Here are 100 books that Walking It Off fans have personally recommended if you like
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Even though I’m from humid DC, I’ve been drawn to the desert since I first set foot there as a kid on a family road trip. Now, I’m lucky enough to live in Utah, home to some of the world’s most legendary desert landscapes. One reason I love the desert is the otherworldly scenery: uncanny arches, bizarre hoodoos, and sand dunes you could disappear into. Before your eyes, layers of geologic time unfold in epochs. The desert is a great place for contemplating the past and future—and for great adventures, with endless sandstone walls to climb, slick rock to bike, and sagebrush-lined trails to hike.
The late Edward Abbey might be a controversial figure, but you can’t write about desert literature without mentioning this iconic book.
In this book, Abbey captures his experience as a winter caretaker of Arches National Park (before it was a national park and before the road in was paved). In 18 chapters that read like short stories, he chronicles long days on horseback, jaw-dropping tales of flash floods, journeys up remote canyons, and more adventures that do an uncanny job of conveying the spirit of the desert and what it was like to explore it mid-century.
Abbey’s writing is blunt, colorful, and engaging, and this book is a romp of a read.
'My favourite book about the wilderness' Cheryl Strayed, author of Wild
In this shimmering masterpiece of American nature writing, Edward Abbey ventures alone into the canyonlands of Moab, Utah, to work as a seasonal ranger for the United States National Park Service.
Living out of a trailer, Abbey captures in rapt, poetic prose the landscape of the desert; a world of terracotta earth, empty skies, arching rock formations, cliffrose, juniper, pinyon pine and sand sage. His summers become spirit quests, taking him in search of wild horses and Ancient Puebloan petroglyphs, up mountains and across tribal lands, and down the…
I spent most of my life in the western United States. Born and raised in northern Idaho, a professorial position attracted me to Tucson, Arizona, the long-time home of Edward Abbey. Cactus Ed said it best: “The idea of wilderness needs no defense. It only needs more defenders. Remaining silent about the destruction of nature is an endorsement of that destruction.” Upon reading books by Abbey and others writing about the American West, I became a defender of the idea of wilderness.
The Journey Home is a fitting sequel to Desert Solitaire in which Abbey makes a compelling case for saving what remains of the western United States. A long-time “desert rat,” Abbey lives his message of anarchism with a profound sense of humor. My exposure to Abbey’s writings while I was in college contributed to my love of the American West, where I grew up, and also contributed to my desire to pursue anarchism.
The Journey Home ranges from the surreal cityscapes of Hoboken and Manhattan to the solitary splendor of the deserts and mountains of the Southwest. It is alive with ranchers, dam builders, kissing bugs, and mountain lions. In a voice edged with chagrin, Edward Abbey offers a portrait of the American West that we'll not soon forget, offering us the observations of a man who left the urban world behind to think about the natural world and the myths buried therein.
Abbey, our foremost "ecological philosopher," has a voice like no other. He can be wildly funny, ferociously acerbic, and unexpectedly…
I have been hiking up mountains all my life. From Long’s Peak in Colorado to Mt. Washington in New Hampshire to the Cairngorms in Scotland to the Laugavegur in Iceland, I have always drawn strength and inspiration from thin alpine air. As a midwesterner, when I can’t go to the mountains, I love finding new stories about them, particularly on the page. I wrote Above the Fire in 2020 during the pandemic, when I desperately wanted to leave home and climb something. But quarantine and family responsibilities meant I had to do the next best thing, by setting a novel in the mountains instead!
A life in the wild entails sacrifice in addition to romance.
Few readers would think of Wallace Stegner’s 1971 Pulitzer Prize winner as a book about the mountains. Its narrator is an elderly man confined to a wheelchair who spends his days researching a biography. Yet his fascinating subject is his frontier-era grandmother, Susan Burling Ward, who gave up a life among sophisticates on the East Coast to follow her husband, a geological engineer, into the mountains of the West. There she found beauty and adventure, but also isolation from the culture and society she had left behind. Are the mountains enough to sustain us without such things?
