100 books like What It Is

In the mood for a graphic novel starring Bertrand Russell and a supporting cast of famous thinkers like Whitehead, Frege, Gödel, and Wittgenstein? Logicomix is for you!

Flip to Chapter Six, “Incompleteness,” for a peek of Vienna in the 1930s. The logic and philosophy illustrated throughout provide a great context for the work of Vienna’s famous philosophical circle led by Moritz Schlick, whose 1936 murder provides a chilling contrast to the intellectual pursuits of that time.

I bought this book when I first got into the field of data visualization. I wasn’t planning on learning how to create comics; I just wanted to see how someone from a different discipline—a comic artist—thought about position, color, meaning, and communicating a whole lot of things in a compact format.

The first three books on my list concentrate on building form and space, with little about function.

The ‘pattern language’ is different, mapping human activities onto appropriate built forms, and advocating repeated patterns that have been found to work.

Christopher Alexander wants us to use the patterns in designing responses to situations, but they also help to judge how well-built spaces fit their contexts in analysing architecture.

Although Alexander maps activities onto his own preferred design style, the patterns are not inherently specific to any style or period of architecture.

Despite being written 50 years ago, this one-of-a-kind book is still fresh and relevant.

We can’t resist adding a historical first, published in German in 1865 by Wilhelm Busch, the father of countless other comics that present the pranks of naughty boys. And it features in Two Heads because it inspired psychologists, including ourselves, to study the remarkable ability to mindread. In a single panel Busch reveals that the reader can infer that what is in the mind of the terrible duo is different from what’s in the mind of Widow Bolte, and different from what’s in the mind of her dog. It allows us readers to get the contradictions between these different views and makes us laugh. So although this book doesn't set out to explain anything, it ends up doing a marvelous job of explaining the psychology of intention, interaction and reputation management - in the tradition of great comic strips from Crazy Kat to Peanuts to Calvin & Hobbes.

One of those books that tells you about a topic most people never think about - in this case, your trash. Partly semi-autobiographical about the time Backderf spent as a a trash collector but interspersed with general info about America's love of waste and where it all ends up. Backderf's hyper-exaggerated figures render everything fun to read, with a cynical but accurate eye towards human behavior. It's also painstakingly detailed, and the depictions of the gigantic dumps at the edges of towns cannot be unseen. We all know that trash smells terrible - and boy does this book manage to convey how much worse the smell of a whole canyon full of trash can be.

If your goal is to create board games, you really should read this book. If your goal is to create video games, you should also be creating boardgames. You get so much more game design experience creating a board game, because you can iterate so much more. Creating board games is a secret shortcut to becoming an experienced game designer, and this is the best book I know on how to do it well.

A tremendous amount of what makes a great videogame happens at the millisecond level. In this realm that is invisible to most, tiny changes make for enormous differences in the way a game feels. If you would master the secret rules that make for a game that people can’t put down because it just feels so good to play, you are wise to read this book. 

This is an excellent textbook to get readers and comic makers of all experience levels to loosen up, think deeply and personally, and make better, more confident comics. It’s warm but practical, smart but approachable, deep but unpretentious. This is a comics veteran generously sharing both her knowledge of comics and teaching, as well as her own methods for drawing, brainstorming, and writing. It’s an incredible resource and one I often find myself quoting and recommending to my own students. 

When I read this graphic novel for the first time in 2010, it had just been published, and my mom was still my mom. I had been a care aide for ten years and I was thinking a lot about what families had already been through by the time their beloved came to me in Extended Care. Tangles tells the story of Sarah Leavitt's family from the beginning, when the family starts to notice something is wrong with Mom, to the diagnosis of Early Onset Alzheimer's disease, through the long journey until death. The pictures and text were a perfect combination that cracked open my heart and made me a better care aide.

Years later, I had a more personal use for Tangles. My mom didn't have Alzheimer's disease, but Leavitt's book resonated like a tuning fork in St. Paul's cathedral. "I decided to pretend she wasn't my mother… show more.

Boys are one way; girls are another; that’s the way it has always been. But when Aster finds himself ineluctably drawn to the magic that should only be the province of the women in his family, he begins to realize some rules are not only antiquated, they can do material harm to the soul. Ostertag deftly uses the supernatural as a simple and elegant metaphor for the thousand indignities we can heap upon the queer and gender nonconforming, with an art style that simultaneously insists upon and celebrates the multiplicity of bodies and expressions that are our lived experience and belie these closed and closeting norms. An ingenious allegory, smartly and briskly told with charm and generosity.