Here are 100 books that The Patriarchs fans have personally recommended if you like
The Patriarchs.
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I’ve always loved reading about women who lived in earlier eras, whether that was through nonfiction or historical fiction. Books gave me access to worlds beyond my own and I loved thinking about what I would do in a particular situation, whether I would have made the same choices as the women I was reading about. I suppose it’s no surprise that I have a Ph.D. in history and teach European history. I love sharing my passion for the past and I hope you love the books I recommended as much as I do!
Henriette Caillaux was the wife of a prominent politician who marched into the office of a newspaper editor in 1914 and shot him dead. There’s no question she pulled the trigger, but was she actually guilty of murder?
That’s the central question of this book and Berenson dives deep into the culture and society of the day to answer it. I love this book because it’s such a rich exploration of Henriette Caillaux’s life and of everyone involved in the case, from her husband to the judge.
Early in the evening of 16 March 1914, Henriette Caillaux, the wife of a powerful French cabinet minister, paid an unexpected call on her husband's most implacable enemy, "Le Figaro" editor Gaston Calmette. Concealed inside the muff that protected her hands from the wintry cold was a Browning automatic. After murmuring a few words, she fired six shots at point-blank range. Calmette slumped to the floor, fatally wounded; office workers seized Madame Caillaux, smoking gun in hand. Four months later - just two weeks before Europe exploded into war - Caillaux stood accused of murder. So mesmerizing was the trial…
Look around us—DEI (Diversity, Equity, and Inclusion) is under attack. From challenges to the Voting Rights Act and bans on books to the suppression of history and education, protections and rights are being rolled back. We must all recognize that systemic racism, patriarchy, homophobia, and other forms of discrimination harm not only the oppressed but also those who ostensibly benefit from these structures. It is time to move beyond passive or performative allyship and become proactive Disruptors—individuals willing to stand up and use their voices to advocate for equity and mutual respect.
I am deeply connected with this essay. It filled me with joy that someone understood my experiences. How sexual politics permeates a lot of the daily interactions we experience, and just what it means to be a woman.
It had me reexamine my ideas of womanhood and my engagement with Patriarchy. This elegant, eloquent book is an empowering call to tear down gender hierarchies.
NEW YORK TIMES BESTSELLER • The highly acclaimed, provocative essay on feminism and sexual politics—from the award-winning author of Americanah
In this personal, eloquently-argued essay—adapted from the much-admired TEDx talk of the same name—Chimamanda Ngozi Adichie offers readers a unique definition of feminism for the twenty-first century. Drawing extensively on her own experiences and her deep understanding of the often masked realities of sexual politics, here is one remarkable author’s exploration of what it means to be a woman now—and an of-the-moment rallying cry for why we should all be feminists.
Growing up as a total tomboy in the early 90s, I naturally gravitated toward traditionally male-dominated sports, jobs, and hobbies throughout my life. Despite encountering instances of sexual harassment and sexism along the way, I had strong role models and books with fierce main characters to turn to for support. I have always been passionate about women claiming their power, which is why I love writing about and reading stories that center on this theme.
What I loved most about this book was how strongly it made me feel—sad, angry, powerful. I am in awe of Tehlor Kay Mejia’s writing. They crafted a richly developed world and forged nuanced characters like Dani and Carmen, whose romance was perfect and heart-wrenching.
The book has a lot to say, addressing issues like immigration and misogyny with depth and authenticity, making it a feminist, Latinx, and sapphic masterpiece that I can’t help but adore and recommend.
"We Set the Dark on Fire burns bright. It will light the way for a new generation of rebels and lovers." -NPR
"Mejia pens a compelling, gripping story that mirrors real world issues of immigration and equality." -Buzzfeed
Five starred reviews!!
In this daring and romantic fantasy debut perfect for fans of The Handmaid's Tale and Latinx authors Zoraida Cordova and Anna-Marie McLemore, society wife-in-training Dani has a great awakening after being recruited by rebel spies and falling for her biggest rival.
At the Medio School for Girls, distinguished young women are trained for one of two roles in their…
After bumping around newspaper journalism in my 20s, I wandered into a Ph.D. and then landed a great job at the University of Texas at Austin. Being a professor allowed me to explore any subject that seemed interesting, which resulted in books on environmental collapse, sexism and pornography, racism, foreign policy and militarism, religion, journalism and mass media, and critical thinking. Throughout this work, radical feminism has remained at the core of my philosophy. Andrea Dworkin captures this politics in a line from her novel Ice and Fire, “'I am a feminist, not the fun kind.” Such feminism may not always be fun, but it’s always important.
Many women continue to embrace a radical feminist perspective, and one of the important feminist writers today is the UK journalist and organizer Julie Bindel. Her reporting on sex trafficking has been essential to understanding the worldwide exploitation of women and girls.
