100 books like Game Feel

This one may surprise you, but I assure you that Understanding Comics is an absolute gem!

McCloud has crafted an intellectual yet accessible guide that is not just a study of comics but a masterclass in communication and the art of storytelling. This book provides a rich fusion of insightful theory and practical advice, all conveyed through the very medium it discusses, making it a uniquely immersive experience. 

McCloud’s engaging style and profound understanding of the mechanics of comics didn't just educate me;  they enchanted me. His deep dives into the psychology behind why we connect with comics pair perfectly with his diegetic examples of framing, composition, and visual motivation. It’s a journey through the mechanics of comics that turns into a deeper exploration of visual expression and human perception.

Art is, in essence, a storytelling medium, making this book as invaluable for artists and writers as it is for… show more.

The first three books on my list concentrate on building form and space, with little about function.

The ‘pattern language’ is different, mapping human activities onto appropriate built forms, and advocating repeated patterns that have been found to work.

Christopher Alexander wants us to use the patterns in designing responses to situations, but they also help to judge how well-built spaces fit their contexts in analysing architecture.

Although Alexander maps activities onto his own preferred design style, the patterns are not inherently specific to any style or period of architecture.

Despite being written 50 years ago, this one-of-a-kind book is still fresh and relevant.

All game designers struggle with what it means to be creative, and whether they are doing it properly. What It Is and its companion book, Picture This are very personal guides to what it means to be a creative person, and are full of inspirational stories and very practical tips to create your best work and not get in your own way. 

If your goal is to create board games, you really should read this book. If your goal is to create video games, you should also be creating boardgames. You get so much more game design experience creating a board game, because you can iterate so much more. Creating board games is a secret shortcut to becoming an experienced game designer, and this is the best book I know on how to do it well.

Lisp will always have a special place in my brain, not language can be as expressive and molded to what the programmer wants to do in my opinion.

Learning a programming language can be a bit dry, but not in the case of Land of Lisp, honestly I just found this book to be fun from beginning to end, and even so I was already familiar with Lisp before reading it I actually followed all the way through not skipping a page.

Yes Lisp is hardly in use these days, but if you know it you will find its concepts popping up all over the place and this is why knowing it is so useful.

Getting Gamers shows us that the science of video games is the science of human interaction. In fact, some game development studios staff teams of psychologists and researchers, and sometimes those teams use virtual spaces as testing environments for psychology theories.

How does physical appearance prime social interactions (ie, the Proteus Effect), for example? With the wealth of avatar customization options available to gamers, we can carefully articulate and test our assumptions of interactions in groups using MMOs (massive multiplayer online games).

Tell your non-gaming friends: video games remind us that we are human!

Where David Sudnow’s Breakout: Pilgrim in the Microworld focused on the flamboyant poetry of gaming, Michael W. Clune’s Gamelife opts for minimalism.

Clune himself describes the book as a memoir about computer games, which is true, and that description alone warrants inclusion in my list. Why? Any topic that can be a lens through which to reflect on one’s own life is noteworthy.

Clune isn’t a game developer recounting a life spent developing games. Clune isn’t a games industry executive doling out business advice. Clune is a gamer with a childhood he’s able to better understand when filtered through video games.

Tell your non-gaming friends: video games are therapy!

I found this book so smart in the way that it examines and questions how we have made many parts of our worlds into winner-take-all competitions or “games.” I thought Jagoda did a great job making me think about “gamified” realities that simulate real-world situations and how we virtually experiment through gameplay.

I was also drawn to the idea that games could “safely” let us play out real-world scenarios, imagining and testing out new ways of trying out alternative futures without the risks of playing those for real.

At the same time, I am reminded that however simulatively real the game feels, the consequences are not similarly real. Win or lose, we can always “end” the game, reboot, and start again–not necessarily so in real life. 

This book is about being brave. You know when a problem grows into a huge scary monster, right? It’s got you cornered and you don't think you'll ever get out alive, but with the right attitude, you can. Our hero Phoenix is braver than his years, but in some ways he’s more grown-up than his dad. In this retelling of the ancient Greek story of the minotaur, who crushes mortals and eats them for breakfast, we step into a monstrous virtual world created by Phoenix’s dad. I wanted to run, but most of all I wanted to stay and see what happened next. Will the minotaur eat Phoenix alive? I related to Phoenix trying to survive and trying to work out his issues with his dad, because every one of us has to face the same difficult world and be courageous about it.

While not science fiction in the classical sense, it is a story of a different kind of world where virtual reality and reality blur. The main character almost lives in a virtual reality gaming program, but when he is to do something in the real world, he finds he can’t really tell the two apart and that leads to grave consequences.