Fans pick 100 books like Whites

This short book is without doubt the best introduction to African travel (and in my opinion one of the greatest travel books ever written).

Ranging across the whole continent, Kapuscinski’s evocative writing, although not always sticking religiously to factual details, captures the essence—and the magic—of the place like nobody else can. The book, along with his other great works on Africa Another Day of Life and The Emperor, was a major influence on both why I wanted to get to know Africa and how I write about it. 

Many Peace Corps memoirs have been penned, but this account of the author’s experience living and working with a midwife in a remote village in Mali is my favorite because it captures in moving, page-turning prose the depth of the bond that develops between the author and her local counterpart, Monique.

I loved how the story immersed me in the local culture, gender relations, and medical reality as Monique fought, with determination and good humor, to save lives and provide hope to vulnerable women. It is also a story, as it is for many Peace Corps volunteers and was for me, of growing up and broadening horizons during a formative time.       

Nadia Owusu is the quintessential third culture kid, holder of a US passport, but born in Dar-es-Salaam to a Ghanaian father and an Armenian-American mother. Her UN-employed father moved his two daughters around through Kumasi (Ghana), Kampala (Uganda), Addis Ababa (Ethiopia), Rome (Italy), and the UK. Her mother left the family when Nadia was three years old and didn’t look back, save for a rare, short visit and some trinket gifts. Aftershocks is Ms. Owusu’s tribute to a loving father, but her upbringing was a shaky foundation that reverberated throughout her life, and provided the earthquake metaphor around which she structures her memoir. She weaves bits of political history and culture from the countries she lived in into her own story, comprised of the foreshocks, main shock, and aftershocks. It’s held together by beautiful prose descriptions, both of place and emotions.

This slow, haunting novel shows newly independent Botswana in the 1960s, when Sir Seretse Khama, Botswana’s first president, welcomed Europeans to help build the country. Alice is an American anthropologist working for the government; her marriage to another American, in the Ministry of Finance, dissolves, as he embraces the ex-pat lifestyle and she falls in love with the country. An equally important POV character is Isaac, a South African medical student who has to flee for safety to Botswana after witnessing a killing by the South African police. He finds work as Alice’s gardener and a relationship based on mutual respect ensues. When he falls afoul of the law, he disappears, his life once again in danger. Meanwhile, Alice suffers in a tragic love affair. Both he and Alice lose what they love most, but Alice has the grace to understand that his suffering is worse. Their stories play out… show more.

Michael Robinson took me on a wild, disturbing ride in this astonishing book. Starting with the African explorer Henry Morton Stanley’s strange claim that a “lost white tribe” resided in the deepest, darkest Africa, Robinson shows that Europeans were obsessed with the idea that their ancestors had spread to the distant corners of the earth.

Far from an obscure theory, it shaped Nazi racial doctrine and much more, including recent speculation about the origins of Kennewik Man. Robinson left me in awe of his ability to draw these unexpected connections and demonstrate their enduring influence.    

The History of White People tracks the creation of race as a fact, rather than an idea or social construct, and of Anglo-Saxon whiteness, for the free male, as a promise of power and supremacy.

Nell Irvin Painter, a Princeton professor of American history, emerita, begins with Greek historians and Roman conquerors BCE, who thought not of race but of place, the highlands and lowlands shaping appearance and temperament.

Along the way, Rome’s scrubbed-up copies of Greek statuary become the ideal for beauty, and skin colors and skull measurements become a way to rank superiority. Painter traces the United States’ enslavement of Africans, slaughter of Native Americans, eugenics, endorsement of male brutality (Ralph Waldo Emerson! Teddy Roosevelt!), and race-oriented immigration control: all play a role in whiteness.

I want to know how things really work; don’t you?

In this academic work, Hale explores what she terms as “spectacle lynchings” and the shift from private to public violence. Hale considers how newspapers, photographs, and radio broadcasts brought news of these brutal scenes to an audience of tens of thousands. Through her careful examination, Hale lays out how the media shaped a national narrative that is relevant for both understanding conversations about racial violence and for considering how mass media shapes our current perspectives.

Across the South, major statues of Confederate leaders are being removed from prominent pedestals, while schools, military bases, streets, and other memorials named for Confederates are being renamed. No effort is more astonishing than ending the hero worship of Robert E. Lee, the West Point graduate who chose to fight for his home state of Virginia in the Civil War, and led the South to defeat.

In this deeply researched and personal history of Lee and his own reckoning of Lee’s betrayal of the United States, West Point historian and retired Army general Ty Seidule reveals how he, a son of the South, came to revile Lee’s status as a southern God. As a PhD historian, Seidule dismantles many myths about Lee, and proves that Lee was, in fact, fighting to create a new nation based on slavery.

I love this book not only because of the hard truths it tells in relation to racial whiteness and racism but also because of how Rankine’s writerly voice reverberates through one’s mind long after finishing the book.

As someone who sometimes finds it hard to sit still to finish a book, I did not have that issue with Just Us partly because of how diverse and stimulating the content is. In addition to including poetry and prose within the text, there are many images to see and study as one internalizes the urgent points made by a witty, seasoned author whose overall tone demands that readers be part of and sit with this “American conversation” that asks us to think deeply about power, privilege, inequality, whiteness and more. 

Everyone has that one book that is the I-can’t-put-this-down book. Race After Technology was that book for me.

Ruha Benjamin writes in a way that is so down to earth, tackling heavy subjects like algorithms, systemic racism, and more in a way that is somehow accessible, scholarly, and whippingly smart all in one.