Here are 100 books that The Life Of Crassus (Plutarch's Lives) fans have personally recommended if you like
The Life Of Crassus (Plutarch's Lives).
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We all read (or write) fiction for a bit of escapism, don’t we? To come face-to-face with the good, the bad, and the ugly of bygone days… The ancient Mediterranean is the place I would most love to visit in a time machine (albeit fully armed and in a hazmat suit), and these writers are – for me – the best at transporting readers there from the comfort of a sofa. I’ve tried plenty of historical fiction set in other times and places - much of it very good, but the smell of olive groves, the chirruping of cicadas, and the Aegean sun always call me back!
Some authors have an innate faculty for bringing the dim and distant past into such razor-sharp clarity that it’s hard not to believe that they were once present at the time. That’s how it is with Mary Renault (real name Eileen Mary Challans): any number of her books could have made this list.
What I particularly love about this duology (the sequel The Bull From the Sea isn’t quite as strong) is that Renault retold the ancient tale of Theseus and the Minotaur as historical fiction. Though she followed the main beats of the well-known story, she boldly stripped it of gods, monsters, and magic, and the narrative doesn’t suffer at all from it. If anything, it makes it even more compelling because it feels like she has stumbled upon a possible origin to the myth.
Theseus is the grandson of the King of Troizen, but his paternity is shrouded in mystery - can he really be the son of the god Poseidon? When he discovers his father's sword beneath a rock, his mother must reveal his true identity: Theseus is the son of Aegeus, King of Athens, and is his only heir. So begins Theseus's perilous journey to his father's palace to claim his birth right, escaping bandits and ritual king sacrifice in Eleusis, to slaying the Minotaur in Crete. Renault reimagines the Theseus myth, creating an original, exciting story.
I’m a writer and educator working in central Virginia, and I’ve been in love with the ancient world since my first Latin class back in the seventh grade. I’ve always been interested in social history more than just the chronology of battles and the deeds of famous men, so my research looks for sources that can illuminate daily life and the viewpoints of marginalized populations. I hold a BA in English and History from the College of William and Mary and an MLitt from Mary Baldwin University.
This is my favorite of McCullough’s Masters of Rome series. Though fictional, they are impeccably researched, rendering the collapse of the Republic in truly astonishing detail. McCullough manages to render the twists and turns of Roman politics in a way that a reader can not only follow them, but understand why they mattered so much. You’ll feel as though you are right there in the Forum or the dining-room with Caesar, Antony, Pompey, Servilia, Fulvia, and the rest. McCullough’s vivid prose drives home that these were real people, living real lives, with the same petty concerns and daily frustrations as all of us, even when they were also shaping the fates of nations.
By the author of "Thornbirds", this is the fourth in the "Masters of Rome" series and centres around Caesar in his ascension. The Republic of Rome is as much a place of women as it is of men, and no one knows Rome's women quite as Caesar does.
I grew up on Long Island, New York, got a BA in English from Stanford, then put that hard-earned degree to dubious use in the family packaging business. After a decade of trying to convince myself to think 'inside the box (lots of them), I fled to Vermont where I attempted to regain my sanity by chopping wood and shoveling snow off my roof for 8 years. (Okay, I came down off the roof every once in a while.) Like a fine cocktail, I was by then thoroughly chilled; what could be better after this than no sunshine for 13 years. That's right - Seattle. Since 2006 I have been taking the cure in Arizona, where my skin has darkened to a rich shade of pallid. Here it was that I finally realized, under the heading of hopefully-better-late-than-never, that I needed to return to my first love - writing. I live in Tempe with my wife, Stephany and our daughter, Allison, crowded into close proximity by hundreds of mineral specimens Steph and I have collected while rockhounding. "They're just a bunch of rocks," says Allison. Ouch.
Although this book was first published in 1873, it remains one of the foundations of research on the Parthian Empire. Why do I include it among these more modern works? Here’s an excerpt:
"Of the thirty sons who still remained to Orodes, king of Parthia, [he] selected as his successor Phraates, the eldest of the thirty. Orodes proceeded further to abdicate in his favour, whereupon Phraates became king. Phraates, jealous of some of his brothers, removed them by assassination, and when the ex-monarch ventured to express disapproval, added the crime of parricide to fratricide by putting to death his aged father."
The book is full of astounding little gems like this. That’s why. It is a fascinating exploration of one of the great, but few understood empires of the ancient world.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been…
My interest in Parthia began with a desire to write a novel about the Spartacus slave rebellion. I first became interested in the Thracian after seeing the Stanley Kubrick film Spartacus as a boy, my interest growing over the years. Knowing there were quite a few fiction accounts of the slave leader, I wanted to find a new perspective. This led me to devise a story around a Parthian prince who is captured by the Romans and ends up fighting in the slave army. ‘The Parthian’ was born, as was my interest in the Parthian Empire, which would lead to the Parthian Chronicles series of novels and to date over 10 years of research into the Parthian Empire. I do not pretend to be an expert on the topic, but I hope my novels have shed light on an empire that lasted nearly 500 years but is almost unknown in the West. I also hope they spur readers on to explore the history of Parthia for themselves and to discover more about a fascinating people.
