Here are 91 books that The Mysterious Case of the Alperton Angels fans have personally recommended if you like
The Mysterious Case of the Alperton Angels.
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With my degree in journalism, you’d think I would be firmly rooted in real-world dramas, but all my time in news did was push me deeper toward my love of fantasy and romance stories. A natural optimist and a bit of a dreamer, I have always been a voracious reader of the fantasy romance genre. I love a story that can take you away from the real world for a time with amazing heroes, end-of-world stakes, and of course, thick romantic tension. I have a special fondness for series’ where I can watch the characters grow in depth or where each story covers a different character's perspective or experience.
I absolutely love the high-intensity emotion and forbidden love in this story. Tanya Bird did an incredible job of pulling me into the tension between two characters, and I love how each book is about a different love story between characters within the same world!
A bit different from my usual fantasy picks, this series has a more dystopian and historical fantasy vibe, but it’s such a well-crafted dark world and the romantic tension is so good that I almost forget there are no real magical type elements.
Blake Suttone has a stomach full of grief and no food. A decade of famine has taken its toll on the splintered kingdom, but it is the merchants who suffer most. A wall stands between the hungry and the food, and the kingdom’s defenders stand guard atop it. Desperate times lead to desperate acts, and Blake will do whatever is necessary to ensure her family survives. But a growing attachment to a certain commander was never part of the plan. Now the man protecting the walls seems determined to guard her too.
I’m a professor of history at the University of Nevada, Las Vegas where I teach and write about topics ranging from feminism to World War. I became interested in the history of the Armenian Genocide because my grandmother was a survivor. Other books I’ve written include: Women Making News: Gender and Journalism in Modern Britain; Smyrna’s Ashes: Humanitarianism, Genocide and the Birth of the Middle East and The British Empire and the Armenian Genocide.
I think this book explains why genocide happens
under the cover of war. It made me see why both World War I and World War II
were marked by genocides. I really liked how the author explained why the
Armenian Genocide was a key event of World War I.
Balakian is a poet who turned
to history writing to explain the experience of genocide and demonstrate the
central importance of the international response to genocide. He uses
interesting source material from eyewitnesses and official archives to trace both
the humanitarian response and military decisions that brought the US into the
war on the side of the Allies in the wake of the first large-scale genocide of
the twentieth century.
A History of International Human Rights and Forgotten Heroes
In this national bestseller, the critically acclaimed author Peter Balakian brings us a riveting narrative of the massacres of the Armenians in the 1890s and of the Armenian Genocide in 1915 at the hands of the Ottoman Turks. Using rarely seen archival documents and remarkable first-person accounts, Balakian presents the chilling history of how the Turkish government implemented the first modern genocide behind the cover of World War I. And in the telling, he resurrects an extraordinary lost chapter of American history.
Awarded the Raphael Lemkin Prize for the best scholarly…
I am a Professor of modern European history at the University of San Francisco. I have written or co-edited three major books and many articles and reviews, as well as serving as a correspondent for a German newspaper. My areas of expertise are intellectual, political, military, and cultural history. I also work on the history of espionage and served as a consultant to the CIA on my last book about student radicals in Germany.
I was riveted by this revisionist history of how America got into World War I and changed American society and politics. He shows how much of American collective memory about why WWI was fought, and the perception of Germany in America was fashioned, to a large extent, by British propaganda. He also shows why Germany had no choice but to engage in unrestricted submarine warfare, which eventually brought the United States into the war.
Had the British modified the naval blockade on Germany, which starved the German population in a horrific manner, the United States might never have become involved. But Great Britain was determined to make sure Germany would never again pose a threat to its colonial overseas empire. President Wilson at first understood that American neutrality was the means by which he could have brokered peace, but British and French recalcitrance, and eventually the deaths of relatively few…
A bracing, indispensable account of America’s epoch-defining involvement in the Great War, rich with fresh insights into the key issues, events, and personalities of the period
After years of bitter debate, the United States declared war on Imperial Germany on April 6, 1917, plunging the country into the savage European conflict that would redraw the map of the continent—and the globe. The World Remade is an engrossing chronicle of America’s pivotal, still controversial intervention into World War I, encompassing the tumultuous politics and towering historical figures that defined the era and forged the future. When it declared war, the United…
Cynthia Harrod-Eagles is the author of the internationally acclaimed Morland Dynasty books. Five volumes of this comprehensive historical series focus on WW1, covering the military campaigns and the politics behind them. With the approach of the WW1 centennials, she was asked to write about the period again, this time from the point of view of the people who stayed at home. The result was the six-volume series, War At Home, which views the war from a more personal perspective, through the eyes of the fictional Hunter family, their servants, and friends.
