Here are 69 books that The Professor's House fans have personally recommended if you like
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I’m no particular expert on anything, but I know what I love in a book, and I’ve read approximately a million books, plus or minus. I’ve written novels with the hope that they will be funny and poignant in about equal measure, I value humor in books more than just about anything, and here I have listed books that I cherish.
Okay, but here’s the thing: It takes about 30 pages for Niall Williams to hit his stride. There’s a lot about weather at first, the whole Irish rain situation. Stick with it. Once Christy comes on the scene in this small Irish town, Faha, and is hoping to have a meeting with a woman he left at the alter 30 years before, and once our young narrator gets involved in his plan—BAM.
The reader is fully in the world of Faha as electricity is introduced into the village, as Noel begins to figure out love and the insanity that is normal around him—well, I did not want it ever to end, even as at the beginning I was waiting for it to begin. Another book to clutch to the heart.
Shortlisted for Best Novel in the Irish Book Awards
Longlisted for the 2020 Walter Scott Prize for Historical Fiction
From the acclaimed author of Man Booker-longlisted History of the Rain
'Lyrical, tender and sumptuously perceptive' Sunday Times
'A love letter to the sleepy, unhurried and delightfully odd Ireland that is all but gone' Irish Independent
After dropping out of the seminary, seventeen-year-old Noel Crowe finds himself back in Faha, a small Irish parish where nothing ever changes, including the ever-falling rain.
But one morning the rain stops and news reaches the parish - the electricity is finally arriving. With it…
I have always believed in the power of journalism to tell stories of people: the powerful as well as the ordinary and disenfranchised. In the hands of the right writer, such stories can have as much dramatic sweep and be as engrossing as any work of fiction. I have read literary nonfiction since before I became a journalist, and as a foreign correspondent, while breaking news is a key part of my job, longform narrative writing is where I really find gratification, as a writer and a reader. It’s a vast genre, so I focused this list mostly on stellar examples of foreign reporting. I hope you enjoy it.
This is a master class in investigative journalism and in nonfiction storytelling. Radden Keefe is one of my journalistic role models, and this book about the troubles in Northern Ireland is gripping from page one as it investigates the 1972 murder and abduction of Jean McConville in a way that probably only a foreigner could do, given the sensitivity of the topic. It is a vital historical document, a gripping thriller, and an empathetic social observation all in one.
NEW YORK TIMES BESTSELLER •From the author of Empire of Pain—a stunning, intricate narrative about a notorious killing in Northern Ireland and its devastating repercussions
"Masked intruders dragged Jean McConville, a 38-year-old widow and mother of 10, from her Belfast home in 1972. In this meticulously reported book—as finely paced as a novel—Keefe uses McConville's murder as a prism to tell the history of the Troubles in Northern Ireland. Interviewing people on both sides of the conflict, he transforms the tragic damage and waste of the era into a searing, utterly gripping saga." —New York Times Book Review
I’m no particular expert on anything, but I know what I love in a book, and I’ve read approximately a million books, plus or minus. I’ve written novels with the hope that they will be funny and poignant in about equal measure, I value humor in books more than just about anything, and here I have listed books that I cherish.
I fell off the Ewan McEwan wagon for several years.
Why? His sentences are gorgeous and impeccable but sometimes his plots seemed glitchy to me or his research was too in your face. But, Lessons! It’s one of those books that has so much of the world in it, while at the same time the characters are deep, vivid, flawed (yes, indeed), and the scenes intense and unforgettable.
The clarity of his thinking and his understanding of politics, the eras we’ve lived through, the confusion of emotions we suffer from, and the way people fail each other as well as show up—I clutch this book to my heart.
Discover the Sunday Times bestselling new novel from Ian McEwan.
Lessons is an intimate yet universal story of love, regret and a restless search for answers.
When the world is still counting the cost of the Second World War and the Iron Curtain has descended, young Roland Baines's life is turned upside down. Stranded at boarding school, his vulnerability attracts his piano teacher, Miriam Cornell, leaving scars as well as a memory of love that will never fade.
Twenty-five years later Roland's wife mysteriously vanishes, and he is left alone with their baby son. Her disappearance sparks of journey of…
I’m no particular expert on anything, but I know what I love in a book, and I’ve read approximately a million books, plus or minus. I’ve written novels with the hope that they will be funny and poignant in about equal measure, I value humor in books more than just about anything, and here I have listed books that I cherish.
This beautiful short novel about various matters, including chickens, house cleaning, idiosyncratic neighbors and parents, is funny—really, how can you not laugh at a hen named Miss Hennepin Country. (Her owners live in Minnesota.)
Also, the novel goes to the heart of the grief of infertility. At the same time, Jackie Polzin is very, very funny in a remarkably quiet way. Her writing is spare, eloquent, and precise. She is, as we say in the biz, The Real Deal. I can open this book at any page and marvel and be filled with happiness.
