Here are 100 books that The Sleep of Reason fans have personally recommended if you like
The Sleep of Reason.
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In childhood, I memorized the Encyclopedia’s human anatomy pages, leading the family physician to explain, “Children like this become doctors or writers.” Good call, Doc! I wrote 14 of the 92 entries in my high school’s annual literary magazine (the most by one student). In college I earned a Bachelor’s, two Associates and Intercollegiate Press Association awards for Journalism and photography. I followed that with years of photography, photographic surveillance, 14 years of law firm litigation support, a temporary appointment as an SBA Paralegal Specialist, and 7 years of contract compliance at RadioShack headquarters. And, of course, my debut novel took 20 years of 8 drafts—I’m methodical that way.
Few novels epitomize excellence in as many areas as Ayn Rand’s book. I don't know if it was because it never came up during the years of my formal education, but I put off reading it for years after I became vaguely aware of it. And then I read it twice.
One might think of it in terms of being part one of Orwell’s 1984. The two books are nowhere near similar, but whereas 1984 is a dystopian future without regard for how society would get to such a point, Atlas Shrugged is the embryonic steps that could lead to an Orwellian future.
The most remarkable aspect of it, is its portrayal of an economic downtrend imposed upon free-market capitalism and its resulting impact on the country. The crux of Rand’s novel is that if the giants of industry shrugged—or rather just walked away from the imposition of tyranny—everything…
Published in 1957, Atlas Shrugged was Ayn Rand's greatest achievement and last work of fiction. In this novel she dramatizes her unique philosophy through an intellectual mystery story that integrates ethics, metaphysics, epistemology, politics, economics, and sex. Set in a near-future U.S.A. whose economy is collapsing as a result of the mysterious disappearance of leading innovators and industrialists, this novel presents an astounding panorama of human life-from the productive genius who becomes a worthless playboy...to the great steel industrialist who does not know that he is working for his own destruction...to the philosopher who becomes a pirate...to the woman who…
In my freshman year at the University of Missouri-Columbia I started out as a journalism major. I joined Sigma Kappa where I met my “sister” Anne who worked at KBIA. I worked with her the rest of that year. Back home in Ellenville, NY, I convinced the station manager to hire me. I was the very first female radio announcer and engineer to work at the station. When my best friend was killed in a tragic accident, I needed to heal my loss by using the only method I knew would help; writing. Combining my experiences and passion for radio I wrote Red Wine for Breakfast to honor her memory.
Nathaniel Branden’s account of his relationship with Rand is honest and deeply emotional. For a psychologist who writes mainly on the theme of self-esteem, this book is a bit of a departure from his usual works, but for any fan of Rand and her volatile relationship with a man nearly half her age, it is well worth the read.
Previous Praise for Nathaniel Branden"Relentlessly revealing...the myth of Ayn Rand gives way to a full-sized portrait in contrasting colors, appealing and appalling, potent and paradoxical...it takes a special kind of nerve to write such a book." - Norman Cousins, author of Head First and The Healing HeartAyn Rand's Atlas Shrugged is one of the most influential books of the twentieth century-its popular impact ranked second only to the Bible in a major poll. Millions know Rand as one of this century's great thinkers, writers, and philosophers, yet much about the private Ayn Rand remains shrouded in mystery.Who was Ayn Rand?My…
In my freshman year at the University of Missouri-Columbia I started out as a journalism major. I joined Sigma Kappa where I met my “sister” Anne who worked at KBIA. I worked with her the rest of that year. Back home in Ellenville, NY, I convinced the station manager to hire me. I was the very first female radio announcer and engineer to work at the station. When my best friend was killed in a tragic accident, I needed to heal my loss by using the only method I knew would help; writing. Combining my experiences and passion for radio I wrote Red Wine for Breakfast to honor her memory.
Stories about women in radio are few and I was thrilled to find Radio Girls. Although it’s fiction, there is a real sense that the author did their research combining fact with fiction in the very early days of the BBC. In 1926, American-born Maisie Musgrave meets the challenges of rising from a secretary in a predominated male industry to become an unexpected heroine at a time when very few women were given the chance.
The Great War is over, and change is in the air, in this novel that brings to life the exciting days of early British radio…and one woman who finds her voice while working alongside the brilliant women and men of the BBC.
London, 1926. American-raised Maisie Musgrave is thrilled to land a job as a secretary at the upstart British Broadcasting Corporation, whose use of radio—still new, strange, and electrifying—is captivating the nation. But the hectic pace, smart young staff, and intimidating bosses only add to Maisie’s insecurity.
Soon, she is seduced by the work—gaining confidence as she arranges broadcasts…
In my freshman year at the University of Missouri-Columbia I started out as a journalism major. I joined Sigma Kappa where I met my “sister” Anne who worked at KBIA. I worked with her the rest of that year. Back home in Ellenville, NY, I convinced the station manager to hire me. I was the very first female radio announcer and engineer to work at the station. When my best friend was killed in a tragic accident, I needed to heal my loss by using the only method I knew would help; writing. Combining my experiences and passion for radio I wrote Red Wine for Breakfast to honor her memory.
