72 books like Hollywood Notebook

I fell in love with Los Angeles in 1983 when I immigrated from Mexico, young, penniless, and ignorant, to start an ad agency for the Latinx community. As the years went by, I succeeded in the business, raised a family, and wrote three novels. It is after you read a book like Peter Lunenfeld’s that you understand why such an improbable story like mine could ever materialize. As in the movies, L.A. is not what it seems. Go behind the scenes with City at the Edge of Forever, Los Angeles Reimagined and debunk some myths.

Malibu Rising was the first book I read by Taylor Jenkins Reid. As soon as I finished, I read three more of her novels. All of them made me feel great. Hers are stories you can lose yourself in and come out feeling refreshed and optimistic.

Malibu Rising centers around the adult Riva siblings, children whose parents stopped parenting long before the kids were equipped to care for themselves. Particularly impacted is Nina, the oldest, who has spent her life making choices that prioritize the well-being of everyone except herself. 

This is a book about dealing with old wounds, the kind that hide under the surface of successful lives. It’s a story that takes us on multiple journeys of self-discovery and healing. For me, a book doesn’t get more “feel good” than that.

If You Lived Here You’d Be Famous By Now is a debut novel by Via Bleidner, a young writer who reports her experiences living in the L.A./San Fernando Valley enclave of Calabasas, attending the Calabasas High School. Calabasas, for those who have missed this essential chapter of contemporary lunacy, is home to the Kardashians. Bleidner writes about the world she has inhabited as a reporter. She participates, but she also is able to maintain a certain writer's detachment describing the shenanigans the natives engage in: lip surgery, social media, and dog celebrities. But there is humor in this slice of the L.A. experience. Bleidner not only describes, but also tries to understand and reflect. 

Kate Braverman lived in Los Angeles for years and set many of her stories in this city, like Frantic Transmissions To And From Los Angeles or Palm Latitudes. In Lithium for Medea, Braverman tells the sad and dark story of Rose and her dysfunctional family, a love-hate relationship with her mother, her dying father, and drugs, lots of them. It is a disturbing, cruel, and irreverently poetic story. I survived her writing workshop in the early nineties. A harsh and not very sympathetic teacher, Kate taught me the weight of words and I thank her for that. My copies of her books are yellow from the excessive use of my highlighter. If you enjoy reading poetic prose, Kate Braverman is the master to go to.

Ted Sennett is one of the most prolific and widely-read writers about Hollywood and this book on 1939 is one of his very best works. It is filled (one might even say, stuffed) with behind-the-scenes stories. The writing is sometimes critical and analytical rather than gushing as in some of Sennett's many coffee table books. He concentrates on only seventeen 1939 movies so one doesn't get a full picture of that amazing year of movies. It's good to see some lesser-known classics like Midnight and Angels Have Wings included in the seventeen.

This is the third book in the Trip Callaway Gig mystery series written by Phil Swann. While I’ve enjoyed all the Trip Callaway books, I especially like this one because it takes place in 1966 Hollywood. In this story, musician and undercover agent Trip Callaway takes us into the world of Los Angeles studio musicians, who played on all those memorable recordings and variety shows of the time. On top of spending some quality time in great, but sadly long gone, Hollywood hotspots like Shelly’s Manne Hole, The Palomino, and Martoni’s – places I went growing up in Los Angeles – Tinseltown Tango is also a ripping good yarn. If you enjoy a good murder mystery with a dash of music and no shortage of laughs, check out this book. You won’t be disappointed. 

Elmore Leonard knew the vagaries of the movie business back to front, and he serves them up on a platter of delicious satire in this story about an East Coast loan shark, Chili Palmer, who comes to Los Angeles chasing a deadbeat debtor and winds up in his own fractured fairy tale version of the Hollywood dream.

Chili’s an endearing character, street smart with a unique blend of humility and self-confidence. When his collection job throws him into company with a group of movie people, he sees them and their milieu with clear-eyed objectivity.

Talking to an underworld associate, he says, “The movie business, you can do anything you want because there’s nobody in charge.” Leonard’s mastery of dialogue and character, along with his wit and sly affection for the industry he’s skewering combine to make this book a complete delight. 

I’m a little biased with this one, because Eve was my neighbor growing up and something of a literary fairy godmother, but there are few writers who capture the spirit of Los Angeles with more fascination and ease. Her work is messy—delightfully so, like eavesdropping on that friend who always has the craziest stories to tell about her exploits, and her prose captures her inimitable personality. She notices things about Los Angeles that will make you fall in love with the city all over again, or book your first visit if you’re from out of town. Perfect for readers who want to feel a sense of intimacy with their books, or people like me who love listening in on gossip, the messier the better. Eve always delivers!

This is a memoir about being a writer—and failing. With scholarly rigor and tenderhearted sympathy, Specktor excavates the lives of artists forgotten (Carol Eastman, Eleanor Perry), underappreciated (Thomas McGuane, Hal Ashby), and notorious (Warren Zevon, Michael Cimino), while always circling back to his own benighted Hollywood upbringing, complete with a lovely tribute to his mother, a failed screenwriter. This is an angry, sad, but always somehow joyful book about not hitting it big, and I've never read anything quite like it.

Possibly my favorite book ever (only time will tell) this novel is a fever dream of Ike “Vikar” Jerome’s journey into Hollywood starting in 1969 and expanding over a decade.

With a tattoo of Montgomery Clift and Elizabeth Taylor from A Place in the Sun on his bald head, this novel reads like Forrest Gump in the way that Vikar shows up at historical moments in Hollywood’s golden age, making friends with thinly veiled Hollywood titans as they get their start in the film industry.