An exquisite new literary voice—wryly funny, nakedly honest, beautifully observational, in the vein of Jenny Offill and Elizabeth Strout—depicts one woman's attempt to keep her four chickens alive while reflecting on a recent loss.
“Full of nuance and humor and strangeness…[Polzin] writes beautifully about everything.” —The New York Times
Over the course of a single year, our nameless narrator heroically tries to keep her small brood of four chickens alive despite the seemingly endless challenges that caring for another creature entails. From the forty-below nights of a brutal Minnesota winter to a sweltering summer which brings a surprise tornado, she…
I love the mysteriousness of the past. Learning dates or the importance of battles does not yield understanding. Skillfully written historical fiction can make a reader live history—in a twelfth-century abbey or nursing in WWI. The characters I find the most gripping are outsiders: a Black man always in danger of capture and slavery, and investigating the murders of the marginalized; a monk, once a crusader, who sees human frailties clearly; or a Victorian lady, restless under the constraints of her time, who marries beneath her. Why murder mysteries? Because, although murder is forbidden in almost every culture and every religion, we still kill each other.
Several bands of pilgrims descend on the abbey where Cadfael is a monk in twelfth-century England. Among them is the widow Dame Alice Weaver with her crippled nephew Rhun and his sister. Two young men, Ciaran and Matthew, arrive with them. Ciaran is under a vow to walk to Wales, barefoot and with a heavy iron cross around his neck, in penance for an impulsive killing. Matthew has vowed to accompany Ciaran to the end. A theft implicates both Ciaran and Matthew, one of whom is a thief in disguise. I love the way Peters’ plot turns on Christianity as it was practiced then, and the way the pious, suffering from hate and jealousy as well as love, rationalize the ideals of their religion to their own advantage.
In the year of our Lord 1141, civil war over England's throne leaves a legacy of violence- and the murder of a knight dear to Brother Cadfael. And with gentle budstrewn May, a flood of pilgrims comes to the celebration of Saint Winifred at the Abbey of Saint Peter and Saint Paul, carrying with it many strange souls and perhaps the knight's killer. Brother Cadfael's shrewd eyes see all: the prosperous merchant who rings false, and angelic lame boy, his beautiful dowess sister, and two wealthy penitents. In the name of justice, Cadfael decides to uncover the strange and twisted…
I was born and raised in New Mexico and it’s a part of me. New Mexicans will tell you that it’s impossible to describe its uniqueness, that you must experience it for yourself. That may be partially true, but writers have done a great job incorporating the majesty of the landscape, the earthiness of the people, the eclectic nature of its values, and ultimately the spell it casts. I’ve set quite a few books in New Mexico and have tried to show how these layers fit together for me. Ultimately, it’s called The Land of Enchantment for many reasons and we do our best to share them with our readers.
This is a nonfiction book and typical of New Mexico, as there are whole chapters of its history nobody really knows about. The (probably) first white American woman to come into the territory was a Jewish woman who accompanied her merchant husband and brothers. Even more interesting, merchants and traders weren’t even the first Jewish people - “Crypto-Jews” who were fleeing the inquisition came to New Mexico long before it was part of the US and kept their identity secret to assimilate. This is depicted with a character in Alburquerque and that perfectly encapsulates one of the overriding things about New Mexico and its tales – a deep sense of connectedness, across people, across the land.
In this first history of the Jews in New Mexico--from the colonial period to the present day--the author continuously ties the Jewish experience to the evolution of the societies in which they lived and worked. The book begins with one of the least known but most fascinating aspects of New Mexico Jewry--the crypto-Jews who came north to escape the Mexican Inquisition. In the nineteenth and twentieth centuries, the story is more familiar: German merchants settling in Las Vegas and Santa Fe and then coming to Albuquerque after the railroad arrived. To these accounts the author adds considerable nuance and detail,…
Growing up, I’d always been fascinated by science fiction narratives, having been suckered in by Star Warsat a very young age. But it wasn’t until I stumbled upon The Hitchhiker’s GuideTo The Galaxy that I realized stories didn’t have to take everything so seriously. This pivoted to an obsession with comedy, leading me to write skits for the stage and screen in my late 20s as a fun side-gig along with my own comedic sci-fi novel series. I’ve always appreciated stories that lean into the lighter side of things. Reality is grim and dark enough as it is, our escapism doesn’t need to double down on that.
Old Cold Cannibalis a bit of an outlier in this list, as it doesn’t fully conform to the Douglas Adams/Terry Pratchett style of humor/narration or plotting. But it’s a unique book with an amazing voice. I have a soft spot for harsh 1800s white narrators whose doubling down on arrogance and (historically accurate) racism wrap around from being awful to weirdly and unsettlingly charming. Old Cold Cannibal delivers on that 100% and allows it to infuse some humor into what is otherwise a very dark and disturbing narrative that follows a journey across the pre-Civil War U.S. to find and slay a dragon. It’s a rough, but entertaining read.
