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I’m a writer and educator working in central Virginia, and I’ve been in love with the ancient world since my first Latin class back in the seventh grade. I’ve always been interested in social history more than just the chronology of battles and the deeds of famous men, so my research looks for sources that can illuminate daily life and the viewpoints of marginalized populations. I hold a BA in English and History from the College of William and Mary and an MLitt from Mary Baldwin University.
This travelogue looks at the Mediterranean with dual vision: one ancient eye and one modern. Perrottet retraces the route taken by the wealthy Romans who were, in a sense, the world’s first tourists, living with enough safety and comfort to travel for leisure rather than necessity. He begins in Italy, then the Greek mainland and some island-hopping, makes a necessary stop in Troy, then moves down the Turkish coast and finally into Egypt. In doing so, he provides perspective both on what the Romans would have expected and discovered along the journey as well as what a modern-day traveller would find 2000 years later. The similarities are as surprising as the differences!
The ancient Romans were responsible for many remarkable achievements—Roman numerals, straight roads—but one of their lesser-known contributions was the creation of the tourist industry. The first people in history to enjoy safe and easy travel, Romans embarked on the original Grand Tour, journeying from the lost city of Troy to the Acropolis, from the Colossus at Rhodes to Egypt, for the obligatory Nile cruise to the very edge of the empire. And, as Tony Perrottet discovers, the popularity of this route has only increased with time.
Intrigued by the possibility of re-creating the tour, Perrottet, accompanied by his pregnant girlfriend,…
I’ve always been interested in history. I grew up in London, where there's a lot of it. But what made me want to write fiction about the past was experiences of imaginative affinity for certain other times and places. My first book is set during World War One. I've always felt connected to the change in sensibility that many people went through then, from an optimistic, moralistic, Victorian outlook, in which, to quote Paul Fussell from The Great War and Modern Memory, people “believed in Progress and Art and in no way doubted the benignity even of technology” to an understanding that human beings and our societies contained deeper, more persistent shadows.
The challenge of writing historical fiction set in the distant past is bridging the vast gap between our modern understanding of the world and that of our distant forebears, since even our most basic assumptions and values undergo enormous changes over time. Those who love Renault’s works about classical antiquity relish the ability of her novels to truly carry us into another world, to make it felt and intelligible. This novel follows the fortunes of the mythic hero Theseus, from his origins in Troizen to his departure for Athens to find his father, his achievement of the kingship of Eleusis, his voluntary enslavement in Crete as a bull-dancer, an acrobat who vaults over living animals for spectacle, his confrontation with the minotaur and his eventual return home, older and more baffled by existence. It gives dimension to the mythic hero, a complexity that is at once familiar and profoundly, unsettlingly…
Theseus is the grandson of the King of Troizen, but his paternity is shrouded in mystery - can he really be the son of the god Poseidon? When he discovers his father's sword beneath a rock, his mother must reveal his true identity: Theseus is the son of Aegeus, King of Athens, and is his only heir. So begins Theseus's perilous journey to his father's palace to claim his birth right, escaping bandits and ritual king sacrifice in Eleusis, to slaying the Minotaur in Crete. Renault reimagines the Theseus myth, creating an original, exciting story.
I grew up on Long Island, New York, got a BA in English from Stanford, then put that hard-earned degree to dubious use in the family packaging business. After a decade of trying to convince myself to think 'inside the box (lots of them), I fled to Vermont where I attempted to regain my sanity by chopping wood and shoveling snow off my roof for 8 years. (Okay, I came down off the roof every once in a while.) Like a fine cocktail, I was by then thoroughly chilled; what could be better after this than no sunshine for 13 years. That's right - Seattle. Since 2006 I have been taking the cure in Arizona, where my skin has darkened to a rich shade of pallid. Here it was that I finally realized, under the heading of hopefully-better-late-than-never, that I needed to return to my first love - writing. I live in Tempe with my wife, Stephany and our daughter, Allison, crowded into close proximity by hundreds of mineral specimens Steph and I have collected while rockhounding. "They're just a bunch of rocks," says Allison. Ouch.
