Here are 100 books that The Light of the World fans have personally recommended if you like
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My writing background started in the newsroom where, as a reporter, my job was to interview and tell the stories of others. At one point in my career, my editors assigned me a bi-monthly column, and while I used this space to write about a variety of issues happening in the community, I also used it occasionally to write personal essays. I love this form because the personal story helps us drill down on an issue and, in essence, make deeper connections with the collective. When I left the newsroom, I continued to study and write in essay and memoir form. In my MFA program, I was able to focus on this form exclusively for two years, and I have spent many years crafting my first book-length memoir into form.
Faithful to its title, this brilliant book starts with the body — an unspeakable injury to the narrator’s body, a crime, a horror. Bernard writes with a specificity that is gut-wrenching without being sensational. And all along, running alongside the sensory language is the author’s intellectual river, constantly washing over and over a moment, a scene, a feeling, a thought. This book includes twelve interconnected essays, each building on the other despite how many years – and miles – separate them.
“Blackness is an art, not a science. It is a paradox: intangible and visceral; a situation and a story. It is the thread that connects these essays, but its significance as an experience emerges randomly, unpredictably. . . . Race is the story of my life, and therefore black is the body of this book.”
In these twelve deeply personal, connected essays, Bernard details the experience of growing up black in the south with a family name inherited from a white man, surviving a random stabbing at a New Haven coffee shop, marrying a white man from the North and…
My writing background started in the newsroom where, as a reporter, my job was to interview and tell the stories of others. At one point in my career, my editors assigned me a bi-monthly column, and while I used this space to write about a variety of issues happening in the community, I also used it occasionally to write personal essays. I love this form because the personal story helps us drill down on an issue and, in essence, make deeper connections with the collective. When I left the newsroom, I continued to study and write in essay and memoir form. In my MFA program, I was able to focus on this form exclusively for two years, and I have spent many years crafting my first book-length memoir into form.
Brenda Miller, a former professor of mine, was one of the first people whose work opened up for me the endless possibilities in creative nonfiction and memoir. Season of the Body is a sumptuous collection of lyric essays that can teach the close reader how to come at a subject “sideways”. A flash essay offered by Creative Nonfiction magazine had a subtitle that reminds me of the genius of Miller’s book, “Distill experiences, big or small, into their purest essence.” Whether she’s writing about heartbreak or meditation, Miller’s poetic attention to detail and philosophical tone act as distiller.
My writing background started in the newsroom where, as a reporter, my job was to interview and tell the stories of others. At one point in my career, my editors assigned me a bi-monthly column, and while I used this space to write about a variety of issues happening in the community, I also used it occasionally to write personal essays. I love this form because the personal story helps us drill down on an issue and, in essence, make deeper connections with the collective. When I left the newsroom, I continued to study and write in essay and memoir form. In my MFA program, I was able to focus on this form exclusively for two years, and I have spent many years crafting my first book-length memoir into form.
I have not read a book like Melissa Valentine's The Names of All the Flowers, which is a beautiful, painful, and exquisitely written narrative about her brother Junior, who was gunned down on the streets of Oakland when he was 19. "Say his name, say her name," we chant when yet another one of our brothers or sisters is killed. In this memoir, Valentine gives us not only Junior's name but an intimate look into his head, his heart, his fears, his dreams, his joy.
Set in rapidly gentrifying 1990s Oakland, this memoir—"poignant, painful, and gorgeous" (Alicia Garza)—explores siblinghood, adolescence, and grief in a family shattered by loss.
Melissa and her older brother Junior grow up running around the disparate neighborhoods of 1990s Oakland, two of six children to a white Quaker father and a black Southern mother. But as Junior approaches adolescence, a bullying incident and later a violent attack in school leave him searching for power and a sense of self in all the wrong places; he develops a hard front and falls into drug dealing. Right before Junior’s twentieth birthday, the family…
Ever since I was a little guy, I've been told that I complicate things unnecessarily. I overthink and over-communicate, and often, my feelings are outsized to the situation. These are not things I do on purpose, but involuntary, like a sneeze or the way you reflexively clench with cuteness aggression when you see a grizzly bear’s little ears, even though you know it can hurt and eat and kill you. I love to find books with narrators who seemingly share this affliction. It makes me feel less alone, but more importantly, I love to see how other people's Rube Goldberg machines function.
A very dear friend suggested this book to me, and for that, they are now a very, very dear friend. I was in the middle of trying to figure out my own unwellness when I started reading, and I think I needed to see the kind of scouring vulnerability that Mailhot put into this memoir.
