Here are 100 books that Walking It Off fans have personally recommended if you like
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Even though I’m from humid DC, I’ve been drawn to the desert since I first set foot there as a kid on a family road trip. Now, I’m lucky enough to live in Utah, home to some of the world’s most legendary desert landscapes. One reason I love the desert is the otherworldly scenery: uncanny arches, bizarre hoodoos, and sand dunes you could disappear into. Before your eyes, layers of geologic time unfold in epochs. The desert is a great place for contemplating the past and future—and for great adventures, with endless sandstone walls to climb, slick rock to bike, and sagebrush-lined trails to hike.
The late Edward Abbey might be a controversial figure, but you can’t write about desert literature without mentioning this iconic book.
In this book, Abbey captures his experience as a winter caretaker of Arches National Park (before it was a national park and before the road in was paved). In 18 chapters that read like short stories, he chronicles long days on horseback, jaw-dropping tales of flash floods, journeys up remote canyons, and more adventures that do an uncanny job of conveying the spirit of the desert and what it was like to explore it mid-century.
Abbey’s writing is blunt, colorful, and engaging, and this book is a romp of a read.
'My favourite book about the wilderness' Cheryl Strayed, author of Wild
In this shimmering masterpiece of American nature writing, Edward Abbey ventures alone into the canyonlands of Moab, Utah, to work as a seasonal ranger for the United States National Park Service.
Living out of a trailer, Abbey captures in rapt, poetic prose the landscape of the desert; a world of terracotta earth, empty skies, arching rock formations, cliffrose, juniper, pinyon pine and sand sage. His summers become spirit quests, taking him in search of wild horses and Ancient Puebloan petroglyphs, up mountains and across tribal lands, and down the…
I spent most of my life in the western United States. Born and raised in northern Idaho, a professorial position attracted me to Tucson, Arizona, the long-time home of Edward Abbey. Cactus Ed said it best: “The idea of wilderness needs no defense. It only needs more defenders. Remaining silent about the destruction of nature is an endorsement of that destruction.” Upon reading books by Abbey and others writing about the American West, I became a defender of the idea of wilderness.
The Journey Home is a fitting sequel to Desert Solitaire in which Abbey makes a compelling case for saving what remains of the western United States. A long-time “desert rat,” Abbey lives his message of anarchism with a profound sense of humor. My exposure to Abbey’s writings while I was in college contributed to my love of the American West, where I grew up, and also contributed to my desire to pursue anarchism.
The Journey Home ranges from the surreal cityscapes of Hoboken and Manhattan to the solitary splendor of the deserts and mountains of the Southwest. It is alive with ranchers, dam builders, kissing bugs, and mountain lions. In a voice edged with chagrin, Edward Abbey offers a portrait of the American West that we'll not soon forget, offering us the observations of a man who left the urban world behind to think about the natural world and the myths buried therein.
Abbey, our foremost "ecological philosopher," has a voice like no other. He can be wildly funny, ferociously acerbic, and unexpectedly…
As a transplant to California, albeit more than 50 years ago, I am still fascinated by what makes this place at the edge of the Pacific so unique. It has accepted so many people, from so many places over a fairly recent period. I always feel I can deduce more history from well rendered characters set in specific times and places. Their wholeness and their meaning, as well as that of their culture, are to be found in literature.
Susan Ward joins her husband, a mining engineer, at a mercury mine near San Jose, California, coming west from New York.
She is an illustrator and writer and, as her grandson tells it, never completely adjusts to life in the West. We get much description of California, however, in the layered times in which her story is told. She and her husband settle in Grass Valley, where her husband works for quartz and gold mines.
Wallace Stegner’s use of Mary Hallock Foote’s memoir and diaries as the basis for this story is still controversial. Foote lived from 1847 to 1938 and wrote beautifully, illuminating life during this time. The controversy makes the story even more intriguing.
The novel tells the story of Lyman Ward, a retired professor of history and author of books about the Western frontier, who returns to his ancestral home in the Sierra Nevada. Wheelchair-bound with a crippling bone disease, Ward embarks nonetheless on a search to rediscover his grandmother, no long dead, who made her own journey to Grass Valley nearly a hundred years earlier.
I spent most of my life in the western United States. Born and raised in northern Idaho, a professorial position attracted me to Tucson, Arizona, the long-time home of Edward Abbey. Cactus Ed said it best: “The idea of wilderness needs no defense. It only needs more defenders. Remaining silent about the destruction of nature is an endorsement of that destruction.” Upon reading books by Abbey and others writing about the American West, I became a defender of the idea of wilderness.
Guthie’s autobiography describes the wild, western United States from his perspective as a 64-year-old westerner. Born in 1901, Guthrie provides a compelling account of the rugged beauty of the West. Guthrie’s writing is lucid and compelling. I had read most of his books by the time I turned 30.
