Here are 100 books that Trip Through Your Wires fans have personally recommended if you like
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I’m not sure where my love of thrillers in dark settings originated. I’ve always loved mysteries – starting out with Nancy Drew as a kid and then graduating to more mature material as I got older – and a setting that feels like a character in itself is fascinating to me. My love of the dark, moody element has developed as I’ve gotten older – I spent my twenties reading a lot of chick lit and upbeat fiction, but something has shifted in the last decade or so that caused me to embrace the darkness a bit more.
If We Were Villains centers around seven students enrolled in the elite Shakespeare program at Dellecher Classical Conservatory.
The fictional college is housed on the grounds of an old country estate in rural Illinois, and the novel unfolds in the autumn and winter. The way Rio weaves Shakespearean passages into the book to reflect what the students are experiencing at the time is flawless. But this book isn’t just for Shakespeare fans (though it helps a little if you don’t hate it); it provides enough twists and turns to make even the most sophisticated thriller reader’s head spin.
Oliver Marks has just served ten years for the murder of one of his closest friends - a murder he may or may not have committed. On the day he's released, he's greeted by the detective who put him in prison. Detective Colborne is retiring, but before he does, he wants to know what really happened ten years ago. As a young actor studying Shakespeare at an elite arts conservatory, Oliver noticed that his talented classmates seem to play the same roles onstage and off - villain, hero, tyrant, temptress - though Oliver felt doomed to always be a secondary…
I am a writer whose passion for Dark Academia developed in the academic world, teaching and studying at universities, as well as working in libraries and archives across the U.S. and Europe. I hold a master’s degree and Ph.D. in History from the University of St Andrews, Scotland, and an MFA in Creative Writing from New York University. The hallowed halls of historic universities provide an ideal backdrop to explore ruthless competition and the relentless drive for intellectual supremacy, which is integral to the Academy. It’s a happy coincidence to me that Dark Academia books have become so popular recently. Fun fact: The Bequest was written before I had ever heard the term!
I love a Dark Academia book that knows the world of academia intimately, and this thriller, which focuses on controversial Greek life at the University of Georgia, gets everything right.
Competition between students, peer pressure, department intrigues, and more come alive in this brilliant debut. This comes as no surprise, as Nossett, in addition to being an amazing writer, is herself a professor, and holds a PhD in German literature.
In addition to being a total page-turner, this enthralling novel highlights contemporary issues faced on college campuses, with an emphasis on ethical debates surrounding fraternities and sororities. Nossett’s characterization is excellent, and her determined, whip-smart, and yet imperfect protagonist, Detective Marlitt Kaplan, is one I rooted for, and you will, too.
Lauren Nossett’s artfully written debut, The Resemblance is an exhilarating, atmospheric campus thriller reminiscent of If We Were Villains and The Likeness.
Never betray the brotherhood
On a chilly November morning at the University of Georgia, a fraternity brother steps off a busy crosswalk and is struck dead by an oncoming car. More than a dozen witnesses all agree on two things: the driver looked identical to the victim, and he was smiling.
Detective Marlitt Kaplan is first on the scene. An Athens native and the daughter of a UGA professor, she knows all its shameful histories, from the skull…
Growing up in a snowy, rural mountain town of less than 500 people, I became fascinated with humanity's will to survive the elements at an early age because I often had to do so myself. Add in a mysterious force or an escaped killer wandering through the hills outside a secluded cabin, and you've got my favorite thriller subgenre: Trapped and secluded. It wasn't until my third novel, The Excursion, that I realized my longtime dream of writing a survival thriller influenced by dozens of books and movies. Today, I live in a suburb of Denver, Colorado, but the mountains are close. And so are the secluded cabins.
Riley Sager is one of my favorite authors, and this book is my favorite of all his books.