1849. Two men —professional con artists on the run— cross the dangerous deserts and plains of Texas and New Mexico, on a quest to find and slay a Dragon that has laid waste to the countryside.
Having known families affected by substance abuse, I’ve long been fascinated by the resiliency of addicts’ relatives and close friends. Equally compelling to me, as a one-time wannabe psychologist, was how living with substance abusers shaped people’s characters and lives. But while the search for a recovering addict drives Beyond Billicombe’s plot, the book is also an ode of sorts to North Devon, the area of England where I spent three of the happiest years of my life. Though I now live outside New York City, I haven’t given up hope on being able to move back there someday.
Dealing with an addicted child or sibling is traumatic enough; when the addict is your parent, the person who is supposed to protect and support you, the fear and betrayal are ramped up to an unbearable level. One of the Boys captures this in all its harrowing detail. Two barely teenaged boys move with their father from Kansas to New Mexico, where the father’s descent into meth addiction obliterates any sense of responsibility, affection, and decency he might once have possessed. Narrated by the younger son, One of the Boys is more than a realistic depiction of addiction; it also shows how far children will go to gain or retain a parent’s love, which is what makes the story so devastating.
A father and his boys have won 'the war': the father's term for his bitter divorce and custody battle. They leave Kansas and drive through the night to their new apartment in Albuquerque. Settled in new schools, the brothers join basketball teams, make friends. Meanwhile their father works from home, smoking cheap cigars to hide another smell. Soon his missteps - the dead-eyed absentmindedness, the late-night noises, the comings and goings of increasingly odd characters - become sinister, and the boys find themselves watching him transform into someone they no longer recognize.
When I make a snarky remark during a party, chances are one person will catch my eye with the amused look that says, “I saw what you did there.” Everyone else will keep right on talking. But in a book, the reader is right there in the character’s head, which lets your audience catch those subtle humorous comments. In my mystery series, The Accidental Detective, Kate shares witty observations about life with the reader – making Kate funnier than I am. I don’t do as much slapstick and joking (in life or in fiction), but I enjoy writers who pull off those forms of humor well. Humor makes life’s challenges bearable
Matilda moves to the small New Mexico town of Goodnight after inheriting a house, a small newspaper, and two dogs. She learns just how odd the town is when she starts investigating the murder of a reporter. The town of Goodnight is pretty bizarre, but speaking as someone who lives in a small town in New Mexico, Goodnight is more believable than it might seem to an outsider. I prefer books where weirdness is something to celebrate, and here the characters embrace their crazy with enthusiastic joy. This story is part screwball comedy and part mystery, and both work.
Matilda Dare can’t sleep. Her insomnia is one more reason to move to the quirky small town of Goodnight, New Mexico after she inherits a house, a small newspaper, and two old dogs there. But despite the Goodnight name, Matilda still spends hers wide awake, and she has good reason after a reporter is murdered. With a mystery to solve, she begins to investigate the town and uncovers more suspects than she knows what to do with.
Meanwhile, the hottie cowboy sheriff is doing his own investigation into Matilda, and the mysterious, handsome stranger, who just happens to live with…
I’m a novelist, essayist, and journalist who’s written extensively about the problems and consolations of faith, about belonging in and out of faith, and about the tribes of what I think of as the In Between. When you’re in between, you’re neither in it nor out of it, whatever “it” might be for you. You bear an “infinity of traces,” as the writer Antonio Gramsci called these formative influences. My first novel looks at these influences directly, while my second one looks at them indirectly. I’m late in the game with a third novel now—a detective story that investigates a murder along with these same themes.
One of my permanent, permanent favorites. Cather’s novel about a pair of French Catholic missionaries in 19th-century New Mexico is a lot of things: a portrait of a complex and life-giving friendship, a “loveship,” if I can borrow from Alice Munro.
It’s also an immersive historical treatment of Catholic proselytizing in the Southwest and a lyric poem about the beauty of that land. It’s smart about the rigors and consolations and the inevitable condescension of missionary work. It’s smart about everything. A perfect book.
From one of the most highly acclaimed novelists of the twentieth century—"a truly remarkable book" (The New York Times),an epic—almost mythic—story of a single human life lived simply in the silence of the southwestern desert.
In 1851 Father Jean Marie Latour comes to serve as the Apostolic Vicar to New Mexico. What he finds is a vast territory of red hills and tortuous arroyos, American by law but Mexican and Indian in custom and belief. In the almost forty years that follow, Latour spreads his faith in the only way he knows—gently, all the while contending with an unforgiving landscape,…
