86 books like Weak Teeth

This is from the master of saga studies of the past half-century. His knowledge of Old Norse literature is unsurpassed. He takes you through how the miracle of the sagas came about. Moreover, he writes well. His prose is clear and elegant. I also wish to steer readers to a perfect gem of an article Andersson wrote that actually manages to say something quite new about the more than a century-old fight in saga studies as to whether the sagas owe their excellence to an oral culture or to a written one: “Sea Traffic in the Sagas: Quantitative Reflections” in The Creation of Medieval Northern Europe: Essays in Honor of Sverre Bagge, edited by Leidulf Melve and Sigbjørn Sønnesyn (Oslo: Dreyer, 2012), 156–75.

This is by all estimation the greatest of the sagas. I would even claim that its excellence allows it to be fairly mentioned in the same breath as the Iliad, Don Quixote, and the tragedies of Shakespeare. It is quite complex and I would suggest, if I am allowed to, my Why is Your Axe Bloody? (2014) as a guide. But the present Penguin translation is a travesty and should be avoided. The best English translation available is the older Penguin translated by Magnus Magnusson and Hermann Pálsson (1961) and still available from various used booksellers online. Their translation is as good as a translation can get. Hrafnkels saga is a perfect entry to the sagas because it is short and compact and prepares one for the complexity of Njáls saga. 

This book, from a fin de siècle Scotsman, is a classic of literature in its own right. It contains a perfectly brilliant reading of the sagas as well as other works of medieval literature. It has never been surpassed and is perhaps unsurpassable. Every sentence is an elegant gem, with one nonobvious insight after another. He just nails it. Ker reminds you that literary criticism need not be pretentious and badly written as it so often is. Treat yourself. 

As weird as Portugal is, and has been, it may become weirder yet as it absorbs masses of migrants from unexpected places. Unsheltered is fiction that I found accurately portrays the shock and terror of American life for hundreds of millions of families, driving many to migrate. The family portrayed in the book are solidly middle-class, educated professionals. They “did everything right” in the “richest country on the planet,” yet find themselves on a downward slide with no way back to security. Vineland, New Jersey in its present state, and in its 19th-century aspirational origin is the compelling setting. One great thing Kingsolver does is to give hope, creating “new normals” of happiness in frugality.

The Portuguese figured this out ages ago. It's called “soup.”

This novel elegantly captures the truth that the past was inhabited mostly by “ordinary” people, many of whom are anything but ordinary.

I feel that history should tell their stories, not just those of emperors, generals, and “great men.” Through the stories of a Greek village in Turkey around 1900, I learned vividly about the interconnected lives of Greeks, Turks, Armenians, Jews, and others in the late days of the Ottoman Empire and shattering effects of World War I.

The book narrates the atrocities of trench warfare and the human cost and trauma of war with compassion, humor, and a deep sensibility. The book enhanced the experience of my subsequent visits to Gallipoli and Izmir and furthered my understanding of historical events around the population exchange between Greece and Turkey.

Getting to know this book’s characters and their stories amplified my connection with the past.

I read all of Catherine Cookson’s novels at a much too-young age, having “borrowed” them from my mom’s bookshelf when she wasn’t looking. I was immediately hooked. So many of Cookson’s books, not just The Girl, pit the wealthy, landed class against their poorer servants, and this theme made a deep impression on me. In fact, I think that Cookson, along with Dickens, probably had the most influence on my personal writing style.  

The University of Michigan professor-emeritus William Ian Miller is, of course, essential reading on violence and revenge, particularly his Bloodtaking and Peacemaking: Feud, Law, and Society in Saga, Iceland.

But Miller has been so deservedly lauded elsewhere – and his books so widely recommended – that I'm using this space to suggest that readers also open his sources. Among the sagas, Njal's Saga is much more complex than this one, and probably more revealing of the Saga tradition. But I'm a fan of the shorter, more readable Hrafnkel's, not least because I have a weakness for spooky horses.

Hrafnkel is a bully who would not pay compensation, and the arc of his distinctly pre-modern biography is not what you might expect. In fact, it will make you realize exactly how much what we call "modern" is really a product of legal development, including our ideas about satisfying narratives.

Also, dark… show more.

This is a page-turner of a novel about a shooting at a women’s reproductive health services clinic in Mississippi, where the 15-year-old daughter of the hostage negotiator is caught inside the clinic. A variety of people are trapped inside the clinic for hours that day. The shooter, the daughter, the hostage negotiator, the abortion doctor, a pro-life protestor who was spying inside the clinic, and a woman who just had an abortion in the clinic–their characters and motivations are all very understandable to me, which makes the tension about this horrible situation that much more riveting. 

A both excruciating and hopeful look into the bonds between four men: JB, Jude, Malcolm, and Willem, this phenomenal book delves into the love, hate, trauma, and acceptance filtered through male friendships. From young adulthood into manhood, Yanagihara takes us through the huge moments and small intimate moments shaping these lifelong relationships ultimately defining these characters and guiding them throughout their lives.

The closest thing to a "novel" from medieval Scandinavia, The Saga of the Volsungs was written down in the 1200s in Iceland by an author who knew the poems about the Volsungs in the Poetic Edda, but also knew a vast wealth of additional poems about them that are otherwise lost to us. Rather than transmit the poems directly, this unknown author chose to attempt to put together a cohesive story of the sprawling generations of this family, beginning with the fathering of their first ancestor by the god Odin and continuing through all the events that lead Odin himself to engineer the death of its last generations. Here we have dwarves forging magic swords, dragon-slayers, Valkyries laboring under the weight of ill-considered oaths, and star-crossed lovers seeking bloody revenge. This volume also includes the medieval "fanfic" sequel, The Saga of Ragnar Lothbrók, written shortly after The Saga of the… show more.