Here are 100 books that The Origins of Courtliness fans have personally recommended if you like
The Origins of Courtliness.
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I'm a medievalist with a focus on German and European literature. Already with my Ph.D. diss. in 1987, I endeavored to explore interdisciplinary, interlingual connections (German-Italian), and much of my subsequent work (119 scholarly books so far) has continued with this focus. I have developed a large profile of studies on cultural, literary, social, religious, and economic aspects of the pre-modern era. In the last two decades or so, I have researched many concepts pertaining to the history of mentality, emotions, everyday-life conditions, and now also on transcultural and global aspects before 1800. Numerous books and articles have dealt with gender issues, communication, and historical and social conditions as expressed in literature.
If you ever want to know what the medieval Church had to say about sex, love, marriage, and other related topics, you only need to draw from the relevant preachers’ manuals and Church lawbooks, which illuminate the entire spectrum of human failings which the Church condemned and punished in specific terms. It might be hilarious at times, but Brundage clearly unearths the concrete rules for the ordinary people when they were allowed to have sex during the year and under what conditions. Moreover, this is an eye-opening book about the official view of queerness in the Middle Ages.
This monumental study of medieval law and sexual conduct explores the origin and develpment of the Christian church's sex law and the systems of belief upon which that law rested. Focusing on the Church's own legal system of canon law, James A. Brundage offers a comprehensive history of legal doctrines-covering the millennium from A.D. 500 to 1500-concerning a wide variety of sexual behavior, including marital sex, adultery, homosexuality, concubinage, prostitution, masturbation, and incest. His survey makes strikingly clear how the system of sexual control in a world we have half-forgotten has shaped the world in which we live today. The…
I'm a medievalist with a focus on German and European literature. Already with my Ph.D. diss. in 1987, I endeavored to explore interdisciplinary, interlingual connections (German-Italian), and much of my subsequent work (119 scholarly books so far) has continued with this focus. I have developed a large profile of studies on cultural, literary, social, religious, and economic aspects of the pre-modern era. In the last two decades or so, I have researched many concepts pertaining to the history of mentality, emotions, everyday-life conditions, and now also on transcultural and global aspects before 1800. Numerous books and articles have dealt with gender issues, communication, and historical and social conditions as expressed in literature.
Contrary to our common assumptions, women in the Middle Ages were not simply muted or repressed. Much depended on the social, economic, religious, and cultural circumstances. Blamires brings to light a wealth of documents that confirm the much more complex conditions for women in the pre-modern age, many of whom received considerable respect if not admiration.
Misogyny is of course not the whole story of medieval discourse on women: medieval culture also envisaged a case for women. But hitherto studies of profeminine attitudes in that periods culture have tended to concentrate on courtly literature or on female visionary writings or on attempts to transcend misogyny by major authors such as Christine de Pizan and Chaucer. This book sets out to demonstrate something different: that there existed from early in the Middle Ages a corpus of substantial traditions in defence of women, on which the more familiar authors drew, and that this corpus itself consolidated strands of…
I'm a medievalist with a focus on German and European literature. Already with my Ph.D. diss. in 1987, I endeavored to explore interdisciplinary, interlingual connections (German-Italian), and much of my subsequent work (119 scholarly books so far) has continued with this focus. I have developed a large profile of studies on cultural, literary, social, religious, and economic aspects of the pre-modern era. In the last two decades or so, I have researched many concepts pertaining to the history of mentality, emotions, everyday-life conditions, and now also on transcultural and global aspects before 1800. Numerous books and articles have dealt with gender issues, communication, and historical and social conditions as expressed in literature.
This is the most seminal study ever written regarding western culture, highlighting the connections and shared tropes and topoi from classical antiquity to the early twentieth century. Curtius demonstrates an enormous command of Latin and vernacular literature from all of Europe and knows how to draw significant lines from culture to culture and from period to period.
Published just after the Second World War, European Literature and the Latin Middle Ages is a sweeping exploration of the remarkable continuity of European literature across time and place, from the classical era up to the early nineteenth century, and from the Italian peninsula to the British Isles. In what T. S. Eliot called a "magnificent" book, Ernst Robert Curtius establishes medieval Latin literature as the vital transition between the literature of antiquity and the vernacular literatures of later centuries. The result is nothing less than a masterful synthesis of European literature from Homer to Goethe. European Literature and the…
Marriage and Fatherhood in the Nazi SS
By
Amy Carney,
When I was writing this book, several of my friends jokingly called it the Nazi baby book, with one insisting it would make a great title. Nazi Babies – admittedly, that is a catchy title, but that’s not exactly what my book is about. SS babies would be slightly more…
I'm a medievalist with a focus on German and European literature. Already with my Ph.D. diss. in 1987, I endeavored to explore interdisciplinary, interlingual connections (German-Italian), and much of my subsequent work (119 scholarly books so far) has continued with this focus. I have developed a large profile of studies on cultural, literary, social, religious, and economic aspects of the pre-modern era. In the last two decades or so, I have researched many concepts pertaining to the history of mentality, emotions, everyday-life conditions, and now also on transcultural and global aspects before 1800. Numerous books and articles have dealt with gender issues, communication, and historical and social conditions as expressed in literature.
