Here are 100 books that Woodstock Goes to Hollywood fans have personally recommended if you like
Woodstock Goes to Hollywood.
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I have a Walter Mitty view of the world. If I were a movie character, I would be Edward Bloom, in Big Fish. I have been a lawyer in the entertainment industry for almost four decades. As a result of my personality and profession, my books mix fantasy, science fiction, and the mystical into our everyday world, and I do it in a way that makes you wonder if what I’m telling you is true, causes you to hope it is true and compels you to wish you could join in the adventures.
The Celt in me loves Dark Humor. Managed Care is one of the funniest Dark Humor books I have ever read.
The dialogue is amazing, the characters fully developed and the story unique. Incredibly fast read. There is a poignancy to the story, and you cannot help but root for everything to work itself out for the characters.
"Funniest book I've ever read." –Tom McCaffrey, bestselling author of The Wise Ass
Is it too much to ask that a managed care facility refund a year's advance payment when your grandfather dies before he can move in?
Frank Johnson doesn't think so, which is why the thirty-three-year-old now lives in a nursing home, locked in a chess match feud with management that doesn't occupy nearly enough of his time.
When foster kid Elroy is thrust into his life, Frank decides to turn this forced relationship to his advantage - launching a string of absurd decisions, inappropriate behaviors and unexpected…
I have a Walter Mitty view of the world. If I were a movie character, I would be Edward Bloom, in Big Fish. I have been a lawyer in the entertainment industry for almost four decades. As a result of my personality and profession, my books mix fantasy, science fiction, and the mystical into our everyday world, and I do it in a way that makes you wonder if what I’m telling you is true, causes you to hope it is true and compels you to wish you could join in the adventures.
The writing is superb, the story clever and interesting and the settings diverse and beautiful. I love the characters and their inter and intra-family dynamics. And then there is a magical cat named Brie.
The writing draws you into each scene and you feel like you are another person in the room as the story unfolds.
Perfect for fans of Carlos Ruiz Zafón's The Shadow of the Wind and Ocean Vuong's On Earth We're Briefly Gorgeous, E.H Wilde's memoir-styled literary fiction debut, The Memories of Eskar Wilde, is a coming-of-age tale of secrets and discovery, love and loss, and guilt and penance.
I'm no author. I don't know how to structure my "story" in a conventional way, though I am now inclined to tell it. If you possess sufficient patience and a willingness to forgive my amateurish storytelling, I'll explain to you how I came to be in a small Paris apartment on my eighteenth birthday,…
I have a Walter Mitty view of the world. If I were a movie character, I would be Edward Bloom, in Big Fish. I have been a lawyer in the entertainment industry for almost four decades. As a result of my personality and profession, my books mix fantasy, science fiction, and the mystical into our everyday world, and I do it in a way that makes you wonder if what I’m telling you is true, causes you to hope it is true and compels you to wish you could join in the adventures.
A time travel book that is clever and fast paced. Spoiled Hollywood types.
A trip back to Victorian London and a fateful meeting with Jack The Ripper. What’s not to love? As a matter of fact, I loved the female lead, Madison Taylor, so much that I included her (with permission) as a cross-over character in my latest novel, Finding Jimmy Moran.
I could've easily sold my time travel machine for billions and walked away. Instead, I opened The Taylor Travel Group where I take the elite on vacations into history, to a time and place of their choice.
But when a big-time movie studio hired my company, I sold my soul.
What was supposed to be a few days of method-actor immersion in nineteenth-century London went horribly awry. Now America's hottest starlet is dead, and Jack the Ripper is…
I have a Walter Mitty view of the world. If I were a movie character, I would be Edward Bloom, in Big Fish. I have been a lawyer in the entertainment industry for almost four decades. As a result of my personality and profession, my books mix fantasy, science fiction, and the mystical into our everyday world, and I do it in a way that makes you wonder if what I’m telling you is true, causes you to hope it is true and compels you to wish you could join in the adventures.
This is the latest in a series that is a clever parody of the James Bond series of books by Ian Fleming.
Haris Orkin is an excellent writer who has built this series around his charming protagonist, James Flynn, who you cannot tell if he is crazy or has the deepest and most brilliant cover story imaginable – a patient in a psychiatric hospital.
While it is told with a tongue firmly planted in cheek, there is plenty of real action and adventure. It is a great escape from the mundane everyday life.