The secluded location? A speeding car. The main character, Charlie, needs to get home from college and shares a ride with a new acquaintance who may or may not be a serial killer. I loved the tension woven into each chapter, the slow unraveling of Charlie’s past, her suspicious fascination with classic movies, and the relentless, unexpected twists compounding in the end.
This is one of those books that has stuck in my mind and will probably be there forever.
One of New York Times Book Review's "summer reads guaranteed to make your heart thump and your skin crawl"; An Amazon Best of the Month Pick; Named a must-read summer book by The Washington Post, USA Today, Vulture, BuzzFeed, Forbes, Entertainment Weekly, CNN, New York Post, Good Housekeeping, E!, PopSugar, CrimeReads, Thrillist, and BookRiot.
It’s November 1991. Nirvana's in the tape deck, George H. W. Bush is in the White House, and movie-obsessed college student Charlie Jordan is in a car with a man who might be a serial killer.
Michael Stanley is actually two people—Michael Sears and Stanley Trollip both South Africans, passionate about Africa and its cultures. We read a lot of books set in or concerning Africa. We think of African thrillers as Sunshine Noir—things are always at their most deadly in the glare of the sun! The diverse cultures generate complex character clashes and intriguingly original plots. We believe some of the best thrillers anywhere are set in Africa and written by African writers. Michael writes an article every month titled Africa Scene for the International Thrillers Writers magazine (The Big Thrill) where he interviews an author about a new thriller set in Africa.
Loosely based on a true story, Lightseekersexplores the dynamics of mob violence and how it can be manipulated. What persuaded a gang of boys at a rural university to behave as they did? Why was the response so out of proportion? How was the local politics involved and why? In this thriller we know what happened, the mystery is why and how it happened the way it did. A superb debut.
Waterstones Thriller of the Month
'Lightseekers is ripe with all the twists and turns you could hope for... A fast-paced thriller that offers insight into the ever present tensions in a poverty stricken community. An action-packed and spirited debut' Oyinkan Braithwaite, author of My Sister, the Serial Killer
Selected as a Best Crime Novel of the Month by The Times, Sunday Times, Independent, Guardian, Observer, Financial Times and Irish Times.
Winner of the 2019 UEA Crime Writing Prize, Lightseekers is the start of a major new crime series introducing investigative psychologist Dr Philip Taiwo.
When three young students are brutally…
I have always believed in the extraordinary capacity of ordinary people to illuminate the contours of any particular place at any particular time. While the time periods have varied, for me the particular place has always been Mexico. Mexico is my aleph – the daybreak and nightfall of my own personal intellectual and emotional development, consisting of seemingly interminable fits of research and writing and huevoneando, each in equal measures and of equal import. Mexico and its history have become my life’s work. I am a professor at Hobart and William Smith Colleges in New York, and these are my favorite “little” stories to use in teaching, representing five distinct periods in Mexico’s history.
On May 20, 2004, a relatively “ordinary” teenager and two of his friends murdered his mother, his father, and his little sister. Unraveling the triple murder, investigative journalist Sandra Rodríguez Nieto paints a brilliant portrait of Ciudad Juárez in 2004 – a city just about to become the world’s murder capital. However, even before it became the central battleground for Mexico’s competing organized crime groups, Juárez fostered a milieu of violence, rooted in impunity. In beautiful prose, Rodríguez Nieto argues that Vicente and his friends were practically driven to murder by an overwhelming sense of impunity, which “taught us that any and every savage crime was fair game.” This book is not so much about the so-called “drug war” as it is about the social world it has come to inhabit.