Auerbach wrote this book while he lived in exile in Istanbul, having fled from the Nazis. This forced him to turn his attention very closely to the original texts, classical in their reputation from the ancient through the medieval, and the early modern period. He demonstrated brilliantly the true value of thorough philological work and the great yield of close reading, profiling all of pre-modern European literature in a unique fashion. This book lives on until today.
More than half a century after its translation into English, Erich Auerbach's Mimesis remains a masterpiece of literary criticism. A brilliant display of erudition, wit, and wisdom, his exploration of how great European writers from Homer to Virginia Woolf depicted reality has taught generations how to read Western literature. This new expanded edition includes a substantial essay in introduction by Edward Said as well as an essay, never before translated into English, in which Auerbach responds to his critics. A German Jew, Auerbach was forced out of his professorship at the University of Marburg in 1935. He left for Turkey,…
PoppyHarp has at its heart the mystery of a forgotten children’s TV show from the 70s, so I wanted to share books that explore a similar idea–the fiction in fiction–be it an invented book, movie, or TV show that drives the narrative in some way. These five books all feature the enigmatic quality of something lost or some kind of age-old mystery waiting to be unraveled by its protagonists. They are also five books that I absolutely adore.
This is a love-it or hate-it novel. Either you find it tiresome, or you give yourself over whole-heartedly to its unique madness. It has at its heart a film, The Navidson Record, a documentary about a photojournalist who moves his family into a pretty house and discovers that the house is bigger on the inside than the outside, and getting bigger.
As he and his friends try to explore the limits of the house, it rearranges itself around them. The film is described in the text by an old man, complete with a mountain of scholarly footnotes by a tattoo artist. But this book is also powered by a genuinely unsettling, often terrifying descent into hell. It’s a deranged funhouse of a novel that you will probably never forget.
“A novelistic mosaic that simultaneously reads like a thriller and like a strange, dreamlike excursion into the subconscious.” —The New York Times
Years ago, when House of Leaves was first being passed around, it was nothing more than a badly bundled heap of paper, parts of which would occasionally surface on the Internet. No one could have anticipated the small but devoted following this terrifying story would soon command. Starting with an odd assortment of marginalized youth -- musicians, tattoo artists, programmers, strippers, environmentalists, and adrenaline junkies -- the book eventually made its way into the hands of older generations,…
I’m an author, but first and foremost I’m a reader. I’ve been voracious about it my entire life, but it wasn’t until just a few years back that I discovered the romance genre—which sucked me in immediately. After a few books I stumbled onto Ruby Dixon and it was over. Syfy and fantasy romance had their hooks in me. These recs are the books I re-read and the authors I follow because they are consistent in telling captivating stories, with rich worlds, and vibrant characters. Book hang-over guaranteed.
The intro to the world Naomi created really grabbed me. This idea of a misty, ever-expanding labyrinth…so cool! It’s one of those times that the setting in a story is so exciting and vivid that it’s almost an entire character in and of itself. Then there are all the characters we encounter along the journey. Hello centaurs… It’s a labyrinth you’ll definitely want to get lost in.
Aldora lived in a bordertown on the edge of the maze. A labyrinth that spanned an eternity filled with creatures that howled through the night. She was a daughter to farmers that worked the fields and endured a quiet life as a peasant, away from the capital and its nihilistic celebrations; away from all that would look at her and discern her worth. Because to be chosen as a sacrifice was to be chosen to die. Until one night, while at the labyrinth wall, she heard a husky voice in the darkness.
Vedikus Bathyr. He prowled the overgrown passages at…
An Italian Feast celebrates the cuisines of the Italian provinces from Como to Palermo. A culinary guide and book of ready reference meant to be the most comprehensive book on Italian cuisine, and it includes over 800 recipes from the 109 provinces of Italy's 20 regions.