This is as close to the horse’s mouth as we can get, yet it’s still a hundred years after the events of Republican Rome’s demise. Remember the Viet Nam war? It was one of America’s great foreign policy failures. Rome hated failure like a teenager hates acne. Cover it up, deny it, erase it. That is what Plutarch does in this work. I think it speaks to Crassus' towering achievements that Plutarch has anything nice to say about him at all!
The story of Rome's richest man, who died a humiliating desert death in search of military glory
"A perfectly paced biography."-Tom Holland, Times Literary Supplement
Marcus Licinius Crassus (115-53 BCE) was a modern man in an ancient world, a pioneer disrupter of finance and politics, and the richest man of the last years of the Roman republic. Without his catastrophic ambition, this trailblazing tycoon might have quietly entered history as Rome's first modern political financier. Instead, Crassus and his son led an army on an unprovoked campaign against Parthia into what are now the borderlands of Turkey, Syria, and Iraq,…
I grew up on Long Island, New York, got a BA in English from Stanford, then put that hard-earned degree to dubious use in the family packaging business. After a decade of trying to convince myself to think 'inside the box (lots of them), I fled to Vermont where I attempted to regain my sanity by chopping wood and shoveling snow off my roof for 8 years. (Okay, I came down off the roof every once in a while.) Like a fine cocktail, I was by then thoroughly chilled; what could be better after this than no sunshine for 13 years. That's right - Seattle. Since 2006 I have been taking the cure in Arizona, where my skin has darkened to a rich shade of pallid. Here it was that I finally realized, under the heading of hopefully-better-late-than-never, that I needed to return to my first love - writing. I live in Tempe with my wife, Stephany and our daughter, Allison, crowded into close proximity by hundreds of mineral specimens Steph and I have collected while rockhounding. "They're just a bunch of rocks," says Allison. Ouch.
Although this book was first published in 1873, it remains one of the foundations of research on the Parthian Empire. Why do I include it among these more modern works? Here’s an excerpt:
"Of the thirty sons who still remained to Orodes, king of Parthia, [he] selected as his successor Phraates, the eldest of the thirty. Orodes proceeded further to abdicate in his favour, whereupon Phraates became king. Phraates, jealous of some of his brothers, removed them by assassination, and when the ex-monarch ventured to express disapproval, added the crime of parricide to fratricide by putting to death his aged father."
The book is full of astounding little gems like this. That’s why. It is a fascinating exploration of one of the great, but few understood empires of the ancient world.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been…
My interest in Parthia began with a desire to write a novel about the Spartacus slave rebellion. I first became interested in the Thracian after seeing the Stanley Kubrick film Spartacus as a boy, my interest growing over the years. Knowing there were quite a few fiction accounts of the slave leader, I wanted to find a new perspective. This led me to devise a story around a Parthian prince who is captured by the Romans and ends up fighting in the slave army. ‘The Parthian’ was born, as was my interest in the Parthian Empire, which would lead to the Parthian Chronicles series of novels and to date over 10 years of research into the Parthian Empire. I do not pretend to be an expert on the topic, but I hope my novels have shed light on an empire that lasted nearly 500 years but is almost unknown in the West. I also hope they spur readers on to explore the history of Parthia for themselves and to discover more about a fascinating people.
Rome suffered many military reverses during the course of its 800-year history, but of them all the reverse at Carrhae in 53BC was more keenly felt than any other (even the disaster in the Teutoburg Forest resulted in the loss of only three eagles). The loss of seven eagles to the barbarian Parthians stunned the Roman world and led to a crisis of confidence, made worse by the realisation that an army of 50,000 Romans had been defeated by 10,000 Parthians. This excellent title explores the background to the battle and how the numerically inferior Parthians were able to defeat the army of Marcus Licinius Crassus.