Lyn Macdonald is my go-to historian for WW1, and I only pick out this volume – she has written one for each year of the war – because if you want a thorough, detailed account of the war you will want to start at the beginning. She is a fine writer, and very readable, and her books are full of extracts from letters and diaries of the men at the front, and their families back home, which give you the genuine, authentic flavour of how people thought and spoke at the time, and allows you to feel you were really there.
This is an account of the first few months of the Great War, from the build-up of the fighting to the first Battle of Ypres, written by the author of "Somme", "They called it Passchendaele" and "The Roses of No Man's Land".
When I first enrolled in college, I expected to be a science major who was also interested in history, but I ended up becoming a history major who was also interested in science. I earned my Ph.D. in history from George Washington University in Washington, DC, after earning my B.A. from Temple University in Philadelphia, PA. My Ph.D. dissertation on the U.S. Army Chemical Warfare Service during WWI and the 1920s became the basis for my book Behind the Gas Mask.
War and Nature is an innovative and thought-provoking look at the relationship between chemical warfare and insecticides that intersects military history, environmental history, and cultural history. Edmund Russell weaves together many disparate threads of inquiry into a cohesive and compelling story about how military tools can transition into commercial uses.War and Nature convinced me to study chemical warfare in my academic career more than any other book.
War and Nature combines discussion of technology, nature, and warfare to explain the impact of war on nature and vice versa. While cultural and scholarly traditions have led us to think of war and control of nature as separate, this 2001 book uses the history of chemical warfare and pest control as a case study to show that war and control of nature coevolved. Ideologically, institutionally, and technologically, the paths of chemical warfare and pest control intersected repeatedly in the twentieth century. These intersections help us understand the development of total war and the rise of the modern environmental movement.
Dr. Wesley Britton is the author of four non-fiction books—Spy Television, Beyond Bond: Spies in Fiction and Film, Onscreen and Undercover: The Ultimate Book of Movie Espionage, and The Encyclopedia of TV Spies. He's also the author of eight Beta-Earth Chronicles sci-fi stories. For seven years, he was co-host of online radio’s Dave White Presents. He earned his doctorate in American Literature at the University of North Texas. In 2016 he retired from teaching English at Harrisburg Area Community College, after 33 years as an instructor. He lives with his wife, Grace, their dog Joey and their cat Molly in Harrisburg, Pennsylvania. Wesley also has a Radio show and podcast called Remember When.
The most influential spy novelist of them all, John Buchan, had the Germans planning to disable the British army with anthrax germs. While an admittedly small part of all the various plots in the complex novel, Buchan’s Richard Hannay touched all the bases in the five books in which he starred. For another example, in 1924 The Three Hostages, international demigods stirred up trouble with brainwashing and hypnotism. This device was a popular weapon employed by the likes of Fu Manchu.
Set in the later years of World War I, Brigadier-General Hannay is recalled from active service on the Western Front to undertake a secret mission hunting for a dangerous German agent at large in Britain. Hannay is required to work undercover disguised as a pacifist, roaming the country incognito to investigate a German spy and his agents, and then heads to the Swiss Alps to save Europe from being overwhelmed by the German army
I discovered my passion for the First World War when researching my great-grandfather’s service history in the cavalry. I also write historical fiction with several of my books being set during the First World War and have spent thousands of hours over the past twenty years researching different aspects of this period, both from the point of view of the V.A.D.s, wounded soldiers, medical staff treating them, as well as grieving families. The stories I’ve come across never fail to haunt me and I can’t imagine I’ll ever tire of wanting to discover more about the people who survived these experiences, or stop needing to write books about them.
This is the first novel I read about grieving families who commissioned photographers to search for the place where their loved one died, in order that a photo could be taken for them to have as a keepsake.
I love learning something new when I read a book and I discovered so much about the after-effects of losing someone without having knowledge of their last moments and a place to pay one’s respects.
This is about Edie, a widow wanting answers about her husband who she believes might still be alive, despite being classed as ‘missing, presumed dead’ in 1917. She commissions her late husband’s brother to search for him and photograph his final resting place, if indeed there is one.
A wonderful, haunting story of enduring love and loss.
