Fans pick 100 books like L.A. Woman

Perhaps no writer has ever described war and love with the precision (if either can be subjected to such clarity) of Hemingway.

I was moved on every page by the power of his scenes, like reportage, from war, matched by an internal landscape that is equally tragic and explosive. 

It took me a while to get to this part of Orwell’s oeuvre, but once I did, I was engrossed. The crispness of the writing and the precision of his observations are unmatched. Admittedly, due to Orwell’s own political persuasions, you should not base your views of the Spanish Civil War on this book alone, but as a piece of honest journalistic writing with a clear point of view, it deserves its status as a classic. 

Another slim tome, also a lesser-known work, this is the famous diarist’s how-to on writing fiction from the depths of the psyche. Nin places herself in the trajectory of the history of the novel and defends its elements that she has learned through her own diary, which resonated with me. The title of the first chapter, a quote from Jung, “Proceed from the Dream Outward,” sets the tone for what I can only call a justification of my choice of the fictional diary genre for my book. Nin does not use these terms exactly, but when she sets one genre against another, a composite genre might emerge: “The diary made me aware of organic and perpetual motion… [but] when you write a novel you are arresting motion….”

This is the most recently written book of my picks, and one with which I have much in common. I first came in contact with the author through her search for a relative on Geni.com, a website on which I serve as a volunteer curator, and it turned out that she and I are distant relatives! But it didn’t end there: Barbara and I have the same publisher (She Writes Press). The names of her main character (Kläre) and mine (Klara) are practically identical. She and I both cite a horrendous chant hurled by Nazi Brown Shirts, illustrating the terror our main characters experience. We have in our lives or in our stories a prominent priest. Each of us based our novels on the lives of real people and each of us dipped into stories kept long silent by our ancestors.

I’m a little biased with this one, because Eve was my neighbor growing up and something of a literary fairy godmother, but there are few writers who capture the spirit of Los Angeles with more fascination and ease. Her work is messy—delightfully so, like eavesdropping on that friend who always has the craziest stories to tell about her exploits, and her prose captures her inimitable personality. She notices things about Los Angeles that will make you fall in love with the city all over again, or book your first visit if you’re from out of town. Perfect for readers who want to feel a sense of intimacy with their books, or people like me who love listening in on gossip, the messier the better. Eve always delivers!

Woodstock Goes To Hollywood is a charming and wonderful book.

It can be read by any age group and shared among generations of readers. It is Winnie the Pooh for this generation. The main character is adorable and has that good-hearted naivete that causes you to instantly bond with him and root for his success. 

The story has lots of funny twists and turns and lots of interesting characters. It will most likely become one of those literary legacies that are handed down from one generation to another and is primed to be a successful series. 

The dutiful daughter of one studio mogul and devoted wife of another, Irene Selznick was Hollywood royalty throughout the 1920s to 40s, the Golden Age of American cinema. Her father, the tyrannical Louis B. Mayer, steered MGM, Hollywood’s most successful studio, discovered Greta Garbo and victimized Judy Garland. Her husband, David O. Selznick made the first A Star Is Born and Gone with the Wind before self-destructing from drugs and megalomania. Irene escaped the shadow of overpowering men to become the respected Broadway producer of A Streetcar Named Desire, a woman to be reckoned with and—in this powerful memoir—a first-class storyteller.

Biblical allegory is hard to do well. Bible stories themselves have infinite depths, but their allegories are often didactic, especially when author parallels the original story too closely. Stephanie Landem’s In a Far-Off Land is anything but didactic. Set in 1930s Hollywood, the novel is equal parts Prodigal Son retelling, romance, and murder mystery. By allowing the story to take on a life of its own, Landsem avoids the Sunday School vibe, and in the end, I understood the Prodigal Son archetypal characters better.

Oscar-nominated, Emmy-winning Eleanor Perry put her training as a psychiatric social worker to extraordinary use writing now-classic films including the hypnotic David and Lisa and The Diary of a Mad Housewife. She brought the same dramatic skills and insights to examining her own life as a writer at a time when women faced nearly impossible challenges in Hollywood. The result was this deeply felt, authentic, often autobiographical novel. My wife Loraine Despres, herself a highly regarded novelist and TV writer, gave it to me when I first confessed an interest in screenwriting. The book, now unjustly out of print but hopefully available from libraries and at a price from rare book dealers, has haunted me ever since.

So many Hollywood novels focus primarily on the marquee names—the movie stars. This one explores the tortured romantic relationship between gossip columnist Sheilah Graham and author F. Scott Fitzgerald, whose stint as a scriptwriter was financially sustaining and artistically demoralizing, deepening his descent into alcoholism and despair over his failing marriage to Zelda. Sheilah could have been his creation, with her Gatsby-esque concealment of her background and reinvention of herself. Though this is a work of fiction, it results from meticulous research into the lives and careers of its fascinating and legendary main characters. As a writer myself, who has produced newspaper columns as well as more than a dozen novels, I fully appreciate the literary aspects of this story.