Hornitos State Mental Hospital houses the worst of the worst. Those convicted of violent criminal behavior and judged not guilty by reason of insanity. Mass murderers, serial killers, mad bombers, arsonists, terrorists, and now... James Flynn. Still convinced he's an international super spy, Flynn finds himself in the most dangerous predicament of his life.
He faces off with old enemies, new enemies, and psycho killers who just want to watch the world burn. He also meets a fierce and beautiful woman who might be even more dangerous and delusional than he is.
Together they walk a tightrope between objective reality…
I am a creature of habitat. I can’t help but connect with my environment in every possible way. It’s physical, emotional. I spent the first 23 years of my life in Mexico City. Leaving was heart-wrenching, but the promise to fulfill a dream drew me to Los Angeles. During the next four decades I became a student of Los Angeles and the Latino community that populates it. I agree with Randy Newman: I love L.A.
Born in Los Angeles and with profound connection to this city’s psyche, Wendy Ortiz delivers a map of Los Angeles transformed into words, a fragmented memoir of hurt, love, loss, and reinvention. What does a young writer (one of thousands) living in this city and trying to make it worry about? Joblessness. Rent. Bills. Riding the metro. Alcohol. And yes, sex and publishing too, of course. This book proves that it’s not always 72 and sunny in Los Angeles.
Hollywood Notebook is a prose poem-ish memoir of fragments. Ortiz takes us through the streets of Los Angeles and the internal maps she's charting as she moves from her twenties to her thirties in a studio apartment in Hollywood. A cartography of love, loss, and transformation, Hollywood Notebook is a portrait of the author's psyche overlaid on a map of the city she makes her home.
Having been a Hollywood writer for thirty years, and now written a novel that although satirical still accurately describes the creation of a TV series, I’ve long been amazed at how many Hollywood stories – including films made in Hollywood – offer fantasies that have even less to do with the reality of love and work in film and television than Game of Thrones does with the real Middle Ages. I’ve written fantasy myself, but for people fascinated by Hollywood, or who want to work in film and TV, there’s a reason too to read books that capture the reality, especially when like the books listed here, they do so astonishingly well.
Oscar-nominated, Emmy-winning Eleanor Perry put her training as a psychiatric social worker to extraordinary use writing now-classic films including the hypnoticDavid and Lisaand The Diary of a Mad Housewife. She brought the same dramatic skills and insights to examining her own life as a writer at a time when women faced nearly impossible challenges in Hollywood. The result was this deeply felt, authentic, often autobiographical novel. My wife Loraine Despres, herself a highly regarded novelist and TV writer, gave it to me when I first confessed an interest in screenwriting. The book, now unjustly out of print but hopefully available from libraries and at a price from rare book dealers, has haunted me ever since.
I am an African Australian author of several novels and fiction collections, and a finalist in the 2022 World Fantasy Award. I was announced in the honor list of the 2022 Otherwise Fellowships for ‘doing exciting work in gender and speculative fiction’. I have a master's degree with distinction in distributed computer systems, a master's degree in creative writing, and a PhD in creative writing. The short story is my sweetest spot. I have a deep passion for the literary speculative, and I write across genres and forms, with award-winning genre-bending works. I am especially curious about stories of culture, diversity, climate change, writing the other, and betwixt.
Andrew Hook is a European slipstream author proficient in the literary weird. He certainly does not disappoint in his new collection of Hollywood’s living dead. Candescent Bloomsrouses legends of the silver screen right there in your living room, and they are broken, unbroken, full of many secrets. And you know, you know—because history says so—that the actors and actresses are dead, yet living, right there on your page. Imbued with levity wrapped in anguish. Thimble-sized, you will not find a literary collection this superb in a long time.
Candescent Blooms is a collection of twelve short stories which form fictionalised biographies of mostly Golden Era Hollywood actors who suffered untimely deaths. From Olive Thomas in 1920 through to Grace Kelly in 1982, these pieces utilise facts, fiction, gossip, movies and unreliable memories to examine the life of each individual character set against a Hollywood background of hope and corruption, opportunity and reality.
It’s safe to say that I love LA. While my home town is often dismissed as being little more than a string of shopping malls strung together by freeways, to me, it’s a place like nowhere else in the world. In a city fueled by cinema, LA’s outsider magic is hard to capture, but I find it fascinating when novelists make the attempt. With my first novel, The Body Double, I take a surreal deep dive into the mystery and magic of this strange city—inspired, in no small part, by my five favorite books about Los Angeles. I hope you enjoy them as much as I have!
