Fans pick 100 books like The Trial of the Templars

I’m an associate professor in medieval history at Nottingham Trent University. My interest in the military orders began over twenty years ago with a very simple question – why? Jesus’ teaching to my mind clearly does not condone the use of lethal violence, so how did medieval Christians come to think that holy war warfare could ever be acceptable in the eyes of God? From this underlying question (which I still don’t feel I’ve satisfactorily answered!) emerged a curiosity about the military orders, who so epitomized crusading ideology. I began to ask wider questions such as: who supported the orders? How did they view people of other faiths? Why were the Templars put on Trial? 

I’m an associate professor in medieval history at Nottingham Trent University. My interest in the military orders began over twenty years ago with a very simple question – why? Jesus’ teaching to my mind clearly does not condone the use of lethal violence, so how did medieval Christians come to think that holy war warfare could ever be acceptable in the eyes of God? From this underlying question (which I still don’t feel I’ve satisfactorily answered!) emerged a curiosity about the military orders, who so epitomized crusading ideology. I began to ask wider questions such as: who supported the orders? How did they view people of other faiths? Why were the Templars put on Trial? 

I’m an associate professor in medieval history at Nottingham Trent University. My interest in the military orders began over twenty years ago with a very simple question – why? Jesus’ teaching to my mind clearly does not condone the use of lethal violence, so how did medieval Christians come to think that holy war warfare could ever be acceptable in the eyes of God? From this underlying question (which I still don’t feel I’ve satisfactorily answered!) emerged a curiosity about the military orders, who so epitomized crusading ideology. I began to ask wider questions such as: who supported the orders? How did they view people of other faiths? Why were the Templars put on Trial? 

I’m an associate professor in medieval history at Nottingham Trent University. My interest in the military orders began over twenty years ago with a very simple question – why? Jesus’ teaching to my mind clearly does not condone the use of lethal violence, so how did medieval Christians come to think that holy war warfare could ever be acceptable in the eyes of God? From this underlying question (which I still don’t feel I’ve satisfactorily answered!) emerged a curiosity about the military orders, who so epitomized crusading ideology. I began to ask wider questions such as: who supported the orders? How did they view people of other faiths? Why were the Templars put on Trial? 

While using the city of Albi in southern France as a base for visiting some cave art locations I became fascinated with the history of the early Christians of the region and the brutal Cathar Crusade which happened there. I was also surprised to learn this was the home of Toulouse Lautrec and other later artists. As an archaeologist studying cave art, I became caught up in the long and important history of this one small area. The idea for a story intertwining different religious movements and art over thousands of years quickly emerged. I couldn’t resist this unique opportunity to reveal a piece of the past from a perspective I hadn't considered before.  

As Rebecca Roberts in Apocalypse was an ancestor whose achievements have been largely ignored-maybe because of gender-it seemed to be time to redress the balance. A female author may have done the job better, but none stepped forward at the time and Hollywood screenwriter K.Lewis was keen to write a screenplay, requiring a concept screenplay outline as a guide. It was that which later became the 1st Edition of Apocalypse.

When I was pitching my then novel-in-progress, Me, Myself, and Him to editors and agents, I usually got one of two responses: either “That sounds like a tough sell” or “That sounds great, and not like anything I’ve seen before.” Of course, I preferred to hear the latter, but I also enjoyed winning over skeptics by giving them something much more accessible than they might have expected, based on my pitch. It all speaks to the special place I have in my heart for the books you never expect to love…and then love anyway.

Our history is spoken through the voice of the conqueror – notably white male. My work seeks to balance our narratives through insight from women’s perspectives. I support my creative writing with extensive research in history, archeology, and myths, and include in situ interpretations of the relevant landscape. There are many truths to be told, not simply one ordained story and I wish to shine the light on stories that have been hidden and/or silenced. The themed series title, Women Unveiled, pertains to this.

As my father was a keen amateur historian, family holidays always involved visits to medieval castles, abbeys, and Roman antiquities, but it wasn’t until I’d finished a University history degree and started training as an accountant that I encountered the Templars. Reading a primary source from the Third Crusade, I found the medieval author praised the Templars – yet few modern histories mentioned them, or, if they did mention the Templars, they claimed they were unpopular. My curiosity led me to undertake a PhD on medieval attitudes towards the Templars, Hospitallers, and Teutonic Knights, and eventually to a university post and a professional career in medieval history, writing history books focused on primary sources.

I worked for ten years as a guard at the Metropolitan Museum of Art, as narrated in my memoir, All the Beauty in the World. I’ve found that readers are fascinated by the art in the Met but also by the “living museum,” which includes five hundred security guards keeping watch over millions of visitors each year. I’ve read a variety of workplace memoirs to study how authors depict the rhythms of work and the feel of particular workplaces. I’m especially passionate when there are larger themes at play and thus clear reasons why we should care.