"It was a fine country to grow up in. To find riches, a boy had only to go outside," writes A. B. Guthrie, Jr., aobut his childhood in Montana early in the twentieth century. This autobiography was originally published in 1965 when he was sixty-four and still had miles to go. It recounts lively adventures and reflects on a career that brought fame for The Big Sky (1947) and led to the Pulitzer Prize for The Way West (1949).
In an afterword David Petersen, who edited Big Sky, Fair Land: The Environmental Essays of A. B. Guthrie, Jr. (1988), describes…
Long ago, in college in Colorado, I discovered Edward Abbey’s Desert Solitaire—the classic that grew from journals he kept while a ranger at Utah’s Arches National Park. I’d grown up in the West, visiting national parks and revering park rangers. Abbey gave me the model—live and write in these wild places. After graduating, I snagged jobs myself as a seasonal ranger/naturalist at Arches and Capitol Reef national parks. I was thrilled. Since then, I’ve spent decades exploring and photographing Western landscapes. After working on 25 books about natural history, Native peoples, and conservation, Capitol Reef still remains my “home park” and Utah Canyon Country my spiritual home.
Ellen Meloy just might be my favorite Utah writer. She’s smart and witty. She’s laugh-out-loud funny. She’s self-deprecatory and never preachy. She gets her natural history right. And her writing is gorgeous. She died far too young, at 58, in 2004, and I miss her. As she wanders outward across Bears Ears National Monument from her home in Bluff, Ellen’s musings apply equally to the slickrock spine of the Waterpocket Fold in Capitol Reef. So I was determined to include her in my own book. I chose an excerpt from The Anthropology of Turquoise—a terrific piece on sensual canyon country wildflowers, “slickrotica.” In her book, Ellen follows turquoise to the ends of the earth, but she always brings us back to her home territory in the canyons.
In this invigorating mix of natural history and adventure, artist-naturalist Ellen Meloy uses turquoise—the color and the gem—to probe deeper into our profound human attachment to landscape.
From the Sierra Nevada, the Mojave Desert, the Yucatan Peninsula, and the Bahamas to her home ground on the high plateaus and deep canyons of the Southwest, we journey with Meloy through vistas of both great beauty and great desecration. Her keen vision makes us look anew at ancestral mountains, turquoise seas, and even motel swimming pools. She introduces us to Navajo “velvet grandmothers” whose attire and aesthetics absorb the vivid palette of…
I’ve been fascinated by the Wild West since I was a little boy, playing Cowboy vs Indian with a plastic six-shooter and bow-and-arrow set. I grew up watching movies and reading books about the Wild West, and probably that sense of adventure and necessary courage required in such settings helped build the foundation that led me to join the Marines. It took guts to move out West. (Or desperation.) But either way, the settling of the Wild West is one of our core American stories. To me, the stories of the West are even more enthralling today than they were even fifty years ago.
A confederate soldier, Paul Cable, returns from the Civil War to find Union men have taken over his farm. Cable thinks his fighting is over, but he couldn’t be more wrong.
The book is tense and moves quickly. It’s also short, yet packs a punch far above its weight. Highly recommend.
A nail-biting, tough-talking classic western from the author of GET SHORTY and JACKIE BROWN.
In LAST STAND AT SABER RIVER, a Civil War veteran returns home to find a Yankee's private army living on his land, while another enemy waits to strike...
Paul Cable has fought - and lost - for the Confederacy but when he returns home he finds that his own war is far from over. The Union Army and two brothers - and a beautiful woman - have taken over Cable's spread and are refusing to give it back. But Cable is determined that no one is…
I was a science fiction guy as a young man but stumbled upon a historical fiction novel as a young Lieutenant serving in the Army in Germany. It was a book about Robert the Bruce and the first in a trilogy that traced the rise of Bruce to the throne of Scotland. The author brought that story to life in a way no straight history text could and I was hooked. Inspired, I took two weeks' leave from the Army and drove from Bavaria to Scotland to visit the battlefield of Bannockburn! Since then I’ve become an avid reader of both historical fiction and more scholarly works of history and have thrilled to the exploits of great characters, both real and fictional.
My favorite novel from one of my favorite historical fiction writers. Louis L’Amour is best known for his many western novels, but his earlier Sackett tales harken back to the days when Europeans were first settling the edge of the great North American continent. No one writes swashbuckling, daring-do adventure stories better than L’Amour, but what makes this book really stand out is his hero, Jubal Sackett. Jubal, the youngest son of the adventurer Barnabas Sackett, has his father’s wanderlust and yearns to see new lands that lie to the west of his home in the mountains of North Carolina.
He sets out alone, is befriended by Keotah, a Kickapoo warrior, and together they cross the Mississippi and venture out onto the great grass prairie the Natchez tribe calls “the far-seeing land.” Jubal’s a bit of a mystic, but it’s his competence, courage, and integrity that keeps him alive in…
In Jubal Sackett, the second generation of Louis L'Amour's great American family pursues a destiny in the wilderness of a sprawling new land.