She published this book in 2021 to restate the liberatory goals of feminism and critique the impediments created not only by conservatives but also by liberals. Bindel pulls no punches and takes no prisoners—she’s never afraid to confront the powerful and respond to her critics. One of the great experiences of the past year was being interviewed by Bindel for her podcast on men and feminism. Finally, Bindel reminds us that one of the biggest lies about feminists is that they have no sense of humor.
'[This book is] guaranteed to remind us what we have still to fight for. I can't think of a single person who wouldn't benefit from reading it' Observer
'Bindel is a rock star of second-wave feminism . . . an important, courageous book' The Times
'Bindel delivers a robust call to arms in every chapter . . . this book could not be timelier . . . As a young feminist who has finally seen the light, I consider it essential reading' The Critic
Feminism is a quest for the liberation of women from…
As a fantasy author and professional counsellor, I am incredibly passionate about topics which are relevant not only to mental health, but to us in contemporary society. Feminist themes such as those discussed in my book list comes under than umbrella—we deal with these in our day to day lives. I experience them personally and also see it within my counselling clients. I believe that being able to read about these issues within fantasy stories is really important to allow us to understand and process the difficult thoughts and feelings they can bring up within us.
A grimdark fantasy in the tone of Abercrombie, Moss’s The Worthy is a brilliant debut that explores a fractious sibling relationship between brother and sister Prince Barsten and Princess Ailith, both of whom are battling to become heir to the kingdom of Crell. Ailith herself is hiding her lover, Lady Avalon, at the same time as trying to protect the kingdom when it quite literally begins to tear itself apart due to a mysterious magical entity. The book explores issues of patriarchal oppression, historic abuse and trauma, sexuality and homophobia. Despite the grim world and morally grey characters, I found myself drawn into this story because of the important themes it considered.
Blood is thicker than water. Tell that to Prince Barsten, betrayed and abandoned on foreign soil. His sister is intent on claiming the throne and he’s intent on stealing it back. One of them might succeed, if it weren’t for a sacred creature infecting people with its emotions. Rage, fear, paranoia, despair. As their country collapses, the royal siblings must stay true to themselves or find out just how thick their blood really is.
Moss’s compelling debut novel dives into a desperate kingdom, full of intrigue, treachery and sapphic-longing. Fast-paced and awash with sinful characters and fetid settings, The Worthy…
Let’s face it—we spend a lot of time at work. Work is a big part of our lives, but sometimes it’s terrible and feels like there is no winning against institutionalized sexism and capitalism. And you really want to win! I love reading about women who are finding ways to overcome massive obstacles at work no matter what gets in their way, whether it’s by destroying an industry with a spreadsheet, breaking a curse, ditching a bad boss, or just finding a way to survive. Because sometimes that’s all you can do—survive it. Stories of women working feel endlessly relatable because we have so many shared experiences, and that’s why what happens at work shows up in my reading and my writing.
I had to read this when it came out because it felt ripped from the headlines. Sarah Lai has left behind her Hollywood dreams of filmmaking for a quieter, simpler life. But a journalist reaches out and drags her past to the forefront by asking questions about Sarah’s experiences working with a celebrated producer. There have been… complaints. From women. A lot of women.
Sound familiar? This is a wholly fictional take on past events, but it also forces the reader to examine the ways in which we might be complicit in holding up systems, and what we can do to break bad patterns.
Engaging, timely, and I couldn’t put it down. Again, women find their voices and stand up for other women around them. That’s a narrative I can’t miss.
I was living one of the darkest periods of my life when a friend took me to a Louise Bourgeois show. I wandered among her pieces feeling numb. Then I entered a large room filled with Passage Dangereux from 1997. A most depressing art piece that put me into contact with the restrictions in a family, the limitations we set for each other, and the unhappiness everywhere. When I left the room, I felt a lift in my spirits. I’m a writer to try to put more precise words to what goes on inside ourselves when we are alone and when we fall in love and enter into a relationship with another person.
A man I was working with recommended this book to me, when he heard about my novel, while it was in the making. I got hold of this book and already after the first chapter I understood why. Janice Radway investigates how Harlequin novels have such a large audience. In essence it is because romance novels always end well, as opposed to life, that keeps being complicated. It taught me that I’m a very romantic person. This was something I had never regarded as a positive trait so of course I failed to see just how important romance was and is to me. By identifying with millions of women who read these romance novels, I gained a respect that I still feel is lacking in our culture: A respect for our emotions and the big role they play in our sense of satisfaction with life.