In Ciudad Juarez, just across the Rio Grande from El Paso, Texas, sixteen-year-old Vicente and two of his high school friends murdered his mother, his father, and his little sister in cold blood. Through a Truman Capote-like reconstruction of this seemingly incomprehensible triple murder, Sandra Rodriguez Nieto paints a haunting and unforgettable portrait of one of the most violent cities on Earth. This in-depth and harrowing investigation into the thought processes of three boys leads the reader on an exploration of the city of Juarez, as well as the drug cartels that have waged war on its streets, in a…
I have written nine crime novels, mostly psychological thrillers, but some blend procedural and PI elements and two are gangland stories. I went to the BRIT school in the 90’s and studied Drama and English Literature at University. I always think that my Performing Arts background gave me a great tool kit for ‘getting into character’ which is useful for writing. I also have an MA in journalism but I definitely prefer fiction to fact. I love the immediacy of first person prose and I am a sucker for an unreliable narrator.
Based on the case of child killer Mary Bell this book is an unexpected page-turner and is written with so much heart. It’s dark, compulsive, and the prose sparkles.
This is another dual timeline book we follow Chrissie as a child living a hard life and eventually committing murder. We meet her again as an adult with a new identity and a daughter of her own. Nancy Tucker is a psychologist I believe and it certainly comes across.
The entire cast in this book is written with such tenderness and insight. A really difficult book dealing with a tough topic but also a story of redemption and understanding.
'So that was all it took,' I thought. 'That was all it took for me to feel like I had all the power in the world. One morning, one moment, one yellow-haired boy. It wasn't so much after all.'
Chrissie knows how to steal sweets from the shop without getting caught, the best hiding place for hide-and-seek, the perfect wall for handstands.
Now she has a new secret. It gives her a fizzing, sherbet feeling in her belly. She doesn't get to feel power like this at home, where food is scarce and attention scarcer.
I am a lifelong Southerner and former journalist who believes that the region holds a unique place in American literature. I have a passion for the ultra-twisty ending because I try to incorporate it into each of my own mysteries. I want a reader to stay up late reading one of my books, then finish it in astonishment, thinking, “Wow! I didn’t see that coming!” (And then mention it to her friend over coffee the next morning.) I have read mysteries since I was 12 years old and always appreciate an author who can fool me.
I don’t know if I’d feel as surprised if I read this book today for the first time. But when I encountered it decades ago, I was gobsmacked when the murderer was revealed. This is an unusual Agatha Christie mystery, set in ancient Egypt and inspired by her husband’s archeological digs. In my view, Christie can’t be topped. She’s also the one who introduced me to the unreliable narrator with her fabulous Murder of Roger Ackroyd.
A novel of anger, jealousy, betrayal and murder in 2000 BC
It is Egypt, 2000 BC, where death gives meaning to life. At the foot of a cliff lies the broken, twisted body of Nofret, concubine to a Ka-priest. Young, beautiful and venomous, most agree that she deserved to die like a snake. Yet Renisenb, the priest's daughter, believes that the woman's death was not fate, but murder. Increasingly, she becomes convinced that the source of evil lurks within her own father's household.
As the wife of an eminent archaeologist, Agatha Christie took part in several expeditions to the Middle…
I’ve been deeply struck by the rise in violence occurring in Mexico because I have seen it evolve before my eyes while living in and out of the Mexican countryside, places where the wealth and power of drug cartels and their collusion with the state and its institutions, can be seen first-hand. I have come to realize that literature has been the most accurate means of capturing this phenomenon, which has become the zeitgeist of the country, an issue that has bicultural and cross-border connotations because the main consumer is the United States of America, while the ravages of violence are felt in Mexico daily
I’m keenly drawn to this novel because it navigates the specter between myth and violence, the grandeur of folkloric myth, and the raw side of violence, which are so descriptive of the Mexican past and present. Melchor blurs the lines between a world of quasi-fantastical superstition and hyper-realism, delving at times into the territory of mystery and crime fiction, all of it contained by the paradigm of the Mexican drug war, accurately rendering the reach and expanse of drug consumption and distribution as much as the ravages they bring about.
