Here are 100 books that Without You, There Is No Us fans have personally recommended if you like
Without You, There Is No Us.
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Right after college, I lived abroad in Asia, in the small, landlocked country of Laos. A key theme of the book is the role of the U.S. in the world. During the Vietnam War, Laos was subject to a massive bombing campaign by the U.S., and decades later, the country was still coping with the effects. As unexploded bombs continued to kill people every year, how would my colleagues and neighbors react to an American living among them? The book is mainly about the joys of navigating another culture, and while Laos is unique, I’ve read a lot of books about living abroad in Asia, and common themes certainly emerge.
I love just about anything Peter writes, but this book is special; it’s his first, about his stint as a Peace Corps volunteer in China in the late 1990s, just about the time I moved to Laos. It was a great inspiration to me: the perfect combination of personal memoir and cultural insight.
Bonus: Peter continues to write for the New Yorker magazine about his students from all those years ago and what they are up to today.
When Peter Hessler went to China in the late 1990s, he expected to spend a couple of peaceful years teaching English in the town of Fuling on the Yangtze River. But what he experienced - the natural beauty, cultural tension, and complex process of understanding that takes place when one is thrust into a radically different society - surpassed anything he could have imagined. Hessler observes firsthand how major events such as the death of Deng Xiaoping, the return of Hong Kong to the mainland, and the controversial consturction of the Three Gorges Dam have affected even the people of…
I am a scholar of international human rights and comparative genocide studies. My father was a refugee from the Holocaust. So I was always interested in genocide, but I did not want to be another Holocaust scholar. Instead, I introduced one of the first university courses in Canada on comparative genocide studies. From a very young age, I was also very interested in social justice: I was seven when Emmett Till was murdered in the US. So when I became a professor, I decided to specialize in international human rights. I read a lot of “world literature” fiction that helps me to empathize with people in places I’ve never been.
North Korea is a combination of the Soviet Gulag and Auschwitz. Under the reign of the three Kims (grandfather, father, and son), North Koreans have endured malnourishment and starvation since the 1990s. Most of this would been avoidable if the government hadn’t had ridiculous economic policies forbidding private enterprise, and also imprisoned anyone who criticized the Kims’ rule.
Remick is a journalist who introduces North Korea to a general audience by interviewing six refugees. I “assigned” this book to one of my ladies’ book clubs and they found it very interesting and easy to read.
An eye-opening account of life inside North Korea—a closed world of increasing global importance—hailed as a “tour de force of meticulous reporting” (The New York Review of Books)
NATIONAL BOOK AWARD FINALIST • NATIONAL BOOK CRITICS CIRCLE AWARD FINALIST
In this landmark addition to the literature of totalitarianism, award-winning journalist Barbara Demick follows the lives of six North Korean citizens over fifteen years—a chaotic period that saw the death of Kim Il-sung, the rise to power of his son Kim Jong-il (the father of Kim Jong-un), and a devastating famine that killed one-fifth of the population.
I’ve always been fascinated by niche film world stories, and the kidnapping of Shin Sang-Ok and Choi Eun-Hee was my way in to North Korea, a country I was a layman about until I started researching A Kim Jong-Il Production. One thing I’ve found, through the writing of that book, traveling to North Korea, and the ensuing book tour, is that it’s a country it’s impossible not to be obsessed with once you’ve scratched the surface. The struggles and lives of ordinary people – in the face of such a repressive authoritarian regime – are unforgettable.
Starting in the 1970s, several dozen Japanese civilians – everyday people – were abducted by North Korean commandos and sent to detention centers known as Invitation-Only Zones, where the Kim regime attempted to brainwash and turn them into spies in their service. When that failed, the abductees were turned into teachers instead, to teach North Korean agents how to live undercover in Japanese society. It’s the kind of thing so crazy a lot of people don’t even believe it can be true – Kim Jong-Il only admitted to some of the abductions in 2002, and even then only to thirteen of them – and Boynton tells it meticulously and captivatingly.
For decades, North Korea denied any part in the disappearance of dozens of Japanese citizens from Japan's coastal towns and cities in the late 1970s. But in 2002, with his country on the brink of collapse, Kim Jong admitted to the kidnapping of thirteen people and returned five of them in hopes of receiving Japanese aid. As part of a global espionage project, the regime had attempted to reeducate these abductees and make them spy on its behalf. When the scheme faltered, the captives were forced to teach Japanese to North Korean spies and make lives for themselves, marrying, having…
I’ve always been fascinated by niche film world stories, and the kidnapping of Shin Sang-Ok and Choi Eun-Hee was my way in to North Korea, a country I was a layman about until I started researching A Kim Jong-Il Production. One thing I’ve found, through the writing of that book, traveling to North Korea, and the ensuing book tour, is that it’s a country it’s impossible not to be obsessed with once you’ve scratched the surface. The struggles and lives of ordinary people – in the face of such a repressive authoritarian regime – are unforgettable.