I read this book in the year after my father died; it was one of his favorites and tied together many of his own interests: genealogy, research, books, family, and the outdoors. Angle of Repose is a long novel and the characters…
The novel tells the story of Lyman Ward, a retired professor of history and author of books about the Western frontier, who returns to his ancestral home in the Sierra Nevada. Wheelchair-bound with a crippling bone disease, Ward embarks nonetheless on a search to rediscover his grandmother, no long dead, who made her own journey to Grass Valley nearly a hundred years earlier.
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
I spent most of my life in the western United States. Born and raised in northern Idaho, a professorial position attracted me to Tucson, Arizona, the long-time home of Edward Abbey. Cactus Ed said it best: “The idea of wilderness needs no defense. It only needs more defenders. Remaining silent about the destruction of nature is an endorsement of that destruction.” Upon reading books by Abbey and others writing about the American West, I became a defender of the idea of wilderness.
Guthie’s autobiography describes the wild, western United States from his perspective as a 64-year-old westerner. Born in 1901, Guthrie provides a compelling account of the rugged beauty of the West. Guthrie’s writing is lucid and compelling. I had read most of his books by the time I turned 30.
"It was a fine country to grow up in. To find riches, a boy had only to go outside," writes A. B. Guthrie, Jr., aobut his childhood in Montana early in the twentieth century. This autobiography was originally published in 1965 when he was sixty-four and still had miles to go. It recounts lively adventures and reflects on a career that brought fame for The Big Sky (1947) and led to the Pulitzer Prize for The Way West (1949).
In an afterword David Petersen, who edited Big Sky, Fair Land: The Environmental Essays of A. B. Guthrie, Jr. (1988), describes…
Long ago, in college in Colorado, I discovered Edward Abbey’s Desert Solitaire—the classic that grew from journals he kept while a ranger at Utah’s Arches National Park. I’d grown up in the West, visiting national parks and revering park rangers. Abbey gave me the model—live and write in these wild places. After graduating, I snagged jobs myself as a seasonal ranger/naturalist at Arches and Capitol Reef national parks. I was thrilled. Since then, I’ve spent decades exploring and photographing Western landscapes. After working on 25 books about natural history, Native peoples, and conservation, Capitol Reef still remains my “home park” and Utah Canyon Country my spiritual home.
Ellen Meloy just might be my favorite Utah writer. She’s smart and witty. She’s laugh-out-loud funny. She’s self-deprecatory and never preachy. She gets her natural history right. And her writing is gorgeous. She died far too young, at 58, in 2004, and I miss her. As she wanders outward across Bears Ears National Monument from her home in Bluff, Ellen’s musings apply equally to the slickrock spine of the Waterpocket Fold in Capitol Reef. So I was determined to include her in my own book. I chose an excerpt from The Anthropology of Turquoise—a terrific piece on sensual canyon country wildflowers, “slickrotica.” In her book, Ellen follows turquoise to the ends of the earth, but she always brings us back to her home territory in the canyons.
In this invigorating mix of natural history and adventure, artist-naturalist Ellen Meloy uses turquoise—the color and the gem—to probe deeper into our profound human attachment to landscape.
From the Sierra Nevada, the Mojave Desert, the Yucatan Peninsula, and the Bahamas to her home ground on the high plateaus and deep canyons of the Southwest, we journey with Meloy through vistas of both great beauty and great desecration. Her keen vision makes us look anew at ancestral mountains, turquoise seas, and even motel swimming pools. She introduces us to Navajo “velvet grandmothers” whose attire and aesthetics absorb the vivid palette of…
I’ve been fascinated by the Wild West since I was a little boy, playing Cowboy vs Indian with a plastic six-shooter and bow-and-arrow set. I grew up watching movies and reading books about the Wild West, and probably that sense of adventure and necessary courage required in such settings helped build the foundation that led me to join the Marines. It took guts to move out West. (Or desperation.) But either way, the settling of the Wild West is one of our core American stories. To me, the stories of the West are even more enthralling today than they were even fifty years ago.