In 53BC the Proconsul Marcus Crassus and 36,000 of his legionaries were crushed by the Parthians at Carrhae in what is now eastern Turkey. Crassus' defeat and death and the 20,000 casualties his army suffered were an extraordinary disaster for Rome. The event intensified the bitter, destructive struggle for power in the Roman republic, curtailed the empire's eastward expansion and had a lasting impact on the history of the Mediterranean and the Middle East. It was also the first clash between two of the greatest civilizations of the ancient world. Yet this critical episode has often been neglected by writers…
I’m a writer and educator working in central Virginia, and I’ve been in love with the ancient world since my first Latin class back in the seventh grade. I’ve always been interested in social history more than just the chronology of battles and the deeds of famous men, so my research looks for sources that can illuminate daily life and the viewpoints of marginalized populations. I hold a BA in English and History from the College of William and Mary and an MLitt from Mary Baldwin University.
Duncan walks the reader through the generations leading up to the fall of the Republic, examining the political, economic, and social conditions that led to civil war and, eventually, the transition to Empire. While Duncan provides biographies of key figures like the Gracchi brothers, he also sets them in the context of their world: its constraints, its faith, its competing pressures. The Storm Before the Storm opens a window into an under-examined period of history, one which has echoes in modern-day politics.
The Roman Republic was one of the most remarkable achievements in the history of civilization. Beginning as a small city-state in central Italy, Rome gradually expanded into a wider world filled with petty tyrants, barbarian chieftains, and despotic kings. Through the centuries, Rome's model of cooperative and participatory government remained remarkably durable and unmatched in the history of the ancient world.
In 146 BC, Rome finally emerged as the strongest power in the Mediterranean. But the very success of the Republic proved to be its undoing. The republican system was unable to cope with the vast empire Rome now ruled:…
I’m a professor of Roman history who teaches and writes about the social world of the ancient Romans. I’m drawn to the topic of ancient Rome because it seems simultaneously familiar and alien: the people always “feel real” to me, but the many cultural differences between Rome and modern America prod me to contemplate those aspects and values of my own world that I take for granted. I enjoy the high moral stakes of the political machinations as well as the aesthetic beauty of the artistic creations of Rome. And the shadow of Rome still looms large in American culture, so I find the study of antiquity endlessly instructive.
Perhaps the best place to start for a novice looking to learn about Roman history. I have had students, friends, and family all tell me that this was the book that really got them excited about ancient Rome.
Beard is a very witty, engaging writer who is able to combine major historical moments with obscure but revealing anecdotes to tell a coherent narrative of Roman history. She also demonstrates, such as in her introductory chapter’s discussion of modern references to the ancient conflict between Cicero and Catiline, the continuing relevance of Roman history to our understanding of politics today.
In SPQR, an instant classic, Mary Beard narrates the history of Rome "with passion and without technical jargon" and demonstrates how "a slightly shabby Iron Age village" rose to become the "undisputed hegemon of the Mediterranean" (Wall Street Journal). Hailed by critics as animating "the grand sweep and the intimate details that bring the distant past vividly to life" (Economist) in a way that makes "your hair stand on end" (Christian Science Monitor) and spanning nearly a thousand years of history, this "highly informative, highly readable" (Dallas Morning News) work examines not just how we think of ancient Rome but…
I’m a writer and educator working in central Virginia, and I’ve been in love with the ancient world since my first Latin class back in the seventh grade. I’ve always been interested in social history more than just the chronology of battles and the deeds of famous men, so my research looks for sources that can illuminate daily life and the viewpoints of marginalized populations. I hold a BA in English and History from the College of William and Mary and an MLitt from Mary Baldwin University.