**Don't miss Caroline Scott's brand-new novel When I Come Home Again, a beautiful and compelling story based on true events - out now!!**
A BBC RADIO 2 BOOK CLUB PICK
'This excellent debut is a melancholic reminder of the rippling after-effects of war' The Times 'A touching novel of love and loss' Sunday Times
For fans of The Tattooist of Auschwitz and Where The Crawdads Sing comes a moving story, inspired by real events, about how hope and love will prevail against all odds.
1921 In the aftermath of war, everyone is searching for answers.
I’m an experienced historian, biographer, and storyteller. I’ve written widely about Australian politics, social history, sport, and World War I. My biography of Australia’s most famous fighting general, Pompey Elliott, won multiple national awards, and I assembled his extraordinary letters and diaries in a separate book, Pompey Elliott at War: In His Own Words. Another biography, Will Dyson: Australia’s Radical Genius, about a remarkably versatile artist–writer who was Australia’s first official war artist, was shortlisted for the National Biography Award. My multi-biography Farewell, Dear People: Biographies of Australia’s Lost Generation won the Prime Minister’s Prize for Australian History, and I’ve written a sequel, Life So Full of Promise.
It’s not common for books about WWI to contain detailed analysis of both the battlefields and the home front (although this dual coverage is a feature of my lost generation multi-biographies).
To compile a comprehensive history of Australia during the war that combines what happened at home with what occurred at the various fronts is indeed a daunting task, yet Joan Beaumont accomplished it with conspicuous success in this acclaimed and award-winning book.
Winner of the 2014 Prime Minister's Literary Award for Australian History.The Great War is, for many Australians, the event that defined our nation. The larrikin diggers, trench warfare, and the landing at Gallipoli have become the stuff of the Anzac 'legend'. But it was also a war fought by the families at home. Their resilience in the face of hardship, their stoic acceptance of enormous casualty lists and their belief that their cause was just, made the war effort possible.Broken Nation is the first book to bring together all the dimensions of World War I. Combining deep scholarship with powerful…
To call myself an expert on love would imply success in the field. You can think of me then as a passionate amateur. “Write what you know,” they always say, and there might be nothing I know better than the excitement and heartache of looking for, and finding, and losing, somebody in the world who’s unlike everybody else. Up until recently, I mostly wrote young adult mystery fiction, but my latest book, Words of Love, is evidence that “Will they or won’t they” is still the mystery, the central question, that I seek to resolve not just in my reading, or in my writing, but in my life.
It might seem pompous and affected to recommend this masterpiece by one of the greatest deities in the literary pantheon (who’s no stranger to accusations of pompousness and affectation himself…)—especially when it’s not immediately clear who’s on the other side of Isabel Archer’s “will they or won’t they?” story. Is it the competent, hardworking Caspar Goodwood? The aristocratic, lovelorn Lord Warburton? Her kind, ailing benefactor Ralph Touchett? Or the uncaring art collector Gilbert Osmond? It is evidence of Henry James’ genius that I felt, at the end of the novel, that I had encountered every one of these characters at some point in my life (occasionally in myself)—and his brilliant heroine became the unhearing recipient of all the advice I’ve ever needed to give myself on how to choose a partner.
The talented and beautiful Isabel Archer, courted by several suitors and enriched by her dying uncle, chooses to marry the cold and ambitious Gilbert Osmond. The heroine soon discovers to her cost that freedom of choice is never what it seems.
I’m an experienced historian, biographer, and storyteller. I’ve written widely about Australian politics, social history, sport, and World War I. My biography of Australia’s most famous fighting general, Pompey Elliott, won multiple national awards, and I assembled his extraordinary letters and diaries in a separate book, Pompey Elliott at War: In His Own Words. Another biography, Will Dyson: Australia’s Radical Genius, about a remarkably versatile artist–writer who was Australia’s first official war artist, was shortlisted for the National Biography Award. My multi-biography Farewell, Dear People: Biographies of Australia’s Lost Generation won the Prime Minister’s Prize for Australian History, and I’ve written a sequel, Life So Full of Promise.
Charles Bean’s epic volumes were pioneering, illuminating, thorough, deeply researched and far superior to equivalent official histories produced by other nations involved in the conflict.
Although Bean’s books were written long ago — between 1921 and 1942 — they are still the starting point for any credible project concerning itself with what the AIF did in battle. And he edited various volumes in the Official History series compiled by other writers as well, including a book about the home front during the war.
Bean was remarkable. His Official History, and the records and research materials underpinning it, have been crucial in so much of my work—not only my lost generation multi-biographies, and also my books on Pompey Elliott and Will Dyson, but many other research projects as well.