Centered around the figure of a murdered witch and alleged healer in the depths of the state of Veracruz, this narrative unmasks the mythical traditions of a locality to uncover the violence that lies at the depths of Mexican communities affected by the war on drugs. Melchor masterfully demystifies and rids exoticism from the Mexican imaginary to denounce the marginalization…
The Witch is dead. And the discovery of her corpse-by a group of children playing near the irrigation canals-propels the whole village into an investigation of how and why this murder occurred. Rumors and suspicions spread. As the novel unfolds in a dazzling linguistic torrent, with each unreliable narrator lingering on new details, new acts of depravity or brutality, Melchor extracts some tiny shred of humanity from these characters that most would write off as utterly irredeemable, forming a lasting portrait of a damned Mexican village.
Like Roberto Bolano's 2666 or Faulkner's greatest novels, Hurricane Season takes place in a…
I’m a Pushcart-nominated writer of (mostly) young adult and adult horror and suspense. I primarily write about the fear of isolated and sparsely populated places, which makes sense: I grew up in the rural hinterlands of northeast Pennsylvania, steeped in dark cornfields, eerie quiet, and weird characters. I now live in the Philadelphia area with my husband and rescue dog in a creaky, century-old house, giving myself agita about the creepy crawlspace in the basement. I’m the author of two novels: A Misfortune of Lake Monsters (YA horror, July 2024) and The Trajectory of Dreams (adult psychological suspense, 2013).
Look, I know Hogarth is better known for her more recent novel Motherthing, but I will always have a soft spot for this book. Decades ago, there were some grisly cannibalistic murders at the Boy Meets Girl Inn, resulting in a reputed haunting. Noelle and Alf, high school friends with summer night shift gigs at the Inn, are organizing a soiree to celebrate the anniversary of the killings.
It's told mostly in Noelle’s journal entries that have been annotated and footnoted by detectives, experts, and a movie director, which made it irresistible to me since it’s done so well; the novel spotlights the ultimate unreliable narrator and includes some absolutely disgusting (in the best possible way) body horror scenes. I’ve read and re-read this book, and each time, I’m so creeped out.
Take this book with you on a summer vacation that involves a hotel stay, and read it…
Gripping, grisly, and keeps you guessing until the shocking end
Noelle Dixon takes a summer nightshift job at the infamous Boy Meets Girl Inn, even though she’s well aware of the horrifying murders that happened there decades ago. That’s why she has a diary―to write down everything she experiences in case things go bump in the night. But the inexplicable freezing drafts, the migrating rotten-flesh smell, and the misplaced personal items don’t really scare her. Noelle has bigger problems: her father’s failing health, her friend Alfred’s inappropriate crush, and the sore spot on the back of her head that keeps…
I have always believed in the power of journalism to tell stories of people: the powerful as well as the ordinary and disenfranchised. In the hands of the right writer, such stories can have as much dramatic sweep and be as engrossing as any work of fiction. I have read literary nonfiction since before I became a journalist, and as a foreign correspondent, while breaking news is a key part of my job, longform narrative writing is where I really find gratification, as a writer and a reader. It’s a vast genre, so I focused this list mostly on stellar examples of foreign reporting. I hope you enjoy it.
This is a master class in investigative journalism and in nonfiction storytelling. Radden Keefe is one of my journalistic role models, and this book about the troubles in Northern Ireland is gripping from page one as it investigates the 1972 murder and abduction of Jean McConville in a way that probably only a foreigner could do, given the sensitivity of the topic. It is a vital historical document, a gripping thriller, and an empathetic social observation all in one.
NEW YORK TIMES BESTSELLER •From the author of Empire of Pain—a stunning, intricate narrative about a notorious killing in Northern Ireland and its devastating repercussions
"Masked intruders dragged Jean McConville, a 38-year-old widow and mother of 10, from her Belfast home in 1972. In this meticulously reported book—as finely paced as a novel—Keefe uses McConville's murder as a prism to tell the history of the Troubles in Northern Ireland. Interviewing people on both sides of the conflict, he transforms the tragic damage and waste of the era into a searing, utterly gripping saga." —New York Times Book Review
