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I first heard about Melungeons when a babysitter told me they would “git” me if I didn’t behave. She said they lived in caves outside our East Tennessee town and had six fingers on each hand. I consigned these creatures to myth and nightmares, until a cousin informed me that some of our shared ancestors were Melungeons and showed me scars from the removal of his extra thumbs. For the next ten years I visited sites related to Melungeons and interviewed many who claimed Melungeon ancestry, running DNA tests on some. This research yielded my memoir Kinfolks: Falling Off The Family Tree and my historical novel Washed In The Blood.
This pioneering 1963 classic is the first book I ever read that describes some of the 200 groups of “mestizos” (Berry’s term) living in the eastern United States, with names like the Brass Ankles, the Red Bones, the Melungeons, the Lumbees. It prodded me to start thinking about the whole issue of race and how it is constructed – and what happens to the “marginal” people (another Berry term) who don’t fit into the rigid categories of African, European, Asian, or Native American.
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I first heard about Melungeons when a babysitter told me they would “git” me if I didn’t behave. She said they lived in caves outside our East Tennessee town and had six fingers on each hand. I consigned these creatures to myth and nightmares, until a cousin informed me that some of our shared ancestors were Melungeons and showed me scars from the removal of his extra thumbs. For the next ten years I visited sites related to Melungeons and interviewed many who claimed Melungeon ancestry, running DNA tests on some. This research yielded my memoir Kinfolks: Falling Off The Family Tree and my historical novel Washed In The Blood.
In this 1994 cri de coeur Brent Kennedy discusses the Melungeon branches of his family tree. One branch is on my family tree, twice since my paternal grandparents were cousins. This book provided my first hint that my own family tree harbored some mysterious ancestors. It launched me on a ten-year quest to discover who the Melungeons were, where they came from, and whether or not my ancestors had been among them. The book also launched an Appalachian liberation movement of sorts, as many who had been taught to conceal their racially mixed ancestry rushed to claim it – and proclaim it.
I first heard about Melungeons when a babysitter told me they would “git” me if I didn’t behave. She said they lived in caves outside our East Tennessee town and had six fingers on each hand. I consigned these creatures to myth and nightmares, until a cousin informed me that some of our shared ancestors were Melungeons and showed me scars from the removal of his extra thumbs. For the next ten years I visited sites related to Melungeons and interviewed many who claimed Melungeon ancestry, running DNA tests on some. This research yielded my memoir Kinfolks: Falling Off The Family Tree and my historical novel Washed In The Blood.
Overbay grew up at the epicenter of Melungeon settlement in Hancock County, Tennessee. She attended the Vardy school, built for Melungeon children (who as descendants of “free people of color” weren’t allowed to attend public schools) by Presbyterian missionaries. This state-of-the-art school far surpassed in its facilities and offerings those of the local public schools, and it turned out several generations of accomplished young people. This book includes riveting oral histories about daily life in a Melungeon community and about the educational theories that inspired those who directed the school.
Windows on the Past: The Cultural History of Vardy features oral histories and images of Melungeon daily life such as church gatherings and family activities by focusing on the Vardy Community School, a Presbyterian mission school, and the Vardy Community Church. A vivid description of the community and its historical buildings is included as the interviewees discuss the classroom environment and teaching activities within the school. The impact of the school's staff and the spiritual and community leaders is also emphasized. Relative to these stories is the Vardy Community Historical Society, Inc., a group formed to restore Vardy landmarks and…
I first heard about Melungeons when a babysitter told me they would “git” me if I didn’t behave. She said they lived in caves outside our East Tennessee town and had six fingers on each hand. I consigned these creatures to myth and nightmares, until a cousin informed me that some of our shared ancestors were Melungeons and showed me scars from the removal of his extra thumbs. For the next ten years I visited sites related to Melungeons and interviewed many who claimed Melungeon ancestry, running DNA tests on some. This research yielded my memoir Kinfolks: Falling Off The Family Tree and my historical novel Washed In The Blood.
This book features a trio of true-life stories from the 18th, 19th, and early 20th centuries about families whose ancestors were enslaved but who, by a variety of stratagems, managed to cross the color line and become “white” in the eyes of others – and eventually in the eyes of their own descendants. These stories illustrated for me the actual permeability of racial categories, hinging largely on one’s physical appearance and possessions. In other words, the lighter your skin and the larger your bank account, the greater the possibility that others will allow you to be whoever you say you are.
