100 books like Nothing to Envy

I am a scholar of international human rights and comparative genocide studies. My father was a refugee from the Holocaust. So I was always interested in genocide, but I did not want to be another Holocaust scholar. Instead, I introduced one of the first university courses in Canada on comparative genocide studies. From a very young age, I was also very interested in social justice: I was seven when Emmett Till was murdered in the US. So when I became a professor, I decided to specialize in international human rights. I read a lot of “world literature” fiction that helps me to empathize with people in places I’ve never been.

I became fascinated by North Korea during a six-month fellowship in Tokyo in 2008. Japan was still dealing with the aftermath of the return of some of its abducted citizens in 2002. It turned out that North Korea had been abducting people—South Koreans, Japanese, and others—since the 1970s. I began interviewing some of the returnees and embarked on an eight-year journey that took me back to Japan and South Korea many times. Throughout my research and reporting, I became convinced that the truth of the abductions, much like the truth of the region, lay between Korea and Japan. I was drawn to books that tried to come to terms with the uncomfortable relationship between two cultures whose similarities are trumped by their mutual animosity.

I’ve worked as a tugboat hand in Singapore and Peace Corps Volunteer in Polynesia. I’ve served on the editorial staffs of five newspapers, from a small-town daily in New Mexico to The New York Times. I’m also the author of contemporary novels for young adults. Like the writers of these five great graphic novels, I choose themes that are important to me. Foremost are hope, healing, family, and friendship. These are themes I’d like my own children to embrace. Life can be hard, so as a writer I choose to send out that “ripple of hope” on the chance it may be heard or felt, and so make a difference.

I am a historian of international conflict who focuses on understanding the enemy. For most of my career, I have studied why we so often misread others, and how those misperceptions lead to war. The current crisis in Ukraine is just one more example of how the parties involved misunderstood each other. I believe that if we could improve this one ability, we would substantially lessen the likelihood, frequency, and severity of war.

I became interested in North Korea in 2002 when the George W. Bush administration declared the country to be part of an Axis of Evil, along with Iraq and Iran. Bush had lied about Iraq, to justify a war against that country, and I wondered what evidence, if any, his administration had that North Korea was either evil or part of an axis. The answer was none. Bush was able to propagate one North Korean myth after another because the public knew very little about the country. I wished to give people some background so they could make sense of what they were reading and hearing about North Korea in the news and social media.

I’ve always been fascinated by niche film world stories, and the kidnapping of Shin Sang-Ok and Choi Eun-Hee was my way in to North Korea, a country I was a layman about until I started researching A Kim Jong-Il Production. One thing I’ve found, through the writing of that book, traveling to North Korea, and the ensuing book tour, is that it’s a country it’s impossible not to be obsessed with once you’ve scratched the surface. The struggles and lives of ordinary people – in the face of such a repressive authoritarian regime – are unforgettable.

I’ve been a teacher for over 30 years and a traveler for longer. As a child, I lived in Germany and Japan. When I grew up, I continued to travel, teaching and living in Thailand, London, and China. I’ve written book chapters, poetry, travel pieces, and won a number of writing prizes: the 2023 New York Book Festival prize and a finalist for both the Peter Taylor Prize for Literature and the Gival Press Novel Award. A graduate of Middlebury College (BA) and University of Rochester (PhD), I now live in San Diego with my husband and two cats, teach adult literacy, and work as a volunteer at the San Diego Zoo.

I’ve always been fascinated by niche film world stories, and the kidnapping of Shin Sang-Ok and Choi Eun-Hee was my way in to North Korea, a country I was a layman about until I started researching A Kim Jong-Il Production. One thing I’ve found, through the writing of that book, traveling to North Korea, and the ensuing book tour, is that it’s a country it’s impossible not to be obsessed with once you’ve scratched the surface. The struggles and lives of ordinary people – in the face of such a repressive authoritarian regime – are unforgettable.

I’ve always been fascinated by niche film world stories, and the kidnapping of Shin Sang-Ok and Choi Eun-Hee was my way in to North Korea, a country I was a layman about until I started researching A Kim Jong-Il Production. One thing I’ve found, through the writing of that book, traveling to North Korea, and the ensuing book tour, is that it’s a country it’s impossible not to be obsessed with once you’ve scratched the surface. The struggles and lives of ordinary people – in the face of such a repressive authoritarian regime – are unforgettable.

I am a scholar of international human rights and comparative genocide studies. My father was a refugee from the Holocaust. So I was always interested in genocide, but I did not want to be another Holocaust scholar. Instead, I introduced one of the first university courses in Canada on comparative genocide studies. From a very young age, I was also very interested in social justice: I was seven when Emmett Till was murdered in the US. So when I became a professor, I decided to specialize in international human rights. I read a lot of “world literature” fiction that helps me to empathize with people in places I’ve never been.