There are scenes that still play in my mind and lines that haunt me. It made me think about how messy survival is, how ungraceful it is to have to claw your way to stability, and how carefully you can create your own new kind of grace in telling that story.
A NEW YORK TIMES BESTSELLER Winner of the Whiting Award for Non-Fiction Selected by Emma Watson as an Our Shared Shelf Book Club Pick
'I loved it' Kate Tempest 'Astounding' Roxane Gay 'A sledgehammer' New York Times
Heart Berries is a powerful, poetic memoir of a woman's coming of age on an Indian Reservation in the Pacific Northwest. Having survived a profoundly dysfunctional upbringing only to find herself hospitalised and facing a dual diagnosis of post-traumatic stress disorder and bipolar II disorder, Terese Marie Mailhot is given a notebook and begins to write her way out of trauma.
I’m a children’s book author-illustrator who loves picture books that can tackle difficult topics in a unique way. Along with Where Is Poppy?, I’ve also illustrated The Remember Balloons, written by Jessie Oliveros, which helps to gently explain Alzheimer’s and memory loss to kids without sugarcoating the realities of the illness. I think books can be a great tool for helping kids understand and process ideas that can be a little heavy or overwhelming, even for adults.
As an illustrator, it's always the artwork of a picture book that first draws me in.
In this book, lots of double-page spreads allow the beautiful, painterly illustrations to shine. But the text is equally moving. I love the way the author uses animal metaphors to describe the different ways grief can take form.
An imaginative and heartfelt book that reminds us that there is no loss without love. When Grief first arrives, it is like an elephant-so big that there is hardly room for anything else. But over time, Grief can become smaller and smaller-until it is a fox, then a mouse, and finally a flickering firefly in the darkness leading us down a path of loving remembrance. This lyrical work is an empathetic and comforting balm for anyone who is experiencing grief-be it grieving the loss of a loved one or the losses in the world around us.
I’ve always loved books that take me on an emotional journey. Whether the story is realistic or fantastical, set firmly in the here and now or on another planet centuries in the future, I want to ride the roller coaster as the characters experience the highest of highs and the lowest of lows. That’s also one of my focuses as a writer for children. Little kids can have very big feelings, and stories for young readers can validate those feelings—without skimping on the fun. After all, joy can be a big feeling too.
Eight-year-old Eleanor has only ever had one babysitter. Bibi is the person who makes Eleanor soup when she’s sick, sews up her pants when they don’t fit right, and keeps track of her lost baby teeth. When Bibi has to move away, Eleanor’s heart feels like “a mirror that fell and shattered in a million pieces.” This gentle book about losing people you love, missing them terribly, and moving forward is ideal for helping kids travel that same tough path. A novel-in-verse, it’s also a quick read without sacrificing an inch of depth.
I had a bad August. A very bad August. As bad as pickle juice on a cookie. Eleanor's beloved babysitter, Bibi, is moving away. Suddenly, the things she used to enjoy aren't fun anymore-everything reminds her of Bibi. To make matters worse, Eleanor has a new babysitter, who just isn't the same. But as the new school year looms ahead, so do new beginnings. And Eleanor is about to learn some special things about herself, friendship, and the bittersweet process of growing up.
When I had multiple miscarriages in my late 20’s, I found I had no idea how to handle my grief. I didn’t even recognize I was grieving. A few years later when my husband died I was thrust into grief and a life I had never wanted. It took me months to learn how to survive, and a lot longer to find the resources I needed to live a happy life despite my loss. Finding resources that would help became important to me, and a handful of books have stayed with me long after I read them. I hope these books help you as much as they helped me.
This book is the first one I read after losing my husband. I was 31-years old, with a toddler and a newborn, and I had no idea how I was going to survive the rest of my life, better yet make it a life worth living. In The Sun Still Rises: Surviving and Thriving After Grief and Loss, author Shawn Doyle shares his story of loss, but more than that he shares hope with his reader. Hope that there is still light in the darkness of grief. At that point in my loss, hope was what I needed most. However, he didn't stop there, he also provided practical tips and suggestions about dealing with both the logistical matters that come with loss, as well as providing emotional support. This book helped me live my best life, in spite of my loss.
Coping with the loss of a loved one is perhaps the most difficult and devastating challenge any of us face in our lifetime.
The grief you feel hurts more than physical pain.