"An astonishingly detailed rendering of the variety and complexity of racial experience in an evolving national culture." -The New York Times Book Review
In the Obama era, as Americans confront the enduring significance of race and heritage, this multigenerational account of family secrets promises to spark debate across the country. Daniel J. Sharfstein's sweeping history moves from eighteenth-century South Carolina to twentieth-century Washington, D.C., unraveling the stories of three families who represent the complexity of race in America. Identifying first as people of color and later as whites, the families provide a lens through which to examine how people thought…
As a lifelong Kentuckian with a lifelong fascination for history, true crime, biography, and the supernatural, once I started writing, I pursued these and related topics. The writer Charles Fort’s research methods interested me: he read old newspapers looking for forgotten stories. That seemed a good way to find little-known information. I am a lecturer in the English Department at Eastern Kentucky University and have spent two decades reading old newspapers issue by issue between classes and taking notes on possible stories. The books on my list also include much detail on entertaining obscurities, and I hope you enjoy them.
This is a lavishly illustrated collection of old and new oddities from around the state, including cryptids, ghosts, cave mummies, UFOs, roadside attractions, the Melungeons (what’s a Melungeon? Read it and see), and the famous Blue People.
I was attracted by the entertaining writing style, the inclusion of both documented fact and folklore, and biographies of historical characters.
That’s a question Mark Moran and Mark Sceurman have enjoyed asking for years—and their offbeat sense of curiosity led them to create the bestselling phenomenon, Weird N.J. Now the weirdness has spread throughout key locales in the U.S. Each fun and intriguing volume offers more than 250 illustrated pages of places where tourists usually don’t venture—it’s chock-full of oddball curiosities, ghostly places, local legends, crazy characters, cursed roads, and peculiar roadside attractions. What’s NOT shockingly odd here: that every previously published Weird book has become a bestseller in its…
I'm the multiple, award-winning author of 4 novels and one novella, raised in Memphis, Tennessee, and now living in Southern California. The geographical distance gives me a laser-sharp, appreciative perspective of the South, and I celebrate the literary greats from the region. The South is known as the last romantic place in America, and I believe this to be true. The South’s culture, history, and social mores are part and parcel to its fascinating characters, and nothing is more important in the South than the telling of a good story. As a writer, I'm in love with language. I love Southern turns of phrase and applaud those writers who capture Southern nuance. It is well worth writing about Southern sensibilities.
Ron Rash is a national, literary treasure. The author of multiple award-winning novels, this book is an assembly of 34 short stories, most set in Appalachia, and depicting the social nuances and landscape of the American rural South. I recommend this because it will provide a great introduction to the incomparable author known as The Appalachian Shakespeare. As a writer, Ron Rash epitomizes the idea of landscape as destiny, and his well-drawn characters come to life from his flawless use of regional language.
From the acclaimed, New York Times bestselling award-winning author of Serena and The Cove, thirty of his finest short stories, collected in one volume.
No one captures the complexities of Appalachia—a rugged, brutal landscape of exquisite beauty—as evocatively and indelibly as author and poet Ron Rash. Winner of the Frank O'Connor International Short Story Award, two O Henry prizes, and a finalist for the PEN/Faulkner Award, Rash brilliantly illuminates the tensions between the traditional and the modern, the old and new south, tenderness and violence, man and nature. Though the focus is regional, the themes of Rash’s work are universal,…
I have been a fan of the horror genre since I was a kid. Even though sometimes I was so scared, I had to sleep with the light on or not sleep at all. Something about the darkness and the unknown has always seemed so alluring. I can't even count the number of horror movies I've watched or books I've read. That feel of the hair standing up on your arms or the back of your neck is a thrill like no other.
Tales of a witch's curse in Appalachia draw a grieving father to sacrifice everything for his son. How far will a parent go to save their child and then how much farther will they have to go to save themselves? A Southern voodoo twist on Pet Cemetery that’s twice as frightening and just as engaging.
SOMETHING EVIL ROSE FROM WITHIN, AN ANCIENT BEING, ONE OLDER THAN TIME ITSELF...
