Here are 32 books that The Witcher fans have personally recommended if you like
The Witcher.
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Born and raised in Greece, I have always been fascinated by the history and mythology of my homeland. My love for reading historical fiction and Greek myths has been drawing me into stories of ancient civilizations and their timeless tales. Visiting archaeological sites and museums, where history comes to life through the remnants of the past has been a lifelong passion and Is a source of inspiration. These experiences have shaped my love for storytelling and my desire to breathe new life into Greek myths and history. In my writing, I aim to bridge the gap between the ancient and the modern.
I loved this book for the way Madeline Miller creatively retells Greek myths with a female protagonist. As Circe grows up, she discovers her power of magic, which can transform enemies into monsters and even challenge the gods.
Bold and inspiring, Miller vividly strings together figures like Prometheus, Medea, Calypso, Odysseus, and the Minotaur in a feminist reimagining of Circe's life. I find it to be a thoughtful and well-crafted biography of a complex and engaging mythological character with both divine and human strengths and flaws. I have read it several times, and the story has maintained its appeal.
In the house of Helios, god of the sun and mightiest of the Titans, a daughter is born. Circe is a strange child - not powerful and terrible, like her father, nor gorgeous and mercenary like her mother. Scorned and rejected, Circe grows up in the shadows, at home in neither the world of gods or mortals. But Circe has a dark power of her own: witchcraft. When her gift threatens…
I never outgrew the curiosity of wanting to know more about the things we fear. Plenty of monsters are just neat! But the more you learn about them, whether they’re animals like bears and sharks or figures of myth like werewolves and dragons, the more interesting they become. I wanted to take audiences deep inside a skin unlike their own so they could understand how it feels to be cast out and how much a monster might look down on us. Because the more you look at monsters, the more you recognize us in them.
One of the classic novels about monsters having internal lives. Grendel doesn’t even survive the first half of the Beowulf poem.
But what was his life like? This creature who went into rages over music and merriment? This outsider who clearly had no one to commune with? Where there could just be pathos, Gardner injects surprising dorkiness and humor that further round out Grendel’s existence. And there’s a huge bonus in the poem’s dragon also showing up as an utter weirdo neighbor.
This classic and much lauded retelling of Beowulf follows the monster Grendel as he learns about humans and fights the war at the center of the Anglo Saxon classic epic.
"An extraordinary achievement."—New York Times
The first and most terrifying monster in English literature, from the great early epic Beowulf, tells his own side of the story in this frequently banned book. This is the novel William Gass called "one of the finest of our contemporary fictions."
My mother’s death from an E. coli outbreak over a decade ago was my wake-up call to an awareness of my own mortality and was the emotional foundation of both my first novel and my latest. I’ve reached a point in my own life where advancing age is a lived experience, and I’ve read broadly about this phase of life that goes largely unexamined despite the fact that we’re all destined for it. My essays have appeared in the New York Times, the San Francisco Chronicle, and the San Jose Mercury News. I’m a graduate of Denison University and Columbia Law School.
I stumbled across this book, written by a Nobel prize winner I had never heard of, when I was researching “comps” for my new novel. Both turn on the premise that suddenly death ceases to happen to people after a certain point in time; in Saramago’s novel, this is because Death is a female deity who gets really tired of her job.
It’s utterly fanciful but scathingly satirical in portraying humankind’s reactions to what they always thought would be a boon but soon realize is a catastrophe. It made me change some aspects of my book to try to emulate Saramago’s level of sophistication—and sense of humor—about human nature.
Nobel Prize-winner Jose Saramago's brilliant novel poses the question—what happens when the grim reaper decides there will be no more death? On the first day of the new year, no one dies. This of course causes consternation among politicians, religious leaders, morticians, and doctors. Among the general public, on the other hand, there is initially celebration—flags are hung out on balconies, people dance in the streets. They have achieved the great goal of humanity: eternal life. Then reality hits home—families are left to care for the permanently dying, life-insurance policies become meaningless, and funeral parlors are reduced to arranging burials…
I never outgrew the curiosity of wanting to know more about the things we fear. Plenty of monsters are just neat! But the more you learn about them, whether they’re animals like bears and sharks or figures of myth like werewolves and dragons, the more interesting they become. I wanted to take audiences deep inside a skin unlike their own so they could understand how it feels to be cast out and how much a monster might look down on us. Because the more you look at monsters, the more you recognize us in them.
The Brides of Dracula are a classic overlooked group. Most adaptations treat them like a sexy slideshow of danger, not allowed to do anything other than lust and hunger. They’re a flattened idea of feminine desire, put on Dracula’s leash.