And yet, somehow, life is still going on around you.
Is it even possible to survive, let alone thrive, after such grief and loss?
In this book, Shawn Doyle shares his heart-wrenching personal story of bereavement to supply you with the tools, tips, and techniques for dealing with loss and grief on an hourly, daily, and weekly basis.
This is not a predictable five stages of grief book.…
Since I was a young child, I have always craved tender and fierce stories more than food or drink or normal social life. Eavesdrop is the first word I remember learning. I grew up next door to a convent and the nuns in their black habits, would let me join them on their walks. Taking walks, whether in cities or in the woods, remains an important part of my life, for my sanity and my writing. Whether I’m writing a personal essay, a novel or a non-fiction book, strong and quirky voices are what pull me to the page.
I love books where I’m captivated by both the language and the characters, as I am in this startling novel told through the eyes of Violette Toussaint, the caretaker at a cemetery in a small town in Bourgogne. Violette says there are two confessionals in the town, one in the church, the other in her cottage, and I am totally entranced by the stories she hears and what she divulges about her own surprising past. Perrin’s story is magical.
A WALL STREET JOURNAL BEST BOOK OF SUMMER 2021 A 2020 INDIES INTRODUCE & INDIE NEXT LIST PICK
A #1 international best-seller, Fresh Water for Flowers is an intimately told story about a woman who defiantly believes in happiness, despite it all.
Violette Toussaint is the caretaker at a cemetery in a small town in Bourgogne. Her life is lived to the predictable rhythms of the often funny, always moving confidences that casual mourners, regular visitors, and sundry colleagues share with her. Violette’s routine is disrupted one day by the arrival of Julien Sole—local police chief—who has come to scatter…
Maybe it’s because I come from a family that expresses conflict, shall we say, indirectly, but nothing fascinates me the way relationships do. What do we desire, what do we offer? And how much more do we care about friendships and family bonds than world peace? I also love stories about passions we pursue professionally, and ever since I fell in love with the food and wine world, that’s the world I’ve written about and the world in which my characters’ intense relationships play out. Real drama plays out over a drink or at a dinner table, and of course a glass of wine only unleashes a little more.
I know I have those lost friendships I still wonder about—we worked together, lived together, traveled to beach towns together, drank tequila together! We went to very bad bars and made very bad decisions together! How’d we lose touch?—and thank God these brilliant writers do too.
Schappell and Offill gather a cocktail party’s worth of lost platonic loves, reminding me that I’m not alone and giving meaningful thought to the monumental importance of friendship and the pain of losing it.
Losing a friend can be as painful and as agonizing as a divorce or the end of a love affair, yet it is rarely written about or even discussed. THE FRIEND WHO GOT AWAY is the first book to address this near-universal experience, bringing together the brave, eloquent voices of writers like Francine Prose, Katie Roiphe, Dorothy Allison, Elizabeth Strout, Ann Hood, Diana Abu Jabar, Vivian Gornick, Helen Schulman, and many others. Some write of friends who have drifted away, others of sudden breakups that took them by surprise. Some even celebrate their liberation from unhealthy or destructive relationships. Yet…
My life was turned upside down because of a devastating divorce, becoming an empty nester, and my job as a theology professor ending. The identity crisis was real because the doing that gave me purpose was gone, yet God had a lesson and a purpose. I realized that what was left was more than what left me, and I understand that the key to resilience is your spiritual foundation. I believe the crown you wear is the treasure; elevation begins head first. Today, I empower women to live life confidently, on their terms, with peace and financial security. I help women reframe their stories, reinvent themselves, and reimagine their future.
At some time in our lives, we all go through losing a loved one. I was introduced to this book after my mother died. I love the honesty of what others would say and the grace suggested to get through difficult seasons. Don’t be fooled that this is just a story to comfort.
This book helps you do the heart work to understand your feelings. I love the timeline and the fact that recovery is the main point of this book. It’s not you hiding behind work, school, or substances. It helps you see the triggers and gives you tools to actually recover.
Updated to commemorate its 20th anniversary, this classic resource further explores the effects of grief and sheds new light on how to begin to take effective actions to complete the grieving process and work towards recovery and happiness.
Incomplete recovery from grief can have a lifelong negative effect on the capacity for happiness. Drawing from their own histories as well as from others', the authors illustrate how it is possible to recover from grief and regain energy and spontaneity.
Based on a proven program, The Grief Recovery Handbook offers grievers the specific actions needed to move beyond loss. New material…