Deep in the mountains of Appalachia, a legend is told about something evil that lurks within the dense woods of Gunrack Hollow. A witch is said to live there, one whose appetite for innocent souls dates back hundreds of years.
Sam Fletcher had heard the story his whole life, but he never really believed it. After all, as his father always said, it's just an old folktale...only a story.
But two years ago, something happened that made him believe. Something that ties back to an ancient evil…
As an American Southerner, I know things that can be the most nurturing ever, but there's always a cost—emotional, physical, or other. The landscape and nature are where I can always go when I feel heartbroken. And my heart is renewed. Always. Being in tandem with nature calls me. It might be time to look a little closer. If we don't, we might lose more habitat and humanity. This topic or theme haunts me every day. This won't be all I write about, and I hope to have at least another five decades to see more. How amazing to have a sense of history while looking to the future? That walkabout is such a blessing.
Dark—ironic with the title—tale of what it means to be authentic while coming to terms with Southern heritage. There is much to understand when you see that light—the American South in its glory and graphic tumble. Christian allegory and gothic narrative drive this book. The characters are iconic and honest—largely marginalized. Written in 1932, this novel set in that time, has several insights for present day and how to tell stories and learn from the South.
A landmark in American fiction, Light in August explores Faulkner's central theme: the nature of evil. Joe Christmas - a man doomed, deracinated and alone - wanders the Deep South in search of an identity, and a place in society. After killing his perverted God-fearing lover, it becomes inevitable that he is pursued by a lynch-hungry mob. Yet after the sacrifice, there is new life, a determined ray of light in Faulkner's complex and tragic world.
I was born and raised in the suburbs of eastern Pennsylvania, not far from the Appalachian Mountains, but a world away from the place the rest of the country calls “Appalachia.” Researching All This Marvelous Potential, my book about Robert Kennedy’s 1968 tour of eastern Kentucky, was a revelation. Appalachia is rich in Black history, and queer history, and labor history, and a national leader in education. I am a journalist and author. All This Marvelous Potential is my sixth book.
A welcome and necessary antidote to J.D. Vance’s drivel, Elizabeth Catte shatters stereotypes about Appalachia with a sledgehammer then crushes the pieces to dust under her feet. Contrary to much of what you hear and read about the place, Catte’s Appalachia is diverse, creative, entrepreneurial, energetic, and smart. The problem isn’t in Appalachia. The problem is outside it.
In 2016, headlines declared Appalachia ground zero for America's "forgotten tribe" of white working class voters. Journalists flocked to the region to extract sympathetic profiles of families devastated by poverty, abandoned by establishment politics, and eager to consume cheap campaign promises. What You Are Getting Wrong About Appalachia is a frank assessment of America's recent fascination with the people and problems of the region. The book analyzes trends in contemporary writing on Appalachia, presents a brief history of Appalachia with an eye toward unpacking Appalachian stereotypes, and provides examples of writing, art, and policy created by Appalachians as opposed to…
I don’t consider myself specifically a horror reader (or writer for that matter!) any more than I consider myself a fantasy, mystery, or science fiction reader. As a writer (under my real name John Mantooth as well as my pseudonym, Hank Early), much of my work has been classified as horror, though I take pride in my novels appealing to people who aren’t typically well-versed in the genre. So, it got me thinking… what are some novels that may or may not be classified as horror that will appeal to a wide range of readers? I call these books horror-adjacent, and no matter what you typically read, I think you’ll enjoy them.
Another one I read many years ago that still has its claws in me today. A sprawling epic made up of many Appalachian voices. There’s magic and grief and family secrets. It’s a Southern Gothic that will grip you from the first page and has influenced me as a writer in a myriad of ways. This might be an example of a novel that wasn’t classified as horror, but very well could have been. Will appeal to all kinds of readers.
A dark and riveting story of the legacies—of magic and madness, faith and secrets, passion and loss—that haunt one family across the generations.
Myra Lamb is a wild girl with mysterious, haint blue eyes who grows up on remote Bloodroot Mountain. Her grandmother, Byrdie, protects her fiercely and passes down “the touch” that bewitches people and animals alike. But when John Odom tries to tame Myra, it sparks a shocking disaster, ripping lives apart.
"A fascinating look at a rural world full of love and life, and dreams and disappointment." --The Boston Globe