S.T. Gibson breathes them to life (or undeath) by imagining what their long existence is like, constantly under a temperamental abuser’s thumb. Yes, they are angry and hungry, and they yearn, but it’s a deeply human yearning for more than companionship. You root for them to be the ones to plunge knives into the count’s heart.
S.T. Gibson's sensational novel is the darkly seductive tale of Dracula's first bride, Constanta.
This is my last love letter to you, though some would call it a confession. . .
Saved from the brink of death by a mysterious stranger, Constanta is transformed from a medieval peasant into a bride fit for an undying king. But when Dracula draws a cunning aristocrat and a starving artist into his web of passion and deceit, Constanta realizes that her beloved is capable of terrible things.
Finding comfort in the arms of her rival consorts, she begins to unravel their husband's dark…
All of these books come with elements of uncertainty and risk – it takes heroism (or stupidity) to tackle them head-on. Fantasy and Science Fiction are nice settings for it – authors can and have conjured up situations that we possibly couldn’t tackle in the real world – but their solutions are often very much what we would go with in the real world. Besides, anxiety creates problems. The more we have anxious, unprepared people – the more problems we get – which is why it should be important to learn everything one can about uncertainty, heroics (and not the pathological kind), and risk.
Since I have been thinking in the direction of creating an RPG/Action/Adventure game out of the universe that I'm baking, I picked up something that has already achieved that (note: that's before the fancy TV series came out). Witcher is a messy book, and I'm not exactly in love with the characters (except for the vampire), yet, it is hard to put down. The events unfolding with and around the characters are... well, eventful, and the questions the author manages to bring up in my head need answers. The complex universe is complexly done—the lore is rich with earthen mysteries—suppose, Polish folkloreand such attempts of folklore honoring or revival, to my mind, seem like an interesting thing to do – it is the untapped power of exoticism. I mean, aren't we all worn out by the most common, comic-book revived characters from the…
Geralt’s encounter with a beast reveals the truth behind fairy tales in this graphic novel adaptation of Andrzej Sapkowski's original short story.
Geralt takes a short cut down a beaten path, where he makes a grim discovery of two corpses. Backtracking their trail, he’s led to a derelict mansion secured with elevated walls and a gate—mysterious and ramshackle, yet adorned with a rare elegance Geralt could not ignore. He is met with the mansion’s owner—not quite human, but a beast with the faculties of a man. With Geralt unfazed by his monstrous appearance and displays of aggression, the beast invites…
Epic fantasy is the genre that I probably enjoy the most. There’s just something special about starting out on an adventure, off along an unknown path, where you meet friends, companions, rivals, and enemies alike. The narrative often surrounds something world-changing, like evil trying to destroy the good in the world or some foul plot afoot that would see the ‘good guys’ lose. Despite the good vs evil appearance, there are always shades of gray that the heroes confront and need to navigate, and then the question always remains: did they make the right choice?
The Witcher series is another epic that once you start reading you won’t be able to stop. Although I think some things are lost in translation from Polish to English, it is still gripping and thoroughly enjoyable. Like all fantasy, Sapkowski has created a fascinating world and lore, including language and history.
But where this series excels is with the main character of Geralt—a surly warrior for hire whose emotions are destroyed during the process he was forced to undertake to become a Witcher. But as you get to know Geralt, you realize those emotions are certainly not destroyed, and the subtleties of the character interactions are engrossing.
I am a fiction writer and currently live in Cairo, where I have lived for over twenty years. I noticed that the way I started telling stories was influenced by learning Arabic and by listening to the stories of the people in the city. My interest in Arabic also led me to read Arabic literature, like A Thousand and One Nights.
This is a fun, playful novel that completely breaks all of the boundaries—time, gender, country, and fact—not
surprising from Salman Rushdie! It is a dizzying ride, going from the
Ferris wheel, to bumper cars, to the house of mirrors in a theme park.
Rather
than relying so much on the strict frame narrative, Rushdie experiments
with the idea of characters who are overtaken by “the jinn”—a wild,
irrational impulse that perverts existing norms. It is Dunyazad,
Shahrazad’s sister who marries Ibn Rushd, the great philosopher who was
marginalized in 1195 by the Caliph. Rushdie tells the stories of all of
Dunyazad or Dunia’s descendants, as well as the eternal war between Ibn
Rushd and Al-Ghazali, eight hundred years beyond the grave. A fan
of the wacky and weird, Rushdie outdoes himself with the characters in this story.
After a
super-storm, the line between humans and the jinns blurs…
Blending history, mythology and a timeless love story, this is a satirical, magical masterpiece.
In the near future, after a storm strikes New York City, the strangenesses begin. A down-to-earth gardener finds that his feet no longer touch the ground. A graphic novelist awakens in his bedroom to a mysterious entity that resembles his own comic book creation. Abandoned at the mayor's office, a baby identifies corruption with her mere presence, marking the guilty with blemishes and boils. A seductive gold digger is soon tapped to combat forces beyond imagining.