Rome suffered many military reverses during the course of its 800-year history, but of them all the reverse at Carrhae in 53BC was more keenly felt than any other (even the disaster in the Teutoburg Forest resulted in the loss of only three eagles). The loss of seven eagles to the barbarian Parthians stunned the Roman world and led to a crisis of confidence, made worse by the realisation that an army of 50,000 Romans had been defeated by 10,000 Parthians. This excellent title explores the background to the battle and how the numerically inferior Parthians were able to defeat the army of Marcus Licinius Crassus.
In 53BC the Proconsul Marcus Crassus and 36,000 of his legionaries were crushed by the Parthians at Carrhae in what is now eastern Turkey. Crassus' defeat and death and the 20,000 casualties his army suffered were an extraordinary disaster for Rome. The event intensified the bitter, destructive struggle for power in the Roman republic, curtailed the empire's eastward expansion and had a lasting impact on the history of the Mediterranean and the Middle East. It was also the first clash between two of the greatest civilizations of the ancient world. Yet this critical episode has often been neglected by writers…
I've been fascinated by the commanders, campaigns, and capabilities of the Roman Army since I studied Latin at school and watched the Hollywood epic Spartacus.At that time, my parents bought me a copy of Peter Connolly’s Roman Army for Christmas, but I discovered where they had hidden it and I secretly read it before Christmas Day. I have retained that passion with a library of books collected over a lifetime to prove it. Now, as a historian and the author of eight books of my own, and as the news editor of Ancient History and Ancient Warfare magazines, I eagerly share the latest discoveries and insights with my readers.
Adrian Keith Goldsworthy could be said to be the gold standard in histories of the Roman Empire in English. He has written several books about ancient commanders and campaigns. This thought-provoking book about the Roman Army was his PhD thesis at Oxford University.
As a writer on Roman military matters myself, I have frequently referred to Goldsworthy’s study. Inspired by John Keegan's revisionist landmark book Face of Battle, Goldsworthy draws upon Classical sources covering 300 years—Julius Caesar, Tacitus, Polybius, Plutarch, Flavius Josephus—to present his interpretation of how the Roman army actually “waged war”. The extensive footnotes point to other writers and evidence for further personal study.
This detailed examination of the way in which the Roman army operated during a war and how it fought a battle breaks away from existing studies, which mostly concentrate on the army in peacetime, and attempts to understand the army as an institution whose ultimate purpose was to wage war. Adrian Goldsworthy explores the influence to the Roman army's organization on its behaviour during a campaign, emphasizing its great flexibility in comparison to most of its opponents. He considers the factors determining the result of a conflict and proposes, contrary to orthodox opinion, that the Roman army was able to…
I am a historian and history teacher in Ohio with a passion for studying the endlessly fascinating Roman Republic. It was a time when many believed the gods walked the earth, when legend and reality mixed. The resulting stories lure us with their strangeness while reminding us of our modern world. For me, no topic in the Republic captures this paradox of strangeness and familiarity more than the political systems of the Republic. Our very ideas about representative democracy come from the Romans. But the legacy is deeper. In Roman politicians’ thirst for votes and victory, their bitter rivalries we can, perhaps, see the dangers of excessive political competition today.
Though Plutarch is not our only source for the political and military anecdotes detailing Roman aristocrats, their achievements, and their foibles, good translations of his biographies provide some of the most accessible and enjoyable reading for those who want to get a little closer to the source material. Waterfield’s translation is contemporary and excellent. The selection of Plutarch’s biographies in this volume span the sweep of the Middle and Late Republic, Cato the elder to Caesar. And he narrates with his usual style including all manner of interesting oddities and side comments about Roman society to spice the details up. An outstanding choice for learning more about the ancient historical record in a very readable set of biographies.
Marcus Cato
Sulla
Aemilius Paullus
Pompey
The Gracchi
Marius
Julius Caesar
Anthony
'I treat the narrative of the Lives as a kind of mirror...The experience is like nothing so much as spending time in their company and living with them: I receive and welcome each of them in turn as my guest.'
In the eight lives of this collection Plutarch introduces the reader to the major figures and periods of classical Rome. He portrays virtues to be emulated and vices to be avoided, but his purpose is also implicitly to educate and warn those in his own day who wielded…
I made my first visit to Pompeii at age seven. That day, I told my parents that I had been there before. It was all very familiar. And that sense of déjà vu has never left me. I feel it whenever I go back to Pompeii, Herculaneum, and the Roman Forum. I don’t believe in reincarnation, but... As an adult, I’ve returned many times to those places and visited others featured in my books: the Etruscan necropolis at Caere, which was already 1,000 years old at the time of my novels; Athens; and the ancient ports of Piraeus in Greece and Itanos in Crete. I earned a Ph.D. at Northwestern University, taught for many years, and enjoyed a million marvelous experiences, but my lifelong love of ancient Rome is the direct result of that long-ago visit to Pompeii with my parents.