Before there was Carrie, Maranda, Samantha, and Charlotte, there was Simone, Anita, Beverly, and Lou—the Crazy Ladies of Joyce Elbert’s bestselling novel of the late ’60s.
I first bought this book when I was all of 13. My mother threw it away… I bought it again. After the fourth time, she finally gave up and I’m very happy to say I still have that first edition with very worn pages in my nightstand today.
Many years later, I became long-distance friends of Ms. Elbert. I learned that several of the characters in her book, including Jack Bailey, were, as I had surmised, based on real people!
She was one of the very best writers of her time. If you can find this book, and the sequel The Return of The Crazy Ladies, as well as all her other titles, buy them. You will not be disappointed!
I am a children’s author best known for digging up fascinating stories about famous people—and forgotten people who deserve to be famous again. As a kid, I loved reading about the old days, but I wasn’t very interested in “history,” which seemed to be dull facts about a few Great Men. In college, though, I studied social movements and discovered that we all make history together, and that it takes the combined efforts of countless unsung heroes—just as brave, hardworking, and persistent as the big names everybody knows—to achieve real change.
When I studied the civil rights movement, nobody told me about Clara Luper or the Oklahoma City sit-ins, which took place a year and a half before the Greensboro sit-in. I didn’t even realize there was segregation that far west. Someday Is Now helps fill that common knowledge gap, but it’s also a solid introduction to “separate and unequal,” as well as a portrait of a teacher and civil rights activist who should be better known. It left me wanting to learn more about Luper and the children who joined her, especially Luper’s nine-year-old daughter Marilyn, who by her own account proposed the sit-in—without ever having heard of one!
"Not only does this book highlight an important civil rights activist, it can serve as an introduction to child activism as well as the movement itself. Valuable." -Kirkus Reviews starred review
"Relatable and meaningful ... A top addition to nonfiction collections." -School Library Journal starred review
More than a year before the Greensboro sit-ins, a teacher named Clara Luper led a group of young people to protest the segregated Katz Drug Store by sitting at its lunch counter. With simple, elegant art, Someday Is Now tells the inspirational story of this unsung hero of the Civil Rights Movement.
Monuments and memorials pepper our public landscape. Many walk right by them, uncurious about who or what’s being honored. I can’t. I’m a historian. I’m driven to learn the substance of the American past, but I also want to know how history itself is constructed, not just by professionals but by common people. I’m fascinated by how “public memory” is interpreted and advanced through monuments. I often love the artistry of these memorial features, but they’re not mere decoration; they mutely speak, saying simple things meant to be conclusive. But as times change previous conclusions can unravel. I’ve long been intrigued by this phenomenon, writing and teaching about it for thirty years.
The Unfinished Bombingwas eerily prescient when first published in 2001 and remains uncannily relevant today.
Linenthal set the standard in his analysis of public tragedy, its impact on an American community and the larger nation, and its memorialization.
In April 1995, a white homegrown right-wing terrorist bombed the Alfred P. Murrah Federal Building in Oklahoma City, killing 168 men, women, and children. Linenthal’s story of the massive crime, outpourings of grief, and the efforts to memorialize the dead and prevent future cataclysms is gripping and personal yet academically astute.
The Oklahoma City National Memorial & Museum that rose from the rubble is among the most culturally and aesthetically successful monuments in the history of American public memory. Though seemingly eclipsed by the catastrophic events of September 11, 2001, this story of rupture and recovery, so well told by the author, continues to be critical and instructive.
On April 19, 1995 the bombing of the Alfred P. Murrah Federal Building in Oklahoma City shook the nation, destroying our complacent sense of safety and sending a community into a tailspin of shock, grief, and bewilderment. Almost as difficult as the bombing itself has been the aftermath, its legacy for Oklahoma City and for the nation, and the struggle to recover from this unprecedented attack. In The Unfinished Bombing, Edward T. Linenthal explores the many ways Oklahomans and other Americans have tried to grapple with this catastrophe. Working with exclusive access to materials gathered by the Oklahoma City National…
I’ve always been fascinated by philosophical ideas, the more radical and counterintuitive the better. But as someone who’s never excelled at abstract thought, I’ve found these ideas’ expression in argumentative nonfiction both dry and unpersuasive, lacking the human context that would alone test the strength of propositions about spirituality, justice, love, education, and more. The novel of ideas brings concepts to life in the particular personalities and concrete experiences of fictional characters—a much more vivid and convincing way to explore the world of thought. Many readers will be familiar with the genre’s classics (Voltaire, Dostoevsky, Mann, Camus), so I’d like to recommend more recent instances I find personally or artistically inspiring.
