravels his tale slowly, protecting and preparing the reader in a way that no one in his family ever protected or prepared him. 

Art Donahue is the inspiration for my character, Gerry Donaldson, in my book, and Tally-Ho! is the book he wrote about his life while the Battle of Britain was still raging around him. Art was one of many Americans who volunteered at the risk of losing US citizenship, but as a fully qualified flying instructor he jumped the queue and very quickly found himself in a Spitfire cockpit flying into hostile skies with 64 Squadron. Donahue went on to fight in other theatres and write further on his experiences. Sadly, he did not survive the war, but this unique and vibrant document serves as a memorial and a celebration of a true American pioneer.

This is the book that brought game theory to life. Eschewing dry mathematical theorems, and conducting rigorous logical analysis through rich examples of strategic use of threats, promises, and brinkmanship in real life, Schelling opened up a whole world of practical applications of the theory. My own thinking and writing about game theory owes a huge debt to Schelling. You should also read his “Arms and Influence,” “Micromotives and Macrobehavior,” and “Choice and Consequence.”

The Enlightenment is often associated with intellectual changes. But the book sheds a new light on this “Age of Reason” by showing how emotions and feelings played a crucial role in this intellectually and sensorially dynamic period. Purnell tells this change by providing many interesting, and funny, episodes. My favorite, among others, is the seventeenth-century vogue for perfumes made of the excretions of the civet cat or the musk deer, and it was only in the mid-eighteenth century that floral scents became popular. This shift had to do with people’s ideas about health, cleanliness, and naturalness that changed over time. You will learn how and why people in the eighteenth and nineteenth centuries thought about the senses, how they experience their sensory world, and how our sensory experience came about over the course of a few hundred years.

This book’s idea hooks you from the start. Why, he wonders, when people say, "Do you believe in God?" do we never reply, "…what do you mean, believe?" It turns out that ‘believing’ has, down the centuries, meant some pretty radically different things. Is ‘belief’ the same as ‘knowledge’ or ‘opinion,’ or is it the opposite of them? Ethan Shagan’s disarmingly simple idea is to track how the notion of belief shifted from the Middle Ages to the Enlightenment. If we do believe in God nowadays, we don’t do it the way our forebears did. And if we don’t, it’s not because God has become unbelievable, but because belief itself has become so much harder than it used to be.

Norman Lewis is best known for his non-fiction works such as The Golden Land (about Burma) and A Dragon Apparent (about Vietnam). Yet he also wrote a dozen novels that show a great flair for characterisation, dialogue and plot pacing, in addition to his incisive descriptions. A Single Pilgrim tells the story of John Crane, manager of a teak logging company in North Thailand, who revels in “the voluptuousness of routine and civilized triviality”. However, his company’s leases are about to expire and the thought of an end to his Oriental idyll is more than Crane can bear.

I think this novel, by physicist Gregory Benford, is one of the best fictional representations of how science is really done and of the real world of scientists and graduate students.

It is also an early exploration of the concept of tachyons, particles that cannot move slower or as slow as the speed of light but always have to go faster. (These have been proposed only in theory, but what makes them exciting is that they would travel backward in time.) In the book, that property enables people in the future to communicate with us in their past.

Another thing I like about this book is that some of his characters are thinly disguised (or not disguised) versions of real astronomers of the time.

This book's heightened literary consciousness suggests a lifetime of practice, but it is, in fact, Gwendolyn Kiste's debut (she has quickly become one of contemporary dark fiction’s most celebrated, leading figures). Throughout Untether, the author examines both societal and individual forms of suffering (e.g. depression, dissociation, and the dangers of socially imposed normativities). My favorite piece is “Skin Like Honey and Lace,” which depicts a group of women who achieve social induction by taking skin from strangers and applying it to their own bodies. A staggeringly accomplished collection.