Jang Jin-Sung was Kim Jong-Il’s poet laureate, assigned to a division permitted to consume censored foreign materials. His life is about as good as life can get in North Korea – until one of the foreign magazines he has lent to a friend goes missing, and Jang must flee his home country or face retribution. Dear Leader is fascinating because it’s a book written by a genuine insider, a man who, until his own neck was on the line, served the regime more-or-less happily. To be honest, Jang is not a particularly likable narrator, but there’s an honesty and an urgency to the writing that illuminates the cynicism and manipulation at the heart of the regime.
Dear Leader contains astonishing new insights about North Korea which could only be revealed by someone working high up in the regime. It is also the gripping story of how a member of the inner circle of this enigmatic country became its most courageous, outspoken critic.
Jang Jin-sung held one of the most senior ranks in North Korea's propaganda machine, helping tighten the regime's grip over its people. Among his tasks were developing the founding myth of North Korea, posing undercover as a South Korean intellectual and writing epic poems in support of the dictator,…
I’ve always been fascinated by niche film world stories, and the kidnapping of Shin Sang-Ok and Choi Eun-Hee was my way in to North Korea, a country I was a layman about until I started researching A Kim Jong-Il Production. One thing I’ve found, through the writing of that book, traveling to North Korea, and the ensuing book tour, is that it’s a country it’s impossible not to be obsessed with once you’ve scratched the surface. The struggles and lives of ordinary people – in the face of such a repressive authoritarian regime – are unforgettable.
A mammoth volume, and yet somehow an unputdownable page-turner. It’s the best available overview of North Korea’s first, and most influential, leaders, Kim Il-Sung and Kim Jong-Il, and the society they created. It’s clear, measured, and detailed – and even though it’s fifteen years old, as an explainer, it’s a necessary foundation for any layperson trying to get to grips with the dynamics behind the headlines.
A dual portrait of Orwellian leaders Kim Il-Sung and Kim Jong-Il traces events from the end of World War II to the present, cites North Korea's stockpile of chemical weapons, describes Kim Il-Sung's numerous leadership roles, and warns readers about the threat posed by North Korea to American securi
I have been passionate about journalism since I was a teenager, when I became the co-editor of my high school newspaper. My career as a full-time journalist began decades ago, at a small family-owned newspaper in Berkshire County, Mass., and continued through staff writer positions at The Cape Cod Times, Providence Journal and now at OceanStateStories.org, the new non-profit news outlet based at Salve Regina University’s Pell Center in Newport, R.I., that I co-founded and now direct. So I have the long and inside view of American journalism!
This landmark book by the Iranian-American writer Azar Afisi is an account of the oppression of the Islamic Revolution in her native Iran and an ode to the liberating power of literature and truth.
In her book, Nafisi recounts the experiences of a group of students she worked with as a professor of English at the University of Tehran. She was dismissed from that professorship in 1981 for refusing to cover her hair and 16 years later, emigrated to America, where she teaches, writes, and is an internationally respected voice for press and personal freedoms.
When Azar Nafisi was fired from Tehran University (where she was teaching English literature) because she refused to wear a veil, she gathered a group of her female students and resumed her classes at home, privately and discreetly. There, a group of young women discussed, argued about and communed with Shakespeare, Jane Austen, Henry James, Nabokov and others in the canon of English writers. The surreal picture of reading "Lolita", weighing the sexuality of Jane Austen or the American authenticity of Gatsby in the severe aftermath of Iran's Islamic Revolution was not lost on either Nafisi or her students. The…
I taught teenagers and young adults for 40 years. During these years, I always thought about what I could use to make my classroom an exciting place for learning. I would hear a new song about loneliness that I wanted to share with my students. Or I would think of a prompt they would laugh about in notebook writing. Too often, we take the dedication teachers give to their students for granted. I hope you enjoy the books on this list as much as I have and make you remember again a special teacher in your life who gave his/her all, and if you’re a teacher, here’s to you!
I adored this book. I think every teacher should be given this book just to feel that although you might shut the door to the outside and be alone in the classroom with your students, you are not alone in what you face. This book convinced me that I needed to write my own teaching memoir.
McCourt (author of Angela’s Ashes) and his sense of humor and creativity at times get him into trouble but eventually endear him not only to the students but also to the school administration. I might not have agreed with everything he described, but I was overwhelmingly delighted with his approach and his great rapport with his students.
Nearly a decade ago Frank McCourt became an unlikely star when, at the age of sixty-six, he burst onto the literary scene with Angela's Ashes, the Pulitzer Prize -- winning memoir of his childhood in Limerick, Ireland. Then came 'Tis, his glorious account of his early years in New York.
