10 books like Caesar's Women

This travelogue looks at the Mediterranean with dual vision: one ancient eye and one modern. Perrottet retraces the route taken by the wealthy Romans who were, in a sense, the world’s first tourists, living with enough safety and comfort to travel for leisure rather than necessity. He begins in Italy, then the Greek mainland and some island-hopping, makes a necessary stop in Troy, then moves down the Turkish coast and finally into Egypt. In doing so, he provides perspective both on what the Romans would have expected and discovered along the journey as well as what a modern-day traveller would find 2000 years later. The similarities are as surprising as the differences!

The challenge of writing historical fiction set in the distant past is bridging the vast gap between our modern understanding of the world and that of our distant forebears, since even our most basic assumptions and values undergo enormous changes over time. Those who love Renault’s works about classical antiquity relish the ability of her novels to truly carry us into another world, to make it felt and intelligible. This novel follows the fortunes of the mythic hero Theseus, from his origins in Troizen to his departure for Athens to find his father, his achievement of the kingship of Eleusis, his voluntary enslavement in Crete as a bull-dancer, an acrobat who vaults over living animals for spectacle, his confrontation with the minotaur and his eventual return home, older and more baffled by existence. It gives dimension to the mythic hero, a complexity that is at once familiar and profoundly, unsettlingly… show more.

This is as close to the horse’s mouth as we can get, yet it’s still a hundred years after the events of Republican Rome’s demise. Remember the Viet Nam war? It was one of America’s great foreign policy failures. Rome hated failure like a teenager hates acne. Cover it up, deny it, erase it. That is what Plutarch does in this work. I think it speaks to Crassus' towering achievements that Plutarch has anything nice to say about him at all!

Although this book was first published in 1873, it remains one of the foundations of research on the Parthian Empire. Why do I include it among these more modern works? Here’s an excerpt:

"Of the thirty sons who still remained to Orodes, king of Parthia, [he] selected as his successor Phraates, the eldest of the thirty. Orodes proceeded further to abdicate in his favour, whereupon Phraates became king. Phraates, jealous of some of his brothers, removed them by assassination, and when the ex-monarch ventured to express disapproval, added the crime of parricide to fratricide by putting to death his aged father."

The book is full of astounding little gems like this. That’s why. It is a fascinating exploration of one of the great, but few understood empires of the ancient world.

Rome suffered many military reverses during the course of its 800-year history, but of them all the reverse at Carrhae in 53BC was more keenly felt than any other (even the disaster in the Teutoburg Forest resulted in the loss of only three eagles). The loss of seven eagles to the barbarian Parthians stunned the Roman world and led to a crisis of confidence, made worse by the realisation that an army of 50,000 Romans had been defeated by 10,000 Parthians. This excellent title explores the background to the battle and how the numerically inferior Parthians were able to defeat the army of Marcus Licinius Crassus.

Duncan walks the reader through the generations leading up to the fall of the Republic, examining the political, economic, and social conditions that led to civil war and, eventually, the transition to Empire. While Duncan provides biographies of key figures like the Gracchi brothers, he also sets them in the context of their world: its constraints, its faith, its competing pressures. The Storm Before the Storm opens a window into an under-examined period of history, one which has echoes in modern-day politics.

Mary Beard, Cambridge University professor of classics and noteworthy TV personality, is the lively author of a number of books on the ancient world. Roman antiquity endured for a thousand years, and her most beloved book covers that millenium: SPQR: A History of Ancient Rome. SPQR is a renowned best seller which enchants even those who have scant knowledge of classical antiquity.

This book provides an exemplary hour-by-hour guide to what life was like for a citizen of Rome at the height of its power. I love that Angela not only gives us the high-society angle, bringing us into the lush gardens and sumptuous homes of Rome’s wealthy and powerful, but also the crowded apartments and streets that were home to the vast majority of the ancient city’s citizens. You walk alongside them, getting a ground-level view of the patterns of a normal day in all its mundane details, from clothing to food to labor to entertainment, rendered in fascinating prose.

It would seem strange not to include at least one work on Julius Caesar in any list of recommended reading on the Republic’s fall, and Stevenson’s book strikes just the right balance between Caesar’s career and the wider Republican background against which Caesar must be set. The challenging evidence for Caesar’s life and motivations is presented with great clarity, including his own writings, and so too are the often contradictory judgments made by modern scholars. Stevenson taught me during my MA at the University of Auckland, so I was delighted to see this book appear, and he has provided an invaluable contribution to the ongoing debates over Caesar’s responsibility for the Republic’s collapse and the transformation from Republic to Empire.

Reliving the lives of two famous Romans in a new fictional light is what makes this five-book series a dazzling example of magical realism. The entire settings, that is Ancient Rome during the Republic, is real and has existed in the form it is presented. The characters, though, have taken on a more personal shape, independent from the historical image we know. Caesar and Brutus become larger-than-life characters, allowing more to be told about them, their feelings, their ambitions, and giving us a version of them we may never read in history books. We become closer to them, and try to understand them more as human beings engulfed by history rather than historical figures. It is an unparalleled humanisation of history through fiction.