55 books like Brood

This book is happiness. 

Okay, but here’s the thing: It takes about 30 pages for Niall Williams to hit his stride. There’s a lot about weather at first, the whole Irish rain situation. Stick with it. Once Christy comes on the scene in this small Irish town, Faha, and is hoping to have a meeting with a woman he left at the alter 30 years before, and once our young narrator gets involved in his plan—BAM. 

The reader is fully in the world of Faha as electricity is introduced into the village, as Noel begins to figure out love and the insanity that is normal around him—well, I did not want it ever to end, even as at the beginning I was waiting for it to begin. Another book to clutch to the heart.    

Say Nothing captures, perhaps better than most, the sheer nothingness left behind by moral injury. And, in doing so, Keefe manages to spawn empathy, even for those who “disappeared” others—a menacing verb; an unspeakable crime.

The book, then, is another reminder that moral injury can affect anyone, no matter how innocent or despicable—and that we should, just maybe, express a bit less judgment and a bit more empathy.

History books tend to be two-dimensional, stagnant even. But I found Keefe’s storytelling to be masterful and engrossing. He avoids the tedious unloading of historical facts that makes a story dense and unmemorable, and instead brings the story, cliché as it may be, to life

I fell off the Ewan McEwan wagon for several years. 

Why? His sentences are gorgeous and impeccable but sometimes his plots seemed glitchy to me or his research was too in your face. But, Lessons! It’s one of those books that has so much of the world in it, while at the same time the characters are deep, vivid, flawed (yes, indeed), and the scenes intense and unforgettable. 

The clarity of his thinking and his understanding of politics, the eras we’ve lived through, the confusion of emotions we suffer from, and the way people fail each other as well as show up—I clutch this book to my heart.  

Should there be an afterlife and if there’s someone greeting me in the sweet hereafter, let it be Willa Cather. 

Maybe you read her in high school and did or didn’t fall in love, but in any case, no one in school reads The Professor’s House. As always, Cather looks down upon her characters with severe compassion, the sharp eye of someone who has seen all, and she’s wryly amused by her people. 

Professor Godfrey St. Peter is going through a mid-life crisis, he’s got a wife, two daughters, and he’s trying to see the way ahead. The center of the novel is devoted to a former student of St Peter’s, Tom Outloud, now dead, who it also happens was his daughter’s fiancé. 

At the center: Tom Outland’s experience of an ancient cliff city in New Mexico. It’s not a snooze, I promise! St. Peter’s recollection of Tom’s spiritual… show more.

Jim Northrup, Fond du lac Ojibwe author, was my writing mentor from the time I met him in 1991 until he passed away in 2015. He would always ask, “What are you writing today?” That was his way of encouraging me to keep writing. His crime novel, Dirty Copper is the story of Luke Warmwater, who returns to the Reservation after serving in Vietnam. Luke becomes a deputy sheriff on the Rez and sees firsthand the war raging below the appearance of peace.

I would listen to Jim talk about his writing and the progress he was making on his story as he wrote it. Listening to him encouraged me to keep going with my writing. Jim’s way of storytelling through the written word is something I have tried to emulate.

This story also tells of a river journey by four young orphans who in 1932 escape from a horrid Indian training school and travel for months down the Mississippi River. They head into the unknown, unprotected from the perils they encounter.

On my journey, I needed to be constantly vigilant for natural predators like lions, hippos, and crocs. These children had to be on the lookout for human predators: the search party sent looking for them, drifters, grifters, and traveling faith healers. Facing each obstacle we encountered on our trips, we managed not only to survive but actually thrive in hostile surroundings.

In Rez Life, David Treuer, an Ojibwe from the Leech Lake Reservation, shows us the real-life consequences of historical events and policy. Through scholarship and anecdote, Treuer teaches readers what it really means to be Native American in a country that has tried, time and again, to erase them. Rez Life is not the history book rendition of past wrongs and tragic events. Instead, it is an articulate, expressive look at the people who live with the legacy of those past wrongs and tragic events. It shows readers the Native Americans they won’t see in history books—the ones that exist today, fighting to overcome the trauma thrust upon them.

John Sandford’s books aren’t as “literary” as those written by Mick Herron or Richard Price, but I love his books for their pacing—they always start out with a bang—and for Sandford’s sense of humor. I also admire the way he’s aged the recurring characters in the Prey books, taking Lucas Davenport from a young man in his thirties to the age of almost sixty in the last book. You can’t go wrong with any of the thirty-plus books in the Prey series, and I’m holding my breath for the next one. 

This author was new to me, and I fell in love! The characters are rich, quirky, and distinctive. I was intrigued by the supernatural element. The story drew me in immediately, and I couldn’t put the book down. I loved how it ended.

I felt like I’d spent time with complicated friends who conquered their demons. It satisfied what I crave most from any book: intrigue, interesting, unpredictable characters that must peel away the layers the deeper I go, seemingly insurmountable obstacles that are eventually overcome, and a satisfying ending. I would equate the feel of this read to spending quality time with best friends, enjoying a steak cooked to perfection with roast potatoes crispy on the outside and soft on the inside. And, of course, chocolate mousse sprinkled with hazelnuts for dessert.

Sigurd Olson’s book transported me on a wonderful, multifaceted journey through the Quantico-Superior country of Northern Minnesota by blending stories of places and people of the northern lake country with rich ecological, geological, and cultural history.

I was particularly engaged and amazed by Olson’s ability to maintain a theme of the man/nature interface and how history has impacted and still impacts ecology. I learned an incredible amount of history while reading, and at the same time, I felt literally transported to the unparalleled beauty and magical landscape (or “lake scape”) through delicious and vivid sensory imagery.

I cannot imagine ever traveling the lakes and forests of the Quantico-Superior region without having first read Olson’s book!