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Year One.
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I’ve always loved both horror and comedy. So imagine my delight discovering the two could be blended together into a roller coaster ride of highs and lows. Movies such as Ghostbusters, Army of Darkness, and Big Trouble in Little China are perfect examples. In each, you have a potentially terrifying situation, coupled with characters who are too full of themselves to play the victim – yet not quite competent enough to be the hero either. It’s inspired me to spend countless hours behind my computer crafting my own horrific worlds, coupled with characters who simply refuse to take it seriously. I hope you enjoy them as much as I do.
There should be no doubt for anyone who follows me that I love any tale that involves an underdog loser forced to either save the world or die trying. Even better if it involves rampaging tentacle beasts and other Lovecraftian horrors. Throw in a talking cockroach with a serious attitude problem, and you have a perfect recipe for that succulent dish known as horror/comedy. Definitely, a must-read for anyone who enjoys a good laugh in between their screams.
One loser, one talking cockroach, and one karate-chopping bombshell are all that stand between YOU and hell on earth.
Lloyd Wallace is the most clueless crossing guard the intersection of hell and earth has ever seen. So clueless, that he doesn't even realize the beer cave in the corner store where he works is the gateway to hell. The gate needs a hero, but Lloyd's a zero, a loser with a capital L. He's ten thousand dollars in debt and lives with his parents. He's been fired from every job he's ever had. He was the first thing his ex-girlfriend…
I’ve always loved both horror and comedy. So imagine my delight discovering the two could be blended together into a roller coaster ride of highs and lows. Movies such as Ghostbusters, Army of Darkness, and Big Trouble in Little China are perfect examples. In each, you have a potentially terrifying situation, coupled with characters who are too full of themselves to play the victim – yet not quite competent enough to be the hero either. It’s inspired me to spend countless hours behind my computer crafting my own horrific worlds, coupled with characters who simply refuse to take it seriously. I hope you enjoy them as much as I do.
If you enjoy horror colored with off-color laughs, but you’re not in the mood for a long series, then you can truly do no better than Jeff Strand. He is without question the master of standalone horror/comedy stories, and this 100% shows in Clowns Vs. Spiders. It’s a novel designed to play upon many people’s worst fears, while somehow keeping their eyes glued to the story. You’ll hate yourself a little bit more with every page you read, but damn, Jeff makes self-loathing more fun than it has any right to be.
Jaunty the Clown just wants to entertain families with lighthearted slapstick antics, but people think of clowns as terrifying, nightmarish creatures who hide in closets or under beds. When Jaunty, along with his fellow performers Guffaw, Wagon, Reginald The Pleasant Clown, and Bluehead are fired from the circus, they're told that the world just doesn't like clowns anymore.
Still, clowns have to eat. And since these clowns don't eat children, to make ends meet they're eventually forced to take a job in a popular haunted attraction, the Mountain of Terror. Instead of charming entertainers, they're now scary clowns. A zombie…
I’ve always loved both horror and comedy. So imagine my delight discovering the two could be blended together into a roller coaster ride of highs and lows. Movies such as Ghostbusters, Army of Darkness, and Big Trouble in Little China are perfect examples. In each, you have a potentially terrifying situation, coupled with characters who are too full of themselves to play the victim – yet not quite competent enough to be the hero either. It’s inspired me to spend countless hours behind my computer crafting my own horrific worlds, coupled with characters who simply refuse to take it seriously. I hope you enjoy them as much as I do.
If there is one thing in this world I love as much as a good scream, it’s playing D&D with my friends. Well, Critical Failures is like what it would be having those same jackasses alongside me as I got sucked into the game world – and subsequently discovered I sucked there as much as in real life. I like to think I’d be either Aragorn or Legolas if thrust into a fantasy world, when the reality is I’d probably end up more like their drunk cousins who their families never talk about or invite over for the holidays. Well, Caverns and Creatures is 100% the series for those who feel the same way. Strap on your sword, pull out your spellbook, and prepare to roll a natural 1 as you set out on the journey of a lifetime...or five minutes considering the ineptitude of this adventuring party.
What if you and your friends got to live the game for real? What if you and your friends were assholes? After relentlessly mocking their strange new Game Master, Tim and his friends find themselves trapped in the bodies of their fantasy game characters, in a world where the swords, the magic, and the gastrointestinal issues are all too real. They learn hard lessons about tolerance and teamwork, and a new meaning for the term “dump stat”. Ha ha. Just kidding. They don't learn shit. Never before have comedy and fantasy come together so much like a train wreck, in…
I love character-driven, roller coaster ride stories. As a young reader, I gravitated to the “choose your own adventure” books which relied on invoking knotted stomachs, and cold sweats in children as they struggled to make the right decision before reading on; turn to page 105 if you want to face the ravenous bear or page 23 if you wish to flee. Thus, the love of reading emerged and, eventually, the joy of writing followed. These books are just some of the stories that bring similar nostalgic tones when I delve into their pages. I hope you enjoy them as much as I do.