This book provides an exemplary hour-by-hour guide to what life was like for a citizen of Rome at the height of its power. I love that Angela not only gives us the high-society angle, bringing us into the lush gardens and sumptuous homes of Rome’s wealthy and powerful, but also the crowded apartments and streets that were home to the vast majority of the ancient city’s citizens. You walk alongside them, getting a ground-level view of the patterns of a normal day in all its mundane details, from clothing to food to labor to entertainment, rendered in fascinating prose.
The wondrous extravagance of banquets where flamingos are roasted whole and wine flows like rivers. The roar of frenzied spectators inside the Colosseum during a battle between gladiators. A crowd of onlookers gathered at a slave auction. The silent baths and the boisterous taverns...Many books have dealt with the history of ancient Rome, but none has been able to so engage its readers in the daily life of the Imperial capital.
This extraordinary armchair tour, guided by Alberto Angela with the charm of a born storyteller, lasts twenty-four hours, beginning at dawn on an ordinary day in the year 115…
History is nearly always relegated to heavy tomes and stuffy museum rooms. Learning about our past seems no longer important, and we keep promoting it in such uncool and unsexy ways. I feel any of our histories, with either a capital or lower case ‘h’, whether focused on big world events or local life, deserve to be told in a special kind of way, with that sprinkle of “magic realism” only fiction authors can deliver. Alternative history, historical fiction, magic fabulism, they are the sides of the same dice creating new, different stories inspired by our collective memory of things that have happened. These books touch this topic so dear to me.
Reliving the lives of two famous Romans in a new fictional light is what makes this five-book series a dazzling example of magical realism. The entire settings, that is Ancient Rome during the Republic, is real and has existed in the form it is presented. The characters, though, have taken on a more personal shape, independent from the historical image we know. Caesar and Brutus become larger-than-life characters, allowing more to be told about them, their feelings, their ambitions, and giving us a version of them we may never read in history books. We become closer to them, and try to understand them more as human beings engulfed by history rather than historical figures. It is an unparalleled humanisation of history through fiction.
From the spectacle of gladiatorial combat to the intrigue of the Senate, from the foreign wars that secure the power of the empire to the betrayals that threaten to tear it apart, this is the remarkable story of the man who would become the greatest Roman of them all: Julius Caesar.
In the city of Rome, a titanic power struggle is about to shake the Republic to its core. Citizen will fight citizen in a bloody conflict - and Julius Caesar, cutting his teeth in battle, will be in the thick of the action.
Born and raised in New Zealand I got hooked on history as a child and began university life as an ancient and medieval double major studying everything from the classical Greeks and Romans to Charlemagne and the Crusades. By the time I came to Oxford to write my PhD, I had decided that my greatest interest lay in the dramatic transformation which saw classical antiquity evolve into medieval Christendom. I've been fortunate enough to write and teach many different aspects of that transformation, from the Roman Republic to early Christianity and the Goths, and I'm currently Associate Professor in Ancient and Late Antique History at Royal Holloway, in the University of London.
It would seem strange not to include at least one work on Julius Caesar in any list of recommended reading on the Republic’s fall, and Stevenson’s book strikes just the right balance between Caesar’s career and the wider Republican background against which Caesar must be set. The challenging evidence for Caesar’s life and motivations is presented with great clarity, including his own writings, and so too are the often contradictory judgments made by modern scholars. Stevenson taught me during my MA at the University of Auckland, so I was delighted to see this book appear, and he has provided an invaluable contribution to the ongoing debates over Caesar’s responsibility for the Republic’s collapse and the transformation from Republic to Empire.
Julius Caesar and the Transformation of the Roman Republic provides an accessible introduction to Caesar's life and public career. It outlines the main phases of his career with reference to prominent social and political concepts of the time. This approach helps to explain his aims, ideals, and motives as rooted in tradition, and demonstrates that Caesar's rise to power owed much to broad historical processes of the late Republican period, a view that contrasts with the long-held idea that he sought to become Rome's king from an early age. This is an essential undergraduate introduction to this fascinating figure, and…
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