Ten-year-old me once looked in the bathroom mirror wondering who I would become. I tried to memorize the patterns in the tiles to hold on to that moment and carry it with me. My fascination with memory and the past permeates my novels. I love a good cold case—and my August Monet thriller trilogy is all about how the past weaves through the present—informing it, haunting it, transporting secrets. Maybe it’s our long, dark winters, but I see this same fascination in the novels of my fellow Canadian thriller writers. Many have created messy characters haunted by their messy pasts. Here’s a list of my favourites.
Clare is on the run and on the hunt for a missing girl.
What kept me reading was the tumult of questions that kept bubbling to the surface as Clare reluctantly and relentlessly searches—so many questions followed her on her solo journey. Who is she really running from and who is she working for? What is her end game? Where is the missing girl, Shayna and who doesn’t want her to discover the truth?
Clare is a woman with a very messy past—which is why she’s perfect for the job. She’s got nothing to lose. But she’s also got the past hot on her heels. There’s nothing like a strong, female character haunted by her past to get me turning the pages.
A taut psychological thriller in the vein of The Good Girl by Mary Kubica.
Clare is on the run.
From her past, from her husband, and from her own secrets. When she turns up alone in the remote mining town of Blackmore asking about Shayna Fowles, the local girl who disappeared, everyone wants to know who Clare really is and what she’s hiding. As it turns out, she’s hiding a lot, including what ties her to Shayna in the first place. But everyone in this place is hiding something—from Jared, Shayna’s secretive ex-husband, to Charlie, the charming small-town drug pusher,…
I love to read (and write) books about badass heroines who do the saving. They’re not passive. They’re not dragged along by the alpha a-hole, swooning over his muscles and domineering personality. They take charge. They wield the sword, or the gun, or their fists and rescue the dude in distress, who may act the monster but is really just a secret cinnamon roll who wants to be loved. These heroines are the real role models, the women I want to be like. Their stories are the ones I get lost in and remember long after I’ve put the book down.
I have never come across a writing style quite like this. The author has a truly unique voice that some may detest at the first sentence, but I adored it. The prose in this book is a wild ride, but I was along for it.
I loved the monstrous fae male character. He appeared cruel on the outside but was just broken and lonely on the inside and wanted someone to love him. All my favorite things in a male love interest.
The two constants in my life to date have been ocean exploration by day and reading epic adventures by night. As a Ph.D. marine scientist, I’ve had the incredible good fortune to travel the world conducting marine science research, work which to date has resulted in forty-two research articles and a textbook. But as much as I’ve enjoyed conducting the research, communicating about the sea has been even more engaging, taking me to the White House, both houses of Congress, and many countries around the world. And perhaps best of all, I’ve been able to couple my love of stories with my own research experience to produce four adventure novels.
I’ve loved Clive Cussler’s books since long before I became an ocean explorer myself. His ability to weave real science and engineering into adventurous novels is without peers, and I can see aspects of Dirk Pitt and Al Giordino in real people I’ve worked with throughout my career.
This book is the first of the duo’s twenty-six adventures to date, and it is perhaps the most realistic of the series. Many of you will likely have read one or more of the recent adventures, but take the time to dive back into the mission where it all started. You won’t be disappointed!
Dirk Pitt responds to a call of distress and finds himself coping with a modern Greek goddess in a red bikini, a vast drug-smuggling ring, a still-active Nazi criminal, and a perilous undersea labyrinth. Originally in paperback.
Ever since I was young, I’ve loved fantasy novels, movies, and video games. When I got to high school, I finally met people who played Dungeons and Dragons, and it was all downhill from there! I started Dungeon Mastering at a young age, but everyone said I had a real talent for it. The stories I created always caught the imagination of the players, and more than once, people told me I should write books. Well, here I am. I love escapist fantasy, epic adventures, wonderful characters, and terrible villains. I can’t get enough of them, and every day I immerse myself in the fantastical, whether it be reading another book, writing another story, or booting up another Final Fantasy game.
Into the Labyrinth by John Bierce is another academy-fantasy tale where the main character, Hugh, studies magic alongside others. This is a great story for emotional development and plot twists! At first, things seem like they don’t add up, but by the end, you get a satisfying sense of “ah-ha!” as most of your questions are answered (not all, though!).
This is a great coming-of-age story where Hugh finds great mentors, deals with his first love, and struggles with magic where others excel. It’s a great entry point for younger readers, too. Just well worth the read.
Hugh of Emblin is, so far as he's concerned, the worst student that the Academy at Skyhold has ever seen. He can barely cast any spells at all, and those he does cast tend to fail explosively. If that wasn't bad enough, he's also managed to attract the ire of the most promising student of his year- who also happens to be the nephew of a king. Hugh has no friends, no talent, and definitely doesn't expect a mage to choose him as an apprentice at all during the upcoming Choosing. When a very unexpected mage does choose him as…