A confederate soldier, Paul Cable, returns from the Civil War to find Union men have taken over his farm. Cable thinks his fighting is over, but he couldn’t be more wrong.
The book is tense and moves quickly. It’s also short, yet packs a punch far above its weight. Highly recommend.
A nail-biting, tough-talking classic western from the author of GET SHORTY and JACKIE BROWN.
In LAST STAND AT SABER RIVER, a Civil War veteran returns home to find a Yankee's private army living on his land, while another enemy waits to strike...
Paul Cable has fought - and lost - for the Confederacy but when he returns home he finds that his own war is far from over. The Union Army and two brothers - and a beautiful woman - have taken over Cable's spread and are refusing to give it back. But Cable is determined that no one is…
Born and raised in Ohio, the “First West,” I was trained by top historians of the American West at the University of Toledo where I received my doctorate in American History. I’ve worked as a university and research fellow, a writer in the business world, and a professor of history and department chair at Lourdes University. I left my teaching and administrative career to become a full-time writer. Along with Unlikely General, my recent books have included The Other Trail of Tears: The Removal of the Ohio Indians and Interrupted Odyssey: Ulysses S. Grant and the American Indians. Currently, I’m writing a dual biography of William Henry Harrison and Tecumseh.
In Westward Expansion, Ray Allen Billington takes up the story of the American West where Morison left off. This is a sweeping narrative with Billington acting as a travel guide across the successively moving frontiers beyond the Atlantic Coast. He leads us to the crest of the Appalachians, and then over Ohio and down to Tennessee toward the Mississippi. Next, we race to the Pacific and then come back over the Rockies before finally heading onto the Great Plains west of the Mississippi. Yet Westward Expansion is more than a travelogue. In its pages, we travel with everyone who ever lived on these many frontiers: farmers, workers, soldiers, Indians, immigrants, townspeople. The list goes on and on. It’s America’s story with every triumph and tragedy bound up in constant motion.
When it appeared in 1949, the first edition of Ray Allen Billington's 'Westward Expansion' set a new standard for scholarship in western American history, and the book's reputation among historians, scholars, and students grew through four subsequent editions. This abridgment and revision of Billington and Martin Ridge's fifth edition, with a new introduction and additional scholarship by Ridge, as well as an updated bibliography, focuses on the Trans-Mississippi frontier. Although the text sets out the remarkable story of the American frontier, which became, almost from the beginning, an archetypal narrative of the new American nation's successful expansion, the authors do…
I set out to write my novel, a magical realism western, despite knowing nothing about magical realism or Westerns. I had to quickly get myself versed in both, and I was somewhat surprised to discover that, even in the 21st century, the Westerns that are often held up as the best feature a lot of tired stereotypes about brave white men, lawless people of color (when they are mentioned at all), women without agency, and a wild land that requires taming. I believe that my novel upends some of these Western tropes, and I am happy to report that many other novels in recent years have done the same.
LaValle brings his trademark mastery of horror and suspense to the American West in this story about the dangers of the past and the perils of being a woman alone. In 1915, Adelaide flees California for Montana, tugging behind her a locked steamer trunk inside which lives a deadly secret.
Spooky, riveting, and uncomfortably timeless in its portrayal of how Black women are treated in the United States, this is a necessary addition to the canon.
Blue skies, empty land—and enough wide-open space to hide a horrifying secret. A woman with a past, a mysterious trunk, a town on the edge of nowhere, and an “absorbing, powerful” (BuzzFeed) new vision of the American West, from the award-winning author of The Changeling.