Unbeknownst to them, they are all descended from the whimsical,…
I've been a passionate lover of all things horror. I strive to take my readers on an unforgettable journey, one that often places them well out of their comfort zone. I believe that horror should make readers uncomfortable, whether through a mounting sense of unease or full-blown exposure to gore and depravity. I do my best to pull readers into my stories so that they can almost personally experience the horrors. If I don’t make them cringe and wince, then I have failed. As outrageous as my books may be, they're not full of violence and gore for the sake of mere shock value. I do my best to create well-developed characters with thought-provoking and immersive storylines.
Who
wouldn’t want to be granted wishes? Then again, it’s best to heed the old
idiom, “Be careful what you wish for.”
Pam
Wilkins lives a miserable life. When she encounters a Djinn who promises her
happiness, beauty, wealth, and anything she can hope for, she is desperate
enough to give in to temptation. The Djinn does, in fact, grant her wishes, but
they come at a hefty cost.
Calling
this book sick and twisted would be an understatement. West exceeds the
boundaries of human decency. The scenes are downright vile and will surely make
you gag. The story is engrossing, wildly imaginative, and has a great twist at
the end.
Pam Wilkins hates her life. She doesn't have much going for her. Her boyfriend beats her, she looks like the back end of a bus and she's skint. To top it all off, she cleans up other people's sh*t for a living. While she's at work scrubbing a toilet, a Djinn appears in a puff of smoke and grants her six wishes. All she has to do to make her dreams come true, is commit the most heinous, atrocious acts imaginable. Six wishes for six atrocities. It's a no-brainer. Pam will do ANYTHING to get what she wants. But she…
I love mythological creatures! I grew up gravitating toward fantasy books but because I have a narcissistic parent, I got teased for reading them. To avoid the teasing, I ended up reading a lot of mythology because that was a “safe” fantasy option; reading mythology was “educational” rather than “silly.” When I got older, I discovered that there’s a whole category of fantasy books that retell myths from alternative points of view. This subgenre opened new doors of understanding and empathy for me. Reading old stories from new perspectives opens my eyes to a myriad of different types of people and broadens my view of the world. And I’ve been reading them ever since.
The story of two mystical creatures stuck in 1899 New York who have to make their own way in the world. Despite their different natures, they become unlikely friends and have to work together to survive.
While I enjoyed the perspective of both supernatural beings in this book, I found the golem especially engaging. Through her eyes, the reader gets an amazingly detailed view of turn-of-the-century New York as well as the intricacies of human behavior.
The jinni faces different challenges—he’s lost a chunk of his memory—but he also has to adapt to life among people. Wrapped in a rich tapestry of historical details, the story walks us through their processes of acclimating to human society and facing the dangers of their pasts.
'One of only two novels I've ever loved whose main characters are not human' BARBARA KINGSOLVER
For fans of The Essex Serpent and The Mermaid and Mrs Hancock.
'By far my favourite book of of the year' Guardian
Chava is a golem, a creature made of clay, brought to life by a disgraced rabbi who dabbles in dark Kabbalistic magic. When her master, the husband who commissioned her, dies at sea on the voyage from Poland, she is unmoored and adrift as the ship arrives in New York in 1899.
I’ve been writing fantasy since I was a very young child. My need to escape a world that I viewed with fear was satiated by writing worlds that gave me control over how I could create and master them. I would read books that I adored but wanted to implement changes to better fit my own personal feelings and perception. For example, unicorns were terrifying creatures in my head, so I gave them fire-covered horns and eyes of flames. Nothing in the world felt pure or safe to me, so I write in a way that gives a dark twist to any and all mythological creatures and magical realms.
Now here is a fantasy mixed with Rom-Com like you’ve never known before. I laughed and felt my heart throb the entirety of this book.
Sometimes it’s good to step away from the morally gray love interest and fall for the sweet one. Velis is a hot genie who becomes attached to his “master” (the conjurer of his genie lamp). Dolly is a heavily self-disciplined girl with a tragic story. With a deep need of mending her struggle, Velis is the supportive, compassionate, and respectful love interest perfectly capable of such a task.
Add in a hot genie bad boy brother and you have a dramatic story worth reading.
★A jaded girl. A persistent genie. A contest of souls.★
Recent college graduate Dolly Jones has spent the last year stubbornly trying to atone for a mistake that cost her everything. She doesn't go out, she doesn't make new friends and she sure as hell doesn't treat herself to things she hasn't earned, but when her most recent thrift store purchase proves home to a hot, magical genie determined to draw out her darkest desires in exchange for a taste of her soul, Dolly's restraint, and patience, will be put to the test.