Originally published in 1984, Reading the Romance challenges popular (and often demeaning) myths about why romantic fiction, one of publishing's most lucrative categories, captivates millions of women readers. Among those who have disparaged romance reading are feminists, literary critics, and theorists of mass culture. They claim that romances enforce the woman reader's dependence on men and acceptance of the repressive ideology purveyed by popular culture. Radway questions such claims, arguing that critical attention ""must shift from the text itself, taken in isolation, to the complex social event of reading."" She examines that event, from the complicated business of publishing and…
I am a woman and so like all of us who have lived long enough, I have been pushed to the edge. I’m fascinated with what society tells us we are and are not meant to feel or express. In part this is because I teach emotional intelligence and empathy, also because I am the mother of four and the more emotional literacy I have, the richer my life is. I’m not interested in having any emotions disavowed for anyone of any gender. I teach wholehearted leadership with my company Pilot Light and also speak to school students and other groups about feminism, gratitude, courage, pornography, creativity, overwhelm, and vulnerability.
"This book is about what happens when women are the storytellers too – when we speak from our authentic voices, when we flex our values, when we become protagonists in the tales we tell about what it is to be human."
I reference this wonderful, non-fiction book in my novel several times. Once when Odessa the main character sees it on her bookshelf.
Another time when Odessa talks about the shocking myth of Cassandra, who was given the gift of prophecy by Apollo but when she wouldn’t sleep with him he cursed her that no one would believe her.
And the third reference is at the end of my novel, Odessa’s dog bears Casandra as her mighty name. As an embodiment of all that will be listened to and believed. Cassandra Speaks had a profound impact on me as a woman, a mother, a sister, a human, and as a…
What story would Eve have told about picking the apple? Why is Pandora blamed for opening the box? And what about the fate of Cassandra who was blessed with knowing the future but cursed so that no one believed her? What if women had been the storytellers?
Elizabeth Lesser believes that if women's voices had been equally heard and respected throughout history, humankind would have followed different hero myths and guiding stories-stories that value caretaking, champion compassion, and elevate communication over vengeance and violence.
Cassandra Speaks is about the stories we tell and how those stories become the culture. It's…
In my 20s, after always doing what I was “supposed” to, I found myself trapped in a relationship I wanted out of, in a job that barely paid the bills, and in a mindset of scarcity. After my birth control almost killed me, I dove into the mind-body connection that’s often stifled by sexism and societal expectations, becoming fascinated with pushing against the status quo and living more adventurously. I realized I needed to sincerely take my life decisions into my own hands. Since then, I’ve run ultramarathons, become an entrepreneur, and taught countless menstruators how to listen to their own bodies so they can build a life they love.
It shook me to discover I was living by 2 of the 5 “good girl myths” (“Logic” and “Perfection”) when I could be using evidence-backed design principles to create my life on my own terms.
One takeaway? In the beginning stages of starting my first business, I’d throw every ounce of energy into creating a “perfect” finished product before even telling anyone a project was coming. When launch day came, nobody would buy. I was so frustrated investing time, money, and energy into projects that wouldn’t take off.
Majo’s book taught me the value of “prototyping.” Just like professional designers, engineers, and inventors need to create a minimally viable product to validate the idea, I can do so in all areas of my life. What’s the smallest step forward I can take toward a goal right now that I can afford to lose from? That’s entrepreneurial thinking.
"A must-read for any woman who is ready to design a life on her own terms." - Sophia Amoruso, Founder and CEO, Girlboss
Women: it's time to break the good girl myths that are holding you back and share your true gifts with this groundbreaking book from Stanford University-trained designer and women's leadership expert Majo Molfino.
For thousands of years, women have been taught to be "good" instead of powerful. But when we embody the good girl, we hold back their voices and gifts in a world that desperately needs female perspectives.
Drawing on countless coaching sessions and conversations with…
We talk a lot about the big public events that expanded the #MeToo movement so astronomically, like the election to the US presidency of a man who bragged about assaulting women, and the allegations made against Harvey Weinstein. But I think most American women have other, more personal beefs that originate from their being a woman. I, for one, was shocked at how unnecessarily difficult it was to be a new mother in the US. Other places support this vulnerable group much more than we do here, and living that disparity angered me—like, for example, when my husband exhausted what little parental leave he had available before our twins were even released from the NICU.
I love Eltahawy’s approach to solving the problems of the patriarchy: She wants to teach and encourage women and girls to do all the things we’re taught not to do, specifically a series of seven dubitable “sins” that have been instilled in females for centuries.
She begins by promoting the expression of anger, which like the rest of the traits on her list is something that women have been told is harmful, unfeminine, and wrong. But Eltahawy is—admirably, inspiringly—driven to flip it on its head, thereby turning it into an asset that can be employed to improve conditions for all of us.
A bold and uncompromising feminist manifesto that shows women and girls how to defy, disrupt, and destroy the patriarchy by embracing the qualities they’ve been trained to avoid.
Seizing upon the energy of the #MeToo movement, feminist activist Mona Eltahawy advocates a muscular, out-loud approach to teaching women and girls to harness their power through what she calls the “seven necessary sins” that women and girls are not supposed to commit: to be angry, ambitious, profane, violent, attention-seeking, lustful, and powerful. All the necessary “sins” that women and girls require to erupt.