Now, here at last, is McCourt's long-awaited book about how his thirty-year teaching career shaped his second act as a writer. Teacher Man is also an urgent tribute to teachers everywhere. In bold and spirited prose featuring his irreverent wit and heartbreaking honesty, McCourt records the trials, triumphs and surprises…
I’ve been a teacher for over 30 years and a traveler for longer. As a child, I lived in Germany and Japan. When I grew up, I continued to travel, teaching and living in Thailand, London, and China. I’ve written book chapters, poetry, travel pieces, and won a number of writing prizes: the 2023 New York Book Festival prize and a finalist for both the Peter Taylor Prize for Literature and the Gival Press Novel Award. A graduate of Middlebury College (BA) and University of Rochester (PhD), I now live in San Diego with my husband and two cats, teach adult literacy, and work as a volunteer at the San Diego Zoo.
Perhaps the most famous teacher abroad is Anna Leonowens, who was immortalized in the musical The King and I. A lowly Victorian woman single-handedly reshapes the history of Thailand. If you want to read that story you can read Margaret Landon’s Anna and the King of Siam.
Far more interesting is Anna’s true story: a con artist, who lies about everything that happened to her. Habegger’s biography Masked sorts through the lies and fiction. He offers a complicated narrative of a biracial woman who told exaggerated tales of enslavement, romance, and her imagined role in democratizing Thailand. Her life becomes one of fancy and self-invention. Both sadly are traps too often seen in myths crafted by self-absorbed travelers living abroad.
A brave British widow goes to Siam and-by dint of her principled and indomitable character-inspires that despotic nation to abolish slavery and absolute rule: this appealing legend first took shape after the Civil War when Anna Leonowens came to America from Bangkok and succeeded in becoming a celebrity author and lecturer. Three decades after her death, in the 1940s and 1950s, the story would be transformed into a powerful Western myth by Margaret Landon's best-selling book Anna and the King of Siam and Rodgers and Hammerstein's musical The King and I.
There are things expressed only in writing, never spoken aloud in our culture. We can find them in books, in the honesty and insights of those willing to take the time and make the effort to say what they feel and think. Another reason to read is for the sheer joy of a story well told, one that can open both the mind and the heart. I have published 7 novels and a collection of short stories, have just retired from teaching creative writing at the university level. My life has been spent among books. Simply, I am in awe of the ones recommended here.
This novel is the story of William Stoner, raised on a US midwestern farm, who becomes an English professor at the University of Missouri. It follows his life throughout, in simple prose, becoming both moving and profound. It was introduced to me by a knowledgeable NY city book dealer back in the 90s. I pick it up every few years for another reading experience. It’s become a bit of an obscure classic.
'It's the most marvellous discovery for everyone who loves literature' Ian McEwan, BBC Radio 4
Colum McCann once called Stoner one of the great forgotten novels of the past century, but it seems it is forgotten no longer - in 2013 translations of Stoner began appearing on bestseller lists across Europe. Forty-eight years after its first, quiet publication in the US, Stoner is finally finding the wide and devoted readership it deserves. Have you read it yet?
William Stoner enters the University of Missouri at nineteen to study agriculture. A seminar on English literature…
I’ve had a diverse work experience, having taught political science, and worked as a journalist and UN official. My interest in sectarianism in the Arab world grew from my work as a journalist covering Middle Eastern and Iraqi affairs and as a UN official in Iraq. Working in Iraq following the 2003 US-led invasion, I witnessed firsthand how the sectarian violence that gripped Iraq highlighted the failure of social integration in nurturing a national identity. Scholarly work on sectarianism in the region was focused on Lebanon. In addressing this scholarly gap, I combined my academic training in political science, extensive knowledge of Islamic history, and decades-long fieldwork and life experiences in the region.
Drawing on a vast array of primary archival sources and secondary writings, Ussama Makdisi provides an original analytical historical account of the origins of sectarianism in Lebanon. He traces the roots of the atavistic sectarian violence that gripped Ottoman Mount Lebanon in 1860. His narrative refutes widespread arguments making a case for the primordial nature of sectarian identities in Lebanon. Instead, he argues that sectarianism in Lebanon is a byproduct of modernity and modernization. Makdisi shows that sectarianism in Lebanon is a modern nineteenth-century phenomenon linked to the confluence of various historical developments, including the introduction of Ottoman reforms known as Tanzimat, diffusion of European ideas of nationalism, the Ottoman Empire’s integration into the world capitalist market, and colonial meddling in the internal affairs of the Sick Man of Europe.
Focusing on Ottoman Lebanon, Ussama Makdisi shows how sectarianism was a manifestation of modernity that transcended the physical boundaries of a particular country. His study challenges those who have viewed sectarian violence as an Islamic response to westernization or simply as a product of social and economic inequities among religious groups. The religious violence of the nineteenth century, which culminated in sectarian mobilizations and massacres in 1860, was a complex, multilayered, subaltern expression of modernization, he says, not a primordial reaction to it. Makdisi argues that sectarianism represented a deliberate mobilization of religious identities for political and social purposes. The…