“Propulsive . . . LaValle combines chills with deep insights into our country’s divides.”—Los Angeles Times
ONE OF THE MOST ANTICIPATED BOOKS OF 2023: The New York Times, Time, Oprah Daily, Los Angeles Times, Esquire, Essence, Salon, Vulture, Reader’s Digest, The Root, LitHub, Paste, PopSugar, Chicago Review of Books, BookPage, Book Riot, Tordotcom, Crime Reads,…
As a journalist, the Little Bighorn fascinates me because it has all the elements of a great story: larger-than-life characters, conflict, fighting against the odds, and mystery. I turned that fascination into research when I left newspapering to pursue a Ph.D. at the University of Texas. I wrote a number of articles about press coverage of Custer and the Last Stand, and this research eventually led to two books, most recently a biography of Custer focusing on his artistic personality, especially his writing career. I’ve continued to explore the history of war reporting, always looking for topics that make good stories.
James Donovan combined impeccable research with an engaging style to produce the best book about the Battle of the Little Bighorn. The battle is the subject of more books than just about any other fight in American history, but Donovan’s has set a new standard. I referred to the book regularly while writing my biography of Custer. You can’t really begin to understand a complex battle like the Little Bighorn without a seasoned guide. But Donovan doesn’t just explain the battle. He writes in a way that gives his book the feel of a novel rather than a dry recitation of facts. A Terrible Glorywill take you on an exciting ride and teach you everything you need to know about Custer’s Last Stand.
In June of 1876, on a hill above a river called the Little Bighorn, George Armstrong Custer and all 210 men under his direct command were annihilated by 2,000 Sioux and Cheyenne. The news of this stunning defeat caused an uproar, and those involved promptly began to point fingers in order to avoid responsibility. Custer, who was conveniently dead, took the brunt of the blame. The truth, however was far more complex. A TERRIBLE GLORY is the first book to tell the entire story of this fascinating battle, and the first to call upon new findings of the last 25…
Fiercely opinionated and unapologetically peculiar, Marie Kuipers credits her New Jersey upbringing for her no-f*cks-given philosophy. As for why she spent most of her adult life underemployed, she points at her mom—who believes she knows better than God Himself—for that.
We’re All Mad Here dares to peer behind the curtain…
I’m a novelist and admire writing that pushes against the conventions of mainstream fiction, that goes around and beyond the formulaic, commercial concept of plot. In the Western world, we’re especially stuck on what film director Raul Ruiz calls “conflict theory”—the masculinist idea that only conflict can create narrative. Of course conflict is part of life, but hello—there’s more. Conventional plot’s well-worn heroes, helpers, villians, saviours, and conflict-based climax, so closely tied to Hollywood USA, are predictable and unfulfilling. Many people seek something more innovative, like the literary versions of Philip Glass or Fernando Botero.
A mysterious, melancholy narrative translated from French is rendered in stripped-down sentences, following a novelist, Mia, after a death in the family. The subsequent plot of subterfuge and corporate crime is so full and busy with knotty, overly complex occurrences that it begins to seem a deliberate distortion and exaggeration of the convention of plot itself. Through the character of Mia, the gifted Redonnet reports tragic and powerful occurrences in flat, clear prose that packs emotion just under the surface of the affectless sentences. The word “Candy” recurs hauntingly through the novel: as a song title, as the name of a character in a show, and as the name that Mia’s lovers call her. This slight novel leaves searing traces of emotional impact long after you read it.
Candy Story recounts a turbulent year in the life of Mia, a young woman whose apparent calm is perpetually threatened by inner doubts and outer catastrophe. Her modest dreams of happiness are dashed by the deaths of her mother, old friends, and her lover. Mia is a talented writer, the author of an autobiographical novel. Now, assailed by calamity and misfortune, she struggles with writer's block, confounded-at least for the moment-by the senseless world around her. Candy Story is the fourth novel by Marie Redonnet. Translations of the first three-Hotel Splendid, Forever Valley, and Rose Mellie Rose-are also available from…