It must be the scariest horror book I have ever read.
A superb exploration of fear delivered with surgical accuracy. I’ve never been so scared reading words from a page in my whole life.
There is no rendition, on the screen, that does justice to this novel. The backstories, history, and seemingly insignificant descriptions help to paint a picture that feels all too real, even during the most surreal moments.
This tie-in edition will be available from 16 July
TIE IN TO A NEW MAJOR MOTION PICTURE, IT: CHAPTER 2, ADAPTED FROM KING'S TERRIFYING CLASSIC
27 years later, the Losers Club have grown up and moved away, until a devastating phone call brings them back...
Derry, Maine was just an ordinary town: familiar, well-ordered for the most part, a good place to live.
It was a group of children who saw- and felt- what made Derry so horribly different. In the storm drains, in the sewers, IT lurked, taking on the shape of every nightmare, each one's deepest dread. Sometimes…
As a writer of Gothic-inflected suspense and horror fiction, I just can’t help it: I love to be scared! We are lucky to be in a time when so many wonderful thrillers, mysteries, suspense, and horror stories are being written and published, but I have a great love for the classics of the genre. These are the books I turn to again and again, not just to marvel at their craft and ingenuity, but to feel the skin prickle on my arms and shoulders and the hairs rise on the back of my neck. Whether for the first or the twentieth time, let these masterworks cast their spells over you.
I can’t get enough of this supernatural classic, which is made all the more vivid by the way its story unfolds through letters, telegrams, diary entries, and newspaper clippings. It is the found-footage horror story of its era.
Like Frankenstein, it has been adapted hundreds of times, officially and unofficially, into nearly every medium, yet the original novel is unparalleled for holding the reader in its icy grip. Stoker brought his own fears to the page, and I am always surprised at how, in just a few pages, they become my fears, as well.
22
authors picked
Dracula
as one of their favorite books, and they share
why you should read it.
This book is for kids age
17.
What is this book about?
'The very best story of diablerie which I have read for many years' Arthur Conan Doyle
A masterpiece of the horror genre, Dracula also probes identity, sanity and the dark corners of Victorian sexuality and desire. It begins when Jonathan Harker visits Transylvania to help Count Dracula purchase a London house, and makes horrifying discoveries in his client's castle. Soon afterwards, disturbing incidents unfold in England - an unmanned ship is wrecked; strange puncture marks appear on a young woman's neck; a lunatic asylum inmate raves about the imminent arrival of his 'Master' - and a determined group of adversaries…
I've had many professions over the years: theatrical stage technician, stage manager, scenic artist, teacher, writer, driver, husband, and father. I've always had a love for horror and fantasy stretching from the classic Gothic to the incredible worlds of Tolkien, Pratchett, and many more. I never set out to write, but I love the escapism and freedom that both reading and writing allows. I was a military child and having followed my father across Europe, I settled in the beautiful cathedral city of Lincoln, UK, which itself has its horror, hauntings, and history. Fantasy writing seemed to be the next stage of my development, combining macabre with the fascinating task of creating a fantastical world.
This is a terrific take on the ‘what if…’ scenario that Dracula survived. I thoroughly enjoyed this tale, twisting and turning through the streets of Paris and London setting the scene for another blood fest of vampiric terror. Dacre has certainly captured some of his ancestor’s penchant for horror and this book takes you on a mysterious trip through the minds of its fascinating yet disturbing characters.
The official sequel to Bram Stoker's classic novel Dracula, written by his direct descendent and endorsed by the Stoker family.
The story begins in 1912, twenty-five years after the events described in the original novel. Dr. Jack Seward, now a disgraced morphine addict, hunts vampires across Europe with the help of a mysterious benefactor. Meanwhile, Quincey Harker, the grown son of Jonathan and Mina, leaves law school to pursue a career in stage at London's famous Lyceum Theatre.
The production of Dracula at the Lyceum, directed and produced by Bram Stoker, has recently lost its star. Luckily, Quincey knows how…
I am a comic book writer, novelist, and vampire aficionado. I always want to learn the truth of a matter. I’ve moved in and out of the gothic subculture for years and spent time with members of the vampire subculture. I’ve found that most people’s understanding of vampires (and really, everything) is influenced by fiction. Even if you point out that their beliefs are only as accurate as a movie, they will still argue for them. As much as I love a good vampire movie, I want to shatter illusions and explore the myths and folklore that reflect our human experience in all of its horror and glory.