Jubal Sackett's urge to explore drove him westward, and when a Natchez priest asks him to undertake a nearly impossible quest, Sackett ventures into the endless grassy plains the Indians call the Far Seeing Lands. He seeks a Natchez exploration party and its leader, Itchakomi. It is she who will rule her people when their aging chief dies, but first she must vanquish her rival, the arrogant warrior Kapata. Sackett's quest will bring him danger from an…
I’ve been writing about my explorations in the wilderness for over 20 years starting with the first edition of my Tahoe Rim Trail guidebook. I’ve always been fascinated by writers who embark on solo journeys into nature, or just traveling in general, and in so doing discover themselves and what they really want from their lives. While I’ve read my share (and written a few) stories about super feats of human endurance, I find the most satisfaction from reading about ordinary people experiencing life at a scale that makes sense to all of us.
Published 50 years after Desert Solitaire, seventh-generation Utah resident Amy Irvine talks about her respect for Abbey’s impact on her life and writing, while also not holding back on lambasting Abbey for his behavior and hypocrisy. Irvine told Orion magazine, “My goal was not to take Abbey down, but rather to make space for other voices and relationships to the natural world.” While Abbey might be the context for the book, Irvine goes on to deliver a fascinating exploration into her own take on the wonders of wilderness. She can be as hard on herself as she is on Abbey. This book is a great contemporary look at a key question for those of us who explore the wilds: How do we keep from loving it to death?
"A grief–stricken, heart–hopeful, soul song to the American Desert."
—PAM HOUSTON, author of Deep Creek
As Ed Abbey’s Desert Solitaire: A Season in the Wilderness turns fifty, its iconic author, who has inspired generations of rebel–rousing advocacy on behalf of the American West, is due for a tribute as well as a talking to. In Desert Cabal: A New Season in the Wilderness, Amy Irvine admires the man who influenced her life and work while challenging all that is dated—offensive, even—between the covers of Abbey's environmental classic. Irvine names and questions the "lone male" narrative—white and privileged as it is—that…
Growing up in Alberta, Canada, I spent many summer days at the Calgary Stampede, where I became familiar with the idea of the Wild West. We would don our cowboy hats and trek to the fairgrounds to watch bucking horses and chuckwagon races. Thus began my obsession with popular westerns. I wrote my Ph.D. dissertation on the subject, and I still teach courses and write books about various aspects of the popular West. As a bit of an outsider myself, I especially love Westerns by folks on the margins, without a lot of power. Their takes on the West are always quirky and surprising. I hope you agree!
I never thought of the Old West the same again after reading this book, which shows how the myth of the Old West was made by powerful men who created the West in their own image.
I used to think of Western vigilantism as part and parcel of the “Wild West,” necessary to keep the piece in the absence of “civilization.” Little did I know that the ones behind Western vigilante violence were powerful men using terrorist tactics to preserve their control over the land and its resources.
Bold’s meticulous research is as undeniable as it is thought-provoking and utterly absorbing.
The Frontier Club is Christine Bold's name for the network of eastern aristocrats who created the western as we now most commonly know it. At the turn of the twentieth century, they yoked this most popular formula to their own elite causes-from big-game hunting to conservation, immigration restriction to Jim Crow segregation-and aligned themselves with cattle kings and "quality" publishers. This book tells the story of that cultural sleight-of-hand. It delves into institutional archives and personal papers to excavate the hidden social, political, and financial interests in the making of the modern western. It re-reads frontier club fiction in relation…
I grew up around ranch and rodeo life, having always been fascinated by it, attended several rodeos each year. Watching Jonnie Jonckowski ride bulls and Martha Josey break records wining barrel races—they were an inspiration. When an opportunity arose for me to build a career around researching and writing about cowgirls, rodeo, and cattlewomen, it was a dream come true. Hope you enjoy the books about them that I’ve recommended.
Cowgirls evoke a variety of images: Wild West show shootist, rodeo athletes, working ranch women, and pin-ups. Many stories, dime novels, and a plethora of fiction about the cowgirl confuse her true history and are in many ways responsible for why we have so many interpretations of her. In The Cowgirls, Joyce Gibson Roach unravels the folklore to give us the history of the cowgirl, the good, and the “lady rustlers,” to explain her longevity as heroic cattlewomen who hold our attention and fascination even today. Roach’s narrative is as entertaining as it is informative and is a history any fan of the cowgirl should read.
An important chapter in the history and folklore of the West is how women on the cattle frontier took their place as equal partners with men. The cowboy may be our most authentic folk hero, but the cowgirl is right on his heels. This Spur Award winning book fills a void in the history of the cowgirl.
While Susan B. Anthony and her hoop-skirted friends were declaring that females too were created equal, Sally Skull was already riding and roping and marking cattle with her Circle S brand on the frontier of Texas. Wearing rawhide bloomers and riding astride, she…