Morrison’s most ambitious and most underrated novel, Paradise (1997) tells the story of Ruby, a town founded by a group of African-Americans turned away after slavery from other black townships because of their darker skin color. Ruby’s male leaders accordingly establish a patriarchal community devoted to keeping bloodlines pure and youth in line. This stern society inevitably clashes with the inhabitants of a former convent on its fringes where a multiracial group of fugitive women come together amid the tumult of the 1960s. In this intensely written and kaleidoscopically structured violent epic, Morrison rewrites the Biblical Exodus and the American myth of westward settlement, she sets Christianity against Gnosticism, and she strives to do nothing less than reinvent religion for the postmodern world. Reading this as a teenager in the late ‘90s showed me that contemporary fiction could aspire to be as grand and world-changing as the classics.
Four young women are brutally attacked in a convent near an all-black town in America in the mid-1970s. The inevitability of this attack, and the attempts to avert it, lie at the heart of Paradise.
Spanning the birth of the Civil Rights movement, Vietnam, the counter-culture and politics of the late 1970s, deftly manipulating past, present and future, this novel reveals the interior lives of the citizens of the town with astonishing clarity. Starkly evoking the clashes that have bedevilled the American century: between race and racelessness; religion and magic; promiscuity and fidelity; individuality and belonging.
I’ve been gay for as long as I can remember. I even told my mother, when I was five years old, that I was going to marry Hoss Cartwright (from the TV show Bonanza). But even knowing yourself that well doesn’t make it easy to actually beyourself, so I still had to come out to friends and family over a span of five or six years in my late teens and early twenties. And coming out is never easy, although it feels like a million bucks once you’ve done it. Also, it’s different for everyone, and having books like these I’ve recommended may not make it easier, but they show us that it can be done and that we’re not alone.
Having grown up gay in a small town in the South, this resonated with me as an out gay man in a big city in my twenties, because it got everything about being gay in a small Southern town right: the tone, the emotion, the terror, and most of all, it got how there are more of us in those small Southern towns than we realize at the time, and how leaving for bigger, “better” places isn’t always the answer.
A lonely eighteen-year-old boy growing up in the working-class town of Pryor, Oklahoma, Charlie Hope struggles to cope with his passionately religious mother, the death of his hard-drinking grandfather, his enigmatic late father, and his own confusion over sexual orientation. A first novel.
The Black Experience is my experience. Through living that experience, and with the benefit of education, my passion for storytelling—for sharing oft-neglected Black history from a Black perspective—evolved. Professionally, I am a Harvard-educated attorney who writes, lectures, teaches, and coaches in the general area of the Black experience and in the broader realm of diversity, equity, and inclusion. My ten books focus on aspects of the Black experience in America. I have received many honors and accolades for my professional and community work, including induction into both the Tulsa Hall of Fame and the Oklahoma Hall of Fame.
Release Me is an anthology that looks at the legacy of Tulsa's Historic Greenwood District through the eyes of various authors tapping a plethora of literary styles and devices. Through Release Me, the voices of the oft-unheard ring out. The legacy of the Greenwood District lives.
“Apparitions roam the Greenwood District, yearning to be free of the day they died…” The story of the Greenwood District in Tulsa, OK (aka Black Wall Street) is more than the 1921 Tulsa Race Massacre. RELEASE ME, the Spirits of Greenwood Speak anthology focuses on the lives of the citizens of Greenwood. The anthology is a symphony of historic facts about the Greenwood District (before and after the massacre) along with timeless and borderless community building principles wrapped in poetry, short stories, art, essays, and photography. RELEASE ME, the Spirits of Greenwood Speak anthology has contributions from Poet Laureate of…
All of my novels explore, in some way, how the characters are affected by trauma or loss, and how they respond to these difficulties over time. This comes partly from my impatience with the notion of “closure” and with the idea that we can ever truly find it after a traumatic event or a significant loss. I’m drawn to fiction and nonfiction that doesn’t shy away from the messiness of finding a way to live with these difficulties, or trying to. In addition to writing fiction, I’ve spent nearly ten years recommending novels and story collections through my Small Press Picks website.
In every story in this heart-rending collection, the protagonists—all of them Indigenous people—are dealing with some of the most challenging circumstances that can be imagined: the tragic deaths of loved ones, the trials of trying to rebuild one’s life post-incarceration, and the fallout from substance abuse, to name just some of the difficulties the stories address. At the same time, most of the protagonists exhibit some form of resilience in response to these challenges, and I was deeply moved by the variety of this resilience, by the characters’ determination, and by Johnston’s insights into their experiences. I also love the ways in which the stories are connected by place: All of them unfold in Oklahoma, and Johnston brings their settings to life.
In this collection of short stories that focuses on the modern-day experiences of Indigenous people living in Oklahoma, Johnston documents the quiet sorrow of everyday life as her characters traverse the normalized, heartbreaking rites of passage such as burying your grandfather, mother, or husband, becoming a sex worker, or reconnecting with your family after prison; the effects are subtle, yet loud, and always enduring. Whether Johnston's characters are coming of age and/or grappling with complex family dynamics, Johnston delivers the economy of loss and resilience that marks this post-colonial collection with biting, captivating prose that demands to be read from…