Whereas Barber expounds upon the anthropological origins of the vampire myth, McClelland focuses on the practices, principles, and logistics of killing the dead. The most familiar form comes in the unearthing and mutilation of bodies. McClelland explains the whys and wherefores of that practice, but he also gives their killers more than their due, explaining the role of vampire slayers as shamans, village elders, and quasi-religious figures during Europe’s transition from its pagan roots to modern Christianity. He demonstrates that vampires fell into an uneasy space between a fading system of peasant folklore and the organized religious rituals and beliefs that ultimately took their place. There are no vampires in the Bible, so where was the church during the vampire hysteria of the 1800s and how did they regard these mythical creatures? McClelland answers that and more. He also includes an overview of our modern conception of vampire slayers from…
In contemporary Western popular culture, the vampire has evolved into one of the most recognizable symbols of evil. Yet, less has been said - and even less has been understood - about its nemesis, the vampire slayer. ""Slayers and Their Vampires"" is the first work to explore how the vampire slayer began, and it goes further to ask why the true history of the vampire slayer has been so long ignored. Author Bruce McClelland describes how the literary and screen dramas obscured the darker nature of the slayer, whose persecution of a corpse is accepted as heroic rather than corrupt.…
I saw Francis Coppola’s movie Bram Stoker’s Dracula in 1992, but studied the novel only after I created a photo story,The Ultimate Dracula(Munich, 2012). Next to the images, my book presented the true location Stoker had in mind for his fictitious Castle Dracula (No, notBram Castle), and the historical person he referred to while speaking about Count Dracula (No, notVlad the Impaler). The next steps were discovering the true locations of Carfax and the Scholomance, unraveling the backgrounds of the Icelandic and Swedish versions of Dracula, and unearthing the first US serialization. I simply love to solve riddles. By now, I am organizing international Draculaconferences.
Leslie Klinger’s annotated version of Draculais one of the most recent editions, and it surely is the most entertaining one, suitable for readers who are no Draculaexperts (yet). Some of his comments build on the (purely fictional) assumption that the Count himself had his hand in editing Stoker’s text. In a single instance, when it comes to the historical Dracula family, Klinger drops the ball, but he makes a unique contribution to Dracula Studies by comparing Dracula’s final text with that of Stoker’s typescript, found in a barn in Pennsylvania in the 1980s. His attention to geographical details greatly inspired my own research into this matter. The book comes with a number of illustrations and helpful appendixes.
In his first work since his best-selling The New Annotated Sherlock Holmes, Leslie S. Klinger returns with this spectacular, lavishly illustrated homage to Bram Stoker's Dracula. With a daring conceit, Klinger accepts Stoker's contention that the Dracula tale is based on historical fact. Traveling through two hundred years of popular culture and myth as well as graveyards and the wilds of Transylvania, Klinger's notes illuminate every aspect of this haunting narrative (including a detailed examination of the original typescript of Dracula, with its shockingly different ending, previously unavailable to scholars). Klinger investigates the many subtexts of the original narrative-from masochistic,…
I am a comic book writer, novelist, and vampire aficionado. I always want to learn the truth of a matter. I’ve moved in and out of the gothic subculture for years and spent time with members of the vampire subculture. I’ve found that most people’s understanding of vampires (and really, everything) is influenced by fiction. Even if you point out that their beliefs are only as accurate as a movie, they will still argue for them. As much as I love a good vampire movie, I want to shatter illusions and explore the myths and folklore that reflect our human experience in all of its horror and glory.
This book has engendered controversy for almost forcefully bridging the gap between the 15th Century Wallachian Prince Vlad III or Vlad the Impaler or Dracula. Stoker had already constructed his character, called “Count Wampyr,” before he learned of his future namesake. However, he quite clearly establishes a connection between the two through an explanation provided by Abraham Van Helsing. The Dracula of the eponymous novel is a heavily fictionalized version of the real-life figure, but so are most similarly positioned characters in literature, film, and television. Florescu and McNally provide a cursory overview of Slavic and Balkan vampire folklore, a biographical sketch of Vlad the Impaler, and illuminate the process by which Stoker adapted this violent, cunning, and sometimes brilliant nationalist and military tactician into a fictional monster.
The true story behind the legend of Dracula - a biography of Prince Vlad of Transylvania, better known as Vlad the Impaler. This revised edition now includes entries from Bram Stoker's recently discovered diaries, the amazing tale of Nicolae Ceausescu's attempt to make Vlad a national hero, and an examination of recent adaptations in fiction, stage and screen.
I’ve been a smut connoisseur for many years, as well as a lover of well-done sci-fi/fantasy worlds that feel real. I would list my qualifications as a smut connoisseur, but it’s probably not appropriate for this site 😉. I have a number of books under my belt that include sweeping fantasy world building that’ll make you hallucinate vividly. After resisting deeper romance plots in my writing for so long, I finally surrendered. I’m just starting my journey as a dark romantasy smut peddler but can’t wait to share all my winged book boyfriends with you!
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