I’m a little biased with this one, because Eve was my neighbor growing up and something of a literary fairy godmother, but there are few writers who capture the spirit of Los Angeles with more fascination and ease. Her work is messy—delightfully so, like eavesdropping on that friend who always has the craziest stories to tell about her exploits, and her prose captures her inimitable personality. She notices things about Los Angeles that will make you fall in love with the city all over again, or book your first visit if you’re from out of town. Perfect for readers who want to feel a sense of intimacy with their books, or people like me who love listening in on gossip, the messier the better. Eve always delivers!
A legendary love letter to Los Angeles by the city's most charming daughter, complete with portraits of rock stars at Chateau Marmont, surfers in Santa Monica, prostitutes on sunset, and Eve's own beloved cat, Rosie.
Journalist, party girl, bookworm, artist, muse: by the time she’d hit thirty, Eve Babitz had played all of these roles. Immortalized as the nude beauty facing down Duchamp and as one of Ed Ruscha’s Five 1965 Girlfriends, Babitz’s first book showed her to be a razor-sharp writer with tales of her own. Eve’s Hollywood is an album of vivid snapshots of Southern California’s haute bohemians,…
At about age fifteen, I fell in love with nineteenth-century Gothic horror. I read all the classics in just a few months: Frankenstein, Dracula, The Hunchback of Notre Dame, Edgar Allen Poe… And then I ran out. Most twentieth-century horror lacked the understanding that evil’s true target is not the body but the soul. Horror fiction, more than any other genre, is the laboratory of the soul, the place where we can experiment with good and evil to follow the consequences of each to their fullest and therefore truest conclusions. And since I ran out of such books to read—I wrote one.
After Bram Stoker and Vlad the Impaler, the real person most closely associated with vampires has to be Bela Lugosi—so why not write a horror novel with him as the villain? This book underscores the important role that unsettling and dramatic occurrences can play in shaking us out of our own accustomed vices, as well as the difficulty we often face when trying to discern the difference between the works of evil and the truly mundane. After all, Bela Lugosi is nothing more than a tired, sad old man still pining for his glory days on the silver screen—isn’t he?
Hollywood, 1956. Journalist and war widow Evangeline Kilhooley is assigned to write a ";star profile" of the fading actor Bela Lugosi, made famous by his role as Count Dracula. During a series of interviews, Lugosi draws Evi into his curious Eastern European background, gradually revealing the link between Old World shadows and the twilight realm of modern horror films.
Along the way, Evi meets another English expatriate, Hugo Radelle, a movie buff who offers to help with her research. As their relationship deepens, Evi begins to suspect that he knows more about her and her soldier husband than he is…
I am the author of four books of interviews with filmmakers: Smoking in Bed: Conversations with Bruce Robinson (a Guardian Book of the Year), Story and Character: Interviews with British Screenwriters, Hampton on Hampton (an Observer Book of the Year), and The Art of Screen Adaptation: Top Writers Reveal Their Craft. I have written original and adapted screenplays and stageplays, on spec and to commission; contributed film interviews and reviews to UK magazines and newspapers; chaired Q&A events at book and screenwriting festivals; and recently published my first novel, The Vetting Officer. My next nonfiction project is a book of conversations with bestselling author and screenwriter William Boyd, for Penguin.
“You never really succeed,” Andrew W. Marlowe tells the editors of Tales from the Script, “You always fail at a higher level.” So: first you can’t finish your script, then you can’t get it read, then you can’t sell it, then you can’t get it made, then it’s made – but badly. Or, in Marlowe’s case, it’s made into Air Force One and you’re asked to repeat the trick. “Even when you get to the top there’s this realization: ‘Okay, the view is great, but tomorrow I gotta get up and start climbing the mountain again.’” If you find that depressing, don’t be a screenwriter. If you see it as a challenge, read on…
Few modern art forms are as misunderstood as the craft of creating movie scripts, but "Tales from the Script" puts readers in the trenches of the Hollywood development process. Readers will revel in the exploits of Shane Black ("Lethal Weapon"), John Carpenter ("Halloween'), Frank Darabont ("The Shawshank Redemption"), Nora Ephron ("When Harry Met Sally"), William Goldman ("The Princess Bride"), David Hayter ("Watchmen"), Bruce Joel Rubin ("Ghost"), Paul Schrader ("Taxi Driver"), Ron Shelton ("Bull Durham"), and dozens of others. They'll learn how these writers surmounted the incredible odds against breaking into Hollywood, transformed their ideas into films that topped the box…