The Civil War of 69 AD — aka “The Year of Four Emperors” — was a complex, pivotal moment in the history of the Roman Empire. Since it took place at a key moment in my trilogy’s timeline, and since so many of my characters were active participants, I had to understand it. Morgan expertly clarifies an interrelated series of historical threads that I needed to follow to make my three-part fictional story both historically accurate and novelistically intriguing.
The Year of Four Emperors, so the ancient sources assure us, was one of the most chaotic, violent and frightening periods in all Roman history: a time of assassinations and civil wars, of armies so out of control that they had no qualms about occupying the city of Rome, and of ambitious men who seized power only to lose it, one after another. In 69 AD, Gwyn Morgan offers a fresh look at this period, based on two considerations to which insufficient attention has been paid in the past. First, that we need to unravel rather than cherry-pick between the…
Chriselda is a multi-genre, prolific author, and speaker, with a background in Business Administration and Chemistry/Microbiology. She speaks 5 languages & has published over 50 books. Her expansive writing covers poetry, horror, thriller, romance, children’s illustration, educational... but she enjoys telling a story in narrative poetry the most. Currently, she is working on her next dark poetry book Me and Him, where she will invoke one of the greatest poets – EA Poe. In her effort to promote more learning, she is also wrapping up the fourth book in her - Sigils, Symbols and Alchemy Series. Her passion for writing, lifelong learning, creativity, and her curiosity all help spark her innovative mindset.
Sappho was an Archaic Greek poet from the island of Lesbos. Best known for her lyric poetry, which was initially written to be sung while accompanied by a lyre. In ancient times, Sappho was widely regarded as one of the greatest poets and referred to as the "Tenth Muse" and "The Poetess". She also was among the canon of Nine Lyric Poets most highly esteemed by scholars of Hellenistic Alexandria.
Though most of her work has been lost, there are still new discoveries being found, giving us an incredible taste of her feelings, tenderness, simplicity, and her interpretation of life as we resonate with it presently, in this day and age. Way ahead of their time, her poems through their versatility give us a sense of her transcendental and emotional views on love in an unassuming yet impactful way. An artist whose themes extend beyond romance and myth, delving into…
A vivid, contemporary translation of the greatest Greek love poet—with a wealth of materials for understanding her work—by a prize-winning poet and translator
Sappho’s thrilling lyric verse has been unremittingly popular for more than 2,600 years—certainly a record for poetry of any kind—and love for her art only increases as time goes on. Though her extant work consists only of a collection of fragments and a handful of complete poems, her mystique endures to be discovered anew by each generation, and to inspire new efforts at bringing the spirit of her Greek words faithfully into English.
I’m a psychiatrist and philosopher who lives and teaches in Oxford, England. I’ve long held that there is much more to mental health than the mere absence of mental disorder. Mental health is not just about surviving, limping from crisis to crisis, but about thriving, about developing and expressing our highest, fullest potential as human beings. The Stoic attitude is a path not just to sanity but to hypersanity, at a time when more than one in five adults are suffering from some form of depression. Unlike many modern interventions, Stoicism is no sticking plaster, but a total and radical reappraisal of our relationship to ourselves and to the world.
Seneca lived through the reigns of all five Julio-Claudian emperors. His writings represent the most important body of primary material for ancient Stoicism. He wrote theLetters to Lucilius in his final years, intending them as his immortal legacy, prior to committing suicide on the order of Nero. The letters are an excellent entry point to Seneca, Stoicism, and philosophy in general. They collectively amount to a course in moral development and become longer and more technical as Lucilius appears to be making philosophical progress. Michel de Montaigne, the “French Seneca”, modelled his Essays upon the Letters, writing in one of them, “I have not devoted myself to any serious work except perhaps Plutarch and Seneca: but upon them, I draw as do the Danaids...”
The Moral Letters to Lucilius is a collection of 124 letters which were written by Seneca the Younger at the end of his life, during his retirement, and written after he had worked for the Emperor Nero for more than ten years. They are addressed to Lucilius, the then procurator of Sicily, although he is known only through Seneca's writings. Regardless of how Seneca and Lucilius actually corresponded, it is clear that Seneca crafted the letters with a broad readership in mind. The letters often begin with an observation on daily life before proceeding to an issue or principle that…
They say true happiness is finding something you love, and getting paid to do it, which makes me one happy bunny. Ancient history has been my passion, my hobby and my job for the past three decades, and I still wake up every morning looking forward to another day of it. Thanks to the internet I can study the classics and still hike in the mountains and kayak the mountain lakes of my corner of British Columbia. It doesn't get better than this.
Ever wonder where Shakespeare got his ideas from? He plundered the classics, especially Plutarch and Plautus. Plautus can't really complain about that as his plays are mostly re-workings of (now lost) Greek originals. This play is Shakespeare's Comedy of Errors, set 1500 years earlier. It's still a good read and should elicit a few giggles. Try Riley's translation on Digireads.
Considered to be Plautus's greatest play, "Menaechmi; Or, The Twin-Brothers" is the story of two twin brothers, Menaechmus and Sosicles, who are separated at age seven when their father takes Menaechmus on a business trip. This classic play, which provided the inspiration for Shakespeare's "Comedy of Errors", draws heavily on the theme of mistaken identity.
