100 books like Who's Hiding on the Savanna?

Kids love cats and Lois is a wide-eyed black and white cat who is looking for her yellow bird friend, Bob.

In this museum location, Lois looks behind such things as a painting and a vase that are at the museum. She finds other animals but not Bob. Until the end of course! The colors are bright and in large blocks which 0-3 year olds will gravitate to.

This is one in series of Lois Looks for Bob books. Other topics include beach, home, and park. 

This book helps young ones learn what daddy, mommy, and baby animals are called.

The guessing game part is after the text that asks what a baby is called. The child lifts the flap and finds out. At the end, kids find out what groups of the animals mentioned are called. Did you know that a group of hares is called a drove? Parents will learn things too!

The title Snow is a bit deceptive but the interiors deliver. 

This Panda is very certain about what he likes and doesn’t like.

You could say he’s very black and white about his opinions. And that’s why the mostly black-and-white paper cut illustrations work even more! Panda’s house is stark as well.

Then one day he begrudgingly accepts a red flower from an elephant which throws him off. But in the end he makes it work. I love the graphic look of the art. 

Yawns are contagious! So is this book.

Turn bedtime into a fun game by having your child yawn at every flap lift and see how sleepy they get. The animals are simple and bold with expression. Kids lift the flap of the animal’s mouth and get to see inside the mouth.

I can see parents using this book to point out how animals have different types of teeth. I like how the flaps reveal not just an answer, but that it prompts an action by the child to yawn along as well.

Katherine Roy’s beautifully illustrated picture book includes lots of fun information for elephant lovers. We follow an infant elephant as he learns how to survive on the plains, including his place in the family, how to walk and use his trunk, how to communicate with the herd, and how to stay cool in the scorching sun. A unique portrait of an elephant’s life.

Anansi the Spider is one of the classic African stories that inspired me to go into storytelling as a career. Reading this book, and watching its animated counterpart as a child, totally enthralled me. The combination of the bright, bold colours and graphical aesthetic, with the mystique of the folklore felt just like magic to me. The fable told here comes off as profound yet funny and quirky. This book is a must for anyone interested in fables and African folklore in particular.

Rich in interesting and juicy detail, this account of governance in Africa presents a chronicle, rather than an analysis, of what was, and still is, wrong with the continent. Kenyon tells the story of state and power differently, basing it on personalities and circumstances, rather than ages-long continuities. His personalities are the corrupt leaders of seven unhappy countries, who managed to amass enormous power and keep it for decades. With such personalities come passions, greed, and immeasurable cruelty to their compatriots, all presented in intimate detail, as the author saw it all – he was there. But the global context does not go away. None of his “heroes” could have turned into the monsters they became without the interaction with and support, even if indirect, of global actors who needed the resources which their countries possess, natural or human. 

This edited volume studies Black festive traditions in the Americas that are rooted in African interpretations of early-modern Iberian customs. It shows how, from the beginning of the transatlantic slave trade, enslaved and free Africans in the Americas used Catholic brotherhoods as spaces for cultural and religious expression, social organization, and mutual aid. By demonstrating that the syncretic development of certain Black performance traditions in the Americas is a phenomenon that already set in on African soil, it breaks with previous scholarship that (mis)interpreted these festive traditions in the Americas as new, Creole syncretisms. I am convinced that this pioneering book will strongly affect the way future generations of scholars will come to understand Black cultural and religious identity formation in the Americas.

When Anne Innis Dagg was a little girl, she longed to study giraffes in Africa. Many obstacles including gender discrimination stood in her way, so she hide her female identity to get a job and then traveled to Africa on her own. Anne fulfilled her dream and became the world's leading scientific expert on giraffes, inspiring the next generation of women scientists to pursue their dreams.

In these times of Black Lives Matter, emboldened white-supremicists, and with European dominance descendant, Born into Blackness is a revelatory and blunt dose of historical reality. I was not fully aware of the centrality of the slave economy in Europe’s rise to global dominance. Most importantly, I was ignorant of the level of cultural, political, and economic sophistication of the African nations when the Portuguese first explored the west coast of Africa. I had some understanding of the Haitian revolution and its manifestation of the enlightenment ideals, but this book opened my eyes to the historical ripples of the revolution: the Louisiana purchase, ceding much of present-day Southern US from Napoleon’s France; the sale and forced-march of thousands of slaves into the cotton-growing south, fueling an economic take-off that made the US an imperial power.